OOIR: Observatory of International Research

Papers

(The TQCC of Third Text is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)

Article	Citations
Activist Aesthetics in the Post-Socialist Balkans	15
On Apartheid Ruins	14
Last Angel of History	11
This Should Happen Here More Often	10
Desire Revolution	10
Humour and the Commodification of Suffering	4
The Aesthetic Surveillance of Performance Art by the Romanian Securitate in the 1970s and 1980s	2
Nuclear Aesthetics against the Colonial Desert	2
Unbecoming Men	2
Haptic Perception and the Non-Western Monochrome	2
Gender and Performativity in Xing Danwen’s East Village	2
Queer Tricontinentalism?	1
Reconstructing Slave Stock	1
Indigenising Water	1
Arts in Dark Times	1
Conflict Reporting	1
Race, Climate Change and the Photographic Negative in Richard Mosse’s Heat Maps	1
‘Gay Sex Kits’	1
An Exploration of the Scarcity of Asian Images in Morimura Yasumasa’s Oeuvre, 1991–2010	1
Decentring the Genealogies of Art Activism	1
Fugitive Aesthetics	1
Debating Neoconcretism	1
Unpacking the Aesthetics of Working in Public Space in Malaysia and Southeast Asia through the Lens of Art-Led Participative Processes	1
The Search for an Individual Voice	1
A Critique of the ‘Author Function’ Concept in Art History	1

‘Living Artistically’ under Post-Fordist Conditions	1
Being the Woman They Wanted Her to Be	1
What is Contemporary about Institutional Critique?	1
Containment in Doris Salcedo’s Atrabiliarios	1
‘Heavenly Beings’	1
The Sarajevo Ghetto Spectacle	0
Disobedience in Sámi Artist Marja Helander’s Film Birds in the Earth	0
New Thai Cinema and the Poetics of Resistance	0
Miss Chief and the Art of Decolonial Tease	0
Shooting the Ambulance?	0
Martin Parr and the Legacy of British Colonial Photography	0
After the Fall	0
Contributors	0
The Spotted Seppuku	0
Respectability – Armour Against Inferiority	0
Contributors	0
The Implied Who	0
A Non-Event	0
Planets and Stars and Time Travel…	0
KwieKulik through the Lens of Feminism	0
Crisis and Collectives Shaping Art Events	0
Contributors	0
‘Artistic Exile’ and Professional Failure	0
Between the Social Limbo and the Art Canon	0
A Partial History of South–South Art Criticism	0
Brexit and the Occult	0
Grid Locks	0
The Origins of the Abbey: 1947–1950	0
Redemptive Constellations	0
Wallen Mapondera’s Conceptual Art	0
Contributors	0
Phantom in the Landscape	0
Contributors	0
The Aestheticisation of Late Capitalist Fascism	0
Contributors	0
Contributors	0
Piles of Bones	0
Contributors	0
Contributors	0
Trashing Scale	0
Mining Matter/s	0
The Early Black Printmaker(s) in Ilanga Lase Natal , 1903–1905	0
Exhausting 2010	0
Anthropocene as Capitalocene	0
Arthur Bispo do Rosário	0
‘The Place of the Transfagbidyke is in the Revolution’	0
Devoted Resistance	0
The Lowest Depths	0
Night Vision, Ghosts and Data Proxies	0
‘Why do you fall in love? Why do you worship Vishnu and Shiva?’	0

Mary Kelly’s Gloria Patri and Negative Narcissism	0
The Buried Appraisals of Popular Art	0
Contributors	0
‘Since They Can’t Put Venezuela in Their Suitcase, They Take Mosaic Tiles from the Maiquetía Airport’	0
Correction	0
Borderscaping Hong Kong	0
Contributors	0
Do You Have Place?	0
Crypt, Cornucopia and the Surface of Pattern	0
Contributors	0
Conspicuously Inconspicuous	0
Contemporary Confessional Forms and Confessional Art	0
From Dialogical Aesthetics in Eastern European Art to ‘Falling in Love’ with the Other(s)	0
Cosmos, Fiction and Transcendence	0
Contributors	0
The Broken Dinner Table	0
Beyond the Everyday	0
Filming the Nation in Post-Independence Mozambique	0
Interlude 2: Trickster Abrakadabra	0
Phantom Images, Phantom Limbs, Phantoms of Empire	0
Standing Rock and its Ancestors	0
Craft as Anti-colonial Universalism in the Bienal de La Habana	0
Correction	0
The Remarkable Power of Language in The Battle of Algiers	0
Hyphenated Performance On-Site	0
Contributors	0
Woman as Battleground	0
Art and Rebellion	0
PeoPL’s Bursting Light	0
Transwar Art in Japan	0
Addressing Karukinka	0
Contributors	0
Yin Xiuzhen’s Portable Cities	0
Erasure	0
Images That Sweat	0
Leave Your Psychopathic Behaviour Outside the Playground	0
On Mask-Ocracy	0
The Tour	0
Contributors	0
Kang Yong Suk’s Dongducheon Commemorative Portraits	0
Contributors	0
Aural Resilience	0
Cinematic Cartographies	0
Nostalgia for Futures Past	0
Burning the American Flag Before the World	0
Serious Dreaming	0
Zinc Vignettes	0
Sensing History, Seeking Justice	0
The Slave Ship and Badagry in Ndidi Dike’s ‘Waka-into-Bondage: The Last 3/4 Mile'	0
Decolonising Love	0
Antitainment 70	0
A Proximate Past	0
Impossible Stillness	0
Negotiating Offence of Fallist Proportion	0
Contributors	0
Performing Gender in Video Art	0
Militancy from the Margins in Brazil	0
Mapping the Agency of Trash	0
Please Help Yourself	0
Transformation of Political Discourse in Turkish Cinema from the 1960s to the 1990s	0
Contributors	0
Women’s Action Cinema in Pakistan	0
Writing with Surya Namaz	0
Make No Mystique!	0
On Sequins and Shit	0
Postsecular Longings?	0
And Sex?	0
The Aesthetic Rift	0
Doors, Windows and the Notebook of Solidarity	0
An Affect Alien in Aotearoa	0
Enjoy Sara-jevo	0
Hijacking IKEA	0
Against and beyond the Museum	0
Contributors	0
Deviations and Conversions, Seventies Style	0
‘Blinded by Quarry Vision’	0
‘We all came from Soros’	0
Chen Zhen, Transcultural Dialogues under Construction	0
‘Black Fire’	0
Photographs	0