Journal of the History of Collections

Papers
(The TQCC of Journal of the History of Collections is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
Rediscovery of a Mesoamerican greenstone sculpture from the collection of Ulisse Aldrovandi3
The power of marvellous objects3
Lady scientist, technological treasures and the making of a discipline2
Introduction: Early modern collections in use2
The cabinet and the world: non-European objects in early modern European collections1
Teaching classics with objects? The acquisition of classical antiquities by British schools, 1860–19501
Displaying plaster casts, staging Romanization1
Enlightenment architectures: the reconstruction of Sir Hans Sloane’s cabinets of ‘Miscellanies’1
From merchant to elite artist and collector1
A Crimson Rosella for Josephine1
Cultural diplomacy in the acquisition of the head of the Satala Aphrodite for the British Museum1
Florian Sawiczewski (1797–1876), founder of the pharmacognostic collection in Kraków1
The South Kensington Museum’s purchase of the Altarpiece of St George1
Unpacking a(nother) voyage round the world1
A botanical collector abroad: contextualizing Thomas Penny’s travels in Switzerland and France, 1565–15681
Quanta prudentia et usus administrandæ reipublicæ: Quiccheberg and Mylaeus on the utility of techne1
Le musée: une histoire mondiale, 3 vols., i: Du trésor au musée; ii: L’ancrage européen; iii: À la conquête du monde0
Architekturzeichnungen der Sammlung Albrecht Haupt0
Collecting in the South Sea: The voyage of Bruni d’Entrecasteaux, 1791–1794.Tiki: Marquesan art and the Krusenstern expeditionResonant Histories: Pacific artefacts and the voyages of HMS Royalist, 1890
Duped or duplicitous? Bode, Bardini and the many Madonnas of South Kensington0
The one that didn’t get away0
The Temple of Fame & Friendship: Portraits, music, and history in the C.P.E. Bach circle0
Books received0
A Catalogue of the Sculpture Collection at Wilton House0
Objects as Insights: R. H. Codrington’s ethnographic collections from Melanesia0
‘Objects bring us traces of life’: Cavaleri, Cernuschi and Giambattista Vico’s theory of history0
Georg Forster: The South Seas at Wörlitz. Kulturstiftung Dessau-Wörlitz0
Rudolf Weisker’s anatomical and developmental wax models: New evidence and contexts concerning his career and sources0
A. W. Franks, William Ridgeway and collections of Irish antiquities0
Creating the Bowes Museum0
The Amsterdam dealer Hans Le Thoor at the court of Emperor Rudolf II0
The rediscovered Islamic manuscripts of the Cospi Museum in the University Library of Bologna0
Rarities of these Lands. Art, trade, and diplomacy in the Dutch Republic0
The Tastemakers: British dealers and the Anglo-Gallic interior, 1785–18650
Native North American ethnography in European collections0
Illuminated Manuscripts from Europe in the Calouste Gulbenkian Collection0
Kunstkammer: Early modern art and curiosity cabinets in the Holy Roman Empire0
Sarcophagi and other Reliefs, 4 vols., Part A.III of The Paper Museum of Cassiano dal Pozzo: A catalogue raisonné0
Museum, Magic, Memory: Curating Paul Denys Montague0
Gian Giacomo Poldi Pezzoli and Florence0
Da Rodolfo Pio ai Farnese: storia di due collezioni epigrafiche urbane, Commentationes Humanarum Literarum 1410
Thomas Penny and the preservation of Conrad Gessner’s botanical legacy0
Bernard Palissy: artisan des réformes entre art, science et foi0
Books Received0
The Berlin Masterpieces in America: Paintings, politics, and the Monuments Men0
Acquisition, duplicates and exchange0
Collecting copper alloy portrait heads0
Dai Medici ai Rothschild: mecenati, collezionisti, filantropi0
The Man who Invented Aztec Crystal Skulls. The adventures of Eugène Boban0
Giorgio de Chirico’s artful deception: The story of Nathan Cummings’s ‘true-fakes’ scandal0
The Art Market in Rome in the Eighteenth Century: A study in the social history of art0
The World of Disney: From antiquarianism to archaeology0
Re-collecting Cypriot antiquity: the Kent collection in Harrogate0
From Stosch through Carafa to Hamilton and the British Museum0
Books Received0
‘I shall now go on selling as much as I can to these people’0
The Torlonia Marbles: Collecting masterpieces0
The House of Fragile Things: Jewish art collectors and the fall of France0
The Museum Age in Austria-Hungary. Art and empire in the long nineteenth century0
Books Received0
Holbein at the Tudor Court0
