Textual Practice

Article	Citations
Decolonizing the English literary curriculum	18
Caring about lyricality	8
Engagements with Aimé Césaire: thinking with spirits Engagements with Aimé Césaire: thinking with spirits , by Jason Allen-Paisant, Oxford, Oxford University Press, 2024	6
‘Without too much anxiety’: re-reading Cage and Feldman through Gertrude Stein’s theatre poetics	6
Kazuo Ishiguro’s gestural poetics	5
Narrating the (non)human: ecologies, consciousness and myth	4
How does the novel create life? Thinking the impossible in Elizabeth Costello	4
Modernism and the Aristocracy: Monsters of English Privilege Modernism and the Aristocracy: Monsters of English Privilege , by Adam Parkes, Oxford, Oxford University Pre	3
The master as parasite in modern literature	3
From Palibino to Riviera: narrative rhythmanalysis of Sofia Kovalevskaya’s literary writings	3
New voices in an old form: rethinking the earliest Chinese translations of ‘The Isles of Greece’	3
Editing Laura	3
Stage directions as endotext: the psychological and socio-historical messages in the stage directions of Cao Yu and Lao She	2
Genet’s dying words	2
Metaphor, subjectivity and self-knowledge in Edward St. Aubyn’s novels	2
‘Life as literature’: Wright Morris's Love Among the Cannibals	2
The notion of criticism at the present time: from postcriticism to an ethics of reading well	2
‘Mystery of the self’: embodied personhood and artificial intelligence in Ian McEwan’s Machines Like Me	2
Kinship ecology and the bildungsroman: the child–animal relationship in Louise Erdrich’s The Birchbark House series	2
The actor-network in Herman Melville’s ‘The Apple-Tree Table’	2
An atelic model for the textual limen	2
Staging the state of exception: William le Queux and the campaign for emergency powers in Britain 1906–1914	2
Telepathy terminable and interminable	2
Limitation as excess: A reappraisal of transgressive aesthetics in Amanda Filipacchi's Love Creeps	2
Deconstructing hegemony: contemporary Middle East literature, theory, and historiography	1

Mind reading?	1
Inhabiting the impasse: on care and ambivalence in Lisa Baraitser’s Enduring Time and Maggie Nelson’s The Argonauts	1
Tennessee Williams’ escapology and the heterotopia of ‘The Mysteries of the Joy Rio’	1
Hypercanonical Joyce: Sam Selvon’s The Lonely Londoners, creative disaffiliation, and the global afterlives of Ulysses	1
Bloom’s Freud and Bloom’s anxiety	1
Surviving marriage narratively. Storytelling through women's friendships in Mary McCarthy's The Group (1963) and its adaptation by Lara Feigel (2020)	1
Testimony, reconstructed: the secondary witness and testimonial possession in Bart van Es’ The Cut Out Girl: A Story of War and Family, Lost and Found	1
Louisa May Alcott and the Textual Child: A Critical Theory Approach	1
The translator’s task: influence beyond the monolingual paradigm	1
An archive of modern medical culture: the critique of turn-of-the-century medical discourses in Gertrude Stein’s Three Lives	1
On poetry and the crowd: lyric and locodescription	1
‘Exploiting magnificence’: Hart Crane versus T. S. Eliot on the matter of diction	1
Yogic style in motion: experiments in power and knowledge	1
Wild Analysis: From the Couch to Cultural and Political Life	1
Creaturely forms in contemporary literature: narrating the war against animals	1
Monuments, unreal spaces and national forgetting: Kazuo Ishiguro’s The Buried Giant and the abyss of memory	1
Resourceful melodrama: carbon capitalism and the fossil unconscious in Dymphna Cusack’s Southern Steel (1953)	1
Queering history: palimpsestuous bodies and their stories in Zen Cho’s The Order of the Pure Moon Reflected in Water	1
Spectres of the district commissioner: the negotiation of Achebe’s Things Fall Apart in contemporary African historical fiction	1
