Journal of Design History

Papers
(The TQCC of Journal of Design History is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Mid-Century Modernism and the American Body: Race, Gender and the Politics of Power in Design3
Obituary: Frederike Huygen 1956-20232
Post-Craft1
Copyist or Creative? The Emergence of the Woman Fashion Artist in Britain, 1880–19201
The Lady in the Overall: First World War Patriotism, Respectability, and Workwear of Upper-Class Munitionettes1
Dansk DesignHistorie 1+21
Arndís Sigríður Árnadóttir 1940-20231
Design Struggles: Intersecting Histories, Pedagogies, and Perspectives1
Fashioning the Afropolis: Histories, Materialities and Aesthetic Practices1
Designs on Democracy: Architecture and the Public in Interwar London1
Critical Ethics for Communicating Indigenous Craft Practices1
Richard Riemerschmid’s Extraordinary Living Things1
Unmaking Waste: New Histories of Old Things1
Taking a Stand? Debating the Bauhaus and ModernismImpact! From Bauhaus to IKEA1
Design’s chromatic modernity1
Industrial Craft in Australia: Oral Histories of Creativity and Survival1
Young Poland: The Polish Arts and Crafts Movement, 1890–19181
Mondrian’s Dress: Yves Saint Lauren, Piet Mondrian, and Pop Art0
Call for Papers: Journal of Design History, Designing for Disability Futures0
Seeds for New Beginnings? Ecological Uncertainty, Blurry Ideology, and Speculative Design at the Universitas Symposium, 19720
Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design0
The Dot: Statistics, Society, and Graphic Design, c. 1830–19700
“How we live and how we might live”: Design and the spirit of critical utopianism0
Inhabited Machines: Genealogy of an Architectural ConceptProzessarchitekturen: Medien Der Betriebsorganisation (1880–1936)0
African Motors: Technology, Gender and the History of Development0
Jugendstil Women and the Making of Modern Design0
The Theatre of Exhibitions: Czechoslovakia at the International Exhibition in Paris, 19370
The Industrialized Designer: Gender, Identity and professionalisation in Britain and the United States, 1930-800
After the Bauhaus, Before the Internet: A History of Graphic Design Pedagogy0
Call for Papers for Special Issue of the Journal of Design History0
Special Issue of the Journal of Design History: Design History and Digital Material Culture0
“The credit of priority”: The Japanese Collection Loaned From the Netherlands to The Great Industrial Exhibition, Dublin, 18530
John Langrish (1935–2024)0
Carbon Technocracy: Energy Regimes in Modern East Asia0
On the Job: A History of American Work Uniforms0
Deviant Design: the Ad Hoc, the Illicit, the Controversial0
Lifestyle Revolution: How Taste Changed Class in Late Twentieth Century Britain0
“Thrice Precious Tube!”: Negotiating the Visibility and Efficiency of Early Hearing Aids0
From ASCII Art to Comic Sans: Typography and Popular Culture in the Digital Age0
“Kingsway leads the way to modern living”: British Profit-seeking and Modernism in Ghana and Nigeria 1920–19700
Crafting Identities: Artisan Culture in London, c.1550–16400
The Joining of the Arts: Danish Art and Design, 1880–19100
Modelling the Metropolis: The Architectural Model in Victorian LondonA History of Architectural Model Making in Britain: The Unseen Masters of Scale and Vision0
Designing Educational and Home Computers in State Socialism: The Polish and Czechoslovak Experience0
Frank Barr: Avant-Garde Designer in Mid-Century Chicago?0
Examining the “unearthly archives”: Spiritualism, Psychical Research, and Psychometric Material Culture in the US and Britain0
Netherlands ⇄ Bauhaus. Pioneers of a New World0
Designing Transformation: Jews and Cultural Identity in Central European Modernism0
Architecture after CovidInteriors in the Era of Covid-19: Interior Design between the Public and Private Realms0
Home as an Aid: Domestic Design for Disabled Polio Survivors0
Self-transcendence: Design Criticism in the 1928 Shanghai Exhibition of National Products0
Fredric Jameson (1934–2024)0
Magic and Materialism: Fortune Telling and the Culture of Enchantment, 1919–19390
Re-reading Bauhaus Histories: Appropriations and Global Perspectives0
The Museum Age in Austria-Hungary: Art and Empire in the Long Nineteenth CenturyLiberalism, Nationalism and Design Reform in the Habsburg Empire: Museums of Design, Industry and Applied Arts0
Domestic Space in France and Belgium: Art, Literature and Design (1850–1920)0
Janja Lap: Distancing Oneself from a Servile Identity0
Pipsan Saarinen Swanson’s Life Model Home: Mediation and Mythmaking in Postwar America0
Dressing Up: A History of Fancy Dress in Britain0
Curating Design: Context, Culture and Reflective Practice0
Synthetic Paradoxes: Moving with the Dematerialization of Plastic Design0
Follow the Boots: A Case Study of Design and Global Value Chains0
Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy0
