Textual Practice

Article	Citations
On Decolonisation and the University	57
What do we talk about when we talk about extractivism?	33
Measures of obliviousness and disarming obliqueness in Anna Burns’ Milkman	5
The political novel in our still-evolving reality: Kamila Shamsie’s Home Fire and the Shamima Begum case	5
On not being able to read: doomscrolling and anxiety in pandemic times	5
Difficult literature on Goodreads: reading Alexis Wright's The Swan Book	4
Introduction	3
The poetics of extractivism and the politics of visibility	3
‘Here is my shameful confession. I don’t really “get” poetry’: discerning reader types in responses to Sylvia Plath’s Ariel on Goodreads	3
‘Out of interest’: Klara and the Sun and the interests of fiction	3
Han Kang’s The Vegetarian and the International Booker Prize: reading with and against world literary prestige	3
Monuments, unreal spaces and national forgetting: Kazuo Ishiguro’s The Buried Giant and the abyss of memory	3
The extractive form of contemporary Black writing: Dionne Brand and Yaa Gyasi	3
From the museum of civilisation to The Octopus Museum: curating the anthropocene in contemporary literature	2
Hotel-daddy-wasp-machine	2
The implicated subject: beyond victims and perpetrators	2
This is not an oil novel: obstacles to reading petronarratives in high-energy cultures	2
Extrospection: Zen and the art of being posthuman in Ruth Ozeki’s A Tale for the Time Being	2
An ecoGothic reading of Hawthorne’s ‘Young Goodman Brown’ and ‘Roger Malvin’s Burial’	2
‘Teachings of the death of thought’: Bataille, Beckett, and ‘anhumanism’	2
Literary multilingualism: exploring latent practices	2
Why the Bildungsroman no longer works	2
Arborealism, or do novels do trees?	2
Consciousness and the nonhuman: the imaginary of the new brain sciences in Ian McEwan’s Nutshell and Machines Like Me	2
Drone fiction, empathy gap and the reader: Mohsin Hamid’s short story Terminator: Attack of the Drone (2011)	2

Processes of translation: Bruno Latour’s heterodox semiotics	2
‘Come here, it sang, listen’: Juliana Spahr’s commons poetics in That Winter the Wolf Came	2
Metamodernism and counterpublics: politics, aesthetics, and porosity in Ali Smith’s Seasonal Quartet	2
Felskian Phenomenopolitics: decolonial reading through postcritical singularities	2
‘Exploiting magnificence’: Hart Crane versus T. S. Eliot on the matter of diction	1
‘It is, that’s all.’: J. M. Coetzee’s Life & Times of Michael K (1983) and the cinema of Alain Robbe-Grillet	1
Gazing beyond the fourth wall: shame and second-person narration in Fleabag	1
Don DeLillo’s cinematic imaginary: from A(mericana) to Z(ero K)	1
Capture: American pursuits and the making of the new animal condition	1
Reading McLuhan reading (and not reading)	1
Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe	1
‘ … pure existence, without sense … ’: Joan Copjec, Hitchcock’s Rebecca, and reading the real	1
Inscriptions of worldliness: linguistic materiality and the poetics of the vernacular	1
Meathead materialisms: César Aira’s ANTsy fictions of a world without conviction	1
‘They built a whole lot like that in the fifties and sixties’: Ishiguro and the ghosts of English institutions’	1
‘The sad aperture of the dead’: Colson Whitehead’s Zone One and the anti-blackness of the book as an object	1
Alexis Wright’s The Swan Book (2013) as ‘crisis fiction’	1
Those scary migrants: feanxiety and Brexit in Agnieszka Dale’s Fox Season and Other Short Stories	1
The work of love: Great Expectations and the English Bildungsroman	1
Kinship ecology and the bildungsroman: the child–animal relationship in Louise Erdrich’s The Birchbark House series	1
Reading Ong reading McLuhan	1
Becoming in a colonial world: approaching subjectivity with Fanon	1
Adjustment-style: from H. G. Wells to Ali Smith and the metamodern novel	1