Antonin Artaud and the healing practices of language: how life matters in Artaud’s later writings	1
Imaginarium politicum	1
Crisis and critique in Christine Smallwood’s The Life of the Mind (2021)	1
Writing (with) the body: the case of Kim de l’Horizon’s Blutbuch	1
Alternative avatars of the plagiarist, or, an embarrassment of glitches	1
Huge urgency and consummate skill: an interview with Jim Pennington	1
Out of the blue: Prynne’s gifts	1
‘Sweet Mephistopheles, tell me’: desire between the scholar and the devil in Christopher Marlowe’s Doctor Faustus	1
Via literary mothers: Kathleen Fraser and the ‘permission-giving’ moment of ‘projective verse’	1
Literary form and historicised relationality: theorising the city as text in Teju Cole’s novels	1
Encountering Ulysses	1
Beware the Cat (2018): Adapted from William Baldwin by Frances Babbage, Terry O’Connor and Rachel Stenner, introduced and edited for publication by Frances Babbage and Terry O’Connor	1
Tediousness in Coryats Crudities (1611): early modern travel writing, rhetoric, and notions of canonicity	1
Elsewhere: Laura Marcus and autobiography	1
‘Someone lives in me’: how essayists enter our lives	1
In light of myth: photography as truth in Roland Barthes’s Camera Lucida	1
Beckett and politics. New directions in Irish and Irish American literature	1
Listening as influence	1
Ivan Juritz Prize 2021	1
Poundian influences and misty poetics in Yang Lian’s concentric circles	1
Love in the sacrifice zone: queer ecopoetics in the Appalachian Mountains	0
Transculturality and the contingency of belonging	0
From Orientalism to neo-Orientalism: medial representations of Islam and the Muslim world	0
The minor poet: a case of John Wieners	0
Dissection Nation	0
‘Counting fry under a waterfall’: the history, development, and current use of the Small Press Collections at University College London	0
Critique du récit pur : gleam of time in Maurice Blanchot’s narratives	0
‘Little magazines were the only option’: an interview with Tina Morris	0
Anxiety again	0
Mike McCormack’s style of post-mortem modernism	0
Rethinking the discourse of ‘marginality’ in English literary studies and the social sciences: M. NourbeSe Philip’s ‘Discourse on the Logic of Language’	0

‘What is toast?’ Language and society in Margaret Atwood’s Oryx and Crake	0
Roland Barthes writing the political: history, dialectics, self	0
Juan Filloy’s Caterva and the geopolitics of the Joycean novel in Argentina	0
Toni Morrison and the writing of place	0
Cyril Connolly, late modernism and the essay form	0
The art of imitation and the desire for violence: the rebirth of Homo Mimeticus	0
Do Shakespeare’s characters mean what they say?	0
Introduction: origins, obsolescence and a new timeliness	0
Deleuze, Palestine, and Ghassan Kanafani’s Men in the Sun	0
Son et lumière in Proust	0
‘The great unequivocal International Gestures’: Benjaminian Gestus in Zadie Smith’s The Autograph Man	0
The satire of the meritocracy: foreclosed futures in Michael Young, Raymond Williams, and Muriel Spark	0
Past forms, present concerns: reading transhistorically for feminised labour	0
Phillis Wheatley Peters’ fugitive poetics of freedom	0
Smiles are made of tears	0
Haptic poetics and community (re)building in Swinburne’s The Flogging Block	0
The significance of Osip Mandelstam for Paul Celan	0
‘The problem of other minds’: disappropriation and the limits of polyphony in Ben Lerner’s The Topeka School	0
Modernism, forgetting, and the book of the heart	0
Ezra Pound’s drafts for the translation of Confucius’ Shijing – The Book of Odes	0
Philosophy’s ghosts: Nicholas Royle, Naji al-Ali, and Me	0
When wasn't modernism? Reflections on the stone age	0
