Cultural Trends

Article	Citations
Promoting culture and creativity in Ghana: bottom-up strategies for creative industries development	54
(De)politicising Argentinian cultural policy? an analysis of Macri’s cultural policy (2015–19)	51
Editorial	32
Performance, cultural resistance and social justice: India’s creative economies since the COVID-19 pandemic	25
The four worlds of creative employees: the role of education level and job-education match	24
Avant-garde or democracy? Transformations and dilemmas of the U.S. public art programme in the 1970s	17
A value based approach to assessing changes in cultural policies	16
The REED typology: understanding market-orientation and instrumental values in cultural policy across Europe	15
The Class Ceiling: Why It Pays to Be Privileged	14
Understanding Well-Being Data: Improving Social and Cultural Policy, Practice and Research	13
Editorial	13
Get back: analysing the impact of the COVID-19 pandemic on the Lowlands festival	12
Kenneth Kwok (Ministry of National Development, Singapore): in conversation	9
Cultural Management and Policy in Latin America	9
Heritage conservation and the limitation of public-private partnerships	9
Negotiating participation: investigation of an informal art and urban development initiative in Norway	7
Audience Development and Cultural Policy	7
Editorial	7
Relocation, relocation, relocation: examining the narratives surrounding the Channel 4 move to regional production hubs	7
The Digital Lives of Black Women in Britain	6
Decolonising the cultural policy and management curriculum – reflections from practice	6
Cakes and ale: the role of culture in the new municipalism	5
Mark Katz and Junious “House” Brickhouse (Next Level, USA): in conversation	5
Women in the Irish Film Industry: Stories and Storytellers	5
Cracking up: the pandemic effect on visual artists’ livelihoods	5

Precarious work and creative placemaking: freelance labour in Bristol	4
Introduction	4
Do not forget the state! The supposed state free self-regulatory system in post-war Japan	4
Making it big in live music: a multilevel analysis of careers in live music	4
Developing craft business in Russia: capitals and tactics of young cultural entrepreneurs	4
Geopolitics of Digital HeritageGeopolitics of Digital Heritage, by Natalia Grincheva and Elizabeth Stainforth, Cambridge, Cambridge University Press, 2024, 94 pp., £17.00 (paperback), £49.99 (hardback	4
What is an independent art space? Using a text-mining approach to describe independent art spaces	4
“It’s been a roller coaster”: insights from performing artists on the COVID-19 pandemic and cultural policy	4
Music and wellbeing vs. musicians’ wellbeing: examining the paradox of music-making positively impacting wellbeing, but musicians suffering from poor mental health	4
Tracing policy change of the NEA in urban design through the advocacy coalition framework	4
Cultural capitals and creative labour of short video platforms: a study of wanghong on Douyin	3
Building mutual rewarding sponsor relationships between museums and corporations	3
Future of culture: financing and governance in the digital age	3
The “music city” paradigm and its policy side: a focus on Brisbane and Melbourne	3
Addressing causality: participatory evaluation on improvisational drama workshops for people with dementia and their carers	3
“A place for my art”: independent artist-run spaces as incubators of artistic careers in Italy	3
Collecting and classifying data on audience identity: the cultural background of festival audiences	3
Transnational cultural networks: soft mechanisms for cultural diversity and frictionless mobility: tools for EU legitimacy?	3
Towards a paradigm shift? The potential of participatory arts practices in a context of post-crisis reconstruction	3
In the labyrinth of culture. Professional development paths for public cultural organizations’ workers	3
Public libraries as social infrastructures: libraries’ response to the COVID crisis in the Emilia-Romagna region	3
Understanding changes to perceived socioeconomic and psychosocial adversities during COVID-19 for UK freelance cultural workers	3
Avatar is a “drama” and Squid Game is a “movie”: a new era of convergence	2
Glorifying my gods: cultural politics of statue making, Hindu symbolism, and power iconography	2
The benefits and attractiveness of local theatres. Comedy or Shakespeare – does it matter?	2
Getting louder: music, “feedback loops” and social change in the Tamil transnational music scene	2
Play against the informality? Institutional reliance and strategic adaption in Chinese cultural governance	2
