Irish Studies Review

Papers
(The median citation count of Irish Studies Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Walter Macken: critical perspectives13
Folklore and nation in Britain and Ireland5
Contemporary Irish theatre and social change: activist aesthetics5
Foreigners, non-nationals, immigrants”: precarious citizenship, precarious labour(s) in Oona Frawley’s Flight (2014)3
Post-Celtic Tiger Ireland and contemporary women’s writing: feminist interventions and imaginings3
“A gathering of possibilities”: anthologisation and contemporary short fiction3
Covid-19, cultural policy and the Irish arts sector: continuum or conjuncture?3
Modernism in Irish women’s contemporary writing: the stubborn mode3
Hardly working: eliding remunerative labour in recent Irish women’s fiction3
Spitting across the barricades: hip-hop and cultural resistance in post-conflict Belfast3
“Everything / we husband is always shedding”: intimacy, distance, and the politics of migration in Ailbhe Darcy’sInsistence2
The active lives of the material culture of commemoration: a Chinese braid and the Irish Citizen Army flag2
Finding a language that works for them: Gerald Dawe on young people’s engagement with poetry2
The Celtic Phoenix, capitalist realism, and contemporary Irish women’s novels1
Yeats, revival, and the temporalities of Irish modernism1
Reading work with Claire-Louise Bennett and Doireann Ní Ghríofa1
Ireland and partition: Contexts and Consequences1
Performing social change on the island of Ireland: from republic to pandemic1
Remembering otherwise: media memory, gender and Margaret Thatcher in Irish hunger strike films1
Style over substance? The Blueshirts and transnational fascist culture1
The Irish Bildungsroman1
Race, ethnicity, and representation in Irish children’s and young adult literature and film: an introduction1
Post-Troubles writing of violence and the ethics of survival in Anna Burns’s Milkman1
The pasts, presents and futures of transnational and global Irish Studies: “Snapshots”1
The ethics of (un)grievable lives in Lucy Caldwell’s These Days1
Sex and sexualities in Ireland: interdisciplinary perspectives1
Donegal: the Irish Revolution, 1912–231
From the ‘Troubles’ to Trumpism: Ireland and America, 1960–20231
Unsettled unsettling: communities of care and the relational self in Rosaleen McDonagh’s auto/biography1
Irish gothic: an Edinburgh companion1
Supporting parents with young children in Ireland: context, policies and research-supported interventions1
Northern Ireland, the United States and the Second World War0
Race, politics, and Irish America: a Gothic history0
Beyond Hofstede: intercultural similarities in socio-legal attitudes between Ireland and China0
Getting to Good Friday: Literature and the Peace Process in Northern Ireland0
Community nostalgia and transgenerational trauma: reconciling dichotomies from women’s oral history of West Belfast, 1975–1995 *0
Two censuses: religion and the politics of recognition0
Becoming an Irish traditional musician: learning and embodying musical culture0
Moral authority in Seamus Heaney and Geoffrey Hill0
Yeats on theatre0
“An gnáthléitheoir?”: representation, diversity and inclusion in Irish-language young adult and teen fiction0
The colleen and the crafting of Irishness: evolving national identity in McClinton’s Colleen Soap advertisements, 1910–19230
British intelligence and the Fenians, 1855–18800
Introduction: Critiquing crisis and commemoration0
Contemporary Irish poetry and the climate crisis0
The burden of history: rethinking post-conflict Irish essay films: Peter Lennon’s Rocky Road to Dublin (1968) and Mark Cousins’ I 0
Writing work: a conversation with Caitríona Lally0
Irish ex-servicemen, post-war reconstruction and the Empire Settlement Act0
Resting places: on wounds, war and the Irish Revolution0
Irish Theatre: Interrogating intersecting inequalities0
Memory and counter-memory in contemporary Irish historical fictions: Lia Mills’Fallen(2015), Mary Morrissy’sThe Rising of Bella Casey(2016) and Emma Donoghue’sThe Pull of the Stars0
Contesting American citizenship on stage: sexuality, ethnicity, and the reception of The Playboy of the Western World0
The work of representation and representations of work: the feminist experimental poetries of Catherine Walsh and Ellen Dillon0
Masculinities, the failed Bildungsroman, and the nation in Mary Lavin’sThe House in Clewe Street(1945)0
Hardy peasants, passive landlords: translating difference into agrarian capitalism0
James Joyce and Paul L. Léon: the story of a friendship0
Community, nationalism and folklore collection: a comparison of W.B. Yeats’s The Celtic Twilight and Oein DeBhairduin’s Why the mo0
Irish dance and identity politics on TikTok0
