Cultural Trends

Article	Citations
Kenneth Kwok (Ministry of National Development, Singapore): in conversation	25
Hustling in the projectariat? Financialisation and precarious creative industries	16
Co-op mode: the emancipatory potential of freelancer co-operatives in the UK videogames industry following the COVID-19 pandemic	14
In the labyrinth of culture. Professional development paths for public cultural organizations’ workers	14
Street art as a paradox: urban regeneration and tourist attraction in Porto	14
Gender and cultural heritage valuation: the case of flamenco in Spain	11
Artists’ hidden heart on labor income and working hours in South Korea	10
Whose lens? Gender behind the camera in Pacific filmmaking	10
Trading on art: Cultural diplomacy and free trade in North America	10
Basic income, post-precarious outcome? How creative workers perceive participating in an experiment with basic income	9
Model of cultural policy and the governance and management of cultural institutions: comparative analysis of three European opera houses	9
Navigating creative partnerships and cross-cultural collaboration: a case study between China and the UK	8
Peripheral or not? Cinema of small countries in the programming of international film festivals	8
Chasing happiness? The meaning of wellbeing-oriented cultural heritage interventions in museums and cultural heritage institutions	7
Museum educators’ views on digital museum education: opportunities and challenges	7
Missed opportunities? An analysis of Italy’s policy response to COVID-19 in cinema and the performing arts 1	7
Welcome to the inner circle? Earnings and inequality in the creative industries	7
Artrepreneurs and the autonomy paradox	7
#WeAreViable, aren’t we? Music careers, state support, and the political feasibility of a Basic Income for the Arts	6
All creative practices (don't) matter: work, value, and visibility in Berlin's craft makers sector	6
Negotiating hybridity, inequality, and hyper-visibility: museums and galleries’ social media response to the COVID-19 pandemic	6
“Squeezing money out of a rock”: diverse economies of contemporary theatre in Ghana	6
Do give up your day job: basic income for artists, and other stories	5
Gross domestic product of cultural and creative industries from an income perspective: the Brazilian case	5
Addressing causality: participatory evaluation on improvisational drama workshops for people with dementia and their carers	5

Culture is not an industry: reclaiming art and culture for the common good	5
Precarious labour and unpaid work: the processes that fragment cultural democracy	5
Who cares for creative and cultural workers? The role of intermediaries in Europe’s creative economy	5
Negotiating participation: investigation of an informal art and urban development initiative in Norway	5
Towards a paradigm for online heritage: cyber communities and digital educommunication	5
Practice and policies of classical music in Chile and the challenges of cultural democracy: the case of FOJI	5
Performing the self in contemporary rural China: voice from a villager	5
Operationalising cultural democracy – the experience from a transitional society	5
Heritage conservation and the limitation of public-private partnerships	5
The four worlds of creative employees: the role of education level and job-education match	5
The benefits and attractiveness of local theatres. Comedy or Shakespeare – does it matter?	4
Cultural branding of cities: the role of live music in building a city’s brand	4
Private art collectors on motivations to donate, deposit, or lend out artworks in Norway	4
Cultivating progressive development in the cultural industries: challenges and support needs identified by the creative workforce in the United Kingdom	4
Creative men, organised women: labour narratives, gender stereotypes and precarity among film festival women professionals	4
Clubs to institutions: culture-led nightlife policies in Amsterdam and Berlin	4
The DCMS Committee’s inquiry on the economics of music streaming and its implications for artists	3
Capturing value: researching funded art for reconciliation	3
Beyond model workers: emerging labour bio-politics for decent work in Taiwanese screen industries	3
On the role of “tactile value” in cultural consumption: an empirical research in the live music industry	3
Making genre: the aesthetic affordances of governmental funding and its effects on emerging interdisciplinary artists in the Netherlands	3
People or place? Towards a system of holistic locational values for creative workers	3
