Continuum-Journal of Media & Cultural Studies

Article	Citations
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’	32
Seven Versions of an Australian Badland and two films: Jindabyne and The Drover’s Wife: The Legend of Molly Johnson	21
Correction	16
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)	15
A state against boys’ love? Reviewing the trajectory of censorship over danmei	14
Community as the material basis of creative citizenship in Taiwan and Hong Kong	12
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’	12
Guilt and migrant experience in Australia: narratives of happiness and hatred	11
‘I Blame House Hunters ’: How real estate agents use property TV to manage clients and establish expertise	11
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand	10
Producing multiculturalism: casting and editing migrants in Korean reality television	9
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media	8
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic	8
“An active and generative process”: encountering death with Ross Gibson	7
Youth arts as popular education: Cultural Studies at the edges of the creative industries	7
Algorithms, affordances and the ambiguity of credit on TikTok	6
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan	6
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson	6
Lifestyle, opportunity and attraction images: real estate platforms and the digital remediation of space	6
Terror: live	5
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED	5
Critiquing cultural appropriation, building community: desi online activism on Tumblr shame blogs and #reclaimthebindi	5
“End your weekend”: populism, identity, and the politics of energy transition assemblages in Australia	5
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries	5
Fake histories? Original bands, contemporary formations and Little River Band	5

Out of thin air: emerging Muslim fashion entrepreneurs and the spectre of labour in Indonesia	5
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok	4
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’	4
Is there a ‘theory of learning’ for Cultural Studies and is it (still) relevant in an era of surveillance capitalism?	4
Fatalist attraction: structure of feeling in great recession fiction	4
Precarious love of eSports players in China: work-and-play amidst love and precarity	4
‘Pioneers of culture’: Australian natural history and the German colonial imaginary	4
Ancestors on motorbikes: cosmic rays bring retribution	3
Account-sharing programme: beyond piracy streaming platforms in Indonesia	3
Longing and belonging: narratives by two Asian North American auto-graphic artists	3
Correction	3
XR support in the frame: the creative extended reality ecosystem in Australia	3
Jack Johnson’s quiet activism	3
Shaping old media on new media: vinyl revival and its representation on Chinese social media	3
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness	3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum	3
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures	3
The diaspora queers back: reflections on rebetology and zine-making	3
Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making	3
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme	2
A moving view: an introduction to Our Sentimental Natures	2
Beyond the spectacle: everyday witnessing for we that are here	2
Feminism and the politics of resilience: essays on gender, media and the end of welfare	2
Sex in the time of coronavirus: queer men negotiating biosexual citizenship during the COVID-19 pandemic	2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses	2
Transforming the ‘tart with the cart’: re-imagining the statue of Molly Malone in Ireland’s cultural memory	2
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art	2
TikTok’s tools: The politics of platform tools for cultural production	2
Introduction: media and fakery	2
Single mothers as ‘imperfect-resilient’ subjects and their entrepreneurial narratives on TikTok	2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder	2
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan	2
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation	2
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media	2
Special issue introduction: reflecting on TikTok creators and digital economies	2
Charger rage, digital vigilantism, and the cultural politics of EV infrastructure	2
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China	2
Field recordings as invitation and transportation	2
Animal activism on and off screen	2
LGBTQA+ allies and activism: past, present and future perspectives	2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II	2
Cultural Studies and critical allyship in the settler colonial academe	2
Indonesian critiques of the new musical system	2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film	2
