Continuum-Journal of Media & Cultural Studies

Papers
(The median citation count of Continuum-Journal of Media & Cultural Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Correction27
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)16
Chinese-language digital news media in Australia: new narratives of hybrid identities15
Community as the material basis of creative citizenship in Taiwan and Hong Kong14
A state against boys’ love? Reviewing the trajectory of censorship over danmei12
‘I Blame House Hunters ’: How real estate agents use property TV to manage clients and establish expertise11
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’11
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’10
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson10
Mental and social scotoma represented and worked through in the television series Our Boys (Levi, Ceder and Abu-Wael 2019)9
Some reflections on the ‘policy moment’9
Youth arts as popular education: Cultural Studies at the edges of the creative industries9
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic8
Lifestyle, opportunity and attraction images: real estate platforms and the digital remediation of space8
Out of thin air: emerging Muslim fashion entrepreneurs and the spectre of labour in Indonesia8
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan8
Producing multiculturalism: casting and editing migrants in Korean reality television8
Guilt and migrant experience in Australia: narratives of happiness and hatred8
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand8
Afterword: troubling the dark social7
Media portrayals of binational couples in 90 Day Fiancé6
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’6
Critical data provenance as a methodology for studying how language conceals data ethics6
Fake histories? Original bands, contemporary formations and Little River Band6
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries5
Critiquing cultural appropriation, building community: desi online activism on Tumblr shame blogs and #reclaimthebindi5
‘Pioneers of culture’: Australian natural history and the German colonial imaginary5
Fatalist attraction: structure of feeling in great recession fiction5
Is there a ‘theory of learning’ for Cultural Studies and is it (still) relevant in an era of surveillance capitalism?5
Precarious love of eSports players in China: work-and-play amidst love and precarity5
Terror: live5
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED4
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum4
Correction4
Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making4
Jack Johnson’s quiet activism4
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness4
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures4
Account-sharing programme: beyond piracy streaming platforms in Indonesia4
XR support in the frame: the creative extended reality ecosystem in Australia4
Beyond the spectacle: everyday witnessing for we that are here3
Shaping old media on new media: vinyl revival and its representation on Chinese social media3
Introduction: media and fakery3
Field recordings as invitation and transportation3
The diaspora queers back: reflections on rebetology and zine-making3
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China3
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder3
Failure to thrive: incels, boys and feminism3
Longing and belonging: narratives by two Asian North American auto-graphic artists3
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme3
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art3
A moving view: an introduction to Our Sentimental Natures3
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers2
Conspiracy Theories in the Time of Covid-192
Coming out in a ‘faux-lesbian comedy’: authenticity and queer identity in MTV’s Faking it2
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan2
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation2
Contemporary drag practices and performers: drag in a changing scene volume 12
Indonesian critiques of the new musical system2
Feminism and the politics of resilience: essays on gender, media and the end of welfare2
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk2
‘What awaits us’: the life-worlds of post-war migration2
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media2
Stranger Things: boys and feminism2
LGBTQA+ allies and activism: past, present and future perspectives2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II2
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media2
The ‘poietic’ turn: creative arts research in the academy2
Reconstituting teachers’ professional knowledge: using Cultural Studies to rethink multicultural education2
Being your own aesthetic boss: practising independence within the Central Sydney independent music scene’s cultural economy2
Introduction: digital cultures and acts of refusal, secrecy and power across privacy-enhancing technologies2
Cultural Studies and critical allyship in the settler colonial academe2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses2
Sex in the time of coronavirus: queer men negotiating biosexual citizenship during the COVID-19 pandemic2
Re-reading Personal Influence in an age of social media2
Correction1
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood1
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees1
