Continuum-Journal of Media & Cultural Studies

Papers
(The median citation count of Continuum-Journal of Media & Cultural Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-07-01 to 2025-07-01.)
ArticleCitations
Community as the material basis of creative citizenship in Taiwan and Hong Kong29
Correction17
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)16
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’14
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’13
‘I Blame House Hunters ’: How real estate agents use property TV to manage clients and establish expertise12
A state against boys’ love? Reviewing the trajectory of censorship over danmei11
Guilt and migrant experience in Australia: narratives of happiness and hatred10
Youth arts as popular education: Cultural Studies at the edges of the creative industries10
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media10
Producing multiculturalism: casting and editing migrants in Korean reality television9
Lifestyle, opportunity and attraction images: real estate platforms and the digital remediation of space9
Out of thin air: emerging Muslim fashion entrepreneurs and the spectre of labour in Indonesia8
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson8
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand8
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic8
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan8
Algorithms, affordances and the ambiguity of credit on TikTok7
Critical data provenance as a methodology for studying how language conceals data ethics7
Afterword: troubling the dark social7
Fake histories? Original bands, contemporary formations and Little River Band6
Critiquing cultural appropriation, building community: desi online activism on Tumblr shame blogs and #reclaimthebindi6
Terror: live6
Precarious love of eSports players in China: work-and-play amidst love and precarity5
‘Pioneers of culture’: Australian natural history and the German colonial imaginary5
Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making5
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED5
Jack Johnson’s quiet activism5
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries5
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’5
Is there a ‘theory of learning’ for Cultural Studies and is it (still) relevant in an era of surveillance capitalism?5
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok5
Fatalist attraction: structure of feeling in great recession fiction5
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness4
XR support in the frame: the creative extended reality ecosystem in Australia4
Correction4
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures4
Account-sharing programme: beyond piracy streaming platforms in Indonesia4
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme3
Longing and belonging: narratives by two Asian North American auto-graphic artists3
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art3
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum3
Shaping old media on new media: vinyl revival and its representation on Chinese social media3
Failure to thrive: incels, boys and feminism3
Introduction: media and fakery3
The diaspora queers back: reflections on rebetology and zine-making3
Beyond the spectacle: everyday witnessing for we that are here3
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media2
Indonesian critiques of the new musical system2
A moving view: an introduction to Our Sentimental Natures2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II2
Introduction: digital cultures and acts of refusal, secrecy and power across privacy-enhancing technologies2
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers2
Conspiracy Theories in the Time of Covid-192
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses2
Cultural Studies and critical allyship in the settler colonial academe2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film2
LGBTQA+ allies and activism: past, present and future perspectives2
Reconstituting teachers’ professional knowledge: using Cultural Studies to rethink multicultural education2
Feminism and the politics of resilience: essays on gender, media and the end of welfare2
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk2
‘What awaits us’: the life-worlds of post-war migration2
Stranger Things: boys and feminism2
Sex in the time of coronavirus: queer men negotiating biosexual citizenship during the COVID-19 pandemic2
Field recordings as invitation and transportation2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder2
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan2
The ‘poietic’ turn: creative arts research in the academy2
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media2
Flying cars and bigots: projecting post-COVID-19 worlds through the atlas of the civic imagination as refuge for hope2
Migration and immigration in Europe and its edges1
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history1
Correction1
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom1
Great AI divides? Automated decision-making technologies and dreams of development1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site1
The affective pressures of WhatsApp: from safe spaces to conspiratorial publics1
Assaying landscape, sensation and knowledge in Ross Gibson’s academic essays1
Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea1
Coming out in a ‘faux-lesbian comedy’: authenticity and queer identity in MTV’s Faking it1
Commercializing desire for platform economics: digital romance in China’s platformization age1
Writing the Feminist Internet: a Chthonian Feminist Internet Theory for the twenty first century1
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram1
The Two Revolutions, a History of the Transgender Internet1
Between commodification and politicization: the social invention of Bella Ciao1
Continuum Acknowledgements 20241
Birth Family Search (Part 1)1
The practices of care: extinction and de-colonization in the natural history museum1
Correction1
Dark, clear or brackish? Using Reddit to break down the binary of the dark and clear web1
“The algorithm loves the war”: ambivalent visibility in content creator practices during war1
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada1
