Journal of Design History

Papers
(The TQCC of Journal of Design History is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Fashioning the Afropolis: Histories, Materialities and Aesthetic Practices1
Unmaking Waste: New Histories of Old Things1
Designs on Democracy: Architecture and the Public in Interwar London1
Critical Ethics for Communicating Indigenous Craft Practices1
Design and Political Dissent: Spaces, Visuals, Materialities1
Mid-Century Modernism and the American Body: Race, Gender and the Politics of Power in Design1
Obituary: Frederike Huygen 1956-20231
Taking a Stand? Debating the Bauhaus and ModernismImpact! From Bauhaus to IKEA1
The Lady in the Overall: First World War Patriotism, Respectability, and Workwear of Upper-Class Munitionettes1
Richard Riemerschmid’s Extraordinary Living Things1
Post-Craft1
Design Struggles: Intersecting Histories, Pedagogies, and Perspectives1
Copyist or Creative? The Emergence of the Woman Fashion Artist in Britain, 1880–19201
Industrial Craft in Australia: Oral Histories of Creativity and Survival1
Design’s chromatic modernity1
Arndís Sigríður Árnadóttir 1940-20231
Books Received0
Atari Design: Impressions on Coin-Operated Video Game Machines0
Young Poland: The Polish Arts and Crafts Movement, 1890–19180
Josef Albers, Late Modernism and Pedagogic Form0
Exhibition Making in Crisis: Professional Identity and Radical Museum Exhibition Design in Britain after the Second World War0
Suiting Children for Institutions: The Development, Calibration and Stabilization of the One-piece Snowsuit0
The Museum Age in Austria-Hungary: Art and Empire in the Long Nineteenth CenturyLiberalism, Nationalism and Design Reform in the Habsburg Empire: Museums of Design, Industry and Applied Arts0
Design and Heritage: The Construction of Identity and Belonging0
Witchcraft as Ontological Designing: Assemblage and More-Than-Human Relationality in Latin American Brujería (Sixteenth–Eighteenth centuries)0
In Between Breaths: Memories, Stories, and Otherwise Design Histories0
Design History and Culture: Methods and Approaches0
Evelyn & William De Morgan: A Marriage of Arts & Crafts0
Craft Culture in Early Modern Japan: Materials, Makers, and Mastery0
“A Leg Lamp Story”0
Open Plan: A Design History of the American OfficeThe Filing Cabinet: A Vertical History of Information0
Chicago Modernism and the Ludlow Typograph: Douglas C. McMurtrie and Robert Hunter Middleton at Work0
In Sparkling Company: Reflections on Glass in the 18th-Century British World0
The Bauhaus Centennial in International Publications0
Jet Age Aesthetic: The Glamour of Media in Motion0
At Home in Renaissance Bruges: Connecting Objects, People and Domestic Spaces in a Sixteenth-Century City0
Nature Inside: Plants and Flowers in the Modern Interior0
The Foreign Designer: Antoinette Krasnik and the Wiener Moderne0
Moving Objects: A Cultural History of Emotive Design0
Xanti Schawinsky and the Fascist Plebiscitary Elections of 1934: Everyday Design Practice and Visual Culture in Early 1930’s Italy0
Design in Motion: Film Experiments at the BauhausDesigning Russian Cinema: The Production Artist and the Material Environment in Silent Era Film0
After Universal Design: The Disability Design Revolution0
Neoliberalizing Design and the State: The Political Origins of Australian Design Policy and Design Education Reform, 1987–19910
Follow the Boots: A Case Study of Design and Global Value Chains0
Women Art Workers and the Arts and Crafts Movement0
“Kingsway leads the way to modern living”: British Profit-seeking and Modernism in Ghana and Nigeria 1920–19700
Julia Keiner’s Universalism and the Question of Israeli style0
Histories of Exhibition Design in the Museum: Makers, Process, and Practice0
No Compromise: The Work of Florence Knoll0
Typographic Histories: Three Decades of Research0
Masculinity, Fashion, and Design History0
Envisioning the Future by Design: Toyota’s Show Cars at the 1969 and 1970 Tokyo Motor Shows0
Eileen Gray and Jean Badovici at Vézelay0
Radical Pedagogies0
Danger in the Path of Chic: Violence and Fashion Between the Wars0
Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design0
Introduction: Toward a Design History of the Occult0
Taking a Stand? Debating the Bauhaus and Modernism0
Jugendstil Women and the Making of Modern Design0
The Dot: Statistics, Society, and Graphic Design, c. 1830–19700
Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-18300
P. Morton Shand and the Promotion of Alvar Aalto0
On Being Simultaneously Arab and “Modern”: Saloua Raouda Choucair’s Design Between Science and Sufism0
From ASCII Art to Comic Sans: Typography and Popular Culture in the Digital Age0
DESIGN is Everywhere: Elements of Design and MoMA’s Evolving Design Pedagogy0
E. McKnight Kauffer: The Artist in Advertising0