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis1
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling1
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada1
The darker turn of intimate machines: dark webs and (post)social media1
The cultural politics of East-West encounter in Crazy Rich Asians1
Shedding light on ‘dark’ ads1
Flying cars and bigots: projecting post-COVID-19 worlds through the atlas of the civic imagination as refuge for hope1
Between commodification and politicization: the social invention of Bella Ciao1
Celebrating 30 years of the CSAA1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history1
Dark, clear or brackish? Using Reddit to break down the binary of the dark and clear web1
Commercializing desire for platform economics: digital romance in China’s platformization age1
Art-making for political ecology: practice, poetics and activism through enchantment1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)1
Live streaming funerals: constructing togetherness and belonging in the mediatization era1
Writing the Feminist Internet: a Chthonian Feminist Internet Theory for the twenty first century1
Self-presentation of grey-haired influencers on TikTok: active ageing in China1
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom1
Great AI divides? Automated decision-making technologies and dreams of development1
Correction1
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)1
#Runningupthathill, revival and popular music fandom on TikTok1
Resisting division: migrant sex work and “New Zealand working girls”1
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram1
Birth Family Search (Part 1)1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site1
Transnational suburbia: suburban settings in Australian video games1
The cultural economy of Xiangqin : an analysis of the ‘intimate business’ on Chinese television, date-renting sites and mobile phones1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia1
The practices of care: extinction and de-colonization in the natural history museum1
Climate nags: Affect and the convergence of global risk in online networks1
Culture in practice1
Migration and immigration in Europe and its edges1
The affective pressures of WhatsApp: from safe spaces to conspiratorial publics1
Engendering ethics: recognition and inclusion of intersectional identities in queer communities when conducting population survey research0
Coping with the ‘double bind’ through vlogging: pandemic digital citizenship of Chinese international students0
‘We can sh*t for another 10 years.’ Toilet paper, pandemic politics and cultural citizenship0
Keep it locked (down): how Melbourne’s community radio stations performed scene functions in the context of the coronavirus pandemic0
The digital superhero: conspiracy and convergence0
Cultivating the audience: adaptation as technique in the case of Wake in Fright for Australia’s network 100
‘I work hard and I’m nice to people’: Taylor Swift, Miss Americana and the limits of white neoliberal feminism0
Modifications of R: how the virtual comes to matter in VR, XR and MR art and performance0
Nostalgia, adaptation and ethnic reconciliation: narratives of Juancun Mainlanders in the TV drama A Touch of Green0
Durian matters0
On becoming a queer educator: reflections on queer perspectives and approaches in initial teacher education0
Cosplay as vernacular adaptation: the argument for adaptation scholarship in media and cultural studies0
Register phenomena as international news: risk, register, and translation in Japanese coverage of quotes from the 2020 US presidential debate0
(Auto)Theorizing the maternal interval: Burlesque performance as creative research0
Provocation in women’s filmmaking: authorship and art cinema0
Homophobic media or lesbian memories? Hong Kong queer women’ online debate over The First Girl I Loved0
Representations of Swedish ‘gangster rap’ in contemporary media – Exploring dimensions of public pedagogy0
Contested Spaces : an interdisciplinary collaboration0
Mapping fairy-tale space: pastiche and metafiction in borderless tales0
Bodies in flux, cultural studies and the current critical climate0
Indigenous Cinema, the camera ashore, and House Made of Dawn0
Holy transmedia! - the many faces of Batman in 1960s Finland0
Complicit masculinity and the serialization of violence: notes from Australian cinema0
Introduction: from broken systems towards extended possibilities of XR technologies0
Mapping Shadows of the Bight: a road trip residency0
This hashtag is just my style: popular feminism & digital fashion activism0
Happy Valley0
Revaluing the Eros Collection for Australian cultural histories0
Beyond a queer utopia: interrogating misogyny in transnational boys love media0
Wardrobe stories: sustainability and the everyday aesthetics of fashion consumption0
Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea0
Chinese-Australians, media consumption, and the politics of belonging0
How to care about coral rubble: deep sea cameras, cinematic realism, and mourning via mediated encounter0
Gaza speaks through translation: The politics of language on Palestinian social media0
Shaping pathways of the Musang King and Black Thorn in the Penang Island durian industry0
Podcasts and political listening: sound, voice and intimacy in the Joe Rogan Experience0
Climate change and SIDS in the transpacific region: flows of people, capital and goods0