Making bodies, craft skills and the legacies of policy ‘blokeism’	1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site	1
Revaluing the Eros Collection for Australian cultural histories	1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)	1
Art-making for political ecology: practice, poetics and activism through enchantment	1
Migration and immigration in Europe and its edges	1

Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada	1
Introduction to the Ross Gibson memorial issue	1
Reconstituting teachers’ professional knowledge: using Cultural Studies to rethink multicultural education	1
Climate nags: Affect and the convergence of global risk in online networks	1
Assaying landscape, sensation and knowledge in Ross Gibson’s academic essays	1
The practices of care: extinction and de-colonization in the natural history museum	1
‘What awaits us’: the life-worlds of post-war migration	1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia	1
Wet dreams: eco-subjectivity, mineral washing, and the cultural politics of electric mobility	1
Correction	1
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram	1
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling	1
Towards ethics of care: exploring eco-identities of men in Life of Pi and Sherdil	1
Bodies in flux, cultural studies and the current critical climate	1
The cultural economy of Xiangqin : an analysis of the ‘intimate business’ on Chinese television, date-renting sites and mobile phones	1
Place-bound attributes in music scenes. Evolution of the independent electronica music scene in Brisbane since the mid-1980s	1
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees	1
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism	1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history	1
Celebrating 30 years of the CSAA	1
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis	1
Market miracle and national image: government promotion and nationalist transformation in Black Myth: Wukong and Nezha 2	1
Co-creating stories for social innovation: a dialogic reflection of narrative Futuring and Cinema del Pueblo	1
A streaming generation? Interrogating assumptions about young-adult audiences, content discovery, and engagement with broadcast television	1
Coming out in a ‘faux-lesbian comedy’: authenticity and queer identity in MTV’s Faking it	1
Between commodification and politicization: the social invention of Bella Ciao	1
Conspiracy Theories in the Time of Covid-19	1
#Runningupthathill, revival and popular music fandom on TikTok	1
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media	1
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers	1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)	1
Transnational suburbia: suburban settings in Australian video games	1
In pursuit of happiness: motivations for urban to rural migration in Turkey	1
Correction	1
Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse	1
“The algorithm loves the war”: ambivalent visibility in content creator practices during war	1
Birth Family Search (Part 1)	1
Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea	1
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom	1
Everybody’s crisis? Critiques and limitations of humanitarian mapping during COVID-19	1
Live streaming funerals: constructing togetherness and belonging in the mediatization era	1
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood	1
Self-presentation of grey-haired influencers on TikTok: active ageing in China	1
Film as ‘prosthetic memory’: Chinese mainland audiences’ reconstruction of historical memory through the Taiwanese film “A City of Sadness”	1
Flying cars and bigots: projecting post-COVID-19 worlds through the atlas of the civic imagination as refuge for hope	1
Fringe to famous	1
The ‘poietic’ turn: creative arts research in the academy	1
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk	1
Commercializing desire for platform economics: digital romance in China’s platformization age	1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction	1
Culture in practice	1
On becoming a queer educator: reflections on queer perspectives and approaches in initial teacher education	0
Ross Gibson’s head_phone_film_poems: music in collaboration	0
Figuring it out: ‘confusing’ non-binary gender in Runaways and The Order of the Stick	0
Mooncalf Menstrual Meat (MMM)	0
Australian audience reactions to the ABC’s broadcast of Tales of the City , as seen in the Green Guide letters	0
Introduction: popular music, revival and renewal: histories, cultures, practices	0
Deepfakes and documentary practice in an age of misinformation	0
Archives and autographics: reanimating diaspora in the Transpacific	0
Binge-watching: Cultural Studies and developing critical literacy in the age of surveillance capitalism	0