“The credit of priority”: The Japanese Collection Loaned From the Netherlands to The Great Industrial Exhibition, Dublin, 18530
John Langrish (1935–2024)0
Performing Modernism: A Jewish Avant-Garde in Bucharest0
Fredric Jameson (1934–2024)0
Introduction: The Bauhaus Centennial and Design History0
Design and Agency0
Design and Modernity in Asia: National Identity and Transnational Exchange 1945–19900
Home as an Aid: Domestic Design for Disabled Polio Survivors0
Crafting Identities: Artisan Culture in London, c.1550–16400
Domestic Space in Britain, 1750–1840: Materiality, Sociability and Emotion0
Introduction to Material Displacements0
Modelling Modular Living: Furniture and Life Magazine and Interior Design in 1980s China0
“From the Ground Up: Black Architects and Designers”, Museum of History and Industry, Seattle, USA (4 February–30 April, 2023)0
Fashion and Feeling: The Affective Politics of Dress0
Critical Design in Japan: Material Culture, Luxury, and the Avant-Garde0
International Design Organizations: Histories, Legacies, Values0
No More Giants: J.M. Richards, Modernism and the Architectural Review0
Frank Barr: Avant-Garde Designer in Mid-Century Chicago?0
Majolica Mania: Transatlantic Pottery in England and the United States, 1850–19150
Netherlands ⇄ Bauhaus. Pioneers of a New World0
Magic and Materialism: Fortune Telling and the Culture of Enchantment, 1919–19390
“How we live and how we might live”: Design and the spirit of critical utopianism0
Underground Mathematics: Craft Culture and Knowledge Production in Early Modern Europe0
Unworking: The Reinvention of the Modern Office0
Dressing Up: A History of Fancy Dress in Britain0
Art, Politics and the Pamphleteer0
Designing Transformation: Jews and Cultural Identity in Central European Modernism0
Design, Displacement, Migration: Spatial and Material Histories0
Special Issue of the Journal of Design History: Design History and Digital Material Culture0
House and Home in Georgian Ireland, Spaces and Cultures of Domestic Life0
John A. Walker (1938 – 2023)0
Becoming Imperial Brands: Japanese Advertising in Colonial Korea, 1920–19320
Modelling the Metropolis: The Architectural Model in Victorian LondonA History of Architectural Model Making in Britain: The Unseen Masters of Scale and Vision0
Craftworkers in Nineteenth-Century Scotland: Making and Adapting in an Industrial Age0
Synthetic Paradoxes: Moving with the Dematerialization of Plastic Design0
Victor Papanek: Designer for the Real World0
Il design e l’invenzione del Made in ItalyA New History of “Made in Italy”: Fashion and Textiles in Post-War Italy0
Vertical and Visual Integration at Container Corporation of America0
‘A Striking Air of Modernity Tempered with Tradition’: Vernacular Modernism and the Design of the Public House in Cork and Dublin, 1934–19690
More Brutal than Alton West? Elevation Design and the Gordon Wilson Memorial Flats, Wellington, New Zealand0
The Pocket: A Hidden History of Women’s Lives, 1660–19000
Fur: A Sensitive History0
Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy0
Plastic MatterPlastic Legacies: Pollution, Persistence, and Politics0
“Moroccan” Artek: Colonized Textiles within 1930s Modernist Interiors0
The Female Secession: Art and the Decorative at the Viennese Women’s Academy0
Marie Neurath: Designing Bilston’s Housing Exhibition0
Re-reading Bauhaus Histories: Appropriations and Global Perspectives0
Wild Design in China’s Lifestyle Magazines (1978–1992)0
Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-530
Shifting Geographies: Herbert Bayer’s World Geo-Graphic Atlas and the Mapping of the Post-war Globe0
Screen Interiors: From Country House to Cosmic Heterotopias0
Co-option or Recognition? Second-wave Feminist Politics and the Frigidaire Australia Women’s Design Conference, 19800
Exploring the Unseen: Archival Ethnography of Rejected Applications at the Ulm School of Design (HfG Ulm)0
Artisans, Objects, and Everyday Life in Renaissance Italy: The Material Culture of the Middling Class0
Selling Time: Multiple Temporalities in the Promotion of Danish Design Classics0
Reading Graphic Design History: Image, Text, and Context0
Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853–19140
Enlightened Eclecticism: The Grand Design of the 1st Duke and Duchess of NorthumberlandLondon’s ‘Golden Mile’ The Great Houses of the Strand, 1550–16500
Correction to: Charlotte Benton 1944 – 20240
The Full-Length Mirror: A Global Visual History0
Deco Dandy: Designing Masculinity in 1920s Paris0
Marcel Breuer, the Wassily Chair and the ‘Frozen’ Bauhaus Modernism After 19450
Designing Public Secrecy: Kongfz.com and the Digital Trade in Cultural Revolution Objects0
Nordic Design Cultures in Transformation, 1960-1980: Revolt and Resilience0
The Theatre of Exhibitions: Czechoslovakia at the International Exhibition in Paris, 19370
Conspicuous Consumption in the Prairie House: A Veblenian Reading of Frank Lloyd Wright’s Highbacked Dining Chair0
