Journal of Design History

Papers
(The TQCC of Journal of Design History is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Fashioning the Afropolis: Histories, Materialities and Aesthetic Practices1
Unmaking Waste: New Histories of Old Things1
Designs on Democracy: Architecture and the Public in Interwar London1
Industrial Craft in Australia: Oral Histories of Creativity and Survival1
Design and Political Dissent: Spaces, Visuals, Materialities1
Post-Craft1
Obituary: Frederike Huygen 1956-20231
Taking a Stand? Debating the Bauhaus and ModernismImpact! From Bauhaus to IKEA1
Design’s chromatic modernity1
Critical Ethics for Communicating Indigenous Craft Practices1
Young Poland: The Polish Arts and Crafts Movement, 1890–19181
Arndís Sigríður Árnadóttir 1940-20231
Design Struggles: Intersecting Histories, Pedagogies, and Perspectives1
Copyist or Creative? The Emergence of the Woman Fashion Artist in Britain, 1880–19201
The Lady in the Overall: First World War Patriotism, Respectability, and Workwear of Upper-Class Munitionettes1
Richard Riemerschmid’s Extraordinary Living Things1
Crafting Identities: Artisan Culture in London, c.1550–16401
Mid-Century Modernism and the American Body: Race, Gender and the Politics of Power in Design1
Domestic Space in France and Belgium: Art, Literature and Design (1850–1920)0
Lifestyle Revolution: How Taste Changed Class in Late Twentieth Century Britain0
Space Suits and Gas Masks: Mary Ann Scherr and an Alternative View of Personal Technology0
Paris Fashion and World War Two: Global Diffusion and Nazi Control0
A Rhapsody of Chairs0
Design and Modernity in Asia: National Identity and Transnational Exchange 1945–19900
The Joining of the Arts: Danish Art and Design, 1880–19100
Mondrian’s Dress: Yves Saint Lauren, Piet Mondrian, and Pop Art0
Conspicuous Consumption in the Prairie House: A Veblenian Reading of Frank Lloyd Wright’s Highbacked Dining Chair0
Underground Mathematics: Craft Culture and Knowledge Production in Early Modern Europe0
Call for Papers: Journal of Design History, Designing for Disability Futures0
Modelling Modular Living: Furniture and Life Magazine and Interior Design in 1980s China0
Iteration: Episodes in the Mediation of Art and Architecture0
Hibernia the Lacemaker: Reading Gender, Class, and Empire in the Discourse of Nineteenth-century Irish Lace0
“From the Ground Up: Black Architects and Designers”, Museum of History and Industry, Seattle, USA (4 February–30 April, 2023)0
Seeds for New Beginnings? Ecological Uncertainty, Blurry Ideology, and Speculative Design at the Universitas Symposium, 19720
Crafted with Pride, Queer Craft and Activism in Contemporary Britain0
House and Home in Georgian Ireland, Spaces and Cultures of Domestic Life0
Art, Politics and the Pamphleteer0
The Museum Age in Austria-Hungary: Art and Empire in the Long Nineteenth CenturyLiberalism, Nationalism and Design Reform in the Habsburg Empire: Museums of Design, Industry and Applied Arts0
John A. Walker (1938 – 2023)0
Chicago Modernism and the Ludlow Typograph: Douglas C. McMurtrie and Robert Hunter Middleton at Work0
Witchcraft as Ontological Designing: Assemblage and More-Than-Human Relationality in Latin American Brujería (Sixteenth–Eighteenth centuries)0
Nature Inside: Plants and Flowers in the Modern Interior0
Designing Educational and Home Computers in State Socialism: The Polish and Czechoslovak Experience0
Special Issue of the Journal of Design History: Design History and Digital Material Culture0
Synthetic Paradoxes: Moving with the Dematerialization of Plastic Design0
Magic and Materialism: Fortune Telling and the Culture of Enchantment, 1919–19390