Multiple narratives in museum theme-based exhibitions: combining digital technology and tangible heritage	2
Cultural Leadership in Practice: Beyond Arts Management and Cultural Policy Cultural Leadership in Practice: Beyond Arts Management and Cultural Policy , edited by Steve	2
Queer creative Indian city: queer film festivals, precarious cultural work and community making in Kolkata	2
Between engagement and disengagement in contemporary global culture. Types of cultural consumers among youth in Adriatic Croatia	2
Long COVID for the craft industry: findings from China's “Porcelain Capital” pre and post COVID	2
Cultural branding of cities: the role of live music in building a city’s brand	2
Entrepreneurial, precarious or leaving altogether? Work trajectories in the creative industries in the Netherlands	2
Towards a paradigm for online heritage: cyber communities and digital educommunication	2
Editorial	2
The symphony orchestra in the time of COVID-19: will American orchestras rise from the ashes?	2
Dynamics of cultural policy valuations in contemporary Europe	2
“Where is your fixed point?” Dealing with ambiguous freelance musician careers	1
Model of cultural policy and the governance and management of cultural institutions: comparative analysis of three European opera houses	1
Understanding creative economy policies in the Canadian context: a case study of “Creative Canada”	1
Private art collectors on motivations to donate, deposit, or lend out artworks in Norway	1
Opera-ting on inequality: gender representation in creative roles at The Royal Opera	1
Professional cultural institutions and the community? Lessons from the first community production of the Barcelona opera house	1
Suburban neighbourhoods as places for everyday cultural participation: the case of Jyväskylä in Finland	1
Creative industries’ new entrants as equality, diversity and inclusion change agents?	1
Whose lens? Gender behind the camera in Pacific filmmaking	1
Spirituality in creative work: how craft entrepreneurs in Ghana cope with precarity	1
Cultural mapping in smart sustainable cities: the Kashiwanoha Monogatari Project	1
Cultural “levelling up” through the music corporation? The case of EMI North	1

Correction	1
Cultivating progressive development in the cultural industries: challenges and support needs identified by the creative workforce in the United Kingdom	1
Co-op mode: the emancipatory potential of freelancer co-operatives in the UK videogames industry following the COVID-19 pandemic	1
France and the restitution of African cultural property: a critical race theory view	1
Feminist perspectives and cultural policies in Barcelona	1
Justifying creative work: Norwegian business support and the conflicting narratives of creative industries	1
Culture is not an industry: reclaiming art and culture for the common good	1
fayemi shakur (City of Newark, New Jersey): in conversation	1
Valuing Culture and Heritage Capital: A framework towards informing decision making	1
Beyond the “good story” and sales history: where is the reader in the publishing process?	1
Care in creative work: exploring the ethics and aesthetics of care through arts-based methods	1
James Hickey (European Film Academy): in conversation	1
Patronage as a way out of crisis? the case of major cultural institutions in Spain	1
Editorial	0
Fashion as Creative Economy Fashion as Creative Economy by Angela McRobbie, Daniel Strutt and Carolina Bandinelli, 2023, Cambridge, Po	0
Culture wars? The (re)politicization of Swedish cultural policy	0
Philippe Blanchard (former Information Director at the International Olympic Committee): in conversation	0
Navigating disruption in the Southeast Asian arts and cultural sectors: the ANCER Conference, 17 to 19 September 2020 (online)	0
Institutional entrepreneurship through network governance: a social network analysis of NEA's creative placemaking national initiative	0
Unknown pleasures: techniques of taste in the algorithmic recommendation of unfamiliar art music	0
Asian Cultural Flows: Cultural Policies, Creative Industries, and Media Consumers	0
Creating growth: labour’s plan for the arts, culture and creative industries	0
Re-imaging Creative Cities in Twenty-first Century	0
Christos Carras (Senior Consultant, Onassis Stegi): in conversation	0
Accountable countability. Digital cultural consumption among young people and the tools used to measure it	0
Legitimating cultural policy after the 2008 crisis: learnings from France, the UK, Spain and Greece	0
Cultural and creative ecosystems: a review of theories and methods, towards a new research agenda	0
