Irish Studies Review

Papers
(The TQCC of Irish Studies Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Walter Macken: critical perspectives15
Folklore and nation in Britain and Ireland5
Contemporary Irish theatre and social change: activist aesthetics5
Foreigners, non-nationals, immigrants”: precarious citizenship, precarious labour(s) in Oona Frawley’s Flight (2014)4
Post-Celtic Tiger Ireland and contemporary women’s writing: feminist interventions and imaginings4
Spitting across the barricades: hip-hop and cultural resistance in post-conflict Belfast3
“A gathering of possibilities”: anthologisation and contemporary short fiction3
Modernism in Irish women’s contemporary writing: the stubborn mode3
Hardly working: eliding remunerative labour in recent Irish women’s fiction3
Covid-19, cultural policy and the Irish arts sector: continuum or conjuncture?3
The active lives of the material culture of commemoration: a Chinese braid and the Irish Citizen Army flag2
Supporting parents with young children in Ireland: context, policies and research-supported interventions2
Finding a language that works for them: Gerald Dawe on young people’s engagement with poetry2
Sex and sexualities in Ireland: interdisciplinary perspectives2
Remembering otherwise: media memory, gender and Margaret Thatcher in Irish hunger strike films2
Irish gothic: an Edinburgh companion2
Post-Troubles writing of violence and the ethics of survival in Anna Burns’s Milkman1
Ireland, revolution and the English modernist imagination1
The Irish Bildungsroman1
The ethics of (un)grievable lives in Lucy Caldwell’s These Days1
Performing social change on the island of Ireland: from republic to pandemic1
Donegal: the Irish Revolution, 1912–231
Unsettled unsettling: communities of care and the relational self in Rosaleen McDonagh’s auto/biography1
To Ireland in the end times: figuring the future in contemporary Irish fiction1
Public history in Ireland: difficult histories1
Race, ethnicity, and representation in Irish children’s and young adult literature and film: an introduction1
Style over substance? The Blueshirts and transnational fascist culture1
Yeats, revival, and the temporalities of Irish modernism1
Reading work with Claire-Louise Bennett and Doireann Ní Ghríofa1
Wilde in the dream factory1
Parody and performance: Paul Muldoon’s subversive pastoral1
The pasts, presents and futures of transnational and global Irish Studies: “Snapshots”1
The Celtic Phoenix, capitalist realism, and contemporary Irish women’s novels1
From the ‘Troubles’ to Trumpism: Ireland and America, 1960–20231
Law and literature: the Irish case Law and literature: the Irish case , edited by Adam Hanna and Eugene McNulty, Liverpool, Liverpool University Press, 2022, 312 pp., £90
Ireland, the Irish, and the rise of biofiction0
“The business of being a [twenty-first century] Rose”: racial capitalism in the Rose of Tralee pageant0
The poets of Rapallo: how Mussolini’s Italy shaped British, Irish, and US writers0
No foreign game: association football in the making of Irish identities0
Roscommon: the Irish revolution, 1912–230
The colleen and the crafting of Irishness: evolving national identity in McClinton’s Colleen Soap advertisements, 1910–19230
Country house collections: their lives and afterlives0
From toxic industries to green extractivism: rural environmental struggles, multinational corporations and Ireland’s postcolonial ecological regime0
Depicting and evoking vulnerability in Irish-language cinema: An Cailín Ciúin ( The Quiet Girl ) (2022)0
Yeats on theatre0
“I took the left turn for eternity”: otherworlds, afterlives, and discursive storytelling traditions in Flann O’Brien’s The Third Policeman and Máirtín Ó Cadhain’s 0
Say Nope to the Pope : performance and resistance in the creative interventions during the 2018 papal visit to Ireland0
Broken Irelands: literary form in post-crash Irish fiction0
“We know nothing except through style”: John Banville’s worldliness0
Is ní cheilim, deirim, déarfad: the O’Donovan Rossa funeral, Pearse’s graveside oration and the Irish language context0
Irish ex-servicemen, post-war reconstruction and the Empire Settlement Act0
Northern Ireland, the United States and the Second World War0
Resting places: on wounds, war and the Irish Revolution0
Subjects of tradition: cultural construction and Irish comprador capitalism0
Capitalism and Irish studies0
“She’s not the full shilling”: insanity and redemption in William Trevor’s Reading Turgenev0
Haunted Heaney: Spectres and the Poetry0
Moral authority in Seamus Heaney and Geoffrey Hill0
Mystic modernity: Tagore and Yeats0