‘Zero dollars and zero cents’: resourcefulness and DIY music scenes in rural and regional South Australia	0
Communities, connections, and careers: building personal and professional networks through community media work	0
The everyday experiences of female electric vehicle owners: insights from Western Australia	0
How does the Chinese smartphone brand attract New filmmakers to make films with their phones?	0
Flipping the heterosexual script: representing girls’ positive sexual health on Netflix	0
Streaming platform imaginaries: audiences and Southeast Asian streaming	0
Digital books and the far right	0
‘Why is everyone self-diagnosing with ADHD nowadays?’: the affective economy of ADHD TikTok	0
Biscuit production and consumption as war re-enactment	0
Fear and posting in Nepal: countering spectacles of fear through everyday social media practices	0
Contested Spaces : an interdisciplinary collaboration	0
Happy Valley	0
LGBTQ+ collecting institutions: the culture of strategic management, motivation and professionalization	0
Powering wicked futures: EV batteries as vital matters of care	0
Between culture and control: Genshin Impact and the evolution of Chinese online nationalism	0
On transience	0
Gaza speaks through translation: The politics of language on Palestinian social media	0
Global anniversaries and cultural rupture: September 11, COVID-19 and ethical cultural change	0
Engendering ethics: recognition and inclusion of intersectional identities in queer communities when conducting population survey research	0
Techno-capitalist colonialism powered by combustion masculinity in the transition to electric utility vehicles: an analysis of Australian car advertising	0

This hashtag is just my style: popular feminism & digital fashion activism	0
Cultural Studies and education: a dialogue of ‘disciplines’?	0
Continuum Acknowledgements 2024	0
Holy transmedia! - the many faces of Batman in 1960s Finland	0
Getting research funded: five essential rules for early career researchers	0
Introduction: from broken systems towards extended possibilities of XR technologies	0
Noise, ecological crises, and the posthuman sensibility of Michel Serres in Jonathan Glazer’s Under the Skin	0
Countering durian plantationocene visuality and the erasure of natureculture histories in Malaysia	0
Fight for the Wild: emotion and place in conservation, community formation, and national identity	0
Shaping pathways of the Musang King and Black Thorn in the Penang Island durian industry	0
Nihonjin after 3.11: the construction of Japaneseness in times of national crisis	0
Complicit masculinity and the serialization of violence: notes from Australian cinema	0
Gender segregation & women’s rights in Muslim societies: de-constructing feminist opposition to spatial boundaries through the lens of feminist documentary film	0
Durian matters	0
Chinese-Australians, media consumption, and the politics of belonging	0
Asylum-seeker emergency and third spaces in the Inspector Montalbano TV series	0
From broadcast media to distributed systems – John Hartley’s ‘cultural science’ and the future of ‘old’ cultural studies	0
Spectacularisation of ‘madness’ and the sugarcoated discourse of care in Indonesian social media: a dispositive analysis	0
Nostalgia, adaptation and ethnic reconciliation: narratives of Juancun Mainlanders in the TV drama A Touch of Green	0
Hong Kong vampire films: anxious imaginings of death and illness	0
Deliberation through contestation: EU investments in cultural and artistic spaces beyond the EU	0
CSAA 30 th anniversary and Continuum	0
Filipino content creators brokering migration to Australia on TikTok	0
Introduction: mapping the music and video streaming landscape and its disruptions in Southeast Asia	0
The French ideology?	0
Migrant arrests and deportations on fictional television during the Trump era (2017–2021): from tokenistic storytelling to narrative activism	0
The digital departed: how we face death, commemorate life, and chase virtual immortality	0
Modifications of R: how the virtual comes to matter in VR, XR and MR art and performance	0
Creative is not always lucrative: how grassroots film communities defy the ‘creativisation of culture’ in post-authoritarian Indonesia	0
Decolonising at the margins: herri as a model for radical decolonial publishing	0
Coping with the ‘double bind’ through vlogging: pandemic digital citizenship of Chinese international students	0
Describing, knotting, tying: developing emerging media documentary in a creative accelerator context	0
Rethinking value: ‘radical transparency’ in fashion	0
Cosplay as vernacular adaptation: the argument for adaptation scholarship in media and cultural studies	0
Climate change and SIDS in the transpacific region: flows of people, capital and goods	0
Representations of Swedish ‘gangster rap’ in contemporary media – Exploring dimensions of public pedagogy	0
