Textual Practice

Article	Citations
Free Indirect: the novel in a postfictional age	98
‘Here is my shameful confession. I don’t really “get” poetry’: discerning reader types in responses to Sylvia Plath’s Ariel on Goodreads	13
The satire of the meritocracy: foreclosed futures in Michael Young, Raymond Williams, and Muriel Spark	6
From Palibino to Riviera: narrative rhythmanalysis of Sofia Kovalevskaya’s literary writings	4
Writing pain in the nineteenth-century United States	4
Genesis (what can’t light see?) retrospectively	3
Deconstructing Narrative, Deconstructing the death penalty. The case of Billy Budd, Sailor	3
Aesop’s vomit: or, stomach problems in early modern England	3
‘There; keep thy finger on it’: the prosthetics of measurement in Moby-Dick	2
Of squalls and mutinies: emergency politics and black democracy in Moby-Dick and ‘The Heroic Slave’	2
The nurse (5 min, video and sound)	2
‘A flicker of the divine progress?’: stage-managing narratives of Empire in Jan Morris's Pax Britannica trilogy	2
The reversed monomyth in a queer Russian web series	2
The master as parasite in modern literature	2
‘It is, that’s all.’: J. M. Coetzee’s Life & Times of Michael K (1983) and the cinema of Alain Robbe-Grillet	2
Poetic transcribbling: Ted Berrigan & Harris Schiff’s Yo-Yo’s with Money and Beaned in Boston	1
A poetic geography: placing urban literature in two districts of Istanbul, Türkiye	1
Gold, cocaine, montage: Latin American sacrifice zones in Michael Taussig’s My Cocaine Museum	1
‘At each remove the similarity fades a bit more’: queer politics and experimental prose in two generations of New Narrative	1
Caring about lyricality	1
Venus sans furs: wolves and women in three medieval poems	1
Wasting time? The politics and poetics of feminist waiting	1
The paradoxes of Roland Barthes’s fait-divers murders and Edgar Allan Poe’s ‘Things external to the game’	1
‘Without too much anxiety’: re-reading Cage and Feldman through Gertrude Stein’s theatre poetics	1
And be but cryonically extant: Don DeLillo and Sir Thomas Browne	1

Producing Historicity: Foucault, Joyce and European Art Cinema, 1955–1980	1
Those who flee and those who see: Poussin’s drawing and withdrawing	1
Performing the poetics of the Iranian dream on silver screen: Hamoun as a tale of spiritual rebirth	1
The uneasiness of emotion and its representations in Max Porter’s Grief Is the Thing with Feathers	1
As plain as spilt salt: the city as social structure in The Dispossessed	1
The book and the pen: reading biography and writing autobiography as feminist project in Good Night Stories for Rebel Girls and I Am A Rebel Girl	1
Introduction: ‘Baldewins Straunge Faschions’	1
Metaphor, subjectivity and self-knowledge in Edward St. Aubyn’s novels	1
Narrating the (non)human: ecologies, consciousness and myth	1
Modernism and the Aristocracy: Monsters of English Privilege Modernism and the Aristocracy: Monsters of English Privilege , by Adam Parkes, Oxford, Oxford University Pre	1
Public criticism	1
Signal and noise in Skelton	1
(In)visible writing in art and performance	1
Engagements with Aimé Césaire: thinking with spirits Engagements with Aimé Césaire: thinking with spirits , by Jason Allen-Paisant, Oxford, Oxford University Press, 2024	1
Kae Tempest, London and the digital affects of neoliberalism	1
Editing Laura	1
Decolonizing the English literary curriculum	1
A. S. Byatt and the quiddity of things: a material-semiotic approach to narrating the human through the non-human	1
The framing of selfless role-playing in Mohsin Hamid’s The Reluctant Fundamentalist	1
Literature and Class, from the Peasants' Revolt to the French Revolution Literature and Class, from the Peasants' Revolt to the French Revolution , by Andrew Hadfield, M	1