Hector de Garriod (1803–1883): a marchand amateur in Risorgimento Italy0
Titian and textile0
Johann Daniel Major (1634–1693) and the experimental museum0
Fabricating the past at Hammond Castle0
The collection of Fabio Fani: Carracci, Luti, Garzi, sharks’ teeth and the ‘nail of the Great Beast’0
Florence, Berlin and Beyond: Late nineteenth-century art markets and their social networks0
Jewellery and precious objects in the formation of Habsburg family relationships: Anne of Bohemia and Hungary (1503–1547) and her inventories0
Henry Clay Frick and the Museum of Fine Arts, Boston: the blockbuster exhibition of 19100
Die herzogliche Kunstkammer in Gotha0
The picture collection of the Lords Kinnaird at Rossie Priory0
Mobile Museums0
Women and the Art and Science of Collecting in Eighteenth-Century Europe0
Leonardo’s Salvator Mundi & the Collecting of Leonardo in the Stuart Courts0
Italy for Sale: Alternative objects – alternative markets0
Learning to perform in early modern art collections0
The Emergence of the Antique and Curiosity Dealer in Britain, 1815–1850: The commodification of historical objects0
‘The only delight of my life’: the collection of Pablo Bosch (1841–1915) and its bequest to the Museo del Prado0
Playful Pictures: Art, leisure, and entertainment in the Venetian Renaissance home0
Books Received0
Wilhelm Bode and the Art Market: Connoisseurship, networking and control of the marketplace0
Smuggling the Renaissance: The illicit export of artworks out of Italy, 1861–19090
Controversial collections0
The Getty Gnaios0
Old Masters Worldwide: Markets, movements and museums, 1789–19390
Doubts and certainties about the Duke of Urbino’s diplomatic gifts to Prince Philip of Spain in 15930
Raffaello e l’antico nella villa di Agostino Chigi0
Sir Charles Eastlake, the National Gallery and Milan: A study in connoisseurial networks0
The influence of art censorship on New York collectors in the Gilded Age0
Scholarship, skill and community: collections and the creation of ‘provincial’ medical education in Manchester, 1750–18500
The Matterozzi collection of Early Christian gold-glass at the British Museum: An investigation of textual records and an edition of archival sources0
Hiding in plain sight0
A nineteenth-century entrepreneur and collector0
Collecting the nation in the museum of the Society of Antiquaries of Scotland, 1832–910
The art of rivalry: The Jules S. Bache collection, its formation and its donation to the Metropolitan Museum of Art, 1919–440
America and the Art of Flanders: Collecting paintings by Rubens, Van Dyck, and their circles0
Hidden in plain sight: on copiousness in the Kunstkammer of Emperor Rudolf II0
Books Received0
Garden catalogues as sources for studying the collection and transmission of plants0
Blinded by Curiosity: The collector–dealer Hadriaan Beverland (1650–1716) and his radical approach to the printed image0
Unexpected legacies: The collections of classicist William J. Woodhouse (1866–1937), then and now0
Francisco de los Cobos y las artes en la corte de Carlos V0
Rembrandt was here0
Galleries of Maoriland: Artists, collectors and the Māori world, 1880–19100
Sculpture Collections in Europe and the United States, 1500–1930. Variety and ambiguity. Studies in the History of Collecting and Art Markets 100
Counting when, who and how0
Twentieth-century private collecting0
The elevation of Henry Willett0
Jewishness, antiquity and civilization0
His utter unfitness for a commercial collector’0
Ancient Marbles in Naples in the Eighteenth Century: Findings, collections, dispersals0
What’s Mine is Yours. Private collectors and public patronage in the United States. Essays in honor of Inge Reist0
Introduction: Bildung beyond borders0
Les dessins de la collection Mariette: écoles flamande, hollandaise et allemande0
Collecting antiquities in wartime0
Between science and art: Irene Manton’s collection of antiquities0
Reading between the lines0
Collecting people: bluestocking sociability and the assembling of knowledge0
Felix Bamberg (1820–1893), a scholar and collector between Prussia, France, Italy and Romania0
Foundational photographs0
The poet’s skull0
Books Received0
Correction to: Lucanian heritage across the world: the Spanish collections0
Continuity and change in the British diplomatic service in the Levant0
The India Museum Revisited0
A Farnese acquisition: Ribera, Genovesino and other paintings and bronzes from Governor Carlo Luzzi’s collection0