Conceptualizing Malaysian creative hubs: traversing normalcy to pandemicity and beyond	3
Political ideology and museum audiences in Europe: implications for inclusive practice	3
Fashion as Creative Economy	3
Cultural value as meaning-making	3
Queer workers, diversity data and the UK television industry: is more data always better?	3
Explaining unwelcoming attitudes toward LGBTQI+ festivals in Sibiu and their implications for regional cultural change	3
Correction	2
The social organization of arts, a theoretical compendium	2
Creating growth: Labour’s plan for the arts, culture and creative industries	2
fayemi shakur (City of Newark, New Jersey): in conversation	2
Integrating art into rural revitalization: six key factors	2
Public libraries as social infrastructures: libraries’ response to the COVID crisis in the Emilia-Romagna region	2
Cakes and ale: the role of culture in the new municipalism	2
Understanding the factors that affected the resilience of performing arts workers during the COVID-19 pandemic	2
Cultural sustainability and cultural leadership: Heidi Wiley (Executive Director, European Theatre Convention: In Conversation)	2
Promoting culture and creativity in Ghana: bottom-up strategies for creative industries development	2
Well-Being and Creative Careers: What Makes You happy Can also make You Sick	2
Cultural “levelling up” through the music corporation? The case of EMI North	2
Avatar is a “drama” and Squid Game is a “movie”: a new era of convergence	2
“A place for my art”: independent artist-run spaces as incubators of artistic careers in Italy	2
“Feeling things happen”: Evaluating the Playhouse Theatre and Peace-building Academy (2018–2020)	2
Basic Income for the Arts pilot scheme – an Irish case study	2
The “Cultural Trends Global Dialogue” Manifesto	2
“It’s been a roller coaster”: insights from performing artists on the COVID-19 pandemic and cultural policy	2
Cultural policy, cultural democracy and the right to the city in the Brazilian context	2
Global art markets: History and current trends	2
Introduction	1
The mutability of cultural value: a critical analysis	1

Researching the Creative and Cultural Industries. A Guide to Qualitative Research	1
Array collective (2021 Turner prize winners): in conversation	1
Re-thinking audience engagement: how museums in Poland and Czechia navigate recent challenges	1
Long COVID for the craft industry: findings from China's “Porcelain Capital” pre and post COVID	1
Screen monopoly and diversity: a comparative study between the Korean and French film industries	1
Democracy as creative practice: weaving a culture of civic life	1
Bollywood and slum tours: poverty tourism and the Indian cultural industry	1
Cracking up: the pandemic effect on visual artists’ livelihoods	1
Building mutual rewarding sponsor relationships between museums and corporations	1
Correction	1
Routledge Companion to Audiences and the Performing Arts	1
“This is how I pictured it”: film industry perspectives on producing Scottish cinematic landscapes	1
Esme Ward (Manchester Museum): in conversation	1
Correction	1
Cultural Leadership in Practice: Beyond Arts Management and Cultural Policy	1
Queer creative Indian city: queer film festivals, precarious cultural work and community making in Kolkata	1
Transnational cultural networks: soft mechanisms for cultural diversity and frictionless mobility: tools for EU legitimacy?	1
Precarity and second job-holding in the creative economy	1
Cultural capitals and creative labour of short video platforms: a study of wanghong on Douyin	1
From host to guest settings: how the music festival has changed over time	1
Travel to culture: cultural participation and the 20 min neighbourhood	1
Beyond the “substitution effect”: the impact of digital experience quality on future cultural participation	1
The moral foundations of public funding for the arts; Funding the arts: politics, economics and their interplay in public policy	1
Correction	1
James Hickey (European Film Academy): in conversation	1
Performance, cultural resistance and social justice: India’s creative economies since the COVID-19 pandemic	1
Justifying creative work: Norwegian business support and the conflicting narratives of creative industries	1
Sexual harassment as a cause of gender inequality in the UK film and television industry	1
From silence to solidarity: orchestras, cultural leadership, and the ethics of social engagement in Australia	0
Glorifying my gods: cultural politics of statue making, Hindu symbolism, and power iconography	0