Creating Meanings in the Scandinavian Unisex: Visual and Textual Representations of the Striped Clothing Designs by Nørgaard paa Strøget (1967), Marimekko (1968), and Polarn O. Pyret (1975)0
Taking a Stand? Debating the Bauhaus and Modernism0
Balenciaga, licensee of Maison Vionnet0
Women Art Workers and the Arts and Crafts Movement0
Designing Transformation: Jews and Cultural Identity in Central European Modernism0
‘A Striking Air of Modernity Tempered with Tradition’: Vernacular Modernism and the Design of the Public House in Cork and Dublin, 1934–19690
Julia Keiner’s Universalism and the Question of Israeli style0
Victor Papanek: Designer for the Real World0
Designing Modern Japan0
Envisioning the Future by Design: Toyota’s Show Cars at the 1969 and 1970 Tokyo Motor Shows0
Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design0
International Design Organizations: Histories, Legacies, Values0
History and Legacy of Isotype0
Wild Design in China’s Lifestyle Magazines (1978–1992)0
Craftworkers in Nineteenth-Century Scotland: Making and Adapting in an Industrial Age0
A Spirited Way to a Rational Home: Cultivating Normativity through the Victorian Spiritualist Interior0
The Pocket: A Hidden History of Women’s Lives, 1660–19000
Domestic Space in Britain, 1750–1840: Materiality, Sociability and Emotion0
The Fabric of Resistance: Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru0
At Home in Renaissance Bruges: Connecting Objects, People and Domestic Spaces in a Sixteenth-Century City0
Follow the Boots: A Case Study of Design and Global Value Chains0
“The credit of priority”: The Japanese Collection Loaned From the Netherlands to The Great Industrial Exhibition, Dublin, 18530
Unlearning Ableism: Design Knowledge, Contested Models, and the Experience of Disability in 1970s Berkeley0
“Kingsway leads the way to modern living”: British Profit-seeking and Modernism in Ghana and Nigeria 1920–19700
From ASCII Art to Comic Sans: Typography and Popular Culture in the Digital Age0
Plastic MatterPlastic Legacies: Pollution, Persistence, and Politics0
On Being Simultaneously Arab and “Modern”: Saloua Raouda Choucair’s Design Between Science and Sufism0
Listening to Things and Spaces: Sound Archives for Design Historians0
Unworking: The Reinvention of the Modern Office0
Call for Papers for Special Issue of the Journal of Design History0
Design and Heritage: The Construction of Identity and Belonging0
Deviant Design: the Ad Hoc, the Illicit, the Controversial0
The Theatre of Exhibitions: Czechoslovakia at the International Exhibition in Paris, 19370
‘Beautiful, plain objects like [SKF] ball bearings’: The Enigma of Aestheticizing Anonymity in ‘Machine Art’ and Modernist Logotypes0
Correction to: Charlotte Benton 1944 – 20240
“Explorations” Introduction for Issue 38.10
Luxury After the Terror0
William Morris0
Evelyn & William De Morgan: A Marriage of Arts & Crafts0
Fashion and Feeling: The Affective Politics of Dress0
Home as an Aid: Domestic Design for Disabled Polio Survivors0
Shifting Geographies: Herbert Bayer’s World Geo-Graphic Atlas and the Mapping of the Post-war Globe0
Selling Time: Multiple Temporalities in the Promotion of Danish Design Classics0
Fashion and Image as Anthropographic Elements in Nineteenth-century Colombia0
The Bauhaus Centennial in International Publications0
Netherlands ⇄ Bauhaus. Pioneers of a New World0
Becoming Imperial Brands: Japanese Advertising in Colonial Korea, 1920–19320
Josef Albers, Late Modernism and Pedagogic Form0
Design, Displacement, Migration: Spatial and Material Histories0
Pipsan Saarinen Swanson’s Life Model Home: Mediation and Mythmaking in Postwar America0