Turning post-materialism on its head: self-expression, autonomy and precarity at work in the creative industries	0
Advancing a multi-actor model of artist-in-residence practice	0
Gentrification and touristification in urban heritage preservation: threats and opportunities	0
Russia’s cultural policy abroad as a projection of the “Russian World”	0
The moral foundations of public funding for the arts; Funding the arts: politics, economics and their interplay in public policy	0
What makes a successful artist?	0
The DCMS Committee’s inquiry on the economics of music streaming and its implications for artists	0
Capturing value: researching funded art for reconciliation	0
Mapping innovation in India’s creative industries: an ecosystem framework	0
Unreconciled accounts? Screen and performing arts in post-conflict Northern Ireland	0
The global/local and omnivore/univore nexus: class divisions and cultural tastes in contemporary Croatia	0
What does Emily in Paris say about the “Netflix quota” and the “Netflix tax”?	0
Array collective (2021 Turner prize winners): in conversation	0
On the role of “tactile value” in cultural consumption: an empirical research in the live music industry	0
The impact of austerity measures on local government funding for culture in England	0
Milena Dragićević Šešić: Imagining post-capitalist cultural policy futures	0
Beyond the “substitution effect”: the impact of digital experience quality on future cultural participation	0
Tech start-up capitalisation in an oligopolistic copyright industry: the case of the contemporary music industry	0
Who cares for creative and cultural workers? The role of intermediaries in Europe’s creative economy	0
Living theatrical approach to creative placemaking: the case of Xisan Film Studio project in China	0
Ireland’s cultural policy and the protection and promotion of the cultural rights of migrants	0
Mind the gap: causes and consequences of the racial gap in music funding organizations	0
The writer’s contest: manifestos and literary struggle in Catalonia (2014–2020)	0
Supporting the cultural industries using venture capital: a policy experiment from South Korea	0
Storying connectivity and value: the south west creative technology network’s cultural ecologies as network visualisations	0
Cultural analytics in the UK: events data potential for the creative and cultural industries	0
The British Museum’s Korean gallery: a space embodying South Korean cultural diplomacy in the 1990s	0
Can Music Make You Sick? Measuring the Price of Musical Ambition	0
Tangibles, intangibles and other tensions in the Culture and Communities Mapping Project	0
Is it really about the evidence? argument, persuasion, and the power of ideas in cultural policy	0
The first national survey on cultural participation in Portugal: exploring social and professional backgrounds	0
Whose social impact is it anyway? Directionality and the potential of affect in community music	0
Correction	0
Chinese TV in Changing Contexts – an instrumentalised perspective to deconstruct Chinese TV for “national governance”	0
The Sociology of W.E.B Du Bois	0
The return of the prodigal B-boy: from marginalised subculture to protected Korean cultural institution	0
The impact of COVID-19 on the cultural and creative industries: determinants of vulnerability and estimated recovery times	0
New management approaches and sustainability: the case of the Museo del Traje in Madrid	0
Negotiating hybridity, inequality, and hyper-visibility: museums and galleries’ social media response to the COVID-19 pandemic	0
Esme Ward (Manchester Museum): in conversation	0
Museum educators’ views on digital museum education: opportunities and challenges	0
Designed for the job? An empirical study on the determinants of design graduates’ work choices	0
Artistic careers and crises. How did the pandemic affect Norwegian artists?	0
People or place? Towards a system of holistic locational values for creative workers	0
Book review: Creative Industries in Hong Kong and South Asia	0
Left cultural populism and podemos: is it possible to newly orient cultural policy in Spain?	0
Welcome to the inner circle? Earnings and inequality in the creative industries	0
Unequal entanglements: how arts practitioners reflect on the impact of intensifying economic inequality	0
The role of cultural organisations in matters of equity, diversity, and inclusion	0
Deepening precarity – the impact of COVID-19 on freelancers in the UK television industry	0
A guide for the analysis of cultural scenes: a measurement proposal and its validation for the Spanish case	0
