International Journal of Cultural Policy

Papers
(The TQCC of International Journal of Cultural Policy is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Moving towards an integrated approach to fight against illicit trafficking of cultural heritage for the Chinese Mainland, Hong Kong and Macao36
Cultural participation as a human right: holding nation states to account26
Bridging the ‘sport/culture silo’: the Eurovision Song Contest and its lessons for sporting and cultural mega-events18
‘The more it changes’: state scripting, local mediation, and civic voices in the transformation of China’s disaster memoryscapes17
Changes in the governance of the reading subject: Swedish reading policy, c .1949–198416
Dialogic approach in the EU’s international cultural relations: joint EUNIC-EU delegation projects as heritage diplomacy15
Creative hubs: an anomaly in cultural policy?15
Global arts world and the worlding of Wynwood, Miami, Florida15
How culture became digital: editor’s introduction14
Folk soft power in nation-state building: the political use of folk culture in post-Mao China14
Global creative ecosystems. A Critical Understanding of Sustainable Creative and Cultural Production14
From a contracted market to an expanding horizon: an analysis of Indonesia’s film production chain and accessibility13
Colony: culture, people and wildlife extraction as faces of the same medal. The case of ‘Cameroon’ (1884–1916)12
Public deliberation and the justification of public service media12
‘Contact zones’ of heritage diplomacy: transformations of museums in the (post)pandemic reality12
Art-oriented reconstruction movement and governance in rural China: illustrated by cases in Guangdong Province12
Mainstreaming heritages: abstract heritage values as strategic resources in EU external relations11
Developing a sense of place. The role of the arts in regenerating communities11
“Do not forget your pain”: identities, affect and emotions in Russian and EU cultural diplomacy in Armenia11
Perceptions of e-lending in Scandinavian libraries: tension and harmony between institutional logics11
Doing screen diversity in Australia: a review of existing policy approaches10
The political ideology underlying Israel’s national cultural heritage policy10
Platformisation and precarity: the restructuring of creative labour in South Korea’s webtoon industry10
Tolerants versus traditionalists: making sense of online conversations on the new Finnish flagship library Oodi10
Social enterprises in culture and the arts: institutional trajectories of hybridisation in the Portuguese changing cultural mix9
Canadian cultural policy in transition9
Towards a sustainable cultural diplomacy9
UK Music before and after Covid-198
Rethinking ‘collective effervescence,’ post-COVID-19: what Japanese punks can teach us about crowd control8
‘Are you being served?’ Public service media: audience conceptions of value in UK critical media infrastructure8
Conceptualising K-pop as cultural heritage and content: institutionalisation within South Korea’s cultural policy framework8
Supporting regional music production clusters in the post-pandemic era: placing business support at the heart of local cultural policy8
The public library as a political symbol: a post-political reading of the demise of the consensus-model in Swedish cultural policy8
Late Ottoman Empire reforms: the musical policies of Sultan Mahmud II7
Reel politics: political ecology and cinematic geography in the Massachusetts film industry7
Cuban representation at the Biennial of Graphic Arts and non-aligned cultural policy7
Culture, participation and policy in the municipal public park7
Embedding the protection of cultural heritage into a security agenda: China’s and Russia’s heritage diplomacy7
Africa’s soft power. Philosophies, political values, foreign policies and cultural exports6
Cultural policy beyond economy: democratising access to the arts through cultural policy in Singapore6
Participation and cultural heritage management in Norway. Who, when, and how people participate6
Analogue and digital future imaginaries in an accelerated society: Norway’s national library digitalisation programme and the future library artwork6
Cultural heritage in modern conflict: past, propaganda, parade6
European Networks and Cultural Governance. How Culture Makes Policy6
AI, a wicked problem for cultural policy? Pre-empting controversy and the crisis of cultural participation6
Risky business: policy legacy and gender inequality in Australian opera production6
Negotiating between national and local policy on participation: local authority arts offices in Ireland6
Les Belles étrangères (1987–2010): cultural policy and France’s literary cultural diplomacy6
Pandemic cultural policy. A comparative perspective on Covid-19 measures and their effect on cultural policies in Europe6
Is ‘Revive’ a ‘game changer’ or more of the same? Whose needs are addressed in Australia’s new cultural policy and what will change?5
Tracing the Atom. Nuclear Legacies in Russia and Central Asia5
The role of experience and reputation in the performance of Australian films5