European cultural networks and cultural governance: how culture makes policy,	0
The first national survey on cultural participation in Portugal: exploring social and professional backgrounds	0
Entrepreneurial, precarious or leaving altogether? Work trajectories in the creative industries in the Netherlands	0
Reframing cultural policy: contributions to the north–south debate from a Latin-American Case	0
Correction	0
Cultural sustainability and cultural leadership: Miranda Massie (founding director, Climate Museum: in conversation)	0
How do artists at risk of poverty navigate economic and professional insecurity?	0
Who owns history? a case study on the recovery of looted Chinese cultural relics from Japan	0
Creative industries’ new entrants as equality, diversity and inclusion change agents?	0
Artistic careers and crises. How did the pandemic affect Norwegian artists?	0
Cultural workers during the COVID-19 pandemic: an analysis of mobility in the workplace	0
Geopolitics of Digital Heritage	0
Christos Carras (Senior Consultant, Onassis Stegi): in conversation	0
Towards monopolistic music promotion: an analysis of North American concert tours	0
Cultural policies for urban peripheries: notes from São Paulo’s experiences	0
The REED typology: understanding market-orientation and instrumental values in cultural policy across Europe	0
The global/local and omnivore/univore nexus: class divisions and cultural tastes in contemporary Croatia	0
Hybrid cultures. On Néstor García Canclini's contribution to cultural research in Latin America	0
The show must go on: proposals to measure the economic value of Grassroots Music Venues	0
Artists, government and cross-sector collaboration: A guiding framework of US-based artists in residence in government programs	0
Accountable countability. Digital cultural consumption among young people and the tools used to measure it	0
A public value typology for public service broadcasting in the UK	0
What makes a successful artist?	0
Between cultural democratisation and cultural democracy: the design of a cultural policy in Portugal	0
Disruption in times of COVID-19? The hybrid film festival format	0
Classical music audiences. Evidence from Chile	0
Deepening precarity – the impact of COVID-19 on freelancers in the UK television industry	0
Artists and their poor: economic and symbolic inequality in distorted China's post-pandemic art subsidy policies	0
Getting louder: music, “feedback loops” and social change in the Tamil transnational music scene	0
Unknown pleasures: techniques of taste in the algorithmic recommendation of unfamiliar art music	0
The arts of prison cultures	0
Arts entrepreneurs as value creators in and beyond the cultural ecosystem	0
Understanding “Swiftonomics”: creative destruction or more of the same?	0
Strategies to reduce the effects of cost disease in orchestras	0
Cultural mapping in smart sustainable cities: the Kashiwanoha Monogatari Project	0
2030 Agenda in teen series creation: a study of the Spanish audiovisual industry	0
Collecting and classifying data on audience identity: the cultural background of festival audiences	0
Multiple narratives in museum theme-based exhibitions: combining digital technology and tangible heritage	0
Case study Culturelink: re-examining network’s legacy as inspiration for transformative cultural policies	0
Avant-garde or democracy? Transformations and dilemmas of the U.S. public art programme in the 1970s	0
Irish arts abroad: future directions for Ireland’s cultural diplomacy and nation branding	0
The UK museum boom: continuity and change 1960–2019	0
Sociology about art: an introduction to how sociologists study the arts	0
Prof. Thomas Girst (Global Head of Cultural Engagement, BMW Group): in conversation	0
Julieta Brodsky (Minister of Culture, Chile): in conversation	0
Russia’s cultural policy abroad as a projection of the “Russian World”	0
Navigating barriers: enhancing visibility and opportunities for Latin Canadian artists in the music industry	0
Storying connectivity and value: the south west creative technology network’s cultural ecologies as network visualisations	0
Future of culture: financing and governance in the digital age	0
Unreconciled accounts? Screen and performing arts in post-conflict Northern Ireland	0

Tracing policy change of the NEA in urban design through the advocacy coalition framework	0
The UNESCO Underwater Cultural Heritage Convention in Asia: the case of the Macao Special Administrative Region of the People’s Republic of China	0
