Musicae Scientiae

Papers
(The TQCC of Musicae Scientiae is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Auditory and visual mental imagery in musicians and non-musicians32
Individual differences in music-evoked autobiographical memories16
The effects of active music interventions on cognitive function and neuropsychiatric symptoms in patients with dementia: A systematic review and meta-analysis15
Effects of mobile music listening: Patterns of changes in focus of attention, environmental perception, and self-experience15
Music performance anxiety in Portuguese higher education: Contextual factors, perceptions, and strategies14
Identity processes and musicians during the COVID-19 pandemic13
The influences of familiarity and key on pitch accuracy in singing13
The protean music career as a sociopolitical orientation: The mutually integrated, non-hierarchical work values of socially engaged musicians11
The effect of lessons in the Alexander Technique on pianists’ posture during performance11
Interactive effects of presentation mode and pitch register on simultaneous consonance11
Is music a drug? How music listening may trigger neurochemical responses in the brain10
Live music in the ICU: A qualitative study of music students’ perspectives8
Life satisfaction and adolescent music making: A comparison of youth choirs and bands in Spain8
Thanks to reviewers7
The function of timbre in the perception of affective intentions: Effect of enculturation in different musical traditions7
Measuring the immersive music listening experience: Convergence of online and laboratory data7
Characterizing music for sleep: A comparison of Spotify playlists7
Replication of the music preference (MUSIC) model and evaluation of its association with personality and autistic traits6
Book Review: Mine Doğantan-Dack (Ed.), Rethinking the musical instrument6
Mapping the cultural elements that support and inhibit music teachers’ sociomusical identities in Chile6
Psychometric evaluation of the Involuntary Musical Imagery Scale (IMIS) in a South African sample5
Validation of the abbreviated version of the Profile of Musical Perception Skills (Mini-PROMS) in a Spanish sample of musicians and non-musicians5
Exploring the nature of music-evoked autobiographical memories in healthy aging: A mixed-methods study5
Psychological counseling services in music schools in Poland: History and current status5
Music listening as emotion regulation: Associations with other emotion regulation strategies and symptoms of depression and anxiety4
Relationships between perceived parenting styles and the self-regulated music practice of Chinese music majors4
Evaluating how facets of openness to experience predict music preference4
Validation of the Musical Identity Measure: Exploring musical identity as a variable across multiple types of musicians4
Always liminal, always learning: Why community learning is needed, and how to start4
Performance profiling: A systematic approach to the enhancement of music practice and peak performance4
Sharing uncertainty: Music in humanistic and scientific understandings3
Book Review: Raymond A. R. MacDonald and Graeme B. Wilson. The art of becoming: How group improvisation works3
Music-related emotions: Attributions and arousal of adolescents with and without borderline personality disorder traits3
Preliminary evaluation of music-based emotion-regulation skills to augment CBT for adolescents with ADHD3
The experiential salience of music in identity for singing teachers3
Mechanisms of absolute pitch: II. Pitch shift and perfect touch3
A new method of exploring affect dynamics in music: A psychometric model based on stochastic processes3
Wavescapes: A visual hierarchical analysis of tonality using the discrete Fourier transform3
Anticipating the main theme: A model for understanding prospective memory and reward learning in sonata-form listening3
Going online: Successes and challenges in delivering group music instrument and aural learning for older adult novices during the COVID-19 pandemic3
Please unmute your microphone: Comparing the effectiveness of remote versus in-person percussion training3
Configurations of hope at the Afghanistan National Institute of Music3
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