Shadows from the trenches: Veterans of the great war & the Irish revolution, 1918–19230
Poetry, politics, and the law in modern Ireland0
Samuel Beckett and catastrophe0
Contesting American citizenship on stage: sexuality, ethnicity, and the reception of The Playboy of the Western World0
Form, affect and debt in Post-Celtic Tiger Irish fiction: Ireland in crisis0
Art history at the crossroads of Ireland and the United States0
Irish drama and wars in the twentieth century0
Modern Irish and Scottish literature0
Supernatural bodies: stigmata in modern Britain and Ireland0
Spiritual wounds: trauma, testimony and the Irish Civil War0
James Joyce and Paul L. Léon: the story of a friendship0
Transnational activism, solidarity and Ireland: an introduction0
Black abolitionists in Ireland0
“What happened at all?” coming to terms with the past in Foster and An Cailín Ciúin0
Memories of the classical underworld in Irish and Caribbean poetry0
“Once it was Ireland, Now it is Kenya”: anti-colonialism and internationalism in the pages of the Connolly Association’s Irish Democrat in the 1950s–60s0
Making empire: Ireland, imperialism, and the early modern world0
James Joyce and the Irish revolution: the Easter Rising as modern event0
Sport, migration and national identity in contemporary Irish media0
Wilde Now : performance, celebrity and intermediality in Oscar Wilde0
Narratives of the unspoken in contemporary Irish fiction: silences that speak0
Cross-cultural gazes in contemporary Irish short stories0
Noraid and the Northern Ireland troubles, 1970–1994 Noraid and the Northern Ireland troubles, 1970–1994 , by Robert Collins, Dublin, Four Courts Press, 2022, 224 pp., €40
Masculinities, the failed Bildungsroman, and the nation in Mary Lavin’sThe House in Clewe Street(1945)0
Post-catastrophic Irelands in contemporary fiction0
“The sick body has its own narrative impulse”: contemporary Irish illness narratives and institutions of care0
Exhibiting Irishness: empire, race, and nation, c.1850–19700
John Montague: a poet’s life0
Gossip, guerrilla intelligence, and women’s war work in Anna Burns’Milkman0
Coens, Leavys, and others: anglicisation, assimilation, and “Jewish” surnames in Ireland in the early 20th Century0
Authorial control, multiple worlds, and the situationality of truth: the logic of fiction in Flann O’Brien’s At Swim-Two-Birds and John Banville’s 0
The Oxford handbook of Oscar Wilde0
Contraception and modern Ireland: a social history, c.1922–920
'People who get up early in the morning': Irish political capital and the resonances ofIarnród Enda(2021)0
Home-made in Belfast: domesticity as creative practice in Northern Irish art and performance0
Decriminalizing abortion in Northern Ireland: volume 2, allies and abortion providers0
Backroads into buried pasts: Irish border mobilities and narrative film0
A history of Irish women’s poetry0
Ireland and Ukraine: studies in comparative imperial and national history0
Two censuses: religion and the politics of recognition0
The burden of history: rethinking post-conflict Irish essay films: Peter Lennon’s Rocky Road to Dublin (1968) and Mark Cousins’ I 0
Dreams of the future in nineteenth century Ireland Dreams of the future in nineteenth century Ireland , edited by Richard J. Butler, Liverpool, Liverpool University Pres0
Citizen poet: new and selected essays0
Seamus Heaney and American poetry0
Race, politics, and Irish America: a Gothic history0
Belfast punk and the troubles: an oral history0
Drama out of a crisis: James Connolly’sUnder Which Flag(1916) and Teresa Deevy’sThe Wild Goose(1936)0
Next year will be a good one: life with Sean O’Casey, my family and theatre0
From resistance to resilience: vulnerability and narrative in Anne Enright’s The Gathering and The Wren, the Wren0
Race, difference, and Irish identity in Cartoon Saloon’s 2009 film, The Secret of Kells0
“The glorious crushing ridiculous repetition of life”: phenomenological experiments in Sara Baume’s Seven Steeples0
Plays by women in Ireland (1926–33): feminist theatres of freedom and resistance0
“Stories last a long time after you go”: female solidarity in Emma Donoghue’s The Pull of the Stars and Elaine Feeney’s As You Were0
Representing the Great Famine in contemporary historical fiction: narrative and intertextual strategies in Joseph O’Connor’s Irish American trilogy0
Diasporic subjects: migrant identities and twentieth-century Ireland0
Introduction: Critiquing crisis and commemoration0
Classics and Celtic literary modernism: Years, Joyce, MacDiarmid and Jones0
Art and sustenance in the work of Sara Baume0
“It’s a lot of work”: reading domestic labour in Anne Enright’s The Green Road0