London Couture and the Making of a Fashion CenterPrêt-à-Porter, Paris and Women: A Cultural Study of French Readymade Fashion, 1945-680
Listening to Things and Spaces: Sound Archives for Design Historians0
The Fabric of Resistance: Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru0
Bridget Wilkins (1943–2025)0
Medium and Managerial Expertise: Orthogonal Drawing and Advertising in T.M. Cleland’s The New Cadillac (1928)0
Systems Ultra: Making Sense of Technology in a Complex World0
Domestic Space in Britain, 1750–1840: Materiality, Sociability and Emotion0
Here We Are: Women in Design 1900-Today, Furniture Museum Vienna, 1 March–30 June 2024.0
Spaces of Tokyo: Commercial Art and Book Design in the Work of Komura Settai0
Eileen Gray and Jean Badovici at Vézelay0
“Explorations” Introduction for Issue 38.10
Marie Neurath: Designing Bilston’s Housing Exhibition0
William Morris0
Radical Pedagogies0
Hibernia the Lacemaker: Reading Gender, Class, and Empire in the Discourse of Nineteenth-century Irish Lace0
Plastic MatterPlastic Legacies: Pollution, Persistence, and Politics0
Josef Albers, Late Modernism and Pedagogic Form0
“Young nations love tents”: The “Mostra dell’Attrezzatura Coloniale” [Exhibition of Colonial Equipment] and the Staging of Italian Imperialism at the VII Milan Triennale (1940)0
Modelling Modular Living: Furniture and Life Magazine and Interior Design in 1980s China0
History and Legacy of Isotype0
Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-18300
Ghislaine Wood on the Art Deco 1910–1939 Exhibition, 20030
P. Morton Shand and the Promotion of Alvar Aalto0
Conspicuous Consumption in the Prairie House: A Veblenian Reading of Frank Lloyd Wright’s Highbacked Dining Chair0
Exhibitions Beyond Boundaries: Transnational Exchanges through Art, Architecture, and Design 1945-19850
Space Suits and Gas Masks: Mary Ann Scherr and an Alternative View of Personal Technology0
Xanti Schawinsky and the Fascist Plebiscitary Elections of 1934: Everyday Design Practice and Visual Culture in Early 1930’s Italy0
Introduction: The Bauhaus Centennial and Design History0
Unworking: The Reinvention of the Modern Office0
Nature Inside: Plants and Flowers in the Modern Interior0
Balenciaga, licensee of Maison Vionnet0
A Rhapsody of Chairs0
Nordic Design Cultures in Transformation, 1960-1980: Revolt and Resilience0
Neoliberalizing Design and the State: The Political Origins of Australian Design Policy and Design Education Reform, 1987–19910
Correction to: Charlotte Benton 1944 – 20240
The Future Sign Language: A Critical History of Aicher’s Ideas About Signs and Pictograms for the 1972 Munich Olympics0
Arte Programmata: Freedom, Control, and the Computer in 1960s Italy0
Evelyn & William De Morgan: A Marriage of Arts & Crafts0
Creating Meanings in the Scandinavian Unisex: Visual and Textual Representations of the Striped Clothing Designs by Nørgaard paa Strøget (1967), Marimekko (1968), and Polarn O. Pyret (1975)0
More Brutal than Alton West? Elevation Design and the Gordon Wilson Memorial Flats, Wellington, New Zealand0
In Between Breaths: Memories, Stories, and Otherwise Design Histories0
House and Home in Georgian Ireland, Spaces and Cultures of Domestic Life0
The Architecture of Social Reform: Housing, Tradition, and German Modernism0
Envisioning the Future by Design: Toyota’s Show Cars at the 1969 and 1970 Tokyo Motor Shows0
Craft: An American History0
International Design Organizations: Histories, Legacies, Values0
Chicago Modernism and the Ludlow Typograph: Douglas C. McMurtrie and Robert Hunter Middleton at Work0
Craftworkers in Nineteenth-Century Scotland: Making and Adapting in an Industrial Age0
A Spirited Way to a Rational Home: Cultivating Normativity through the Victorian Spiritualist Interior0
Craft Culture in Early Modern Japan: Materials, Makers, and Mastery0
Fashion and Image as Anthropographic Elements in Nineteenth-century Colombia0
The Art and Craft of the Border: Reginald W. Machell’s Theosophical Woodwork0
Exploring the Unseen: Archival Ethnography of Rejected Applications at the Ulm School of Design (HfG Ulm)0
At Home in Renaissance Bruges: Connecting Objects, People and Domestic Spaces in a Sixteenth-Century City0
The Strange Case of the Reception of Art Deco: Reflections and Speculations0
Innovation and Revivalism: Powell & Sons’ Opus Sectile Mosaic0
Screen Interiors: From Country House to Cosmic Heterotopias0
Design and Heritage: The Construction of Identity and Belonging0
After Universal Design: The Disability Design Revolution0
Radical Play: Revolutionizing Children’s Toys in 1960s and 1970s AmericaPlayhouses and Privilege: The Architecture of Elite Childhood0
Charlotte Benton 1944 – 20240
Untold Histories of Fashion, Crafts, Artisanship, and Style in the Archives of Italy’s Former Colonial Museum in Rome0
Design History and Culture: Methods and Approaches0