The book and the pen: reading biography and writing autobiography as feminist project in Good Night Stories for Rebel Girls and I Am A Rebel Girl	1
Translanguaging Joyce: monolingual disruptions and translingual enrichment in Ulysses	1
The legacy of literary reflexivity; or, the benefits of doubt	1
What can the romantic lyric do?	1
‘Bansai, bansai, it’s better to write then die’: Patti Smith as icon of the contemporary writing memoir	1
Black comedy and the Bildungsroman: Fran Ross’s Oreo	1
The fog of tyranny in ‘Benito Cereno’	1
Are some more equal than others? Animated and animatronic adaptations of Animal Farm	1
Library fever: lesbian memoir and the sexual politics of order	1
The empire’s double bind: Kazuo Ishiguro and the Imperial Rescript on Education	1
Sexual disorientation: queer narratology and affect plots in new narrative	1
Seamus Eile (The 'Other' Seamus)	1
Multilingual style	1
No. 44, The Mysterious Stranger: Mark Twain’s critique of progressive era meritocracy	1
As plain as spilt salt: the city as social structure in The Dispossessed	1
Building the ‘houses of fiction’: textual spaces and architectural imagination in Eliza Meteyard’s Mainstone’s Housekeeper	1
Helga Crane’s camera obscura: Nella Larsen, Garbo’s face, and the modernist longing for plot	1
Fixing to die: Kazuo Ishiguro’s reinvention of the Bildungsroman	1
‘At each remove the similarity fades a bit more’: queer politics and experimental prose in two generations of New Narrative	1
‘I must calculate over again’: measures of pain in Melville	1
Oil Cultures, World drama and contemporaneity: questions of time, space and form in Ella Hickson’s Oil	1
Aesthetics of the fucked	1
On inner voice, free indirect style, and lyric	1
Anticipating the plot: overdetermining heteronormative destiny on the twenty-first century screen	1
Reading Lionel Fogarty	1
Juan Filloy’s Caterva and the geopolitics of the Joycean novel in Argentina	1
Gertrude Stein’s radio audience	1

Constructing the human in the works of William Baldwin: coloniality, race, and animality	1
Hollow children: utopianism and disability justice	1
An insectual perspective: text, theory, and politics in Tom McCarthy’s fiction – a conversation	1
Severed heads in Iraqi diasporic visual production: Aleiby, Baldin and Alsoudani	1
Expanding to bulk: scale and the challenge of posthuman ethics in Moby-Dick	1
Tennis as literary technique	1
Brexitland’s dark ecologies: new British landscape writing	1
‘Grow backwarder and backwarder’: fissured surfaces and crooked bodies in Frances Burney’s Camilla	1
Battle for the Bildungsroman: ‘protagonicity’ and national allegory	1
Kenneth Lonergan’s networked Bildungsromane: Howards End (2017) and Margaret (2011)	1
Lyric weathering: reading poetry in the age of bewilderment	1
Public criticism	1
Beautiful aliens: a Steve Abbott reader	0
Eroticism as the body without organs in Dennis Cooper’s Frisk: grand narratives, desire, and infinity	0
Following Laura Marcus: from autobiography to testimony	0
The wanderer in the supermarket: an examination of consumer culture in Cold War America	0
Antonin Artaud and the healing practices of language: how life matters in Artaud’s later writings	0
‘Lovescape crucified’: Gerard Manley Hopkins’s red letter and ‘The Wreck of the Deutschland’	0
Of squalls and mutinies: emergency politics and black democracy in Moby-Dick and ‘The Heroic Slave’	0
Materiality and the canon: manuscripts, fragments, and medieval outlaw literature	0
Ad Salutem Publicam: public health and pastoral government in More’s Utopia	0
Challenging positions: agency and expectations in testimonial writing about genocide in Rwanda and war in Bosnia and Herzegovina	0
Afterword (A hundred flowers)	0
Homi Bhabha and ‘Signs Taken for Wonders’: a second reading	0
Theorising the collective in British estate literature	0
