OOIR: Observatory of International Research

Papers

(The TQCC of Third Text is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-12-01 to 2025-12-01.)

Article	Citations
Hyphenated Performance On-Site	3
Contributors	3
Repositories of Sound	2
Contemporary Confessional Forms and Confessional Art	2
Diagnostic Revelations	2
Standing Rock and its Ancestors	1
Hybrid Aesthetics of Standby	1
Decolonial Futures for African Collections	1
Polyphony	1
A Proximate Past	1
Guy Ben-Ner	1
Race, Climate Change and the Photographic Negative in Richard Mosse’s Heat Maps	1
Lygia Clark and Architecture	1
Developing Digital Research Methodologies for Kenyan Collections Held in UK Museums	1
Writing with Surya Namaz	1
Contributors	1
The Origins of the Abbey: 1947–1950	1
Self-Imagining	1
Images That Sweat	1
Borderscaping Hong Kong	1
Phantom in the Landscape	0
A Conversation on Exhibitions and Cultural Worlds, with Serdar Arat	0
Mary Kelly’s Gloria Patri and Negative Narcissism	0
Contributors	0
Peripheral Visiting	0

Contributors	0
The Implied Who	0
Enjoy Sara-jevo	0
Make No Mystique!	0
Contributors	0
KwieKulik through the Lens of Feminism	0
The Memory Palaces of Do Ho Suh and Anne and Patrick Poirier	0
Arts in Dark Times	0
Photography between Publicity and Politics	0
Piles of Bones	0
Woman as Battleground	0
The Local Made Global	0
Correction	0
Differential Dispossession and the White Indigenous Counter-Reformation	0
Presenting Absence	0
Wallen Mapondera’s Conceptual Art	0
‘Why do you fall in love? Why do you worship Vishnu and Shiva?’	0
Transwar Art in Japan	0
Contributors	0
Joy Gregory and Philip Miller	0
Chen Zhen, Transcultural Dialogues under Construction	0
Apathy Meets Activism	0
Profit Versus Civilian	0
Cosmos, Fiction and Transcendence	0
Contributors	0
Impossible Stillness	0
Against and beyond the Museum	0
A Surreal Relation with Otherness in Shirin Neshat’s Land of Dreams	0
A Toxic Hospitality?	0
New Thai Cinema and the Poetics of Resistance	0
Between Predator and Prey	0
Contributors	0
Disobedience in Sámi Artist Marja Helander’s Film Birds in the Earth	0
Phantom Images, Phantom Limbs, Phantoms of Empire	0
Contributors	0
‘An occasion of power’	0
Crypt, Cornucopia and the Surface of Pattern	0
How to Decolonise Art and Science?	0
The Aesthetic Rift	0
Arthur Bispo do Rosário	0
‘We all came from Soros’	0
Unsettling the Archive	0
Mining Matter/s	0
Review Essay Komar and Melamid: A Lesson in History	0
Dealing with Nordic Colonialism	0
Night Vision, Ghosts and Data Proxies	0
‘Since They Can’t Put Venezuela in Their Suitcase, They Take Mosaic Tiles from the Maiquetía Airport’	0
Burning the American Flag Before the World	0
Interlude 2: Trickster Abrakadabra	0
Alfonso Ossorio’s Creative Breakthrough	0

Contributors	0
More Process, Less Product	0
Zinc Vignettes	0
The Lowest Depths	0
‘Restoring’ Museum Collections to Decolonial Ends	0
Text-Tiles of Dissent	0
Cinematic Cartographies	0
Militancy from the Margins in Brazil	0
Anthropocene as Capitalocene	0
Contributors	0
The Tomb of the Sudanese Mahdī	0
Unbecoming Men	0
Between the Social Limbo and the Art Canon	0
Agency and Erasure	0
Contributors	0
The Slave Ship and Badagry in Ndidi Dike’s ‘Waka-into-Bondage: The Last 3/4 Mile'	0
Aural Resilience	0
A Post-Soviet Experiment	0
On Mask-Ocracy	0
Grid Locks	0
Postsecular Longings?	0
Art and Rebellion	0
Leave Your Psychopathic Behaviour Outside the Playground	0
Fugitive Aesthetics	0
The Tour	0
Erasure	0
The Spotted Seppuku	0
Negotiating Offence of Fallist Proportion	0
Contributors	0
Displacement and Repositioning of the Quotidian	0
Indigenising Water	0
Crisis and Collectives Shaping Art Events	0
Doors, Windows and the Notebook of Solidarity	0
Martin Parr and the Legacy of British Colonial Photography	0
Interlude 1	0
Contributors	0
The Early Black Printmaker(s) in Ilanga Lase Natal , 1903–1905	0
Contributors	0
Kang Yong Suk’s Dongducheon Commemorative Portraits	0
Mapping the Agency of Trash	0
Nostalgia for Futures Past	0
Miss Chief and the Art of Decolonial Tease	0
The Possibilities and Limitations of ‘Returned’ Digital Images	0
Contributors	0
Sensing History, Seeking Justice	0
Craft as Anti-colonial Universalism in the Bienal de La Habana	0
Debating Neoconcretism	0
The Social Form of Contemporary Art’s Autonomy	0
After the Fall	0
The Search for an Individual Voice	0
Transformation of Political Discourse in Turkish Cinema from the 1960s to the 1990s	0
The Buried Appraisals of Popular Art	0