Eroticism as the body without organs in Dennis Cooper’s Frisk: grand narratives, desire, and infinity	0
Chinese modernist satire: Lao She’s Mr Ma and Son (1929), Qian Zhongshu’s Fortress Besieged (1947), and Eileen Chang’s Lege	0
Zadie Smith’s Nonhuman turns	0
‘It envelops’: elementality and form in nineteenth-century Scottish melodrama	0
Assessing intelligence: the Bildungsroman and the politics of human potential in England, 1860–1910	0
Autofiction and the possibility of life in neoliberal ruins: reification, friction and the affective dominant in Weijers and Heti	0
Language games: the gendered politics of the speech act in Ben Lerner's The Topeka School	0
Doug Battersby, Troubling Late Modernism: Ethics, Feeling, and the Novel Form. Oxford: Oxford University Press, 2022; Thom Dancer, Critical Modesty in Contemporary Fiction. Oxford: Oxford University P	0
Touching the screen: on visual textuality and knowledge construction in Anne Carson’s poetry	0
Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe	0
Filling in the gaps: early middle English, nationalist philology, and reparative codicology	0
Weird luck	0
The other vow: affirmative Denial in Kafka, Shakespeare and Kol Nidrei	0
‘Time becomes memory, and memory becomes the ditch in which we drown’: rethinking modes of knowing the past in Ian McGuire’s The Abstainer (2020)	0
‘Here is my shameful confession. I don’t really “get” poetry’: discerning reader types in responses to Sylvia Plath’s Ariel on Goodreads	0
Stimming [live] pathologising [ifitfits] and restaged made, in a staged setting, repeat non – eye – contact – contact	0
‘Our poison’d chalice to our own lips’: toxic masculinity and tyranny in Macbeth	0
Climate engineering in The Ministry for the Future and Termination Shock	0
‘ … Miles of the rustling secret corn’: nature, cosmic and autonomy in American cosmic horror literature	0
Time against the sovereign power: the interregnum in Stuart Brisley’s performance art	0
Feminist refusal from Jacob’s Room to the climate protest: Bonnie Honig, Virginia Woolf and Greta Thunberg	0
To decompose the gender possibilities of the contemporary sestina: queer formalism reimagined through a poetic fixed form	0
Uncanny reminiscing: Nicholas Royle in conversation with Adrien Ordonneau	0
Media and environment in elemental melodrama: afterword	0
Hollow children: utopianism and disability justice	0
An exercise in analysis as enjoyment	0
‘On it, in it, what you will’ – Reading Nicholas Royle’s Quilt	0
Glossectomy and lyric histories in Sujata Bhatt’s poetry	0
Towards a poetics of the pipelines: an infrastructural analysis of the figure of the pipeline in Iranian petrofiction	0
Deleuze, subjectivity, and literature as life	0
Beyond trauma: provisional networks and eccentric forms in fiction of the blitz	0
Empathy, curiosity, and critique: an AI-assisted mapping of non-academic reception of Asian American literature	0
The space not beyond: T. S. Eliot’s Old Possum’s Book of Practical Cats (1939) and its musical adaptations as elemental melodrama of an upper-atmospheric limit	0
Death in flight	0
Bringing the dead back to life: Marx, Muriel Rukeyser, and the work of documentary	0
Editorial Note	0
For Laura	0
Somewhere else in the market: an essay on the poetry of J.H. Prynne	0
Failure as/in the queer bildungsroman	0
Poetry or politics? On Jacques-Alain Miller’s Effort of Poetry after Lacan	0
Fragmentary modernism: the classical fragment in literary and visual cultures, c.1896 – c.1936	0
‘A flicker of the divine progress?’: stage-managing narratives of Empire in Jan Morris's Pax Britannica trilogy	0
Dialect, voice, and identity in Chinese translation: a descriptive study of Chinese translations of Huckleberry Finn , Tess , and	0
