Continuum-Journal of Media & Cultural Studies

Article	Citations
Seven Versions of an Australian Badland and two films: Jindabyne and The Drover’s Wife: The Legend of M	46
Community as the material basis of creative citizenship in Taiwan and Hong Kong	21
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)	17
Anime’s Knowledge Cultures: Geek, Otaku, Zhai	12
Correction	12
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’	11
A state against boys’ love? Reviewing the trajectory of censorship over danmei	10
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’	9
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media	8
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson	8
The politics and infrastructures of affect in the ‘battle’: making responsible bodies in the early COVID-19 pandemic	7
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic	6
Bronze and scarlet: the material culture of commemoration	6
Guilt and migrant experience in Australia: narratives of happiness and hatred	6
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan	6
Soft infrastructural visibility and the rhythms of queer media in Hong Kong	6
“An active and generative process”: encountering death with Ross Gibson	5
‘Orlando in Oxbridge’ (for Virginia Woolf)	5
Youth arts as popular education: Cultural Studies at the edges of the creative industries	5
When I grow up, I want to be nothing at all : opacity, friction, refusal, and third-wave emo performances of nonbinary	5
Fatalist attraction: structure of feeling in great recession fiction	4
Terror: live	4
Dreaming Down the Track: Awakenings in Aboriginal Cinema	4
Restricting young people from digital platforms in Australia: the experience of digital harms and freedom of expression in community support for youth social media age bans	4
‘Pioneers of culture’: Australian natural history and the German colonial imaginary	4

Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’	4
The ethics of welcome in place: LGBTQ+ migrants to South Australia	4
Algorithms, affordances and the ambiguity of credit on TikTok	4
“End your weekend”: populism, identity, and the politics of energy transition assemblages in Australia	4
Precarious love of eSports players in China: work-and-play amidst love and precarity	4
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand	4
Sport has never been binary: fragments of a provocation	4
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok	3
Nonbinary and the limits of gender-affirming medical care: towards gender-negative care	3
Ancestors on motorbikes: cosmic rays bring retribution	3
Longing and belonging: narratives by two Asian North American auto-graphic artists	3
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness	3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum	3
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries	3
Correction	3
Jack Johnson’s quiet activism	3
The diaspora queers back: reflections on rebetology and zine-making	3
‘Every memory-soaked element in this lively landscape’: Ross Gibson’s fictive speculations	3
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED	3
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures	3
Charger rage, digital vigilantism, and the cultural politics of EV infrastructure	3
Account-sharing programme: beyond piracy streaming platforms in Indonesia	3
The ‘poietic’ turn: creative arts research in the academy	2
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk	2
Asian celebrity cultures in the digital age	2
LGBTQA+ allies and activism: past, present and future perspectives	2
Animal activism on and off screen	2
Single mothers as ‘imperfect-resilient’ subjects and their entrepreneurial narratives on TikTok	2
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme	2
Field recordings as invitation and transportation	2
Beyond the spectacle: everyday witnessing for we that are here	2
Wet dreams: eco-subjectivity, mineral washing, and the cultural politics of electric mobility	2
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan	2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II	2
Transforming the ‘tart with the cart’: re-imagining the statue of Molly Malone in Ireland’s cultural memory	2
TikTok’s tools: The politics of platform tools for cultural production	2
A moving view: an introduction to Our Sentimental Natures	2
Digital mediascapes and cultural transformation: youth identity formation in Tunisia’s post-revolutionary digital sphere	2
Shaping old media on new media: vinyl revival and its representation on Chinese social media	2
After mass media: storytelling for microaudiences in the twenty-first century	2
Between the superhero and the supercrip: Deaf Gain, exceptionalism and normality in contemporary film and television	2
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers	2