A Rhapsody of Chairs0
Medium and Managerial Expertise: Orthogonal Drawing and Advertising in T.M. Cleland’s The New Cadillac (1928)0
Curating Design: Context, Culture and Reflective Practice0
Craft: An American History0
Reconstructing the “Femme-Fleur”: Floral Modernism in the Work of Madeleine Vionnet and Jeanne Lanvin0
Seeds for New Beginnings? Ecological Uncertainty, Blurry Ideology, and Speculative Design at the Universitas Symposium, 19720
‘Beautiful, plain objects like [SKF] ball bearings’: The Enigma of Aestheticizing Anonymity in ‘Machine Art’ and Modernist Logotypes0
Fashion and Image as Anthropographic Elements in Nineteenth-century Colombia0
Cosmopolitan Radicalism: The Visual Politics of Beirut’s Global Sixties0
After the Bauhaus, Before the Internet: A History of Graphic Design Pedagogy0
Crafted with Pride, Queer Craft and Activism in Contemporary Britain0
African Motors: Technology, Gender and the History of Development0
The Joining of the Arts: Danish Art and Design, 1880–19100
Imitation and Piracy in Paisley Shawl Design, 1805–18700
Interiors in the Age of Enlightenment: A Cultural History0
Paris Fashion and World War Two: Global Diffusion and Nazi Control0
The Architecture of Social Reform: Housing, Tradition, and German Modernism0
Self-transcendence: Design Criticism in the 1928 Shanghai Exhibition of National Products0
Domestic Space in France and Belgium: Art, Literature and Design (1850–1920)0
Iteration: Episodes in the Mediation of Art and Architecture0
Redeeming Objects: A West German Mythology0
Carbon Technocracy: Energy Regimes in Modern East Asia0
Inhabited Machines: Genealogy of an Architectural ConceptProzessarchitekturen: Medien Der Betriebsorganisation (1880–1936)0
The Franko Prints: Joseph Urban’s Designs for the American Textile Market0
Picturing National History: Turkey’s Popular Nationalism on the Rise Through the 1950s New Print Culture0
Call for Papers for Special Issue of the Journal of Design History0
William Morris0
“Something really very odd and singularly appropriate:” The Fashionable Swastika in the US Before 19390
Architecture after CovidInteriors in the Era of Covid-19: Interior Design between the Public and Private Realms0
The Art and Craft of the Border: Reginald W. Machell’s Theosophical Woodwork0
Innovation and Revivalism: Powell & Sons’ Opus Sectile Mosaic0
Balenciaga, licensee of Maison Vionnet0
Systems Ultra: Making Sense of Technology in a Complex World0
“Thrice Precious Tube!”: Negotiating the Visibility and Efficiency of Early Hearing Aids0
Designing the Department Store: Display and Retail at the Turn of the Twentieth Century0
The Fabric of Resistance: Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru0
The Future Sign Language: A Critical History of Aicher’s Ideas About Signs and Pictograms for the 1972 Munich Olympics0
Exhibitions Beyond Boundaries: Transnational Exchanges through Art, Architecture, and Design 1945-19850
Ecological by Design: A History from Scandinavia0
Designing Modern Japan0
On the Job: A History of American Work Uniforms0
Situating the Bauhaus in Cold War Germany0
A Spirited Way to a Rational Home: Cultivating Normativity through the Victorian Spiritualist Interior0
Call for Papers: Journal of Design History, Designing for Disability Futures0
Charlotte Benton 1944 – 20240
Inclusive Textile Histories: Gender, Geopolitics and Decoration0
Prioritizing Design Process over Design Outcomes to Address Non-Indigenous Engagement with Indigenous Knowledge Systems in Design Practice0
Arte Programmata: Freedom, Control, and the Computer in 1960s Italy0
Pipsan Saarinen Swanson’s Life Model Home: Mediation and Mythmaking in Postwar America0
Irish Country Furniture and Furnishings 1700–20000
Unlearning Ableism: Design Knowledge, Contested Models, and the Experience of Disability in 1970s Berkeley0
Space Suits and Gas Masks: Mary Ann Scherr and an Alternative View of Personal Technology0
Examining the “unearthly archives”: Spiritualism, Psychical Research, and Psychometric Material Culture in the US and Britain0
Contemporary Visions: Refiguring The Esoteric; The Transformational Act of “Making” Magic0
Listening to Things and Spaces: Sound Archives for Design Historians0
London Couture and the Making of a Fashion CenterPrêt-à-Porter, Paris and Women: A Cultural Study of French Readymade Fashion, 1945-680
Deviant Design: the Ad Hoc, the Illicit, the Controversial0
Rethinking Fashion Globalization0
Disobedience as Usual: Why Design Activists Need Historians0
Designing Educational and Home Computers in State Socialism: The Polish and Czechoslovak Experience0
Luxury After the Terror0
Eileen Gray, Designer and Architect0
Lifestyle Revolution: How Taste Changed Class in Late Twentieth Century Britain0
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