Suicide Century: literature and suicide from James Joyce to David Foster WallaceSuicide Century: literature and suicide from James Joyce to David Foster Wallace, by Andrew Bennett, Cambridge Universit	0
Thinking the contemporary: beyond distinctiveness in the literary humanities	0
A virtual tour of a virtuous place	0
‘There; keep thy finger on it’: the prosthetics of measurement in Moby-Dick	0
Creative and non-fiction writing during isolation and confinement: imaginative travel, prison, shipwrecks, pandemics, and war	0
‘ … Miles of the rustling secret corn’: nature, cosmic and autonomy in American cosmic horror literature	0
Death by capitalism in Eliot’s The Waste Land	0
Imagining Marshall McLuhan as a digital reader: an experiment in applied Joyce	0
The typewriter mind: modernism, populism and anti-humanism	0
The reversed monomyth in a queer Russian web series	0
Performing the poetics of the Iranian dream on silver screen: Hamoun as a tale of spiritual rebirth	0
Making sense of the rural white working class: the contemporary novel of rural retreat and the politics of resentment	0
The role of plants in Jon Silkin’s Holocaust memorial poems	0
Phronesis: shifting the concept of the political in the environmental humanities	0
Speaking practice	0
Thomas Merton: Catholic modernist?	0
Liberation and the historical present: Gertrude Stein @ Zero Hour	0
Caring about lyricality	0
‘A poor and precious secret’: cinema’s remediation in Patrick Modiano’s Dora Bruder	0
‘Imbecile hopes’: dispositions of subjectivation in Joseph Conrad’s Lord Jim and Nostromo	0
Reading bodies, books, and beyond: experience and contingency in Troilus and Criseyde*	0
Editing Laura	0
Actors, puppets, Girls: Little Women and the collective Bildungsroman	0
Native daughters, evil empires, Blazing Worlds: Margaret Cavendish's imperialism	0
British romanticism and peace	0
‘Common people to talk of Mr. Dombey and his domestic affairs!’: the politics of gossip in Dombey and Son	0
Ghosts in the urban sacrifice zone: (De)colonial relationality in Global North imaginaries	0
Sport, life, This Sporting Life, and the hypertopia	0
Migrancy and utopia: the global network in Yamashita’s Tropic of Orange and Hamid’s Exit West	0
Dodie Bellamy is on our mind	0
‘What is toast?’ Language and society in Margaret Atwood’s Oryx and Crake	0
Catworld	0
Shakespeare and the economics of the death penalty	0
Aldous Huxley: the unstable self, consciousness and the ‘ground of being’	0
Rocky v The Wrestler: sport as genre, shifting ideology, and the doubleness of the sports film	0
Introduction: the irresolute language of images	0
World, war, zoo: zoo-break narratives in a biopolitical frame	0
If Not Critical, by Eric Griffiths/edited by Freya Johnston, and The Printed Voice of Victorian Poetry, by Eric Griffiths	0
Those who flee and those who see: Poussin’s drawing and withdrawing	0
Compliant and impetuous: the phenomenology of existence in Elena Ferrante’s Neapolitan novels	0
Suffering and the feeling of suffering in Marx's Capital	0
A method of her own: tracing memory in Marion Milner's The Hands of the Living God	0
Venus sans furs: wolves and women in three medieval poems	0
Speaking (from) out of tradition: hermeneutics, literary style and the task of textual interpretation in J. M. Coetzee’s Elizabeth Costello (2003) and Julian Barnes’s	0
The framing of selfless role-playing in Mohsin Hamid’s The Reluctant Fundamentalist	0
Sketch for a financial theory of the poem	0
The other vow: affirmative Denial in Kafka, Shakespeare and Kol Nidrei	0
How the earth feels: geological fantasy in the nineteenth-century United States How the earth feels: geological fantasy in the nineteenth-century United States , by Dana	0
Translational Authorship and Multilingual (Re)writing in Uljana Wolf and Sophie Seita's Subsisters: Selected Poems (2017)	0
Tediousness in Coryats Crudities (1611): early modern travel writing, rhetoric, and notions of canonicity	0