Culture–tourism entanglements: moving from grassroots practices to regenerative cultural policies in smaller communities5
Mirror, mirror on the wall, do I want to know at all? A story about cultural organizations that conduct research on themselves and those that do not5
The moral economy of the cultural sector5
Left off the circuit: the impact of shrinking live music tours on cities5
Digital transformation and cultural policies in Europe5
Cultural governance: Current and future European perspectives4
The legal boundaries of creativity: exploring how China’s copyright law regulates AI-generated content in video game development4
EU heritage diplomacy: entangled external and internal cultural relations4
What price culture? – a taxonomy of the admission pricing policy at museums4
Cultural policy on the move: between the paradigmatic and the pragmatic4
Things, practices & policies: relationality and the early stages of the international promotion of Dutch design, 1920s–1970s4
Mediations of cultural policymaking during COVID-19: British newspaper reporting of the Culture Recovery Fund4
‘Constructing’ heritage diplomacy in Central Asia: China’s Sinocentric historicisation of transnational World Heritage Sites4
The last paradise for creative workers? The case of Shueisha and Weekly Shōnen Jump4
Finally, beyond status quo? Analysis of steps taken to improve gender equality in the European audiovisual sector in light of the #MeToo movement4
Multilingualism, diversity, and performing arts. A home for Spanish language theatre in post-Brexit gentrified London4
When the whole-nation system meets cultural heritage in China4
Cultural policy and the politics of display. The establishment of the opera house in Oslo4
Netflix’ Spain: critical perspectives3
Cultural policies in turbulent times3
Centring the audience: attitudes and behaviours in Australian arts organisations3
Challenging the Nordic model? The cultural policies of populist parties in Finland and Sweden3
Regulating female embodiment as disciplining citizens: the biopolitics of Islamic governance in Iran and Afghanistan3
Protecting the classics in Swedish copyright law: intellectual property as a cultural policy tool3
Designing cultural diplomacy policy: structuring a flagship mechanism3
Nativist nationalism, cultural homogenisation and bullfighting: VOX’s cultural policy as an instrument for cultural battle (2019–2023)3
The hybridisation of public libraries: a comparative study between Helsinki, Oslo and Stockholm3
Cultural policies of populist governments in central and Eastern Europe: a comparative review3
Reframing instrumentality: from New Public Management to New Public Governance3
Rethinking the contribution of creative economies in Africa to sustainable development. An empirical research of creative intermediaries in Accra’s contemporary art sector3
Between distinction and ‘common prosperity’: how Chinese designers navigate Shanzhai and China’s intellectual property policy3
The Berardo Collection Museum of modern and contemporary art: lessons from a failed public-private partnership (2007–2022)3
Not just Kangaroos and Koalas: evaluating the operation and outcomes of Australian local content regulation on pay-TV3
Geopolitical dimensions of the National Museum of China: strategic narratives and the construction of socialist citizenship (1949–1981)3
Invisible cultural policy in America3
From standardising cultural data to coordinating data cultures: the history and politics of digital heritage aggregation in Australia3
Possibilities for reconciliation in heterotopic spaces of Australian frontier massacre3
Between strong and weak copyright: their impacts on the Korean music industry3
Enabling as the anchor for regenerative cultural policy3
Multinormativity of a place: the ‘meaning system’ of Ordam Mazar and its relevance as ‘global cultural heritage’*3
Regenerative cultural policy: sustainable development, cultural relations, and social learning3
The development of Ukrainian cultural policy in the context of Russian hybrid aggression against Ukraine3
Funding art in post-conflict society: a ‘peace dividend’?3
Green’s the word. Cultural policies and the ecological turn3
Subsidizing ‘musiques actuelles’ in French-speaking Switzerland: mapping policy instruments and local arrangements3
Religion in the cultural and political discourse of the Council of Europe3
Digital heritage infrastructures as cultural policy instruments: Europeana and the enactment of European citizenship3
The Bolsonaro effect on audiovisual promotion policy in Brazil3
Cultural democracy now. What it means and why we need it3
Video-on-demand affordability: the cultural costs of unequal access to online film and television3
The (Un)protected memory of modern architecture in Turkey: conservation debates on the archaeological museums through the modern architectural heritage3
Digital cultural policy. The story of a slow and reluctant revolution3
The unsung: examining how contracts affect session musicians’ remuneration in Australia3
Acting on cultural policy: arts practitioners, policy-making and civil society3
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