International Journal of Cultural Policy

Papers
(The TQCC of International Journal of Cultural Policy is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-07-01 to 2025-07-01.)
ArticleCitations
Moving towards an integrated approach to fight against illicit trafficking of cultural heritage for the Chinese Mainland, Hong Kong and Macao30
Bridging the ‘sport/culture silo’: the Eurovision Song Contest and its lessons for sporting and cultural mega-events25
Creative hubs: an anomaly in cultural policy?23
Changes in the governance of the reading subject: Swedish reading policy, c .1949–198415
Cultural participation as a human right: holding nation states to account14
Global arts world and the worlding of Wynwood, Miami, Florida13
Dialogic approach in the EU’s international cultural relations: joint EUNIC-EU delegation projects as heritage diplomacy13
Developing a sense of place. The role of the arts in regenerating communities13
Global creative ecosystems. A Critical Understanding of Sustainable Creative and Cultural Production12
“Do not forget your pain”: identities, affect and emotions in Russian and EU cultural diplomacy in Armenia12
Mainstreaming heritages: abstract heritage values as strategic resources in EU external relations11
How culture became digital: editor’s introduction11
From a contracted market to an expanding horizon: an analysis of Indonesia’s film production chain and accessibility11
They expand their own language; God bless them: positions of Iranian cultural activists on English in Iran10
Art-oriented reconstruction movement and governance in rural China: illustrated by cases in Guangdong Province9
Folk soft power in nation-state building: the political use of folk culture in post-Mao China9
‘Contact zones’ of heritage diplomacy: transformations of museums in the (post)pandemic reality9
Perceptions of e-lending in Scandinavian libraries: tension and harmony between institutional logics8
Creativity and the curriculum: educational apartheid in 21st Century England, a European outlier?8
Public deliberation and the justification of public service media8
Culture is bad for you: inequality in the cultural and creative industries7
UK Music before and after Covid-197
Tolerants versus traditionalists: making sense of online conversations on the new Finnish flagship library Oodi7
The balancing act of minority cultural identity expression policy: palestinian cultural struggles at the Israeli local government level7
Supporting regional music production clusters in the post-pandemic era: placing business support at the heart of local cultural policy7
‘Are you being served?’ Public service media: audience conceptions of value in UK critical media infrastructure7
Cultural equality and policy in Taiwan: the case studies on children/adolescents and the people with disabilities7
Social enterprises in culture and the arts: institutional trajectories of hybridisation in the Portuguese changing cultural mix7
The political ideology underlying Israel’s national cultural heritage policy7
Canadian cultural policy in transition7
Towards a sustainable cultural diplomacy7
Rethinking ‘collective effervescence,’ post-COVID-19: what Japanese punks can teach us about crowd control6
Cuban representation at the Biennial of Graphic Arts and non-aligned cultural policy6
Red creative: culture and modernity in China6
From copycat to copyright: intellectual property amendments and the development of Chinese online video industries6
Cultural policy beyond economy: democratising access to the arts through cultural policy in Singapore6
Pandemic cultural policy. A comparative perspective on Covid-19 measures and their effect on cultural policies in Europe6
South Korea’s intangible cultural heritage claims and China’s ontological security6
Late Ottoman Empire reforms: the musical policies of Sultan Mahmud II6
Effective cultural policy in the 21stcentury: challenges and strategies from Australian television6
Risky business: policy legacy and gender inequality in Australian opera production6
AI, a wicked problem for cultural policy? Pre-empting controversy and the crisis of cultural participation6
The public library as a political symbol: a post-political reading of the demise of the consensus-model in Swedish cultural policy6
Culture, participation and policy in the municipal public park6
Africa’s soft power. Philosophies, political values, foreign policies and cultural exports5
The moral economy of the cultural sector5
Culture–tourism entanglements: moving from grassroots practices to regenerative cultural policies in smaller communities5
Participation and cultural heritage management in Norway. Who, when, and how people participate5
Left off the circuit: the impact of shrinking live music tours on cities5
Cultural values in political economy5
Digital cultural politics: from policy to practice5
Mirror, mirror on the wall, do I want to know at all? A story about cultural organizations that conduct research on themselves and those that do not5
Is ‘Revive’ a ‘game changer’ or more of the same? Whose needs are addressed in Australia’s new cultural policy and what will change?5
Cultural heritage in modern conflict: past, propaganda, parade5
Negotiating between national and local policy on participation: local authority arts offices in Ireland5
Tracing the Atom. Nuclear Legacies in Russia and Central Asia5
Finally, beyond status quo? Analysis of steps taken to improve gender equality in the European audiovisual sector in light of the #MeToo movement4
The last paradise for creative workers? The case of Shueisha and Weekly Shōnen Jump4
Mediations of cultural policymaking during COVID-19: British newspaper reporting of the Culture Recovery Fund4
The role of experience and reputation in the performance of Australian films4
Cultural policy and the politics of display. The establishment of the opera house in Oslo4
National disability strategies as rights-based cultural policy tools4
Cultural policy on the move: between the paradigmatic and the pragmatic4
Cultural diversity and cultural trade: theory and an application to the motion picture industry4
Cultural governance: Current and future European perspectives4
The development of Ukrainian cultural policy in the context of Russian hybrid aggression against Ukraine3
Geopolitical dimensions of the National Museum of China: strategic narratives and the construction of socialist citizenship (1949–1981)3
Between strong and weak copyright: their impacts on the Korean music industry3
Things, practices & policies: relationality and the early stages of the international promotion of Dutch design, 1920s–1970s3
When the whole-nation system meets cultural heritage in China3
Multilingualism, diversity, and performing arts. A home for Spanish language theatre in post-Brexit gentrified London3
From standardising cultural data to coordinating data cultures: the history and politics of digital heritage aggregation in Australia3
Rethinking the contribution of creative economies in Africa to sustainable development. An empirical research of creative intermediaries in Accra’s contemporary art sector3
What price culture? – a taxonomy of the admission pricing policy at museums3
‘Constructing’ heritage diplomacy in Central Asia: China’s Sinocentric historicisation of transnational World Heritage Sites3
Cultural democracy now. What it means and why we need it3
The justice of visual art. Creative state-building in times of political transition (Series: law in context)3
The Bolsonaro effect on audiovisual promotion policy in Brazil3
Protecting the classics in Swedish copyright law: intellectual property as a cultural policy tool3
EU heritage diplomacy: entangled external and internal cultural relations3
Cross-cultural collaboration and cultural production within China’s public museums: examining the challenges and practices guiding administration3
China’s ‘new cultural diplomacy’ in international broadcasting: branding the nation through CGTN Documentary3
Designing cultural diplomacy policy: structuring a flagship mechanism3
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