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation	2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses	2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder	2
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art	2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film	2
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China	2
XR support in the frame: the creative extended reality ecosystem in Australia	2
Special issue introduction: reflecting on TikTok creators and digital economies	2

Indonesian critiques of the new musical system	2
Searching for belonging in exile: rohingya refugees, religion and media narratives	1
Correction	1
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom	1
Correction	1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)	1
Precarious encounters: queer politics and dispossessed straight men on a Chinese online forum	1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history	1
Commercializing desire for platform economics: digital romance in China’s platformization age	1
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada	1
Everybody’s crisis? Critiques and limitations of humanitarian mapping during COVID-19	1
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees	1
Migration and immigration in Europe and its edges	1
Towards ethics of care: exploring eco-identities of men in Life of Pi and Sherdil	1
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood	1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site	1
‘What awaits us’: the life-worlds of post-war migration	1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction	1
Print, power, and modernity: the political economy of newspapers in Afghanistan before 1979	1
Sounding otherwise: sensory politics and platform resistance in Chinese blind podcasting	1
Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea	1
Cult baby: I am monster	1
Introduction to the Ross Gibson memorial issue	1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia	1
Between commodification and politicization: the social invention of Bella Ciao	1
Fringe to famous	1
Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse	1
“The algorithm loves the war”: ambivalent visibility in content creator practices during war	1
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism	1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)	1
Celebrating 30 years of the CSAA	1
Culture in practice	1
The viral turn: rethinking virality in the creator economy on TikTok	1
A streaming generation? Interrogating assumptions about young-adult audiences, content discovery, and engagement with broadcast television	1
Self-presentation of grey-haired influencers on TikTok: active ageing in China	1
Assaying landscape, sensation and knowledge in Ross Gibson’s academic essays	1
Conspiracy Theories in the Time of Covid-19	1
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media	1
#Runningupthathill, revival and popular music fandom on TikTok	1
(Un)happy objects in the South Korean plastic surgery reality television Let Me In (2011–2015) and the Escape the Corset Movement	1
Transnational suburbia: suburban settings in Australian video games	1
Film as ‘prosthetic memory’: Chinese mainland audiences’ reconstruction of historical memory through the Taiwanese film “ A City of Sadness ”	1
The practices of care: extinction and de-colonization in the natural history museum	1
Climate nags: Affect and the convergence of global risk in online networks	1
Trans-sono-spatial: toward a nonbinary ontology of embodiment, sound, and space	1
Birth Family Search (Part 1)	1
Market miracle and national image: government promotion and nationalist transformation in Black Myth: Wukong and Nezha 2	1
Modernity and indigeneity: Australian self-representation at the Osaka expositions of 1970 and 2025	1
Nonbinary on screen (on stolen Land): reading television representations for the colonial project of gender	1
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling	1
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram	1
This non-binary body as protest	1
Co-creating stories for social innovation: a dialogic reflection of narrative Futuring and Cinema del Pueblo	1
Imagining utopian futures in the present using nonbinary self-portraiture	1
Race and the suburbs in American film	0
How does the Chinese smartphone brand attract new filmmakers to make films with their phones?	0
Introduction: mapping the music and video streaming landscape and its disruptions in Southeast Asia	0
Beyond parasocial relationships: fictoromance in the post-subculture of Chinese women	0
The production of girls’ love narrative in Couple of Mirrors (2021) through transmedia storytelling in contemporary China	0
Communities, connections, and careers: building personal and professional networks through community media work	0