Reimagining postcolonial Sri Lanka as ‘Ceylon’: Shyam Selvadurai’s Cinnamon Gardens	0
Laura’s living writing	0
Revisiting Pascale Casanova’s world literary space	0
Public criticism	0
Winner for text	0
Beyond the door, behind the veil: Brian Catling and the Weird/Visionary tradition	0
Oxford Freud: autofictions and reflections	0
Challenging positions: agency and expectations in testimonial writing about genocide in Rwanda and war in Bosnia and Herzegovina	0
Outlived by a lesser shamelessness : the inscrutable subject and sensuality before the Law in Augustine, Dostoevsky and Kafka	0
Reflections on sublation	0
Anticipating the plot: overdetermining heteronormative destiny on the twenty-first century screen	0
‘Piers Plowman’ and the reinvention of church law in the late middle ages	0
Drone fiction, empathy gap and the reader: Mohsin Hamid’s short story Terminator: Attack of the Drone (2011)	0
Virginia Woolf’s ‘ontology of style’: Mrs. Brown, The Waves , and the ethics of character*	0
Afterword (A hundred flowers)	0

Wall woodpeckers project	0
Nick Makoha’s – a low pressure system	0
Dis/placed: veerer – where , and when , are you? (asides)	0
Making sense of the rural white working class: the contemporary novel of rural retreat and the politics of resentment	0
Translational Authorship and Multilingual (Re)writing in Uljana Wolf and Sophie Seita's Subsisters: Selected Poems (2017)	0
Aesthetics of obscenity: the avant-garde text and underground impact of My Own Mag and Poetmeat	0
Hospitalities: Transitions and Transgressions, North and South	0
Monkeying around with fact and fiction: radical epistemology and reactionary metaphysics in the work of R.A. Lafferty	0
Photomimesis and the anti-aesthetic	0
Gertrude Stein’s radio audience	0
In praise of failure: four lessons in humility	0
Gold, cocaine, montage: Latin American sacrifice zones in Michael Taussig’s My Cocaine Museum	0
The changing History of English Poetry 1774–1871: language, literature and Anglo-Saxon whiteness	0
The nonhuman and coming community in the selected works of Olga Tokarczuk	0
Constraint and corporeality: reading Brooke-Rose and Garréta’s gendered experiments	0
The impersonal forces of disease and death in J.M. Coetzee's Age of Iron	0
Snow globes and instant coffee: transparent commodities and the global infrastructures of late capitalism in contemporary fiction	0
Speaking (from) out of tradition: hermeneutics, literary style and the task of textual interpretation in J. M. Coetzee’s Elizabeth Costello (2003) and Julian Barnes’s	0
Laura’s Virginia Woolf – a note	0
A singing bird inside the human mind: a posthumanist rereading of Wallace Stevens	0
Encyclopaedism and totality in contemporary fiction	0
Understanding ‘understanding music’ in Proust	0
The lost shape of words: reading the post-literate condition in Ali Smith’s Like (1997)	0
Breach and suture in China Miéville’s interstitial cities	0
Following Laura Marcus: from autobiography to testimony	0
The ‘wonder’ in the handkerchief	0
Knick-knacks or Nick’s wits	0
Introduction to James Joyce’s Ulysses at 100: still learning	0
Introduction	0
Sexual difference without cisness in Ulysses	0
Materiality and the canon: manuscripts, fragments, and medieval outlaw literature	0
Literature and Class, from the Peasants' Revolt to the French Revolution Literature and Class, from the Peasants' Revolt to the French Revolution , by Andrew Hadfield, M	0
The catastrophe of the face: ethics, deconstruction, plasticity	0
Late reception [play memory of a free festival]	0
This confused music	0
Commemoration, modernism and self-identity in contemporary graphic memoir	0
Insect or affect? John Ashbery's ‘Daffy Duck in Hollywood’, the dramatic monologue, and lyric theory	0