‘You are what you read’: beside a book, beside a self	0
And be but cryonically extant: Don DeLillo and Sir Thomas Browne	0
Wild Analysis: From the Couch to Cultural and Political Life	0
Prosthetic performatives: reading disability’s discomfort through emotives and affect patterns in Jane Eyre	0
‘Here she comes by God! ram away Doctor if one Bolus won’t do put in three’ – the Queen Caroline affair in satirical prints	0

Inscribed in code: depictions of computational algorithms in twenty-first century fiction	0
The notion of criticism at the present time: from postcriticism to an ethics of reading well	0
Magical realism and literature	0
Beware the Cat (2018): Adapted from William Baldwin by Frances Babbage, Terry O’Connor and Rachel Stenner, introduced and edited for publication by Frances Babbage and Terry O’Connor	0
Unbearable life: a genealogy of political erasure	0
‘Deskless, commuteless, and theoretically omnipresent’: work, global violence, and capitalist realism in Jennifer Egan’s A Visit from the Goon Squad	0
The uneasiness of emotion and its representations in Max Porter’s Grief Is the Thing with Feathers	0
‘A 40 years works feels / 40 more 40 thousand’: Lionel Fogarty’s hauntological poetics and the archive	0
Tanizaki Jun’ichirō’s In Praise of Shadows and critical transparency	0
‘The measure! The measure!’	0
The actor-network in Herman Melville’s ‘The Apple-Tree Table’	0
Introduction: Gertrude Stein's theatre and the Radio Free Stein project	0
Framing potentiality in Vona Groarke’s X	0
Deconstructing Narrative, Deconstructing the death penalty. The case of Billy Budd, Sailor	0
Gold, cocaine, montage: Latin American sacrifice zones in Michael Taussig’s My Cocaine Museum	0
Narrating the (non)human: ecologies, consciousness and myth	0
Coal optimism: carbon ideologies and the good lives of extraction	0
Sex, lies, and architecture: Brutalism and the search for sexual truth in David Cronenberg’s Stereo	0
Planetary utopianism: geoengineering, speculative fiction, and the planetary turn	0
‘But I doubt not the people’: beasts of the apocalypse in Thomas Müntzer and King Lear	0
Tactics of dwelling: alterity and the room in Tender Buttons	0
About time: Rainer Maria Rilke and the abyssal distance of Duino Elegies	0
Introduction: unoccupied air	0
Metaphors of confinement: the prison in fact, fiction and fantasy	0
Modernist futures: re-reading 1922	0
Limitation as excess: A reappraisal of transgressive aesthetics in Amanda Filipacchi's Love Creeps	0
New voices in an old form: rethinking the earliest Chinese translations of ‘The Isles of Greece’	0
Capitalist modernity and gendered subalternity in contemporary Muslim fiction: Saudi Women in Raja Alem’s Fatma: A Novel of Arabia (2002)	0
Jewishness and postcoloniality in Borges and Derrida: the singular and the specific	0
Doug Battersby, Troubling Late Modernism: Ethics, Feeling, and the Novel Form. Oxford: Oxford University Press, 2022; Thom Dancer, Critical Modesty in Contemporary Fiction. Oxford: Oxford University P	0
‘A small, fierce being’: Jon Silkin, Isaac Rosenberg, and the definition of the Anglo-Jewish poet	0
Unfulfilled vocations in contemporary American fiction	0
Writing pain in the nineteenth-century United States	0
Destroying necessity with necessity – on László Krasznahorkai’s Satantango	0
The new feminist literary studies	0
Embroidering Palestine: Tatreez, cultural resistance, and female labour in Palestinian American graphic narratives	0
New Narrative now	0
The scientific lab: sacrifice zones as contact zones	0
Community for the friendless	0
‘A flicker of the divine progress?’: stage-managing narratives of Empire in Jan Morris's Pax Britannica trilogy	0
Laura’s Virginia Woolf – a note	0
‘Life as literature’: Wright Morris's Love Among the Cannibals	0
Ivana Trump’s bad Bildung	0