The paradox of impact measurement in cultural contexts	0
France and the restitution of African cultural property: a critical race theory view	0
Public higher education in the arts: from democratization to cultural democracy. The case of the University of the Arts in Ecuador	0
Composite indices for the creative economy: a review and evaluation	0
Is it possible to measure cultural democracy? An approach based on cultural habits surveys	0
Basic income for artists programs: who are the artists?	0
The creative trident mark III: correlating creative qualifications and occupations	0
Advancing a multi-actor model of artist-in-residence practice	0
Tech start-up capitalisation in an oligopolistic copyright industry: the case of the contemporary music industry	0
The work-preference model and the broader creative workforce: theory and application	0
Decolonising the cultural policy and management curriculum – reflections from practice	0
Gentrification and touristification in urban heritage preservation: threats and opportunities	0
Turning post-materialism on its head: self-expression, autonomy and precarity at work in the creative industries	0
Beyond reconciliation, towards regeneration: social circus in Northern Ireland	0
The role of cultural organisations in matters of equity, diversity, and inclusion	0
“The painting is colonial”: cancel culture and a heated media debate in Norway	0
Active citizenship in creative placemaking: motivating and enabling conditions in arts districts	0
Towards a paradigm shift? The potential of participatory arts practices in a context of post-crisis reconstruction	0
Professional cultural institutions and the community? Lessons from the first community production of the Barcelona opera house	0
Towards equal creative freedom: Universal Basic Income and the socioeconomic conditions of artistic work	0
Mark Katz and Junious “House” Brickhouse (Next Level, USA): in conversation	0
The opportunity cost of an artist’s working life: a note from the field	0
Selective memory, funder documentation and peacebuilding: recovering the art of reconciliation	0
Infrastructuring togetherness: exploring eventification of community and advocacy in a European network of cultural centres	0
On digital cultural value: What does research tell us?	0
Cultural sustainability and cultural leadership: Annabel Turpin and Gavin Barlow (co-directors, Future Arts Centres: in conversation)	0
Mapping innovation in India’s creative industries: an ecosystem framework	0
Making it big in live music: a multilevel analysis of careers in live music	0
Dynamics of cultural policy valuations in contemporary Europe	0
Whose social impact is it anyway? Directionality and the potential of affect in community music	0
Institutional entrepreneurship through network governance: a social network analysis of NEA's creative placemaking national initiative	0
Get back: analysing the impact of the COVID-19 pandemic on the Lowlands festival	0
Care at the centre of the post-pandemic sustainability of grassroots cultural centres and culture-led urban regeneration. A comparison of western and eastern perspectives	0
Mind the gap: causes and consequences of the racial gap in music funding organizations	0
New management approaches and sustainability: the case of the Museo del Traje in Madrid	0
Behind the cameras: cultural entrepreneurs navigating the TV industry in Chile	0
Transformative dynamics: Galería CIMA's journey during the Chilean social uprising	0
Exploring roles in digital co-creation: the case of Twittertheater	0
Collective cultural infrastructures: ownership, architecture, governance	0
Museums as the catalysts for a democratic revolution in cultural policy	0
Philippe Blanchard (former Information Director at the International Olympic Committee): in conversation	0
The cultural industries of India: an introduction	0
Museum value as a tension field: a Baltic perspective	0
Suburban neighbourhoods as places for everyday cultural participation: the case of Jyväskylä in Finland	0
Between cultural trade and cultural development: examining the first decade of UNESCO's International Fund for Cultural Diversity	0
Do not forget the state! The supposed state free self-regulatory system in post-war Japan	0
The British Museum’s Korean gallery: a space embodying South Korean cultural diplomacy in the 1990s	0
Cultural analytics in the UK: events data potential for the creative and cultural industries	0
Spirituality in creative work: how craft entrepreneurs in Ghana cope with precarity	0