OOIR: Observatory of International Research

Papers

(The median citation count of Third Text is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
Contributors	4
Repositories of Sound	3
Diagnostic Revelations	3
Hyphenated Performance On-Site	3
Decolonial Futures for African Collections	3
Moving from Double Foreignness to the Universal Subject	2
Standing Rock and its Ancestors	1
The University as a Work of Art	1
Doors, Windows and the Notebook of Solidarity	1
Hybrid Aesthetics of Standby	1
Lygia Clark and Architecture	1
Self-Imagining	1
Photographic Critique Today	1
The Origins of the Abbey: 1947–1950	1
Differential Dispossession and the White Indigenous Counter-Reformation	1
Contributors	1
Borderscaping Hong Kong	1
Polyphony	1
Guy Ben-Ner	1
Piles of Bones	1
Contributors	1
Alfonso Ossorio’s Creative Breakthrough	1
Contributors	1
‘What happened? Where are they?’	1
Writing with Surya Namaz	1

Developing Digital Research Methodologies for Kenyan Collections Held in UK Museums	1
Images That Sweat	1
Performing (the) Rural Migrant Workers	0
Fugitive Aesthetics	0
A Surreal Relation with Otherness in Shirin Neshat’s Land of Dreams	0
Cosmos, Fiction and Transcendence	0
(Re)Thinking Complicity	0
Between the Social Limbo and the Art Canon	0
Crypt, Cornucopia and the Surface of Pattern	0
Against and beyond the Museum	0
Erasure	0
Impossible Stillness	0
Make No Mystique!	0
‘Why do you fall in love? Why do you worship Vishnu and Shiva?’	0
Peripheral Visiting	0
Mapping the Agency of Trash	0
Contributors	0
The Aesthetic Rift	0
More Process, Less Product	0
A Toxic Hospitality?	0
‘We all came from Soros’	0
Phantom in the Landscape	0
Between Predator and Prey	0
Mining Matter/s	0
Contributors	0
Kang Yong Suk’s Dongducheon Commemorative Portraits	0
‘A Collection of Conjurings and Opacities’	0
The Slave Ship and Badagry in Ndidi Dike’s ‘Waka-into-Bondage: The Last 3/4 Mile'	0
The Tomb of the Sudanese Mahdī	0
New Thai Cinema and the Poetics of Resistance	0
Contributors	0
Martin Parr and the Legacy of British Colonial Photography	0
Contributors	0
Grid Locks	0
Transwar Art in Japan	0
What Will Become of You	0
Sensing History, Seeking Justice	0
Negotiating Offence of Fallist Proportion	0
Crisis and Collectives Shaping Art Events	0
The Memory Palaces of Do Ho Suh and Anne and Patrick Poirier	0
Interlude 1	0
Zinc Vignettes	0
‘An occasion of power’	0
Dealing with Nordic Colonialism	0
Profit Versus Civilian	0
The Tour	0
Photography between Publicity and Politics	0
Interlude 2: Trickster Abrakadabra	0
The Buried Appraisals of Popular Art	0
Contributors	0

Woman as Battleground	0
The Early Black Printmaker(s) in Ilanga Lase Natal , 1903–1905	0
Contributors	0
Joy Gregory and Philip Miller	0
The Possibilities and Limitations of ‘Returned’ Digital Images	0
Miss Chief and the Art of Decolonial Tease	0
How to Decolonise Art and Science?	0
‘Since They Can’t Put Venezuela in Their Suitcase, They Take Mosaic Tiles from the Maiquetía Airport’	0
Apathy Meets Activism	0
Mary Kelly’s Gloria Patri and Negative Narcissism	0
The Social Form of Contemporary Art’s Autonomy	0
Contributors	0
Transformation of Political Discourse in Turkish Cinema from the 1960s to the 1990s	0
Arthur Bispo do Rosário	0
Aural Resilience	0
Unsettling the Archive	0
Contributors	0
Review Essay Komar and Melamid: A Lesson in History	0
The Local Made Global	0
Cinematic Cartographies	0
Art and Rebellion	0
Burning the American Flag Before the World	0
A Conversation on Exhibitions and Cultural Worlds, with Serdar Arat	0
Agency and Erasure	0
Anthropocene as Capitalocene	0
Displacement and Repositioning of the Quotidian	0
Debating Neoconcretism	0
A Post-Soviet Experiment	0
Presenting Absence	0
‘Restoring’ Museum Collections to Decolonial Ends	0
The Implied Who	0
Text-Tiles of Dissent	0
The Lowest Depths	0