Enlightened Eclecticism: The grand design of the 1st Duke and Duchess of Northumberland0
Books Received0
Rodolphe (1845–1905) and Maurice Kann (1839–1906)0
‘Now completely Americanized’: Collecting and transatlantic exchange of the Lansdowne Marbles0
The New York Market for French Art in the Gilded Age, 1867–18930
Elizabethan Globalism: England, China and the Rainbow Portrait0
Carl Akeley’s ‘lost’ decorative taxidermy and anthropomorphic groups0
William Hunter and the Anatomy of the Modern Museum0
‘An indefatigable intermediary’: Harold Woodbury Parsons (1882–1967) and the formation of the European collections at the Cleveland Museum of Art: part 20
América en Madrid: cultura material, arte e imágenes0
Apelles’ Aphrodite Anadyomene: the itinerary of a sacred gift0
Gian Giacomo Poldi Pezzoli, between Milan and Europe: Preface0
India: A history in objects0
Antiquities in Motion. From excavation sites to Renaissance collections0
Collecting Murillo in Britain and Ireland0
The Americas Revealed: Collecting colonial and modern Latin American art in the United States0
Why put a museum in a book? Ferrante Imperato and the image of natural history in sixteenth-century Naples0
The Solly Collection, 1821–2021: Founding the Berlin Gemäldegalerie0
Michelangelo Gualandi (1793–1887) and the National Gallery: an unofficial ‘Travelling Agent’ for Sir Charles Eastlake0
The Marquess and Marchioness of Buckingham, Sir Joshua Reynolds, and the eighteenth-century context for Rembrandt’s Bellona in the Metropolitan Museum of Art0
Enriching the V&A: A collection of collections (1862–1914)0
‘Sèvres-mania’ and collaborative collecting networks: The 2nd Earl of Lonsdale, Henry Broadwood and Edward Holmes Baldock0
Siting China in Germany: Eighteenth-century Chinoiserie and its modern legacy0
Benedict XIV’s donation of Amazonian objects to the Istituto delle Scienze of Bologna (1751): origins and history0
A Collection in Context: kommentierte Edition der Briefe und Dokumente Sammlung Dr. Karl von Schäffer0
Bernini’s painting collection: a reconstructed inventory raisonné0
New light on the art collection of Andrea Menichini0
Duveen Brothers and the Market for Decorative Arts, 1880–19400
Books received0
The Testament politique of Nicholas I? Monarchical propaganda and the birth of a national collection0
The First Folio and the transatlantic trade in early drama c.1900–19290
Ulisse Aldrovandi: Naturalist and collector0
Family portraits from the lost Gaddi gallery0
Preserving Jewish heritage0
John Singer Sargent, collector of modern art: works by Antonio Mancini and other Italian painters0
‘The illustration of all art expressed in objects of utility’: The formation of the Renaissance collections at the Victoria and Albert Museum0
Paul Graupe, Arthur Goldschmidt and the dispute over an Adriaen van Ostade painting in wartime France0
Books Received0
Gian Giacomo Poldi Pezzoli and the decorative arts0
Collecting and Provenance: A multidisciplinary approach0
Mystery and history: when did Catherine the Great purchase the Lyde Browne collection?0
The Wenceslaus Hollar collection of Sidney T. Fisher, and catalogue by Richard Pennington0
Collective Wisdom: Collecting in the early modern academy0
From Du Sommerard to Poldi Pezzoli0
Troy on Display: Scepticism and wonder at Schliemann’s first exhibition0
Metternich’s collection of Talbot’s photographs0
The social life of Bartolomeo della Nave’s art collection in Seicento Venice0
Collecting Raphael in reproduction in the nineteenth century0
The Yorkshire Tea Ceremony: W. A. Ismay and his collection of British studio pottery0
Art Markets, Agents and Collectors: Collecting strategies in Europe and the United States, 1550–19500
Two albums of drawings by Lombard masters of the sixteenth and early seventeenth centuries, from the estate of the Clary-Aldringen family0
Great Irish Households: Inventories from the long eighteenth century0
Martin Folkes (1690–1754): Newtonian, antiquary, connoisseur0
Framing colonial war loot0
Sir Ernest Cassel, a ‘Jew of taste’0
Captain Cook, Mrs Taylor and a Mi’kmaw quillwork box: An uncorroborated inscription, an unwarranted assertion and an imagined collection0
Country House Collections: Their lives and afterlives0
Coke of Norfolk: politician, agriculturalist and art collector0
Ancient Art and its Commerce in Early Twentieth-Century Europe: The John Marshall Archive. A collection of essays written by the participants of the John Marshall Archive Project0