Extrospection: Zen and the art of being posthuman in Ruth Ozeki’s A Tale for the Time Being	1
The actor-network in Herman Melville’s ‘The Apple-Tree Table’	1
Ungraspable: Black life in Juan Cárdenas’s novels	1
Defamiliarisation, invisible characters, and laboured connections	1
Catworld	1
Beyond the silence of the voice: Leos Carax’s Annette and silent cinema	1
Critique du récit pur : gleam of time in Maurice Blanchot’s narratives	1
Oil Cultures, World drama and contemporaneity: questions of time, space and form in Ella Hickson’s Oil	1
What happens to thought in a cyborg body? On Brain ships, embodiment and posthuman gest	1
Kinship ecology and the bildungsroman: the child–animal relationship in Louise Erdrich’s The Birchbark House series	1
‘Lovescape crucified’: Gerard Manley Hopkins’s red letter and ‘The Wreck of the Deutschland’	1
Introduction: Gertrude Stein's theatre and the Radio Free Stein project	1
How the earth feels: geological fantasy in the nineteenth-century United States How the earth feels: geological fantasy in the nineteenth-century United States , by Dana	1
Introduction: unoccupied air	1
A: Account	1
The notion of criticism at the present time: from postcriticism to an ethics of reading well	1
Evidence of eden: unstable continuum and manifest history in M. NourbeSe Philip’s Zong!	1
Thinking the contemporary: beyond distinctiveness in the literary humanities	1
‘A 40 years works feels / 40 more 40 thousand’: Lionel Fogarty’s hauntological poetics and the archive	1
Stage directions as endotext: the psychological and socio-historical messages in the stage directions of Cao Yu and Lao She	1
Elemental melodrama	0
Vibrancy of nouns: Philip Terry’s Quennets and the vitality of matter	0
Revisiting Pascale Casanova’s world literary space	0
The empire’s double bind: Kazuo Ishiguro and the Imperial Rescript on Education	0
Mere light	0
‘Piers Plowman’ and the reinvention of church law in the late middle ages	0
‘Despicable beauty’: the embedded sublime and the poetics of violence in Iraq war reportage	0
Game-changing Homeric memory: Odysseys before and after Joyce	0
The fog of tyranny in ‘Benito Cereno’	0
The contemporary problem of style	0

Against explanation: Dylan Thomas and smudginess	0
The work of literary studies: interpretation, argument, and socioaesthetic experience	0
Fencing with the symptom: a Lacanian reading of Laurence Sterne's sentence structure and punctuation in Tristram Shandy	0
Processes of translation: Bruno Latour’s heterodox semiotics	0
Tasting/Loving/Writing the Other: The Sensuous Poetics of Li-Young Lee and Walt Whitman	0
The near future in twenty-first-century fiction: climate, retreat and revolution	0
W. S. Graham’s already made voices	0
Writing (with) the body: the case of Kim de l’Horizon’s Blutbuch	0
Exit this way: afterward	0
The Barfly and the Beatnik: the literary relationship of Charles Bukowski and Kay ‘Kaja’ Johnson	0
Vulnerability in contemporary Northern Irish literature: from climate change to troubles tourism	0
The silkworms of Eugenides and Derrida	0
Dissection Nation	0
Cuts	0
Getting to Good Friday: literature and the peace process in Northern Ireland	0
To decompose the gender possibilities of the contemporary sestina: queer formalism reimagined through a poetic fixed form	0
Reading utopias now	0
‘Glimpses of Arcadia’: queer spectralities in Shola von Reinhold’s Lote	0
3 x Shapes of Home – a topographical moving image experiment	0
The permeable reader: queer metalepsis and the novels of Barbara Trapido	0
Psychoanaliterature, or, how the American relational move made Are You My Mother? and The Argonauts	0
