Musicae Scientiae

Papers
(The TQCC of Musicae Scientiae is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Auditory and visual mental imagery in musicians and non-musicians36
Individual differences in music-evoked autobiographical memories19
Effects of mobile music listening: Patterns of changes in focus of attention, environmental perception, and self-experience18
Examining the CRAFT program’s impact on student musicians’ well-being compared to controls17
Music performance anxiety in Portuguese higher education: Contextual factors, perceptions, and strategies15
The effects of active music interventions on cognitive function and neuropsychiatric symptoms in patients with dementia: A systematic review and meta-analysis15
The protean music career as a sociopolitical orientation: The mutually integrated, non-hierarchical work values of socially engaged musicians14
The influences of familiarity and key on pitch accuracy in singing14
The effect of lessons in the Alexander Technique on pianists’ posture during performance11
Identity processes and musicians during the COVID-19 pandemic11
Interactive effects of presentation mode and pitch register on simultaneous consonance9
Measuring the immersive music listening experience: Convergence of online and laboratory data8
Is music a drug? How music listening may trigger neurochemical responses in the brain8
Life satisfaction and adolescent music making: A comparison of youth choirs and bands in Spain8
Live music in the ICU: A qualitative study of music students’ perspectives8
Characterizing music for sleep: A comparison of Spotify playlists7
Thanks to reviewers7
Book Review: Mine Doğantan-Dack (Ed.), Rethinking the musical instrument6
The function of timbre in the perception of affective intentions: Effect of enculturation in different musical traditions6
Replication of the music preference (MUSIC) model and evaluation of its association with personality and autistic traits6
Mapping the cultural elements that support and inhibit music teachers’ sociomusical identities in Chile6
Relationships between perceived parenting styles and the self-regulated music practice of Chinese music majors5
Psychological counseling services in music schools in Poland: History and current status5
Validation of the Musical Identity Measure: Exploring musical identity as a variable across multiple types of musicians5
Performance profiling: A systematic approach to the enhancement of music practice and peak performance5
Validation of the abbreviated version of the Profile of Musical Perception Skills (Mini-PROMS) in a Spanish sample of musicians and non-musicians5
Always liminal, always learning: Why community learning is needed, and how to start5
Exploring the nature of music-evoked autobiographical memories in healthy aging: A mixed-methods study5
Sharing uncertainty: Music in humanistic and scientific understandings4
Evaluating how facets of openness to experience predict music preference4
Wavescapes: A visual hierarchical analysis of tonality using the discrete Fourier transform4
Book Review: Raymond A. R. MacDonald and Graeme B. Wilson. The art of becoming: How group improvisation works4
Preliminary evaluation of music-based emotion-regulation skills to augment CBT for adolescents with ADHD4
A new method of exploring affect dynamics in music: A psychometric model based on stochastic processes3
Music-related emotions: Attributions and arousal of adolescents with and without borderline personality disorder traits3
Going online: Successes and challenges in delivering group music instrument and aural learning for older adult novices during the COVID-19 pandemic3
Please unmute your microphone: Comparing the effectiveness of remote versus in-person percussion training3
Music listening as emotion regulation: Associations with other emotion regulation strategies and symptoms of depression and anxiety3
Mechanisms of absolute pitch: II. Pitch shift and perfect touch3
Editorial3
How secure memorization promotes expression: A longitudinal case study of performing Chopin’s Barcarolle, Op. 603
Anticipating the main theme: A model for understanding prospective memory and reward learning in sonata-form listening3
The experiential salience of music in identity for singing teachers3
Passion, music, and psychological well-being3
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