Revisiting Brian Friel’s Translations through the lens of stage director Caitríona McLaughlin0
Oona : a conversation with Alice Lyons0
James Joyce and the Irish revolution: the Easter Rising as modern event0
Conflict, diaspora, and empire: Irish nationalism in Britain, 1912–19220
Even better than the real thing: a conceptual history of the “Celtic Phoenix”0
Samuel Beckett and catastrophe0
Irish Modernisms: gaps, conjectures, possibilities0
Narrating Irish female development, 1916–20180
Narratives of the unspoken in contemporary Irish fiction: silences that speak0
The Northern Ireland peace process: from armed conflict to Brexit0
Writing Resistance in Northern Ireland0
Cultures of care: the art of growing plants together0
Dancing enriched whiteness: race and gender in commercial Irish dance performance fromRiverdanceto the Trump Inaugural Ball0
The relational ethics of alterity in contemporary Ireland: Kevin Curran’s Youth0
Beyond the stereotype: educational underachievement in the Controlled sector in Northern Ireland0
Disavowing asylum: documenting Ireland’s asylum industrial complex0
Rabindranath Tagore and James Henry Cousins: a conversation in letters, 1915–19400
Decriminalizing abortion in Northern Ireland: volume 2, allies and abortion providers0
Objet petits pois : peas, domestics, and modernity in “Two Gallants”0
Re-staging the 1916 Rising: Eugene McCabe’sPull Down a Horseman(1966)0
“The camera got through safely”: photography and women’s memory activism after the Irish Civil War and Spanish Civil War0
“Not with a bang but a whimper”: uncovering pandemic strains in Flann O’Brien’s later works0
Dreams of the future in nineteenth century Ireland Dreams of the future in nineteenth century Ireland , edited by Richard J. Butler, Liverpool, Liverpool University Pres0
Wilde Now : performance, celebrity and intermediality in Oscar Wilde0
Mere Bagatelles: women’s diaries from Ireland, 1760–18100
Belfast punk and the troubles: an oral history0
Art history at the crossroads of Ireland and the United States0
Memories of the classical underworld in Irish and Caribbean poetry0
'People who get up early in the morning': Irish political capital and the resonances ofIarnród Enda(2021)0
Authorial control, multiple worlds, and the situationality of truth: the logic of fiction in Flann O’Brien’s At Swim-Two-Birds and John Banville’s 0
Contraception and modern Ireland: a social history, c.1922–920
The Catholic Church and investor capitalism in late-nineteenth century Ireland0
Transnational activism, solidarity and Ireland: an introduction0
Reimagining Irish Studies for the twenty-first century0
“It’s a lot of work”: reading domestic labour in Anne Enright’s The Green Road0
“The age-old struggle”: Irish republicanism from the battle of the Bogside to the Belfast agreement, 1969–19980
“I took the left turn for eternity”: otherworlds, afterlives, and discursive storytelling traditions in Flann O’Brien’s The Third Policeman and Máirtín Ó Cadhain’s 0
Sport, migration and national identity in contemporary Irish media0
The representation of the refugee experience in Jane Mitchell’s Run For Your Life and ‘There and Here’0
The poets of Rapallo: how Mussolini’s Italy shaped British, Irish, and US writers0
Dublin – a writer’s city0
Exploring decolonial spaces in Irish-Language youth literature0
Wilde in the dream factory0
“We know nothing except through style”: John Banville’s worldliness0
Theatre and archival memory: Irish drama and marginalised histories 1951–19770
“You are not to be cut off from Ireland:” Bram Stoker’s continuing relations with Edward Dowden0
A history of Irish literature and the environment A history of Irish literature and the environment , edited by Malcolm Sen, Cambridge, Cambridge University Press, 2022,0
Haunted Heaney: Spectres and the Poetry0
The Dark: a critical edition0
A woman’s place? Challenging values in 1960s Irish women’s magazines0
Depicting and evoking vulnerability in Irish-language cinema: An Cailín Ciúin ( The Quiet Girl ) (2022)0
Broken Irelands: literary form in post-crash Irish fiction0
Plays by women in Ireland (1926–33): feminist theatres of freedom and resistance0
Say Nope to the Pope : performance and resistance in the creative interventions during the 2018 papal visit to Ireland0
Poetry, politics, and the law in modern Ireland0
“The First National Museum”: Dublin’s Natural History Museum in the mid-nineteenth century0
Form, affect and debt in Post-Celtic Tiger Irish fiction: Ireland in crisis0
Art and sustenance in the work of Sara Baume0
The battle to control female fertility in modern Ireland0
Ageing masculinities in Irish literature and visual culture0
Painting over the Troubles: street art, class, and re-imaging Belfast0
Medieval Dublin XX0
Spiritual wounds: trauma, testimony and the Irish Civil War0