High voltage short forms: a reflection on Ross Gibson’s path	0
Cyborg, goddess, or magical girl/heavenly woman? Rethinking gender and technology in science education via Ghost in the Shell	0
Wardrobe stories: sustainability and the everyday aesthetics of fashion consumption	0
‘We can sh*t for another 10 years.’ Toilet paper, pandemic politics and cultural citizenship	0
Future fashion, biotechnology and the living world: microbial cell factories and forming new ‘oddkins’	0
Year zero of tomorrow’s pasts	0
Orange is the New Black face: economies of enjoyment and the formalist killjoy	0
Keep it locked (down): how Melbourne’s community radio stations performed scene functions in the context of the coronavirus pandemic	0
International influence on radio and family planning communication in Kenya: an historical assessment	0
Birch/Muecke/Gibson	0
Gestures of concern	0
Multiplicity, relationality, and petal avatars: Thatgamecompany’s Flower as an identity model	0
It’s new, it’s revolutionary, and it’s modern: Vietnamese indie music in the age of digital streaming platforms	0
The persuasive mask of postfeminism: Claire’s hegemony and sexual politics in House of Cards	0
Handshakes and hashtags: how changing social interactions make us feel awkward	0
Deepfake culture: the emergence of audio-video deception as an object of social anxiety and regulation	0
Caring for clothes: how and why people maintain garments in regular use	0
Beyond a queer utopia: interrogating misogyny in transnational boys love media	0
Gender and popular visual culture in India: ‘Benevolent’ Sexism and Disguised Discrimination	0
Lesbian separatism and identity development: making space for themselves	0
‘This felt more like a conversation’: challenging gender norms in electronic music production through alternative education programs	0
The ‘cassette comeback’: debunking a tenacious narrative	0
Surveillance, citizenship and the state in Humans (2015-2018)	0
‘Just like us’: community radio broadcasters and the on-air performance of community identity	0
Mapping fairy-tale space: pastiche and metafiction in borderless tales	0
The production of girls’ love narrative in Couple of Mirrors (2021) through transmedia storytelling in contemporary China	0
Anatomy of a film industry Redux: Notes on the West Australian case (1969–1993)	0
Gumnuts in the garden of good and evil: racialization and fetishism in May Gibbs’s Snugglepot and Cuddlepie	0
Ungrievable lives and the ensemble of opinions	0
Cyborg : a book review	0
The New Audience for Old TV: Considering the Resurgent Popularity of The Sopranos	0
Queering primary initial teacher education	0
Why no friends but the mountains: a new reading of Behrouz Boochani’s memoir in the Kurdish context	0
A post-secular journey	0
How to care about coral rubble: deep sea cameras, cinematic realism, and mourning via mediated encounter	0
Bullshit human rights: Breitbart News’ “Cartel Chronicles” and the militarized framing of humanitarian crisis on the US-Mexico border	0
Unearthing the code of Gondwana VR	0
The temporality of community sentiment on the Australian continent: mineral extraction, waste storage and Indigenous protest writing	0
Overcoming ‘confirmation bias’ and the persistence of conspiratorial types of thinking	0
The unpopular (manosphere) men of popular feminism	0
The Claremont serial killer and the production of class-based suburbia in serial killer mythology	0
English teaching and media education: the (lost) legacies of Cultural Studies	0
The acoustemology of Hong Kong in protest: a sonic understanding of the Anti-Extradition Law Amendment Bill Movement	0
Mapping Shadows of the Bight: a road trip residency	0
Those old sounds of protest: resurgence and transformation of Nueva Canción Chilena in contemporary Chilean protest music	0
'Perfect is boring': the character problem of electric vehicles	0
Adapting European heritage: Bernardine Evaristo’s Soul Tourists (2005) and Omar Victor Diop’s Project Diaspora (2014)	0
The two revolutions, a history of the transgender internet	0
Wogs as work: humour as ethnic entrepreneurship and convivial labour	0
Correction	0
Indie porn: revolution, regulation, and resistance	0
The agonistic imagination: the illiberal and pluralist possibilities of contemporary BrexLit fiction	0
‘I work hard and I’m nice to people’: Taylor Swift, Miss Americana and the limits of white neoliberal feminism	0
Our America: migratory dreams in Pajtim Statovci’s My Cat Yugoslavia and Crossing	0
Fashion futures and critical fashion studies	0
Cultivating the audience: adaptation as technique in the case of Wake in Fright for Australia’s network 10	0
Podcasts and political listening: sound, voice and intimacy in the Joe Rogan Experience	0
Cathy Freeman, reconciliation and the burden of history	0
Normporn: queer viewers and the TV that soothes us	0