Material in its fashion: Proust’s Fortunys and the pleats of time*	0
Fourwalkers, taildanglers, headhangers: labouring animals in Ulysses	0
‘Toward the evening of a gone world’: on forgetting Hugh Kenner	0
‘Mike, Bob, Bill, Jim, Thom’: queer communal life and poetic form in Thom Gunn’s ‘Jack Straw’s Castle’	0
‘Like a bee’s sting or a bullet’: eroticism, violence and the afterlives of colonial romance in Medbh McGuckian’s The Flower Master and Other Poems (1993)	0
Manuscript canonicity	0
Laura Marcus and the train to Freud	0
Deleuze, subjectivity, and literature as life	0
Pregnancy, silence, and cinematic apocalypse in debbie tucker green’s second coming (2015) and ear for eye (2018/2021)	0
‘Exploiting magnificence’: Hart Crane versus T. S. Eliot on the matter of diction	0
Poetics of liveliness: molecules, fibers, tissues, clouds	0
For Laura	0
No. 44, The Mysterious Stranger: Mark Twain’s critique of progressive era meritocracy	0
‘The most elemental process’: Sunshine as solar melodrama	0
I can scrawl and I can crawl: drawing towards New Narrative	0
Creaturely forms in contemporary literature: narrating the war against animals	0
Eating and cooking beyond the borders in Elif Shafak’s The Saint of Incipient Insanities	0
The Comic turn in Contemporary English Fiction: Who’s Laughing Now?	0
Grasping extinction: the natural history museum as haptic space in the work of Clarke, Robinson and Jamie	0
‘Melville knew the score’: ‘Benito Cereno’ as an index of Black Atlantic globality	0
The intelligence of artifice: Oscar Wilde and AI	0
Whimsical criticism	0
A horizon line: flat style in contemporary women’s poetry	0
Archival geometries: virtual pasts and subaltern futures in Caribbean digital art	0
A conversation with Robert Glück	0
Touching the screen: on visual textuality and knowledge construction in Anne Carson’s poetry	0
Footnotes	0
Pluralism, poetry, and literacy	0
Mike McCormack’s style of post-mortem modernism	0
Bruce Boone Dismembered: Poems, Stories, and Essays	0
Chinese modernist satire: Lao She’s Mr Ma and Son (1929), Qian Zhongshu’s Fortress Besieged (1947), and Eileen Chang’s Lege	0
Melville’s gravity: necessity, art, democracy	0
In light of myth: photography as truth in Roland Barthes’s Camera Lucida	0
Resourceful melodrama: carbon capitalism and the fossil unconscious in Dymphna Cusack’s Southern Steel (1953)	0
Gertrude Stein’s radio audience	0
Elsewhere: Laura Marcus and autobiography	0
Fragmentary modernism: the classical fragment in literary and visual cultures, c.1896 – c.1936	0
Hotel-daddy-wasp-machine	0
Time against the sovereign power: the interregnum in Stuart Brisley’s performance art	0
Touching toward the (un)known: working collaboratively with bodies and technologies	0
When wasn't modernism? Reflections on the stone age	0
Introduction: futures of literary studies	0
Sense in translation: essays on the bilingual body	0
A Problem of Middlebrow Style: Dialect and Translation in Elena Ferrante’s Naples Tetralogy	0
‘Perfectly, perfectly funny’?: laughing with the internet in Patricia Lockwood’s No One Is Talking About This	0
Consciousness and the nonhuman: the imaginary of the new brain sciences in Ian McEwan’s Nutshell and Machines Like Me	0
Tribute to Laura Marcus	0
Time, mourning, and pedagogy in DEVS	0
Reimagining Shakespeare’s The Tempest in its afterlife: a study of cuts, revisions, and potential sources	0
Zadie Smith’s Nonhuman turns	0
Beckett and politics. New directions in Irish and Irish American literature	0
Toni Morrison and the writing of place	0
Haptic poetics and community (re)building in Swinburne’s The Flogging Block	0
Baldwin as phonographer	0
W.S. Graham’s blanks	0
