OOIR: Observatory of International Research

Papers

(The TQCC of Museum Management and Curatorship is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)

Article	Citations
Museums as agents for social change: collaborative programmes at the Mutare museum	30
From cognition to emotion: mechanisms of Participatory Museum Interpretation	25
Beyond numbers: visual and textual diversity in the online art database	25
Inclusivity and digital technologies in museums: lessons from an Italian experience	21
Editorial	21
Latent dimensions of museum experience: assessing cross-cultural perspectives of visitors from tripadvisor reviews	18
Investigating parent attitudes from the perspective of learning experiences in a museum	18
Editorial	16
The use of social media in Greek museums during the COVID-19 pandemic	15
‘We cannot, nor do we have the right to speak forgiveness for the grandmothers’: a study of visitor comment books at the Chinese Comfort Women Historical Museum in Shanghai	13
China's hidden century in Chinese visitors' eyes: a sequential explanatory mixed methods study	12
Industrial museums with Chinese characteristics: theories and practices	11
Curating AI-driven Art: actors, institutional strategies and organisational change	11
An exploratory study on children with special needs experiencing museum services: research data and lessons from being art museums	11
Diversity and inclusion in museum studies: an analysis of current trends and practices through a systematic review of the literature	11
‘I felt I was right there with them’: the impact of sound-enriched audio description on experiencing and remembering artworks, for blind and sighted museum audiences	10
Adult family members’ roles in mediating children’s visits at a Chinese science museum	10
Whose culture is it anyway? Perceptions of accessibility in museums by professionals working with people with intellectual disabilities in Greece	9
Robots onboard? Investigating what individual predispositions and attitudes influence the reactions of museums’ employees towards the adoption of social robots	9
Editorial	9
Editorial	9
Join the Dots: assessing a collection of 80 million items at The Natural History Museum, London	8
Diversity as a matter of reality or a perception at the museum: samples of approaches and practices through research and analysis	8
Would the employment of advanced technology and online presence help museums in the Middle East achieve their organizational goals?	8
Caring exhibitions: integrating care theory in museum practices and curatorship in Southern Europe	8

Museum-based research: a typological exploration	8
Unveiling the influence: multiple superposition attributes of museum digital technology on visitors’ online engagement behavior	7
Editorial	7
Limitations and ethical reflection on the application of big data in museum visitor research	7
Behind the words: a quantitative analysis of museums’ tweets	6
The role of leadership behaviors in organizational citizenship behaviors at Vietnamese museums: workplace incivility and work engagement as mediators	6
Comfort stations and their legacy: exhibitions of negative heritage	6
Tourism marketing in a metaverse context: the new reality of European museums on meta	6
Revolutionary exhibition and youth identity: a visitor study of the Shanghai Sihang warehouse battle memorial	5
The myth of ‘pink collaring’: blaming women for pay inequity in art museums	5
The museum of other people. From colonial acquisitions to cosmopolitan exhibitions	5
Re-reading collections. A sustainable toolkit to achieve gender equality in museums	5
Editorial	5
Sick building syndrome in air-conditioned museum	5
Interfacing with history: curating with audio augmented objects	5
Short but meaningful: visitors’ experiences underlying time spent looking at artworks and labels	4
Towards human-centric AI in museums: practitioners’ perspectives and technology acceptance of visitor-centered AI for value (co-)creation	4
Who stays late? Institutional practices and audience engagement in late-night museum programming: the case of Greece	4
Exploring information practices in Greek museums: a qualitative study	4
Social inequality determines science museums attendance in Latin America: a quantitative analysis of data from seven countries	4
What is the gap between curator’s plan and visitors’ perception of the palace museum?	4
Quantifying factors influencing the interest in museums with the use of marketing mix modelling	4
Museum text translation in the Chinese context: the museum role and text production	4
Meeting of collaborators: projection of an experimental exhibition ‘The Toys in My Money Box Are in My Playground' (2021–2024)	4
Copyright protection: a key element in realizing the development potential of digital cultural and creative products in museums	4
Practice architectures for bridging the semantic gap in museum documentation	4
Correction	4
Diversified visitors’ participation roles as an innovation factor: a case study of the ‘Seoul Museum of Art Group’	4
The slow museum: the affordances of a university art museum as a nurturing and caring space for young children and their families	4
Visitor orientation as a game changer for the digital transformation of museums	3
Building culturally sustainable communities. Community museums and transmedia storytelling	3
The relationship between interactive kiosk design towards usage intention in the National Music Museum of Malaysia	3
‘Critically disruptive’ museum interpretation as a methodology for challenging popular perceptions of Roman Britain	3
Understanding virtual museum visits: generation Z experiences	3
Digitalization in Chinese museums: a policy evolution perspective	3
Inventors and demolishers: children disrupting the museum from within	3
Plunder? How museums got their treasures	3
Awe in the museum: casting light on the role of the curator	3
Revisiting museums of contemporary art: what factors affect visitors with low and high levels of revisit intention intensity?	3
Institutional policing of western heritage: the case of Shanghai Symphony Museum	3
‘Views for perverts!’: the threat of upskirting in the New Acropolis Museum, Athens	3
Following community guidelines in publishing Native American archaeological collections online	3
The value of technology and interactive systems in cultural heritage interpretation: a study based on existing empirical research	3