Rawi Hage’s Cockroach and Laila Lalami’s The Other Americans : images of twenty-first century Occident in Arab eyes	0
Footnotes	0
Anonymity, canonicity, and literary value	0
Psychoanaliterature, or, how the American relational move made Are You My Mother? and The Argonauts	0
A horizon line: flat style in contemporary women’s poetry	0
‘Toward the evening of a gone world’: on forgetting Hugh Kenner	0
Thinking destructively with aesthetics	0
Tribute to Laura Marcus	0
Literary multilingualism: exploring latent practices	0
A Problem of Middlebrow Style: Dialect and Translation in Elena Ferrante’s Naples Tetralogy	0
If you could read my mind …	0
Do stories need critics? Environmental storyism and the ends of ecocriticism	0
Poetic transcribbling: Ted Berrigan & Harris Schiff’s Yo-Yo’s with Money and Beaned in Boston	0
Border-crossing Japanese literature: reading multiplicity	0
Veering and tunnelling	0
Seamus Eile (The 'Other' Seamus)	0
Nabokov’s secret trees	0
Performing the poetics of the Iranian dream on silver screen: Hamoun as a tale of spiritual rebirth	0
Framing potentiality in Vona Groarke’s X	0
Introduction: confronting medieval and early modern canons	0
Royle reading	0
The chaff and the wheat: Emily Dickinson and Maurice Blanchot	0
‘ … pure existence, without sense … ’: Joan Copjec, Hitchcock’s Rebecca , and reading the real	0
‘Speculative Fiction: What Nicholas Royle will have written in David Bowie, Enid Blyton and the Sun Machine , which I haven’t read’	0
Introduction: beyond the sacrifice zone	0
To give the literary event: Blanchot and Lawrence’s narratives of life/death	0
Towards a counterfactual criticism: alternate history and the study of English Literature	0
The work of literary studies: interpretation, argument, and socioaesthetic experience	0
Insurgent imaginations: world literature and the periphery	0
Translated memories: autobiography and the surrender to literature	0
Apropos of something: a history of irrelevance and relevance	0
Anthropomorphism in Professional Crocodile and Agamben’s ‘man-animal’	0
Of lyric proportions: poetry and the genres of climate-change communications	0
On not being able to read: doomscrolling and anxiety in pandemic times	0
The infinite unleashed: Benjamin revisited in the context of the mechanical philosophy	0
‘The measure! The measure!’	0
Defamiliarisation, invisible characters, and laboured connections	0
Rendered obsolete: energy culture and the afterlife of U.S. whaling	0
Baldwin as phonographer	0
Breaking down in fits and starts: navigating a good naturalisation of J. H. Prynne’s ‘Blue Slides at Rest’ (2004)	0
Under the net: universal time, modernism, and the subversive temporality of golden age detective fiction	0
An intercultural dialogue: the Buddha, Schopenhauer and Beckett. Angela Moorjani in Colloquy with Asijit Datta	0
Tipping effects	0
A case for religious criticism	0
THE SPIRIT LIVES! An interview with Douglas Blazek	0
Aesthetics of the fucked	0
Anti-Humanism in the Counterculture	0
The Comic turn in Contemporary English Fiction: Who’s Laughing Now?	0
The Cambridge Companion to Kazuo Ishiguro	0
The near future in twenty-first-century fiction: climate, retreat and revolution	0
Helen Keller’s ‘Sense of light’: life-writing, light-writing and the photosynthetic subject	0
The intelligence of artifice: Oscar Wilde and AI	0
The scientific lab: sacrifice zones as contact zones	0
On the reading mind: what you will already have known I was about to say now anyway	0
Reimagining Shakespeare’s The Tempest in its afterlife: a study of cuts, revisions, and potential sources	0
The early reception of the Sun Machine	0
The 2022 Ivan Juritz prize: Introduction	0
Eating and cooking beyond the borders in Elif Shafak’s The Saint of Incipient Insanities	0