James Joyce and Samaritan hospitality: postcritical and postsecular reading in Dubliners and Ulysses0
Memory and counter-memory in contemporary Irish historical fictions: Lia Mills’Fallen(2015), Mary Morrissy’sThe Rising of Bella Casey(2016) and Emma Donoghue’sThe Pull of the Stars0
The Dark: a critical edition0
Irish dance and identity politics on TikTok0
Revisiting Brian Friel’s Translations through the lens of stage director Caitríona McLaughlin0
A woman’s place? Challenging values in 1960s Irish women’s magazines0
The Irish Jacobite army0
Conflict, diaspora, and empire: Irish nationalism in Britain, 1912–19220
Irish Theatre: Interrogating intersecting inequalities0
Objet petits pois : peas, domestics, and modernity in “Two Gallants”0
Cultures of care: the art of growing plants together0
Sounds Irish, acts global: explaining the success of Ireland’s popular music industry0
Beyond the stereotype: educational underachievement in the Controlled sector in Northern Ireland0
Staging the agallamh: the influence of poetic dialogues on plays and performances in the Revival0
Hardy peasants, passive landlords: translating difference into agrarian capitalism0
The pastoral mode and uncanny intimacy: an ecocritical reading of Buile Suibhne0
Vulnerability, care, and relational ethics in contemporary Irish culture: an introduction0
Irish artisans and radical politics, 1776–1820: apprenticeship to revolution0
Space and Irish lesbian fiction: towards a queer liminality0
The British and Anglo-Irish thing-essay from 1701 to 2021: of broomsticks and doughnuts0
Soccer and society in Dublin: a history of association football in Ireland’s capital0
Irish English and Irish Studies: exploring language use and identity through fictional constructions of laddism0
Signifying Irish celebrity in a “white jacket” and a “thick accent”: reading Barry Keoghan’s heterogenous stardom0
On docile bodies: silence, control and surveillance as self-imposed disciplines in Anna Burns’ Milkman0
Narrating Irish female development, 1916–20180
“I think we all just got a bit too proud of ourselves too soon”: heteronormativity, whiteness, and Far-Right extremism in Caroline O’Donoghue’s All Our Hidden Gifts tril0
Dublin – a writer’s city0
Douglas Hyde: Irish ideology and international impact0
Resonant and regular: silence in Derek Mahon’s later poetry and prose0
Contemporary Irish poetry and the climate crisis0
Unfeminine women and angry men: the Irish Post Office in 1902–19180
The Siege of Londonderry The Siege of Londonderry , by Piers Wauchope, Dublin, Four Courts Press, 2022, xvi + 276 pp., €45.00 (hardback), ISBN 97818015106220
“Not with a bang but a whimper”: uncovering pandemic strains in Flann O’Brien’s later works0
Exploring decolonial spaces in Irish-Language youth literature0
The “Irish question” and the National Front: the challenge of British loyalism during the early Troubles, 1969–750
The relational ethics of alterity in contemporary Ireland: Kevin Curran’s Youth0
Writing Resistance in Northern Ireland0
Finnegans Wake – human and nonhuman histories0
Imperial translators: Hiberno-Spaniards, the Bourbon reforms and political economy0
“A thing breaks beyond naming”: a review article on David Lloyd’s 2022 books, Counterpoetics of Modernity and The Harm Fields Counterpo0
Oscar Wilde, James Joyce and the Language of music0
Dis-orienting Orientalism in contemporary Irish writing: Yan Ge’s Irish short stories0
”Something that I read in a book”: W. B. Yeats’s Annotations at the National Library of Ireland. Vol. II: Yeats Writings0
“The camera got through safely”: photography and women’s memory activism after the Irish Civil War and Spanish Civil War0
The rise of the phoenix: restoration and renaissance in contemporary Irish writing0
Writing work: a conversation with Caitríona Lally0
Reading Rites: books, writing and other things that matter0
Poetry and plantation in early modern Ireland: Speed to Swift0
“The First National Museum”: Dublin’s Natural History Museum in the mid-nineteenth century0
Introduction: women writing work0
Beyond Hofstede: intercultural similarities in socio-legal attitudes between Ireland and China0
Theatre and archival memory: Irish drama and marginalised histories 1951–19770
Land and liberalism: Henry George and the Irish Land War0
Éirinn & Iran go Brách: Iran in Irish-nationalist historical, literary, cultural, and political imaginations from the late 18th century to 19210
“An gnáthléitheoir?”: representation, diversity and inclusion in Irish-language young adult and teen fiction0
Rabindranath Tagore and James Henry Cousins: a conversation in letters, 1915–19400