Majolica Mania: Transatlantic Pottery in England and the United States, 1850–19150
African Motors: Technology, Gender and the History of Development0
The Franko Prints: Joseph Urban’s Designs for the American Textile Market0
Eileen Gray, Designer and Architect0
Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-18300
Histories of Exhibition Design in the Museum: Makers, Process, and Practice0
Contemporary Visions: Refiguring The Esoteric; The Transformational Act of “Making” Magic0
Xanti Schawinsky and the Fascist Plebiscitary Elections of 1934: Everyday Design Practice and Visual Culture in Early 1930’s Italy0
Innovation and Revivalism: Powell & Sons’ Opus Sectile Mosaic0
The Architecture of Social Reform: Housing, Tradition, and German Modernism0
Modelling the Metropolis: The Architectural Model in Victorian LondonA History of Architectural Model Making in Britain: The Unseen Masters of Scale and Vision0
In Between Breaths: Memories, Stories, and Otherwise Design Histories0
Masculinity, Fashion, and Design History0
Here We Are: Women in Design 1900-Today, Furniture Museum Vienna, 1 March–30 June 2024.0
Rethinking Fashion Globalization0
Marie Neurath: Designing Bilston’s Housing Exhibition0
Inclusive Textile Histories: Gender, Geopolitics and Decoration0
Radical Pedagogies0
Ecological by Design: A History from Scandinavia0
Inhabited Machines: Genealogy of an Architectural ConceptProzessarchitekturen: Medien Der Betriebsorganisation (1880–1936)0
Re-reading Bauhaus Histories: Appropriations and Global Perspectives0
“Young nations love tents”: The “Mostra dell’Attrezzatura Coloniale” [Exhibition of Colonial Equipment] and the Staging of Italian Imperialism at the VII Milan Triennale (1940)0
Frank Barr: Avant-Garde Designer in Mid-Century Chicago?0
“How we live and how we might live”: Design and the spirit of critical utopianism0
The Art and Craft of the Border: Reginald W. Machell’s Theosophical Woodwork0
Atari Design: Impressions on Coin-Operated Video Game Machines0
Introduction: Toward a Design History of the Occult0
Arte Programmata: Freedom, Control, and the Computer in 1960s Italy0
Reading Graphic Design History: Image, Text, and Context0
The Future Sign Language: A Critical History of Aicher’s Ideas About Signs and Pictograms for the 1972 Munich Olympics0
Redeeming Objects: A West German Mythology0
Screen Interiors: From Country House to Cosmic Heterotopias0
The Strange Case of the Reception of Art Deco: Reflections and Speculations0
John Langrish (1935–2024)0
Frances Burke: Designer of Modern TextilesA Dark, A Light, A Bright: The designs of Dorothy Liebes0
Untold Histories of Fashion, Crafts, Artisanship, and Style in the Archives of Italy’s Former Colonial Museum in Rome0
Exploring the Unseen: Archival Ethnography of Rejected Applications at the Ulm School of Design (HfG Ulm)0
Critical Design in Japan: Material Culture, Luxury, and the Avant-Garde0
Radical Play: Revolutionizing Children’s Toys in 1960s and 1970s AmericaPlayhouses and Privilege: The Architecture of Elite Childhood0
Nordic Design Cultures in Transformation, 1960-1980: Revolt and Resilience0
“Something really very odd and singularly appropriate:” The Fashionable Swastika in the US Before 19390
Design in Motion: Film Experiments at the BauhausDesigning Russian Cinema: The Production Artist and the Material Environment in Silent Era Film0
Introduction: The Bauhaus Centennial and Design History0
Disobedience as Usual: Why Design Activists Need Historians0
No More Giants: J.M. Richards, Modernism and the Architectural Review0
Dressing Up: A History of Fancy Dress in Britain0
Design History and Culture: Methods and Approaches0
P. Morton Shand and the Promotion of Alvar Aalto0