Place-bound attributes in music scenes. Evolution of the independent electronica music scene in Brisbane since the mid-1980s1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction1
It’s new, it’s revolutionary, and it’s modern: Vietnamese indie music in the age of digital streaming platforms1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)1
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood1
Shedding light on ‘dark’ ads1
Climate nags: Affect and the convergence of global risk in online networks1
The agonistic imagination: the illiberal and pluralist possibilities of contemporary BrexLit fiction1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia1
Art-making for political ecology: practice, poetics and activism through enchantment1
Culture in practice1
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees1
Self-presentation of grey-haired influencers on TikTok: active ageing in China1
The cultural economy of Xiangqin : an analysis of the ‘intimate business’ on Chinese television, date-renting sites and mobile phones1
Everybody’s crisis? Critiques and limitations of humanitarian mapping during COVID-191
Live streaming funerals: constructing togetherness and belonging in the mediatization era1
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism1
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling1
Celebrating 30 years of the CSAA1
Transnational suburbia: suburban settings in Australian video games1
#Runningupthathill, revival and popular music fandom on TikTok1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)1
The darker turn of intimate machines: dark webs and (post)social media1
Introduction: from broken systems towards extended possibilities of XR technologies1
The ‘cassette comeback’: debunking a tenacious narrative0
Surveillance, citizenship and the state in Humans (2015-2018)0
Deliberation through contestation: EU investments in cultural and artistic spaces beyond the EU0
Nostalgia, adaptation and ethnic reconciliation: narratives of Juancun Mainlanders in the TV drama A Touch of Green0
Growing violence: the image of the boy in Australian domestic violence prevention campaigns0
The New Audience for Old TV: Considering the Resurgent Popularity of The Sopranos0
Ungrievable lives and the ensemble of opinions0
Hong Kong vampire films: anxious imaginings of death and illness0
Engendering ethics: recognition and inclusion of intersectional identities in queer communities when conducting population survey research0
‘I work hard and I’m nice to people’: Taylor Swift, Miss Americana and the limits of white neoliberal feminism0
Gumnuts in the garden of good and evil: racialization and fetishism in May Gibbs’s Snugglepot and Cuddlepie0
Translation of deconstructivism in the Romanian post-communist transition interval0
Creative is not always lucrative: how grassroots film communities defy the ‘creativisation of culture’ in post-authoritarian Indonesia0
On transience0
Beyond smell and sensationalism: remixing durian for and by Asians and Asian Canadians in Canada0
‘Sissy that walk’: the queer kinaesthetics of mobility-through-difference0
North Korea and the ‘Peace Games’: media representations of sport and politics at the 2018 winter Olympics0
Indigenous Cinema, the camera ashore, and House Made of Dawn0
Wogs as work: humour as ethnic entrepreneurship and convivial labour0
Complicit masculinity and the serialization of violence: notes from Australian cinema0
Book publicists and the labour of cultural intermediation0
Fashion futures and critical fashion studies0
Modifications of R: how the virtual comes to matter in VR, XR and MR art and performance0
The temporality of community sentiment on the Australian continent: mineral extraction, waste storage and Indigenous protest writing0
Birch/Muecke/Gibson0
Migrant arrests and deportations on fictional television during the Trump era (2017–2021): from tokenistic storytelling to narrative activism0
Gaza speaks through translation: The politics of language on Palestinian social media0
Cultivating the audience: adaptation as technique in the case of Wake in Fright for Australia’s network 100
Beyond a queer utopia: interrogating misogyny in transnational boys love media0
This hashtag is just my style: popular feminism & digital fashion activism0
Deepfake culture: the emergence of audio-video deception as an object of social anxiety and regulation0
In pursuit of happiness: motivations for urban to rural migration in Turkey0
Introduction: mapping the music and video streaming landscape and its disruptions in Southeast Asia0
Unearthing the code of Gondwana VR0
Climate change and SIDS in the transpacific region: flows of people, capital and goods0
Revaluing the Eros Collection for Australian cultural histories0
Correction0
Indie porn: revolution, regulation, and resistance0
‘The queer pedagogical encounter: a continuum of futures’, introduction to ‘In Queer Minds’ special issue0
Those old sounds of protest: resurgence and transformation of Nueva Canción Chilena in contemporary Chilean protest music0
Gestures of concern0
Flipping the heterosexual script: representing girls’ positive sexual health on Netflix0
From broadcast media to distributed systems – John Hartley’s ‘cultural science’ and the future of ‘old’ cultural studies0
Cyborg, goddess, or magical girl/heavenly woman? Rethinking gender and technology in science education via Ghost in the Shell0
Cathy Freeman, reconciliation and the burden of history0
The Rassemblement National on social media: the online rewards of gendered political speech for radical right politicians0
Describing, knotting, tying: developing emerging media documentary in a creative accelerator context0
Anatomy of a film industry Redux: Notes on the West Australian case (1969–1993)0
Aesthetic camping - urban lifestyles in China0
Biscuit production and consumption as war re-enactment0
‘Just like us’: community radio broadcasters and the on-air performance of community identity0
Mapping fairy-tale space: pastiche and metafiction in borderless tales0
Lesbian separatism and identity development: making space for themselves0
Notes on Transkids : an affirmative feminist study of transgender boyhood in Israel’s sexual modernity0
Bullshit human rights: Breitbart News’ “Cartel Chronicles” and the militarized framing of humanitarian crisis on the US-Mexico border0