(In)visible writing in art and performance	0
The master as parasite in modern literature	0
‘With this first cigarette, I kissed childhood goodbye’: girlhood in crisis in Persepolis	0
Imagination, our commune	0
On strangers sleuthing and flâneurs reading. The subversive power of C. J. Sansom’s historical crime fiction	0
The Financial Imaginary: Economic Mystification and the Limits of Realist Fiction / The Market Logics of Contemporary Fiction	0
The nurse (5 min, video and sound)	0
Composing what happened	0
The forces of fossil capital: Sister Carrie and American literary naturalism’s industrial middle-class ideology	0
Literature and Class, from the Peasants' Revolt to the French Revolution Literature and Class, from the Peasants' Revolt to the French Revolution , by Andrew Hadfield, M	0
Manufacturing crisis under globalisation: middle-class precarity in Dave Eggers’s A Hologram for the King	0
Bodies and technologies in Los cuerpos del verano	0
Demon writing	0
Under the net: universal time, modernism, and the subversive temporality of golden age detective fiction	0
A: Account	0
‘Good heavens! that’s where I got it!’ McLuhan reads Wyndham Lewis	0
‘A stream of words’ – the Antwerp Quay Poem as interrogation of urban open form, polyphony and radical dialogue	0
Modernism and the Aristocracy: Monsters of English Privilege Modernism and the Aristocracy: Monsters of English Privilege , by Adam Parkes, Oxford, Oxford University Pre	0
Wasting time? The politics and poetics of feminist waiting	0
Assessing intelligence: the bildungsroman and the politics of human potential in England, 1860–1910	0
Genesis (what can’t light see?) retrospectively	0
Prospective criticism: on private and public things	0
Metaphor, subjectivity and self-knowledge in Edward St. Aubyn’s novels	0
‘Without too much anxiety’: re-reading Cage and Feldman through Gertrude Stein’s theatre poetics	0
‘The problem of other minds’: disappropriation and the limits of polyphony in Ben Lerner’s The Topeka School	0
Free Indirect: the novel in a postfictional age	0
Beyond the silence of the voice: Leos Carax’s Annette and silent cinema	0
Kazuo Ishiguro’s gestural poetics	0
The dispositif of citizenship: technology and personhood in Iain M. Banks’s culture	0
On the reprieve: deconstructive ethics and Primo Levi’s ‘Moments of Reprieve’	0
Stage directions as endotext: the psychological and socio-historical messages in the stage directions of Cao Yu and Lao She	0
Producing Historicity: Foucault, Joyce and European Art Cinema, 1955–1980	0
From Babel to biosemiotics: Christine Brooke-Rose's Joycean scripts	0
‘The power to burnish and renew’: porno-accumulation, fascism, and surplus populations in Don DeLillo’s Running Dog	0
Defamiliarisation, invisible characters, and laboured connections	0
‘I am getting on nicely in the dark’: the environments of ‘Proteus’	0
Polyphony, sonic texture and acoustic ecology in Cynan Jones’s Stillicide	0
Warp	0
Baldwin’s communicating cats	0
‘Dripping venison memory’: the radical ekphrasis of Max Porter’s The Death of Francis Bacon	0
Introduction: ‘Baldewins Straunge Faschions’	0
Reflections on Biko’s meditations on death	0
On the epistolary as a function of eros in Aidan Higgins’s Bornholm Night-Ferry	0
Middle English Mouths: late medieval medical, religious, and literary traditions	0
Hospitalities: Transitions and Transgressions, North and South	0
Editing, directing, and The Cool World: filmmaking as a choreographic art	0
Nègre, Figura	0
A. S. Byatt and the quiddity of things: a material-semiotic approach to narrating the human through the non-human	0
Science-fictionalizing the Partition of India to ‘re-narrate’ trauma	0
Anti-Humanism in the Counterculture	0
Commemoration, modernism and self-identity in contemporary graphic memoir	0
What happens to thought in a cyborg body? On Brain ships, embodiment and posthuman gest	0