‘I went and prayed to have my name put down in the missionaries’ book’: gift exchange and Bible transactions in Britain and Antigua, 1834–1884	0
A love that kills: The Idiot	0
Utopia against the welfare state: rethinking utopia in an age of reproductive crises	0
New Narrative now: a collective interview	0

The Cambridge Companion to Kazuo Ishiguro	0
Snow globes and instant coffee: transparent commodities and the global infrastructures of late capitalism in contemporary fiction	0
Going through the motions: natural science and movement in Samuel Beckett's trilogy	0
Alternative avatars of the plagiarist, or, an embarrassment of glitches	0
Modernism living on: periodisation and polarisation	0
‘Making Bataille our own’: the paradoxes of New Narrative’s appropriation of Bataille	0
Feminist refusal from Jacob’s Room to the climate protest: Bonnie Honig, Virginia Woolf and Greta Thunberg	0
‘The great unequivocal International Gestures’: Benjaminian Gestus in Zadie Smith’s The Autograph Man	0
Rethinking the discourse of ‘marginality’ in English literary studies and the social sciences: M. NourbeSe Philip’s ‘Discourse on the Logic of Language’	0
Huge urgency and consummate skill: an interview with Jim Pennington	0
Towards a counterfactual criticism: alternate history and the study of English Literature	0
Selection from Brightwork	0
Style interminable: the auto-fictional object of the Humanities in works by Brigid Brophy and Ben Lerner	0
An intercultural dialogue: the Buddha, Schopenhauer and Beckett. Angela Moorjani in Colloquy with Asijit Datta	0
Rawi Hage’s Cockroach and Laila Lalami’s The Other Americans : images of twenty-first century Occident in Arab eyes	0
Post-digital book cultures: Australian perspectives	0
Drone fiction, empathy gap and the reader: Mohsin Hamid’s short story Terminator: Attack of the Drone (2011)	0
‘The dreadful done’: Henry James’s style of abstraction	0
Expanding to bulk: scale and the challenge of posthuman ethics in Moby-Dick	0
Phillis Wheatley Peters’ fugitive poetics of freedom	0
Correction	0
Death’s architrave: the poems and paintings of Prunella Clough	0
Writing the Liberal City: literature and the contested experience of economic change. Bogotá 1849–1870	0
‘Scripted fantasies’: writing the twenty-first century	0
Tennessee Williams’ escapology and the heterotopia of ‘The Mysteries of the Joy Rio’	0
Ezra Pound’s drafts for the translation of Confucius’ Shijing – The Book of Odes	0
‘I must calculate over again’: measures of pain in Melville	0
Nick Makoha’s – a low pressure system	0
‘Time becomes memory, and memory becomes the ditch in which we drown’: rethinking modes of knowing the past in Ian McGuire’s The Abstainer (2020)	0
THE SPIRIT LIVES! An interview with Douglas Blazek	0
Insect or affect? John Ashbery's ‘Daffy Duck in Hollywood’, the dramatic monologue, and lyric theory	0
Louisa May Alcott and the Textual Child: A Critical Theory Approach	0
movement	0
Adjustment-style: from H. G. Wells to Ali Smith and the metamodern novel	0
Reading McLuhan reading (and not reading)	0
Photomimesis and the anti-aesthetic	0
Private screenings: Ingmar Bergman's ‘Cries and Whispers’ and cinematic fiction	0
Visceral goosebumps: on White-Jacket’s minor resistance	0
Translated memories: autobiography and the surrender to literature	0
‘Our poison’d chalice to our own lips’: toxic masculinity and tyranny in Macbeth	0
‘As good as a chorus’: Hamlet’s Mousetrap in philosophy and psychoanalysis	0
Revisionist nostalgia: John Banville, Angela Carter, and the circus	0
A case for religious criticism	0
‘The outside after all must be right there beside me’: Claire-Louise Bennett’s Pond and post-critical perspective	0
