OOIR: Observatory of International Research

Papers

(The TQCC of Third Text is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
Leave Your Psychopathic Behaviour Outside the Playground	4
Contributors	3
The Origins of the Abbey: 1947–1950	2
Haptic Perception and the Non-Western Monochrome	2
Standing Rock and its Ancestors	2
Race, Climate Change and the Photographic Negative in Richard Mosse’s Heat Maps	2
Contributors	1
Make No Mystique!	1
Differential Dispossession and the White Indigenous Counter-Reformation	1
Mining Matter/s	1
Contributors	1
Enjoy Sara-jevo	1
Hyphenated Performance On-Site	1
Erasure	1
The Aesthetic Rift	1
Phantom in the Landscape	1
Art and Rebellion	1
The Tour	1
Nuclear Aesthetics against the Colonial Desert	1
Contributors	0
A Critique of the ‘Author Function’ Concept in Art History	0
Contributors	0
Unbecoming Men	0
Decolonising Love	0
Night Vision, Ghosts and Data Proxies	0

Arthur Bispo do Rosário	0
Crisis and Collectives Shaping Art Events	0
Fugitive Aesthetics	0
Cinematic Cartographies	0
Contemporary Confessional Forms and Confessional Art	0
The Aestheticisation of Late Capitalist Fascism	0
Contributors	0
Correction	0
The Lowest Depths	0
Contributors	0
A Toxic Hospitality?	0
Unsettling the Archive	0
A Post-Soviet Experiment	0
Women’s Action Cinema in Pakistan	0
Contributors	0
Self-Imagining	0
Piles of Bones	0
The Spotted Seppuku	0
Contributors	0
After the Fall	0
Humour and the Commodification of Suffering	0
The Early Black Printmaker(s) in Ilanga Lase Natal , 1903–1905	0
Respectability – Armour Against Inferiority	0
New Thai Cinema and the Poetics of Resistance	0
Chen Zhen, Transcultural Dialogues under Construction	0
On Mask-Ocracy	0
Martin Parr and the Legacy of British Colonial Photography	0
Contributors	0
Trashing Scale	0
Developing Digital Research Methodologies for Kenyan Collections Held in UK Museums	0
Crypt, Cornucopia and the Surface of Pattern	0
Phantom Images, Phantom Limbs, Phantoms of Empire	0
Nostalgia for Futures Past	0
Militancy from the Margins in Brazil	0
Grid Locks	0
Brexit and the Occult	0
Peripheral Visiting	0
How to Decolonise Art and Science?	0
The Broken Dinner Table	0
Beyond the Everyday	0
Decolonial Futures for African Collections	0
Impossible Stillness	0
Arts in Dark Times	0
The Buried Appraisals of Popular Art	0
‘We all came from Soros’	0
Sensing History, Seeking Justice	0
Interlude 2: Trickster Abrakadabra	0
Contributors	0
Postsecular Longings?	0
A Partial History of South–South Art Criticism	0

The Implied Who	0
Transwar Art in Japan	0
Gender and Performativity in Xing Danwen’s East Village	0
Joy Gregory and Philip Miller	0
More Process, Less Product	0
Containment in Doris Salcedo’s Atrabiliarios	0
An Affect Alien in Aotearoa	0
Aural Resilience	0
KwieKulik through the Lens of Feminism	0
Writing with Surya Namaz	0
Polyphony	0
Indigenising Water	0
Kang Yong Suk’s Dongducheon Commemorative Portraits	0
Images That Sweat	0
Yin Xiuzhen’s Portable Cities	0
Zinc Vignettes	0
Dealing with Nordic Colonialism	0
PeoPL’s Bursting Light	0
The Remarkable Power of Language in The Battle of Algiers	0
Miss Chief and the Art of Decolonial Tease	0
Contributors	0
‘Restoring’ Museum Collections to Decolonial Ends	0
Cosmos, Fiction and Transcendence	0
Burning the American Flag Before the World	0
Transformation of Political Discourse in Turkish Cinema from the 1960s to the 1990s	0
Between the Social Limbo and the Art Canon	0
Anthropocene as Capitalocene	0
Contributors	0
Borderscaping Hong Kong	0
Performing Gender in Video Art	0
Against and beyond the Museum	0
The Search for an Individual Voice	0
Mapping the Agency of Trash	0
‘Artistic Exile’ and Professional Failure	0
Contributors	0
The Aesthetic Surveillance of Performance Art by the Romanian Securitate in the 1970s and 1980s	0
Interlude 1	0
Doors, Windows and the Notebook of Solidarity	0
Wallen Mapondera’s Conceptual Art	0
A Surreal Relation with Otherness in Shirin Neshat’s Land of Dreams	0
The Slave Ship and Badagry in Ndidi Dike’s ‘Waka-into-Bondage: The Last 3/4 Mile'	0
Contributors	0
Debating Neoconcretism	0
An Exploration of the Scarcity of Asian Images in Morimura Yasumasa’s Oeuvre, 1991–2010	0
Negotiating Offence of Fallist Proportion	0
Disobedience in Sámi Artist Marja Helander’s Film Birds in the Earth	0
Photography between Publicity and Politics	0
A Proximate Past	0
Mary Kelly’s Gloria Patri and Negative Narcissism	0
Contributors	0
Review Essay: Komar and Melamid: A Lesson in History	0
‘Since They Can’t Put Venezuela in Their Suitcase, They Take Mosaic Tiles from the Maiquetía Airport’	0
Contributors	0
Woman as Battleground	0
‘Why do you fall in love? Why do you worship Vishnu and Shiva?’	0
Between Predator and Prey	0
Craft as Anti-colonial Universalism in the Bienal de La Habana	0
The Possibilities and Limitations of ‘Returned’ Digital Images	0