“The painting is colonial”: cancel culture and a heated media debate in Norway	0
Correction	0

Correction	0
Visiting pop concerts and festivals: measuring the value of an integrated live music motivation scale	0
Factors associated with the attendance at cultural events in Mexico during the covid-19 pandemic	0
Understanding the factors that affected the resilience of performing arts workers during the COVID-19 pandemic	0
Infrastructuring togetherness: exploring eventification of community and advocacy in a European network of cultural centres	0
Gamification and cultural institutions in cultural heritage promotion: a successful example from Italy	0
Between cultural trade and cultural development: examining the first decade of UNESCO's International Fund for Cultural Diversity	0
Beyond reconciliation, towards regeneration: social circus in Northern Ireland	0
Composite indices for the creative economy: a review and evaluation	0
The need for robust critique of research on social and health impacts of the arts	0
Routledge Companion to Audiences and the Performing Arts	0
The UNESCO Underwater Cultural Heritage Convention in Asia: the case of the Macao Special Administrative Region of the People’s Republic of China	0
Digital access, skills, and dollars: applying a framework to digital exclusion in cultural institutions	0
Selective memory, funder documentation and peacebuilding: recovering the art of reconciliation	0
Prof. Thomas Girst (Global Head of Cultural Engagement, BMW Group): in conversation	0
Performing the self in contemporary rural China: voice from a villager	0
Pathways into Creative Working Lives	0
Navigating creative partnerships and cross-cultural collaboration: a case study between China and the UK	0
Teaching Cultural Economics	0
Artrepreneurs and the autonomy paradox	0
The paradox of impact measurement in cultural contexts	0
Bollywood and slum tours: poverty tourism and the Indian cultural industry	0
A public value typology for public service broadcasting in the UK	0
Correction	0
Measuring Culture	0
Julieta Brodsky (Minister of Culture, Chile): in conversation	0
Basic income, post-precarious outcome? How creative workers perceive participating in an experiment with basic income	0
Disruption in times of COVID-19? The hybrid film festival format	0
The cultural industries of India: an introduction	0
Towards monopolistic music promotion: an analysis of North American concert tours	0
Screen monopoly and diversity: a comparative study between the Korean and French film industries	0
What is Cultural Sociology?	0
The Routledge Handbook of Placemaking	0
A hard day’s night: building sustainable careers for musicians	0
Conceptualizing Malaysian creative hubs: traversing normalcy to pandemicity and beyond	0
The Invention of Creativity. Modern Society and the Culture of the New	0
Inclusive online community arts: COVID and beyond COVID	0
The UK museum boom: continuity and change 1960–2019	0
The impacts of digital initiatives on musicians during COVID-19: examining the Melbourne Digital Concert Hall	0
Collective cultural infrastructures: ownership, architecture, governance	0
Artists, government and cross-sector collaboration: A guiding framework of US-based artists in residence in government programs	0
Care at the centre of the post-pandemic sustainability of grassroots cultural centres and culture-led urban regeneration. A comparison of western and eastern perspectives	0
Correction	0
Explaining unwelcoming attitudes toward LGBTQI+ festivals in Sibiu and their implications for regional cultural change	0
The arts of prison cultures	0
Embracing the messiness: a creative approach to participatory arts evaluation	0
Strategies to reduce the effects of cost disease in orchestras	0
Museum value as a tension field: a Baltic perspective	0
Cultural value as meaning-making	0
The impacts of cultural policy on gaming entrepreneurs in Shanghai: an entrepreneurial ecosystem approach	0
“Feeling things happen”: Evaluating the Playhouse Theatre and Peace-building Academy (2018–2020)	0
Queer workers, diversity data and the UK television industry: Is more data always better?	0
An Economic Approach to the Plagiarism of Music	0
The show must go on: proposals to measure the economic value of Grassroots Music Venues	0
An ecological approach to mapping remote creative practices: insights from an Australian Desert region	0
Who owns history? a case study on the recovery of looted Chinese cultural relics from Japan	0
The impacts of processes of digitalization on the reception of contemporary art in Turkey during Covid-19	0
The social organization of arts, a theoretical compendi um	0