Plainsong & Medieval Music

Papers
(The TQCC of Plainsong & Medieval Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
PMM volume 34 issue 1 Cover and Front matter1
PMM volume 33 issue 2 Cover and Back matter0
PMM volume 33 issue 1 Cover and Front matter0
PMM volume 34 issue 2 Cover and Back matter0
PMM volume 33 issue 2 Cover and Front matter0
The tropologion in its historical transmission0
Hidden colouration: deep metrical flexibility in Machaut0
Eastern Elements in Western Chant: a second look over a changed landscape0
‘Firmly fixed in the Anglican tradition’: the English plainchant revival and the Office of Compline0
Two early layers of Sanctus melodies0
Differentiating hands in square chant notation0
The insular daily Lady Mass of the thirteenth century: sources, repertory and transmission0
Rachel May Golden, Mapping Medieval Identities in Occitanian Crusade Song. New York: Oxford University Press, 2020. xviii + 284 pp. £35.99. ISBN 978 0 190 94861 0.0
The responsories of the Old Hispanic Night Office and their sources0
Jennifer Bain (ed.), The Cambridge Companion to Hildegard of Bingen. Cambridge: Cambridge University Press, 2021. xvi + 325 pp. £78.99 (hardback) / £23.99 (paperback and ebook). ISBN 978 1 108 47135 00
PMM volume 31 issue 2 Cover and Front matter0
PMM volume 32 issue 2 Cover and Front matter0
PMM volume 34 issue 2 Cover and Front matter0
PMM volume 32 issue 2 Cover and Back matter0
Songs materialising as music: medieval monophony in song books and music manuscripts0
Introducing a central European fragment of medieval polyphonic song0
Commemorating the Virgin Mary at Barking Abbey: Cambridge, University Library, Dd.12.560
PMM volume 35 issue 1 Cover and Back matter0
A young teacher’s music in mid-fifteenth-century Bohemia: the peculiar case of Crux de Telcz (1434–1504)0
Music and musicians in Anglo-Norman monastic networks0
A music roll in Princeton and its origins in thirteenth-century Yorkshire0
On modulation in Eastern and Western chant0
The music theory booklet Balliol 173A, fols. 74r–81v: scribal organisation of an early medieval theory miscellany0
PMM volume 34 issue 1 Cover and Back matter0
PMM volume 33 issue 1 Cover and Back matter0
PMM volume 32 issue 1 Cover and Back matter0
Jerome of Moray: a Scottish Dominican and the evolution of Parisian music theory 1220–12800
PMM volume 35 issue 1 Cover and Front matter0
Ornamental melismas in Aquitanian introits0
Perspectives on the early hagiopolite Tropologion (A response to Peter Jeffery and Svetlana Kujumdzieva)0
PMM volume 31 issue 2 Cover and Back matter0
Notes on the origin of a fragmentary pontifical0
Anne-Zoé Rillon-Marne and Gaël Saint-Cricq (eds.), Composers in the Middle Ages, Studies in Medieval and Renaissance Music 25. Woodbridge: Boydell Press, 2024. xxiv + 316pp. £95. ISBN 978 1 83765 035 0
Margot Fassler, Cosmos, Liturgy, and the Arts in the Twelfth Century: Hildegard’s Illuminated Scivias, The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2023. xvii + 358 p0
Catherine Saucier, ed., Historia sancti Iohannis evangeliste (traditionibus Leodiensis et Boscudocis), Wissenschaftliche Abhandlungen/Musicological Studies 65, Historiae 34. Kitchener, ON: The Institu0
New evidence from Shrewsbury on the creation and circulation of music in high-medieval England0
PMM volume 32 issue 1 Cover and Front matter0
Ars Antiqua motets in fourteenth-century Italy: liturgical priorities, style and notation in Bodleian, lat. liturg. e. 420
New observations on the quilisma: occurrence, position and function in northern Low Countries sources0
Preacher and prophet: intersecting voices of St John the Evangelist in late medieval ‘s-Hertogenbosch0
David Andrés Fernández and Alejandro Vera, Los Cantorales de la Catedral de Lima: Estudio, Reconstrucción y Catálogo. Madrid: Sociedad Española de Musicología, 2022. 594 pp. €35. ISBN 978 84 86878 92 0
Understanding Marty’s tune: J’ai trouvé (La note Martinet, RS474)0
Zsuzsa Czagány (ed.), Antiphonale Varadinense: s. XV, vol. I: Proprium de tempore; vol. II: Proprium de sanctis et commune sanctorum; vol. III: Tanulmányok / Essays, Musicalia Dan0
Paris, Bibliothèque nationale de France, fonds latin 887: towards an identification of provenance0
Sounds, Chants and Discant in Wilbrand von Oldenburg’s Itinerarium: the Embassy in Cilicia (1211-1212)0
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