Plainsong & Medieval Music

Papers
(The TQCC of Plainsong & Medieval Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
PMM volume 34 issue 1 Cover and Front matter2
Sarah Ann Long, Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550, Eastman Studies in Music. Rochester, NY: University of Rochester Press; Woodbridge: Boydell & Brewer, 22
Catherine Saucier, ed., Historia sancti Iohannis evangeliste (traditionibus Leodiensis et Boscudocis), Wissenschaftliche Abhandlungen/Musicological Studies 65, Historiae 34. Kitchener, ON: The Institu1
Understanding Marty’s tune: J’ai trouvé (La note Martinet, RS474)0
On dubious claims regarding the enigmatic Chilston0
Chevalier mult estes guariz and the ‘pre-chansonnier’ vernacular lyric0
David Andrés Fernández and Jane Morlet Hardie, eds., Into the Diaspora: Essays on Medieval and Early Modern Liturgical Music Manuscripts at the University of Sydney, Musicological Studies 113. Kitchen0
Perspectives on the early hagiopolite Tropologion (A response to Peter Jeffery and Svetlana Kujumdzieva)0
PMM volume 30 issue 2 Cover and Back matter0
Notes on the origin of a fragmentary pontifical0
A young teacher’s music in mid-fifteenth-century Bohemia: the peculiar case of Crux de Telcz (1434–1504)0
Commemorating the Virgin Mary at Barking Abbey: Cambridge, University Library, Dd.12.560
Hidden colouration: deep metrical flexibility in Machaut0
Liturgical chant bibliography 300
PMM volume 32 issue 1 Cover and Front matter0
On modulation in Eastern and Western chant0
PMM volume 34 issue 1 Cover and Back matter0
Differentiating hands in square chant notation0
PMM volume 33 issue 1 Cover and Back matter0
Benedictus es domine, the Ambrosian Canticle of the Three Children in the Fiery Furnace0
Jennifer Bain (ed.), The Cambridge Companion to Hildegard of Bingen. Cambridge: Cambridge University Press, 2021. xvi + 325 pp. £78.99 (hardback) / £23.99 (paperback and ebook). ISBN 978 1 108 47135 00
PMM volume 31 issue 2 Cover and Front matter0
Jerome of Moray: a Scottish Dominican and the evolution of Parisian music theory 1220–12800
PMM volume 33 issue 2 Cover and Back matter0
PMM volume 33 issue 1 Cover and Front matter0
PMM volume 32 issue 2 Cover and Back matter0
PMM volume 33 issue 2 Cover and Front matter0
The responsories of the Old Hispanic Night Office and their sources0
Processional melodies in the Old Hispanic rite0
PMM volume 31 issue 1 Cover and Back matter0
Eastern Elements in Western Chant: a second look over a changed landscape0
PMM volume 30 issue 2 Cover and Front matter0
New observations on the quilisma: occurrence, position and function in northern Low Countries sources0
New evidence from Shrewsbury on the creation and circulation of music in high-medieval England0
David Andrés Fernández and Alejandro Vera, Los Cantorales de la Catedral de Lima: Estudio, Reconstrucción y Catálogo. Madrid: Sociedad Española de Musicología, 2022. 594 pp. €35. ISBN 978 84 86878 92 0
The music theory booklet Balliol 173A, fols. 74r–81v: scribal organisation of an early medieval theory miscellany0
Rachel May Golden, Mapping Medieval Identities in Occitanian Crusade Song. New York: Oxford University Press, 2020. xviii + 284 pp. £35.99. ISBN 978 0 190 94861 0.0
Dwight F. Reynolds, The Musical Heritage of Al-Andalus, SOAS Studies in Music. Abingdon: Routledge, 2021. xiii + 260 pp. ISBN 978 0 367 24314 2 (hardback); 978 0 429 28165 5 (ebook).0
PMM volume 31 issue 1 Cover and Front matter0
Johannes de Muris's Musica speculativa cited by Jacobus de Ispania0
PMM volume 32 issue 2 Cover and Front matter0
Ornamental melismas in Aquitanian introits0
Songs materialising as music: medieval monophony in song books and music manuscripts0
PMM volume 31 issue 2 Cover and Back matter0
The tropologion in its historical transmission0
Zsuzsa Czagány (ed.), Antiphonale Varadinense: s. XV, vol. I: Proprium de tempore; vol. II: Proprium de sanctis et commune sanctorum; vol. III: Tanulmányok / Essays, Musicalia Dan0
Margot Fassler, Cosmos, Liturgy, and the Arts in the Twelfth Century: Hildegard’s Illuminated Scivias, The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2023. xvii + 358 p0
Antonio Calvia, Stefano Campagnolo, Andreas Janke, Maria Sofia Lannutti and John Nádas, eds., The End of the Ars Nova in Italy: The San Lorenzo Palimpsest and Related Repertories, La Tradizione Musica0
Revisiting ‘Toledo, Rome, and the Legacy of Gaul’: new evidence from the Divine Office0
Two early layers of Sanctus melodies0
The insular daily Lady Mass of the thirteenth century: sources, repertory and transmission0
Ars Antiqua motets in fourteenth-century Italy: liturgical priorities, style and notation in Bodleian, lat. liturg. e. 420
Preacher and prophet: intersecting voices of St John the Evangelist in late medieval ‘s-Hertogenbosch0
PMM volume 32 issue 1 Cover and Back matter0
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