Figuring it out: ‘confusing’ non-binary gender in Runaways and The Order of the Stick	0
Keep it locked (down): how Melbourne’s community radio stations performed scene functions in the context of the coronavirus pandemic	0
High voltage short forms: a reflection on Ross Gibson’s path	0
‘One Hundred Thousand Small Tales’: autoethnographic encounters with visual art and memory	0
Handshakes and hashtags: how changing social interactions make us feel awkward	0
Indie porn: revolution, regulation, and resistance	0
Archives and autographics: reanimating diaspora in the Transpacific	0
Cyborg : a book review	0
Fight for the Wild: emotion and place in conservation, community formation, and national identity	0
‘Go sharp or go home’: the competitive subcultural practices of historical Australian youth culture known as ‘Sharpies’	0
Holy transmedia! - the many faces of Batman in 1960s Finland	0
The ‘cassette comeback’: debunking a tenacious narrative	0
Biscuit production and consumption as war re-enactment	0
Decolonising at the margins: herri as a model for radical decolonial publishing	0
Nostalgia, adaptation and ethnic reconciliation: narratives of Juancun Mainlanders in the TV drama A Touch of Green	0
On becoming a queer educator: reflections on queer perspectives and approaches in initial teacher education	0
Beyond smell and sensationalism: remixing durian for and by Asians and Asian Canadians in Canada	0
Building a feminist world through memes: semiotic configuration of gender ideology in Chinese feminist memes	0
‘The queer pedagogical encounter: a continuum of futures’, introduction to ‘In Queer Minds’ special issue	0
Southeast Asian shapeshifters in the age of streaming: minor transnationalism, horror and reimagining MUBI in Malaysia	0

International influence on radio and family planning communication in Kenya: an historical assessment	0
Representations of Swedish ‘gangster rap’ in contemporary media – Exploring dimensions of public pedagogy	0
Fear and posting in Nepal: countering spectacles of fear through everyday social media practices	0
Introduction: popular music, revival and renewal: histories, cultures, practices	0
The agonistic imagination: the illiberal and pluralist possibilities of contemporary BrexLit fiction	0
Reading nonbinary capacities in Jean Genet’s Our Lady of the Flowers	0
Between culture and control: Genshin Impact and the evolution of Chinese online nationalism	0
Bodies in flux, cultural studies and the current critical climate	0
Chinese-Australians, media consumption, and the politics of belonging	0
Multiplicity, relationality, and petal avatars: Thatgamecompany’s Flower as an identity model	0
Techno-capitalist colonialism powered by combustion masculinity in the transition to electric utility vehicles: an analysis of Australian car advertising	0
Hong Kong vampire films: anxious imaginings of death and illness	0
Those old sounds of protest: resurgence and transformation of Nueva Canción Chilena in contemporary Chilean protest music	0
An unfulfilled future: digital nostalgia and the affective logic of “golden age” rock for Chinese youth	0
‘I work hard and I’m nice to people’: Taylor Swift, Miss Americana and the limits of white neoliberal feminism	0
Happy Valley	0
Shaping pathways of the Musang King and Black Thorn in the Penang Island durian industry	0
Beyond a queer utopia: interrogating misogyny in transnational boys love media	0
Producing literary taste on social media: distinction and mediatization in the Instagram literary magazine	0
Adapting European heritage: Bernardine Evaristo’s Soul Tourists (2005) and Omar Victor Diop’s Project Diaspora	0
Filipino content creators brokering migration to Australia on TikTok	0
Asylum-seeker emergency and third spaces in the Inspector Montalbano TV series	0
Correction	0
Modifications of R: how the virtual comes to matter in VR, XR and MR art and performance	0
When memes encounter nationalist politics: playful meaning and contestations in Chinese popular culture	0
Countering durian plantationocene visuality and the erasure of natureculture histories in Malaysia	0
Normporn: queer viewers and the TV that soothes us	0
Describing, knotting, tying: developing emerging media documentary in a creative accelerator context	0
The persuasive mask of postfeminism: Claire’s hegemony and sexual politics in House of Cards	0
The everyday experiences of female electric vehicle owners: insights from Western Australia	0
Gender segregation & women’s rights in Muslim societies: de-constructing feminist opposition to spatial boundaries through the lens of feminist documentary film	0
Indigenous futurisms: re-reading contemporary Indigenous climate stories as guidance in the material world	0
Birch/Muecke/Gibson	0
Kylie Minogue as a gay icon: artistic reinvention as coming out, drag aesthetics and the diva	0