Correction to: ‘I shall now go on selling as much as I can to these people’: Duveen Brothers and the making of the Stern–Michelham collection0
Antichità in giardino, giardini nell’antichità: studi sulla collezione Giusti a Verona e sulla tradizione delle raccolte di antichità in giardino0
From guidebook to guest book0
Mathematical Instruments in the Collections of the Bibliothèque Nationale de France0
The Stafford Gallery: The greatest art collection of Regency London0
Reframing Japonisme: Women and the Asian art market in nineteenth-century France, 1853–19140
The Print Collection of Cassiano dal Pozzo, i: Ceremonies, Costumes, Portraits and GenreThe Print Collection of Cassiano dal Pozzo, ii: Architecture, Topography and Military Maps0
The Circulating Lifeblood of Ideas: Leo Steinberg’s library of prints0
Milanese antique dealers and the international market0
Lucanian heritage across the world: the Spanish collections0
The Lost Library of the King of Portugal0
Rock value: Scientific and economic conditions for collecting minerals in the early nineteenth century0
Promesses de Patagonie: l’exploration française en Amérique australe et la patrimonialisation du ‘bout du monde’0
La Grande Galleria: spazio del sapere e rappresentazione del mondo nell’età di Carlo Emanuele I di Savoia0
‘Ordinary’, ‘insignificant’ and ‘useless’ artefacts from Rome and Athens0
The Empress Eugénie in England: Art, architecture, collecting0
Curiosities in the Far North: Collecting networks in Norway, 1600–17300
T. J. Alldridge’s Sierra Leone collections0
The Purchase of the Past: Collecting culture in post-Revolutionary Paris, c.1790–18900
The Private Lives of Pictures: Art at home in Britain, 1800–19400
Correction0
Chefs-d’œuvre of the Sternberg collection0
Andrew Carnegie’s museum of evolution0
Editorial changes at the Journal of the History of Collections0
Malerei auf Stein: Antonio Tempestas Bilder auf Stein im Kontext der Kunst- und Naturtheorie seiner Zeit0
Illuminating Natural History: The art and science of Mark Catesby0
Bell salts and bankers0
‘A matter of love’0
Arte e lettere a Napoli tra Cinque e Seicento0
A museum on the front line: The People’s Museum of Girona (1936–1938)0
Protecting private collections of paintings in France in the nineteenth century0
La légende des objets: le cabinet de curiosités réfléchi par son catalogue (Europe, xvie—xviie siècles)0
The Pictor Doctus, between Knowledge and Workshop: Artists, collections and friendship in Europe, 1500–19000
Ethnographic Collecting and African Agency in Early Colonial West Africa: A study of trans-imperial cultural flows0
Sealed and concealed: the uses of Hans Sloane’s collection of ‘Vegetable Substances’0
Uncovering the early history of the Georgia Museum of Natural History, 1785–19000
Doris Duke and Mary Crane: Collecting Islamic art for Shangri La, a Hawaiian hideaway home0
De Filarete à Riccio: bronzes italiens de la Renaissance (1430–1550)0
Prince Albert’s donations to the library of the South Kensington Museum0
The historic mineralogical instruments collection of the Real Museo Mineralogico, University of Naples Federico II: meaning and value0
The Royal Navy in Indigenous Australia, 1795–1855: Maritime encounters and British Museum collections0
Mystery and history: when did Catherine the Great purchase the Lyde Browne collection?0
The ‘beautiful enigma’0
Rediscovering John Martin0
Les dessins de la collection Mariette: Écoles italienne et espagnole0
Creating ‘a palace of art’0
Raphael: The Power of Renaissance Images: The Dresden tapestries and their impactApostles in Prussia: The Raphael tapestries of the Bode-MuseumThe Raphael Cartoons0
The Art Collector in Early Modern Italy: Andrea Odoni and his Venetian palace0
A Bolognese collector rediscovered: Count Ludovico Caprara (1621–1695) and the seventeenth-century art market0
Fremdprägung: Münzwissen in Zeiten der Globalisierung0
The Numismatic World in the Long Nineteenth Century0
Maria Sybilla Merian: Changing the nature of art and science0
Duped or duplicitous?0
The Hull Grundy collection in the Museum of Medicine and Health, University of Manchester0
Correction to: ‘I shall now go on selling as I can to these people’: Joseph Duveen and the making of the Stern–Michelham collection0
An unknown collector of Late Antique textiles from Egypt0
The art collections and museum of King William II of the Netherlands (1792–1849)0
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