The Dot: Statistics, Society, and Graphic Design, c. 1830–19700
Exhibitions Beyond Boundaries: Transnational Exchanges through Art, Architecture, and Design 1945-19850
Il design e l’invenzione del Made in ItalyA New History of “Made in Italy”: Fashion and Textiles in Post-War Italy0
Craft: An American History0
Picturing National History: Turkey’s Popular Nationalism on the Rise Through the 1950s New Print Culture0
Charlotte Benton 1944 – 20240
Fur: A Sensitive History0
After the Bauhaus, Before the Internet: A History of Graphic Design Pedagogy0
Cosmopolitan Radicalism: The Visual Politics of Beirut’s Global Sixties0
Medium and Managerial Expertise: Orthogonal Drawing and Advertising in T.M. Cleland’s The New Cadillac (1928)0
Self-transcendence: Design Criticism in the 1928 Shanghai Exhibition of National Products0
Performing Modernism: A Jewish Avant-Garde in Bucharest0
Carbon Technocracy: Energy Regimes in Modern East Asia0
Craft Culture in Early Modern Japan: Materials, Makers, and Mastery0
In Sparkling Company: Reflections on Glass in the 18th-Century British World0
Moving Objects: A Cultural History of Emotive Design0
More Brutal than Alton West? Elevation Design and the Gordon Wilson Memorial Flats, Wellington, New Zealand0
Architecture after CovidInteriors in the Era of Covid-19: Interior Design between the Public and Private Realms0
Prioritizing Design Process over Design Outcomes to Address Non-Indigenous Engagement with Indigenous Knowledge Systems in Design Practice0
Danger in the Path of Chic: Violence and Fashion Between the Wars0
Jugendstil Women and the Making of Modern Design0
Open Plan: A Design History of the American OfficeThe Filing Cabinet: A Vertical History of Information0
Neoliberalizing Design and the State: The Political Origins of Australian Design Policy and Design Education Reform, 1987–19910
Systems Ultra: Making Sense of Technology in a Complex World0
On the Job: A History of American Work Uniforms0
“Moroccan” Artek: Colonized Textiles within 1930s Modernist Interiors0
“Thrice Precious Tube!”: Negotiating the Visibility and Efficiency of Early Hearing Aids0
Situating the Bauhaus in Cold War Germany0
Jet Age Aesthetic: The Glamour of Media in Motion0
Examining the “unearthly archives”: Spiritualism, Psychical Research, and Psychometric Material Culture in the US and Britain0
Eileen Gray and Jean Badovici at Vézelay0
The Foreign Designer: Antoinette Krasnik and the Wiener Moderne0
Liquid Forms: Questions for a Design History of Water0
Co-option or Recognition? Second-wave Feminist Politics and the Frigidaire Australia Women’s Design Conference, 19800
Imitation and Piracy in Paisley Shawl Design, 1805–18700
Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-530
After Universal Design: The Disability Design Revolution0
Janja Lap: Distancing Oneself from a Servile Identity0
Designing Public Secrecy: Kongfz.com and the Digital Trade in Cultural Revolution Objects0
Enlightened Eclecticism: The Grand Design of the 1st Duke and Duchess of NorthumberlandLondon’s ‘Golden Mile’ The Great Houses of the Strand, 1550–16500
Curating Design: Context, Culture and Reflective Practice0
Interiors in the Age of Enlightenment: A Cultural History0
Fredric Jameson (1934–2024)0
No Compromise: The Work of Florence Knoll0
The Full-Length Mirror: A Global Visual History0
“A Leg Lamp Story”0
London Couture and the Making of a Fashion CenterPrêt-à-Porter, Paris and Women: A Cultural Study of French Readymade Fashion, 1945-680
Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy0
Marcel Breuer, the Wassily Chair and the ‘Frozen’ Bauhaus Modernism After 19450
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