“All that from two symbols?!”: an Adolescence roundtable	0
On transience	0
‘Every snowflake is different, and every person is different’: ethical nonbinary futures beyond gender	0
‘Zero dollars and zero cents’: resourcefulness and DIY music scenes in rural and regional South Australia	0
The unpopular (manosphere) men of popular feminism	0
‘Sissy that walk’: the queer kinaesthetics of mobility-through-difference	0
Streaming platform imaginaries: audiences and Southeast Asian streaming	0
‘Why is everyone self-diagnosing with ADHD nowadays?’: the affective economy of ADHD TikTok	0
Revaluing the Eros Collection for Australian cultural histories	0
Year zero of tomorrow’s pasts	0
Australian newspapers in the television age, 1956–2006	0
The two revolutions, a history of the transgender internet	0
Skin in the game: notes on pronouns and nonbinary experience	0
Migrant arrests and deportations on fictional television during the Trump era (2017–2021): from tokenistic storytelling to narrative activism	0
Say No to blue publishing: Yogyakartan indie publishers’ counter hegemony and resistance strategies against major publishers	0
It’s new, it’s revolutionary, and it’s modern: Vietnamese indie music in the age of digital streaming platforms	0
Podcasts and political listening: sound, voice and intimacy in the Joe Rogan Experience	0
Wogs as work: humour as ethnic entrepreneurship and convivial labour	0
Unearthing the code of Gondwana VR	0
Translation of deconstructivism in the Romanian post-communist transition interval	0
Nihonjin after 3.11: the construction of Japaneseness in times of national crisis	0
Australian audience reactions to the ABC’s broadcast of Tales of the City , as seen in the Green Guide letters	0
Gaza speaks through translation: The politics of language on Palestinian social media	0
The New Audience for Old TV: Considering the Resurgent Popularity of The Sopranos	0
Rustic wives to stylish urbanites – discovering female imagery in Chinese comedy sketches	0
The French ideology?	0
Cultural Studies and education: a dialogue of ‘disciplines’?	0
Creative is not always lucrative: how grassroots film communities defy the ‘creativisation of culture’ in post-authoritarian Indonesia	0
Deliberation through contestation: EU investments in cultural and artistic spaces beyond the EU	0
Orange is the New Black face: economies of enjoyment and the formalist killjoy	0
Flipping the heterosexual script: representing girls’ positive sexual health on Netflix	0
Anatomy of a film industry Redux: Notes on the West Australian case (1969–1993)	0
It moves through you – early Chinese Communist radio and the culture of technology	0
Why no friends but the mountains: a new reading of Behrouz Boochani’s memoir in the Kurdish context	0
A post-secular journey	0
Spectacularisation of ‘madness’ and the sugarcoated discourse of care in Indonesian social media: a dispositive analysis	0
Getting research funded: five essential rules for early career researchers	0
Alone together - the affordances of online jazz and improvised music festivals post-pandemic	0
Engendering ethics: recognition and inclusion of intersectional identities in queer communities when conducting population survey research	0
Provocation in women’s filmmaking: authorship and art cinema	0
CSAA 30 th anniversary and Continuum	0
The nonbinary playing field: confusion as participatory affect in contemporary memoir	0
Digital books and the far right	0
Queering primary initial teacher education	0
Asexual nationalism and Indian cinema: A queer reading of nationalistic narrations	0
Book publicists and the labour of cultural intermediation	0
Mapping Shadows of the Bight: a road trip residency	0
How to care about coral rubble: deep sea cameras, cinematic realism, and mourning via mediated encounter	0
Our America: migratory dreams in Pajtim Statovci’s My Cat Yugoslavia and Crossing	0
Introduction: from broken systems towards extended possibilities of XR technologies	0
Noise, ecological crises, and the posthuman sensibility of Michel Serres in Jonathan Glazer’s Under the Skin	0
The digital departed: how we face death, commemorate life, and chase virtual immortality	0
Continuum Acknowledgements 2024	0
Sexualised masculinity: men’s bodies in 21st century media culture	0
'Perfect is boring': the character problem of electric vehicles	0
Gender and popular visual culture in India: ‘Benevolent’ Sexism and Disguised Discrimination	0
Vivacious curation: Ross Gibson on the contemporary museum	0
‘This felt more like a conversation’: challenging gender norms in electronic music production through alternative education programs	0
Ross Gibson’s head_phone_film_poems: music in collaboration	0
Algorithmic postmemory in the age of digital hoarding	0
Climate change and SIDS in the transpacific region: flows of people, capital and goods	0