Noise, ecological crises, and the posthuman sensibility of Michel Serres in Jonathan Glazer’s Under the Skin0
A queer feast of memories: using archives in festival research0
Homophobic media or lesbian memories? Hong Kong queer women’ online debate over The First Girl I Loved0
A post-secular journey0
Digital books and the far right0
The Claremont serial killer and the production of class-based suburbia in serial killer mythology0
Register phenomena as international news: risk, register, and translation in Japanese coverage of quotes from the 2020 US presidential debate0
Representations of Swedish ‘gangster rap’ in contemporary media – Exploring dimensions of public pedagogy0
'Perfect is boring': the character problem of electric vehicles0
Introduction: popular music, revival and renewal: histories, cultures, practices0
Future fashion, biotechnology and the living world: microbial cell factories and forming new ‘oddkins’0
The production of girls’ love narrative in Couple of Mirrors (2021) through transmedia storytelling in contemporary China0
The digital departed: how we face death, commemorate life, and chase virtual immortality0
Countering durian plantationocene visuality and the erasure of natureculture histories in Malaysia0
On becoming a queer educator: reflections on queer perspectives and approaches in initial teacher education0
Wardrobe stories: sustainability and the everyday aesthetics of fashion consumption0
How to care about coral rubble: deep sea cameras, cinematic realism, and mourning via mediated encounter0
Happy Valley0
Global anniversaries and cultural rupture: September 11, COVID-19 and ethical cultural change0
Chinese-Australians, media consumption, and the politics of belonging0
‘We can sh*t for another 10 years.’ Toilet paper, pandemic politics and cultural citizenship0
Keep it locked (down): how Melbourne’s community radio stations performed scene functions in the context of the coronavirus pandemic0
Bodies in flux, cultural studies and the current critical climate0
Nihonjin after 3.11: the construction of Japaneseness in times of national crisis0
Figuring it out: ‘confusing’ non-binary gender in Runaways and The Order of the Stick0
Fight for the Wild: emotion and place in conservation, community formation, and national identity0
The acoustemology of Hong Kong in protest: a sonic understanding of the Anti-Extradition Law Amendment Bill Movement0
Getting research funded: five essential rules for early career researchers0
Gender segregation & women’s rights in Muslim societies: de-constructing feminist opposition to spatial boundaries through the lens of feminist documentary film0
‘Go sharp or go home’: the competitive subcultural practices of historical Australian youth culture known as ‘Sharpies’0
Asylum-seeker emergency and third spaces in the Inspector Montalbano TV series0
Our America: migratory dreams in Pajtim Statovci’s My Cat Yugoslavia and Crossing0
Why no friends but the mountains: a new reading of Behrouz Boochani’s memoir in the Kurdish context0
Dark web advertising: the dark magic system on Tor hidden service search engines0
Archives and autographics: reanimating diaspora in the Transpacific0
Coping with the ‘double bind’ through vlogging: pandemic digital citizenship of Chinese international students0
Pandemic citizenship: introduction0
Filipino content creators brokering migration to Australia on TikTok0
Communities, connections, and careers: building personal and professional networks through community media work0
Provocation in women’s filmmaking: authorship and art cinema0
Race and the suburbs in American film0
Spectacularisation of ‘madness’ and the sugarcoated discourse of care in Indonesian social media: a dispositive analysis0
Binge-watching: Cultural Studies and developing critical literacy in the age of surveillance capitalism0
‘Zero dollars and zero cents’: resourcefulness and DIY music scenes in rural and regional South Australia0
Streaming platform imaginaries: audiences and Southeast Asian streaming0
Contested Spaces : an interdisciplinary collaboration0
Queering primary initial teacher education0
Building a feminist world through memes: semiotic configuration of gender ideology in Chinese feminist memes0
A sense of home: two migrant personas during COVID-190
Caring for clothes: how and why people maintain garments in regular use0
Rethinking value: ‘radical transparency’ in fashion0
CSAA 30 th anniversary and Continuum0
Overcoming ‘confirmation bias’ and the persistence of conspiratorial types of thinking0
Multiplicity, relationality, and petal avatars: Thatgamecompany’s Flower as an identity model0
The French ideology?0
(Auto)Theorizing the maternal interval: Burlesque performance as creative research0
Mapping Shadows of the Bight: a road trip residency0
The unpopular (manosphere) men of popular feminism0
Adapting European heritage: Bernardine Evaristo’s Soul Tourists (2005) and Omar Victor Diop’s Project Diaspora (2014)0
LGBTQ+ collecting institutions: the culture of strategic management, motivation and professionalization0
Podcasts and political listening: sound, voice and intimacy in the Joe Rogan Experience0
Fear and posting in Nepal: countering spectacles of fear through everyday social media practices0
English teaching and media education: the (lost) legacies of Cultural Studies0
Making bodies, craft skills and the legacies of policy ‘blokeism’0
‘This felt more like a conversation’: challenging gender norms in electronic music production through alternative education programs0
The persuasive mask of postfeminism: Claire’s hegemony and sexual politics in House of Cards0
Cultural Studies and education: a dialogue of ‘disciplines’?0
Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse0
Orange is the New Black face: economies of enjoyment and the formalist killjoy0
Bad actors never sleep: content manipulation on Reddit0
Durian matters0
Holy transmedia! - the many faces of Batman in 1960s Finland0
Handshakes and hashtags: how changing social interactions make us feel awkward0
Normporn: queer viewers and the TV that soothes us0
Mooncalf Menstrual Meat (MMM)0
Australian audience reactions to the ABC’s broadcast of Tales of the City, as seen in the Green Guide letters0
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