Modernism, forgetting, and the book of the heart	0
Afterword: how we argue	0
Subaltern discomfort: a phenomenology of the air-conditioner in the age of climate (in)justice	0
An archive of modern medical culture: the critique of turn-of-the-century medical discourses in Gertrude Stein’s Three Lives	0
‘It envelops’: elementality and form in nineteenth-century Scottish melodrama	0
Cliché and repetition: McLuhan understanding modernism	0
An ecoGothic reading of Hawthorne’s ‘Young Goodman Brown’ and ‘Roger Malvin’s Burial’	0
Wall woodpeckers project	0
Filling in the gaps: early middle English, nationalist philology, and reparative codicology	0
Stimming [live] pathologising [ifitfits] and restaged made, in a staged setting, repeat non – eye – contact – contact	0
Macintosh revisited: posthumanism, critique, and close observing in Ulysses	0
Critical revolutionaries: five critics who changed the way we read; The work of reading: literary criticism in the twenty-first century	0
The early modern canon and the construction of women’s writing	0
The lost shape of words: reading the post-literate condition in Ali Smith’s Like (1997)	0
Introduction to James Joyce’s Ulysses at 100: still learning	0
Editorial Note	0
‘Counting fry under a waterfall’: the history, development, and current use of the Small Press Collections at University College London	0
Max Porter’s ruderalism, or what nature is now	0
This confused music	0
Introduction: the new stylism	0
‘Writing is expensive, and it takes a long time’: publishing as picaresque in Emma Healey’s Best Young Woman Job Book	0
The impersonal forces of disease and death in J.M. Coetzee's Age of Iron	0
‘Unfinished to perfection’: Geoffrey Hill, revision, and the poetics of stone	0
Clown politics: history, populism, and tragic farce	0
Laura’s living writing	0
When worlds converge: geological ontologies and volcanic epistemologies in Colombian literature after the 1985 eruption of the Nevado del Ruiz	0
‘ … pure existence, without sense … ’: Joan Copjec, Hitchcock’s Rebecca , and reading the real	0
Insurgent imaginations: world literature and the periphery	0
Keats’ Odes: A Lover’s Discourse	0
Aesthetics of obscenity: the avant-garde text and underground impact of My Own Mag and Poetmeat	0
‘They built a whole lot like that in the fifties and sixties’: Ishiguro and the ghosts of English institutions’	0
Alexis Wright’s The Swan Book (2013) as ‘crisis fiction’	0
Constructing the human in the works of William Baldwin: coloniality, race, and animality	0
‘Out of interest’: Klara and the Sun and the interests of fiction	0
From Orientalism to neo-Orientalism: medial representations of Islam and the Muslim world	0
Understanding ‘understanding music’ in Proust	0
D. H. Lawrence’s queer flatness	0
‘Someone lives in me’: how essayists enter our lives	0
Watching readers reading	0
The 2022 Ivan Juritz prize: Introduction	0
Vineland Reread	0
Literary form and historicised relationality: theorising the city as text in Teju Cole’s novels	0
Ivan Juritz Prize 2020	0
Wrestling with Gerard Manley Hopkins	0
The changing History of English Poetry 1774–1871: language, literature and Anglo-Saxon whiteness	0
The beast and the sovereign in ‘Circe’: human and animal rights in Joyce studies	0
‘How do you sleep at night knowing all this?’: climate breakdown, sleep, and extractive capitalism in contemporary literature and culture	0
Do stories need critics? Environmental storyism and the ends of ecocriticism	0
Transculturality and the contingency of belonging	0
Rhetorical fractures: poems, photos, power stations, gardens, glasshouses, ghosts and the essay	0
Metonymic Brigid Brophy: failures In Transit	0