Bram Stoker’s dialects: nation, race, and speech in the early Irish fictions0
The Irish Jacobite army0
Neil Jordan: works for the page0
Irish artisans and radical politics, 1776–1820: apprenticeship to revolution0
Signifying Irish celebrity in a “white jacket” and a “thick accent”: reading Barry Keoghan’s heterogenous stardom0
Revising the 1975 PIRA ceasefire through the lens of prospect theory0
”Something that I read in a book”: W. B. Yeats’s Annotations at the National Library of Ireland. Vol. II: Yeats Writings0
Expository Irishness, Garron Noone, and the politics of Irish differentiation in the 2020s0
On docile bodies: silence, control and surveillance as self-imposed disciplines in Anna Burns’ Milkman0
Northern Ireland a generation after Good Friday: lost futures and new horizons in the “long peace”0
Music, the moving image and Ireland, 1897–20170
Irish English and Irish Studies: exploring language use and identity through fictional constructions of laddism0
Home-made in Belfast: domesticity as creative practice in Northern Irish art and performance0
Physical education in Irish schools, 1900–2000: a history0
Seamus Heaney, Virgil and the good of poetry0
Noraid and the Northern Ireland troubles, 1970–1994 Noraid and the Northern Ireland troubles, 1970–1994 , by Robert Collins, Dublin, Four Courts Press, 2022, 224 pp., €40
The British and Anglo-Irish thing-essay from 1701 to 2021: of broomsticks and doughnuts0
“Once it was Ireland, Now it is Kenya”: anti-colonialism and internationalism in the pages of the Connolly Association’s Irish Democrat in the 1950s–60s0
Oscar Wilde, James Joyce and the Language of music0
“The business of being a [twenty-first century] Rose”: racial capitalism in the Rose of Tralee pageant0
The Oxford handbook of Oscar Wilde0
“A call for women to be up and doing:” nationalism and suffrage in the work of Mary E.L. Butler0
Subjects of tradition: cultural construction and Irish comprador capitalism0
Resonant and regular: silence in Derek Mahon’s later poetry and prose0
H Blocks: an architecture of the conflict in and about Northern Ireland0
Reading Rites: books, writing and other things that matter0
Making empire: Ireland, imperialism, and the early modern world0
Finnegans Wake – human and nonhuman histories0
John Montague: a poet’s life0
Post-catastrophic Irelands in contemporary fiction0
The healer in the tower: Biddy Early and discourses of healing in the work of W. B. Yeats and Lady Augusta Gregory0
“The glorious crushing ridiculous repetition of life”: phenomenological experiments in Sara Baume’s Seven Steeples0
Next year will be a good one: life with Sean O’Casey, my family and theatre0
Douglas Hyde: Irish ideology and international impact0
“A thing breaks beyond naming”: a review article on David Lloyd’s 2022 books, Counterpoetics of Modernity and The Harm Fields Counterpo0
Citizen poet: new and selected essays0
Imperial translators: Hiberno-Spaniards, the Bourbon reforms and political economy0
Space and Irish lesbian fiction: towards a queer liminality0
Introduction: women writing work0
Ireland and Ukraine: studies in comparative imperial and national history0
Backroads into buried pasts: Irish border mobilities and narrative film0
Is ní cheilim, deirim, déarfad: the O’Donovan Rossa funeral, Pearse’s graveside oration and the Irish language context0
Parody and performance: Paul Muldoon’s subversive pastoral0
“I think we all just got a bit too proud of ourselves too soon”: heteronormativity, whiteness, and Far-Right extremism in Caroline O’Donoghue’s All Our Hidden Gifts tril0
Drama out of a crisis: James Connolly’sUnder Which Flag(1916) and Teresa Deevy’sThe Wild Goose(1936)0
No foreign game: association football in the making of Irish identities0
Seamus Heaney and American poetry0
Canadian spy story: Irish revolutionaries and the secret police Canadian spy story: Irish revolutionaries and the secret police , by David A. Wilson, Montreal & King0
Gossip, guerrilla intelligence, and women’s war work in Anna Burns’Milkman0
To Ireland in the end times: figuring the future in contemporary Irish fiction0
The formation of a writer: an interview with Elaine Feeney0
Somewhere bigger and brighter? Ambivalence and desire in memories of leaving the north of Ireland during the Troubles0
From resistance to resilience: vulnerability and narrative in Anne Enright’s The Gathering and The Wren, the Wren0
The Irish Revival: a complex vision0
Éirinn & Iran go Brách: Iran in Irish-nationalist historical, literary, cultural, and political imaginations from the late 18th century to 19210
Erica Van Horn’s creative exercises0
“‘A story is a living thing’: a conversation with Oein DeBhairduin about the importance of Irish Traveller voices and authentic representation”0