Irish Studies in the second-level school curriculum in Ireland 1973–1977: a missed opportunity for the development of an inclusive notion of Irish identity0
Lost and found in the archives: Hannah Lynch and Dimitrios Vikélas Dublin, Athens, Paris: literary crossings and collaborations0
The representation of the refugee experience in Jane Mitchell’s Run For Your Life and ‘There and Here’0
British intelligence and the Fenians, 1855–18800
Irish Repertory Theatre: celebrating thirty-five years Off-Broadway0
Canadian spy story: Irish revolutionaries and the secret police Canadian spy story: Irish revolutionaries and the secret police , by David A. Wilson, Montreal & King0
“Acting on apartheid in a way that is consonant with the Irish people’s love of freedom”: anti-apartheid activism in Ireland, 1959–19940
The work of representation and representations of work: the feminist experimental poetries of Catherine Walsh and Ellen Dillon0
Flann O’Brien: acting out0
The formation of a writer: an interview with Elaine Feeney0
Ageing masculinities in Irish literature and visual culture0
Medieval Dublin XX0
The Catholic Church and investor capitalism in late-nineteenth century Ireland0
The battle to control female fertility in modern Ireland0
Community nostalgia and transgenerational trauma: reconciling dichotomies from women’s oral history of West Belfast, 1975–1995 *0
“You are not to be cut off from Ireland:” Bram Stoker’s continuing relations with Edward Dowden0
“Blurring the main story”: news in the work of Ciaran Carson0
Northern Ireland a generation after Good Friday: lost futures and new horizons in the “long peace”0
Painting over the Troubles: street art, class, and re-imaging Belfast0
H Blocks: an architecture of the conflict in and about Northern Ireland0
Vulnerability and the child in the Anthropocene: David Wheatley's Child Ballad (2023)0
“A call for women to be up and doing:” nationalism and suffrage in the work of Mary E.L. Butler0
Legible affect and physical perspective-taking: promoting critical literacy about migration with Marie-Louise Fitzpatrick’s wordless picturebook, Owl Bat Bat Owl0
Erica Van Horn’s creative exercises0
The Irish Revival: a complex vision0
Neil Jordan: works for the page0
Dancing enriched whiteness: race and gender in commercial Irish dance performance fromRiverdanceto the Trump Inaugural Ball0
Community, nationalism and folklore collection: a comparison of W.B. Yeats’s The Celtic Twilight and Oein DeBhairduin’s Why the mo0
The Irish media and the foundation of the Irish State on 6 December 19220
Female gothics and the traumatic legacy of Ireland’s revolutionary years: Rosamond Jacob’s The Troubled House and Dorothy Macardle’s The Uninvited0
The new Joyce studies0
Expository Irishness, Garron Noone, and the politics of Irish differentiation in the 2020s0
“On the edge of foreign”: race and (non-)belonging in contemporary Irish crime fiction0
“To all the brown kids, queer kids, fat kids”: exploring intersectionality in South-Asian-Irish young adult fiction through Adiba Jaigirdar’s contemporary novels0
Ireland, slavery and the Caribbean: interdisciplinary perspectives0
The Irish expatriate novel in late capitalist globalization0
Becoming an Irish traditional musician: learning and embodying musical culture0
Getting to Good Friday: Literature and the Peace Process in Northern Ireland0
Seamus Heaney, Virgil and the good of poetry0
“She is finally home”: feminist storytelling, family imaginaries and transnational solidarity in Irish abortion activism0
Rereading the Rising: towards an understanding of the influence of “Easter 1916” on contemporary Ireland0
“The age-old struggle”: Irish republicanism from the battle of the Bogside to the Belfast agreement, 1969–19980
“‘A story is a living thing’: a conversation with Oein DeBhairduin about the importance of Irish Traveller voices and authentic representation”0
“Love is a tide”: an interview with Anne Enright0
Mere Bagatelles: women’s diaries from Ireland, 1760–18100
Two exponents of observational comedy and the stage Irishman in nineteenth-century Irish theatre: Denis Leonard and Patrick Frederick Gallaher0
Austerity and Irish women’s writing and culture, 1980–20200
A history of Irish literature and the environment A history of Irish literature and the environment , edited by Malcolm Sen, Cambridge, Cambridge University Press, 2022,0
Oona : a conversation with Alice Lyons0
Even better than the real thing: a conceptual history of the “Celtic Phoenix”0
The Edinburgh companion to W. B. Yeats and the arts0
Re-staging the 1916 Rising: Eugene McCabe’sPull Down a Horseman(1966)0
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