“This man represents China”: The Racist Rhetoric of “object lessons” in W. W. Peter’s Health Lectures0
Disobedience as Usual: Why Design Activists Need Historians0
Designing Modern Japan0
Fashion and Feeling: The Affective Politics of Dress0
Wild Design in China’s Lifestyle Magazines (1978–1992)0
Picturing National History: Turkey’s Popular Nationalism on the Rise Through the 1950s New Print Culture0
Situating the Bauhaus in Cold War Germany0
Imitation and Piracy in Paisley Shawl Design, 1805–18700
Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-530
The Bauhaus Centennial in International Publications0
Prioritizing Design Process over Design Outcomes to Address Non-Indigenous Engagement with Indigenous Knowledge Systems in Design Practice0
Il design e l’invenzione del Made in ItalyA New History of “Made in Italy”: Fashion and Textiles in Post-War Italy0
Co-option or Recognition? Second-wave Feminist Politics and the Frigidaire Australia Women’s Design Conference, 19800
Jet Age Aesthetic: The Glamour of Media in Motion0
Assembly by Design: The United Nations and Its Global Interior0
Frances Burke: Designer of Modern TextilesA Dark, A Light, A Bright: The designs of Dorothy Liebes0
In Sparkling Company: Reflections on Glass in the 18th-Century British World0
Enlightened Eclecticism: The Grand Design of the 1st Duke and Duchess of NorthumberlandLondon’s ‘Golden Mile’ The Great Houses of the Strand, 1550–16500
Contemporary Visions: Refiguring The Esoteric; The Transformational Act of “Making” Magic0
On Being Simultaneously Arab and “Modern”: Saloua Raouda Choucair’s Design Between Science and Sufism0
Danger in the Path of Chic: Violence and Fashion Between the Wars0
Marcel Breuer, the Wassily Chair and the ‘Frozen’ Bauhaus Modernism After 19450
‘Beautiful, plain objects like [SKF] ball bearings’: The Enigma of Aestheticizing Anonymity in ‘Machine Art’ and Modernist Logotypes0
Histories of Exhibition Design in the Museum: Makers, Process, and Practice0
“Something really very odd and singularly appropriate:” The Fashionable Swastika in the US Before 19390
Masculinity, Fashion, and Design History0
Luxury After the Terror0
No More Giants: J.M. Richards, Modernism and the Architectural Review0
‘A Striking Air of Modernity Tempered with Tradition’: Vernacular Modernism and the Design of the Public House in Cork and Dublin, 1934–19690
Interiors in the Age of Enlightenment: A Cultural History0
Inclusive Textile Histories: Gender, Geopolitics and Decoration0
Taking a Stand? Debating the Bauhaus and Modernism0
“A Leg Lamp Story”0
Witchcraft as Ontological Designing: Assemblage and More-Than-Human Relationality in Latin American Brujería (Sixteenth–Eighteenth centuries)0
Rethinking Fashion Globalization0
“From the Ground Up: Black Architects and Designers”, Museum of History and Industry, Seattle, USA (4 February–30 April, 2023)0
Design, Displacement, Migration: Spatial and Material Histories0
Art Without Heroes: Mingei, A Century of Japanese Craft, William Morris Gallery, London, 23 March- 22 September 20240
The Foreign Designer: Antoinette Krasnik and the Wiener Moderne0
Liquid Forms: Questions for a Design History of Water0
Cosmopolitan Radicalism: The Visual Politics of Beirut’s Global Sixties0
John A. Walker (1938 – 2023)0
Moving Objects: A Cultural History of Emotive Design0
Being a Female Textile Artist in State-Socialist Poland: Revisiting Magdalena Abakanowicz’s Early Career0
Introduction: Toward a Design History of the Occult0
Redeeming Objects: A West German Mythology0
Unlearning Ableism: Design Knowledge, Contested Models, and the Experience of Disability in 1970s Berkeley0
Open Plan: A Design History of the American OfficeThe Filing Cabinet: A Vertical History of Information0
Designing Public Secrecy: Kongfz.com and the Digital Trade in Cultural Revolution Objects0
Becoming Imperial Brands: Japanese Advertising in Colonial Korea, 1920–19320
The Full-Length Mirror: A Global Visual History0
Women Art Workers and the Arts and Crafts Movement0
No Compromise: The Work of Florence Knoll0
Design in Motion: Film Experiments at the BauhausDesigning Russian Cinema: The Production Artist and the Material Environment in Silent Era Film0
Crafted with Pride, Queer Craft and Activism in Contemporary Britain0
Performing Modernism: A Jewish Avant-Garde in Bucharest0
Totalitarian Aesthetics in Visual Representations of People on Paper Monies in Europe from the 1920s to the 1940s0
Eileen Gray, Designer and Architect0
Ecological by Design: A History from Scandinavia0
Underground Mathematics: Craft Culture and Knowledge Production in Early Modern Europe0
Julia Keiner’s Universalism and the Question of Israeli style0
Design and Modernity in Asia: National Identity and Transnational Exchange 1945–19900
“Moroccan” Artek: Colonized Textiles within 1930s Modernist Interiors0
0.21705603599548