Third Text

Papers
(The TQCC of Third Text is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Diagnostic Revelations3
Hyphenated Performance On-Site3
Contemporary Confessional Forms and Confessional Art3
Contributors3
Repositories of Sound3
Self-Imagining2
Decolonial Futures for African Collections2
Lygia Clark and Architecture1
‘What happened? Where are they?’1
Writing with Surya Namaz1
Race, Climate Change and the Photographic Negative in Richard Mosse’s Heat Maps1
Piles of Bones1
Contributors1
Guy Ben-Ner1
Images That Sweat1
Borderscaping Hong Kong1
Doors, Windows and the Notebook of Solidarity1
The Origins of the Abbey: 1947–19501
Differential Dispossession and the White Indigenous Counter-Reformation1
Hybrid Aesthetics of Standby1
Polyphony1
Developing Digital Research Methodologies for Kenyan Collections Held in UK Museums1
Standing Rock and its Ancestors1
Contributors1
Alfonso Ossorio’s Creative Breakthrough1
Agency and Erasure0
Crisis and Collectives Shaping Art Events0
Dealing with Nordic Colonialism0
A Surreal Relation with Otherness in Shirin Neshat’s Land of Dreams0
Zinc Vignettes0
Photography between Publicity and Politics0
‘Restoring’ Museum Collections to Decolonial Ends0
Woman as Battleground0
Profit Versus Civilian0
The Lowest Depths0
Kang Yong Suk’s Dongducheon Commemorative Portraits0
A Toxic Hospitality?0
Contributors0
The Tomb of the Sudanese Mahdī0
Phantom in the Landscape0
Cosmos, Fiction and Transcendence0
Displacement and Repositioning of the Quotidian0
Contributors0
Grid Locks0
Fugitive Aesthetics0
Between the Social Limbo and the Art Canon0
Leave Your Psychopathic Behaviour Outside the Playground0
Disobedience in Sámi Artist Marja Helander’s Film Birds in the Earth0
Against and beyond the Museum0
Erasure0
Contributors0
Anthropocene as Capitalocene0
What Will Become of You0
Peripheral Visiting0
The Aesthetic Rift0
The Local Made Global0
‘We all came from Soros’0
Contributors0
Indigenising Water0
Between Predator and Prey0
Cinematic Cartographies0
The Possibilities and Limitations of ‘Returned’ Digital Images0
Presenting Absence0
Impossible Stillness0
New Thai Cinema and the Poetics of Resistance0
Joy Gregory and Philip Miller0
Interlude 2: Trickster Abrakadabra0
Performing (the) Rural Migrant Workers0
‘Since They Can’t Put Venezuela in Their Suitcase, They Take Mosaic Tiles from the Maiquetía Airport’0
Contributors0
Contributors0
Mary Kelly’s Gloria Patri and Negative Narcissism0
Contributors0
Contributors0
The Slave Ship and Badagry in Ndidi Dike’s ‘Waka-into-Bondage: The Last 3/4 Mile'0
Mining Matter/s0
Make No Mystique!0
Debating Neoconcretism0
Apathy Meets Activism0
Negotiating Offence of Fallist Proportion0
The Memory Palaces of Do Ho Suh and Anne and Patrick Poirier0
More Process, Less Product0
‘An occasion of power’0
The Tour0
Mapping the Agency of Trash0
Arts in Dark Times0
‘Why do you fall in love? Why do you worship Vishnu and Shiva?’0
Burning the American Flag Before the World0
Contributors0
Martin Parr and the Legacy of British Colonial Photography0
Contributors0
The Early Black Printmaker(s) in Ilanga Lase Natal , 1903–19050
Contributors0
A Conversation on Exhibitions and Cultural Worlds, with Serdar Arat0
Miss Chief and the Art of Decolonial Tease0
Text-Tiles of Dissent0
How to Decolonise Art and Science?0
Sensing History, Seeking Justice0
Review Essay Komar and Melamid: A Lesson in History0
A Post-Soviet Experiment0
(Re)Thinking Complicity0
The Implied Who0
The Social Form of Contemporary Art’s Autonomy0
Crypt, Cornucopia and the Surface of Pattern0
The Search for an Individual Voice0
Transwar Art in Japan0
Arthur Bispo do Rosário0
Transformation of Political Discourse in Turkish Cinema from the 1960s to the 1990s0
Aural Resilience0
Unsettling the Archive0
The Buried Appraisals of Popular Art0
Interlude 10
Art and Rebellion0
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