Race, difference, and Irish identity in Cartoon Saloon’s 2009 film, The Secret of Kells0
Representing the Great Famine in contemporary historical fiction: narrative and intertextual strategies in Joseph O’Connor’s Irish American trilogy0
Lost and found in the archives: Hannah Lynch and Dimitrios Vikélas Dublin, Athens, Paris: literary crossings and collaborations0
“Stories last a long time after you go”: female solidarity in Emma Donoghue’s The Pull of the Stars and Elaine Feeney’s As You Were0
Temporality and finance in Post-crash Ireland: Paul Murray’s The Mark and the Void0
Diasporic subjects: migrant identities and twentieth-century Ireland0
Vulnerability and the child in the Anthropocene: David Wheatley's Child Ballad (2023)0
Classics and Celtic literary modernism: Years, Joyce, MacDiarmid and Jones0
Mystic modernity: Tagore and Yeats0
Modern Irish and Scottish literature0
Sounds Irish, acts global: explaining the success of Ireland’s popular music industry0
Shadows from the trenches: Veterans of the great war & the Irish revolution, 1918–19230
Vulnerability, care, and relational ethics in contemporary Irish culture: an introduction0
“She’s not the full shilling”: insanity and redemption in William Trevor’s Reading Turgenev0
“Blurring the main story”: news in the work of Ciaran Carson0
Soccer and society in Dublin: a history of association football in Ireland’s capital0
The Irish media and the foundation of the Irish State on 6 December 19220
“To all the brown kids, queer kids, fat kids”: exploring intersectionality in South-Asian-Irish young adult fiction through Adiba Jaigirdar’s contemporary novels0
Dis-orienting Orientalism in contemporary Irish writing: Yan Ge’s Irish short stories0
Legible affect and physical perspective-taking: promoting critical literacy about migration with Marie-Louise Fitzpatrick’s wordless picturebook, Owl Bat Bat Owl0
Austerity and Irish women’s writing and culture, 1980–20200
Ireland, slavery and the Caribbean: interdisciplinary perspectives0
Irish drama and wars in the twentieth century0
Cross-cultural gazes in contemporary Irish short stories0
“On the edge of foreign”: race and (non-)belonging in contemporary Irish crime fiction0
Irish Studies in the second-level school curriculum in Ireland 1973–1977: a missed opportunity for the development of an inclusive notion of Irish identity0
The Irish expatriate novel in late capitalist globalization0
“The sick body has its own narrative impulse”: contemporary Irish illness narratives and institutions of care0
Rereading the Rising: towards an understanding of the influence of “Easter 1916” on contemporary Ireland0
The new Joyce studies0
Supernatural bodies: stigmata in modern Britain and Ireland0
Black abolitionists in Ireland0
James Joyce and Samaritan hospitality: postcritical and postsecular reading in Dubliners and Ulysses0
“Love is a tide”: an interview with Anne Enright0
Bernard Shaw, Sean O’Casey, and the Dead James Connolly0
“What happened at all?” coming to terms with the past in Foster and An Cailín Ciúin0
“She is finally home”: feminist storytelling, family imaginaries and transnational solidarity in Irish abortion activism0
Law and literature: the Irish case Law and literature: the Irish case , edited by Adam Hanna and Eugene McNulty, Liverpool, Liverpool University Press, 2022, 312 pp., £90
Roscommon: the Irish revolution, 1912–230
Flann O’Brien: acting out0
“Acting on apartheid in a way that is consonant with the Irish people’s love of freedom”: anti-apartheid activism in Ireland, 1959–19940
Two exponents of observational comedy and the stage Irishman in nineteenth-century Irish theatre: Denis Leonard and Patrick Frederick Gallaher0
The Siege of Londonderry The Siege of Londonderry , by Piers Wauchope, Dublin, Four Courts Press, 2022, xvi + 276 pp., €45.00 (hardback), ISBN 97818015106220
Exhibiting Irishness: empire, race, and nation, c.1850–19700
Land and liberalism: Henry George and the Irish Land War0
Capitalism and Irish studies0
From toxic industries to green extractivism: rural environmental struggles, multinational corporations and Ireland’s postcolonial ecological regime0
The Edinburgh companion to W. B. Yeats and the arts0
Ireland, the Irish, and the rise of biofiction0
A history of Irish women’s poetry0
Female gothics and the traumatic legacy of Ireland’s revolutionary years: Rosamond Jacob’s The Troubled House and Dorothy Macardle’s The Uninvited0
Country house collections: their lives and afterlives0
The rise of the phoenix: restoration and renaissance in contemporary Irish writing0
Unfeminine women and angry men: the Irish Post Office in 1902–19180
Between two hells: the Irish Civil War0
Ireland, revolution and the English modernist imagination0
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