Gender segregation & women’s rights in Muslim societies: de-constructing feminist opposition to spatial boundaries through the lens of feminist documentary film0
Overcoming ‘confirmation bias’ and the persistence of conspiratorial types of thinking0
‘Just like us’: community radio broadcasters and the on-air performance of community identity0
Handshakes and hashtags: how changing social interactions make us feel awkward0
The affective cultural commons of Hong Kong’s pro-democracy movement and figurations of the anonymous protestor0
Citizenship and neoliberalism: pandemic horror in Latin America0
A post-secular journey0
Archives and autographics: reanimating diaspora in the Transpacific0
Cathy Freeman, reconciliation and the burden of history0
Why no friends but the mountains: a new reading of Behrouz Boochani’s memoir in the Kurdish context0
Quiet celebrity in the time of pandemic: stripping away artifice in performances of self, cultures of citizenship, and community care0
Describing, knotting, tying: developing emerging media documentary in a creative accelerator context0
Unearthing the code of Gondwana VR0
CSAA 30 th anniversary and Continuum0
Underrated, overlooked, suppressed, discarded: canonical discourse and 1980s rock music from Australia and New Zealand0
The production of girls’ love narrative in Couple of Mirrors (2021) through transmedia storytelling in contemporary China0
Southeast Asian shapeshifters in the age of streaming: minor transnationalism, horror and reimagining MUBI in Malaysia0
Birch/Muecke/Gibson0
Binge-watching: Cultural Studies and developing critical literacy in the age of surveillance capitalism0
Surveillance, citizenship and the state in Humans (2015-2018)0
Digital books and the far right0
Queering primary initial teacher education0
North Korea and the ‘Peace Games’: media representations of sport and politics at the 2018 winter Olympics0
‘Zero dollars and zero cents’: resourcefulness and DIY music scenes in rural and regional South Australia0
A pandemic of creative loneliness0
LGBTQ+ collecting institutions: the culture of strategic management, motivation and professionalization0
‘Go sharp or go home’: the competitive subcultural practices of historical Australian youth culture known as ‘Sharpies’0
The unpopular (manosphere) men of popular feminism0
Orange is the New Black face: economies of enjoyment and the formalist killjoy0
A sense of home: two migrant personas during COVID-190
Year zero of tomorrow’s pasts0
Migrant arrests and deportations on fictional television during the Trump era (2017–2021): from tokenistic storytelling to narrative activism0
Migrant placemaking and authorship: digital storytelling by Chinese interprovincial students0
Continuum Acknowledgements 20240
Those old sounds of protest: resurgence and transformation of Nueva Canción Chilena in contemporary Chilean protest music0
Fashion futures and critical fashion studies0
English teaching and media education: the (lost) legacies of Cultural Studies0
In pursuit of happiness: motivations for urban to rural migration in Turkey0
The persuasive mask of postfeminism: Claire’s hegemony and sexual politics in House of Cards0
Wogs as work: humour as ethnic entrepreneurship and convivial labour0
Everybody’s crisis? Critiques and limitations of humanitarian mapping during COVID-190
‘This felt more like a conversation’: challenging gender norms in electronic music production through alternative education programs0
Adapting European heritage: Bernardine Evaristo’s Soul Tourists (2005) and Omar Victor Diop’s Project Diaspora (2014)0
Bad actors never sleep: content manipulation on Reddit0
Global anniversaries and cultural rupture: September 11, COVID-19 and ethical cultural change0
Anatomy of a film industry Redux: Notes on the West Australian case (1969–1993)0
Correction0
Deepfake culture: the emergence of audio-video deception as an object of social anxiety and regulation0
Notes on Transkids : an affirmative feminist study of transgender boyhood in Israel’s sexual modernity0
Transgression, resistance and independent art in contemporary russia0
Gestures of concern0
Indie porn: revolution, regulation, and resistance0
Growing violence: the image of the boy in Australian domestic violence prevention campaigns0
Creative is not always lucrative: how grassroots film communities defy the ‘creativisation of culture’ in post-authoritarian Indonesia0
Spectacularisation of ‘madness’ and the sugarcoated discourse of care in Indonesian social media: a dispositive analysis0
The ‘cassette comeback’: debunking a tenacious narrative0
Cultural Studies and education: a dialogue of ‘disciplines’?0
Doing the Nutbush: how Australia got its very own line dance0
Streaming platform imaginaries: audiences and Southeast Asian streaming0
Asylum-seeker emergency and third spaces in the Inspector Montalbano TV series0
Countering durian plantationocene visuality and the erasure of natureculture histories in Malaysia0
‘Sissy that walk’: the queer kinaesthetics of mobility-through-difference0
Race and the suburbs in American film0
The Claremont serial killer and the production of class-based suburbia in serial killer mythology0
Gumnuts in the garden of good and evil: racialization and fetishism in May Gibbs’s Snugglepot and Cuddlepie0
The acoustemology of Hong Kong in protest: a sonic understanding of the Anti-Extradition Law Amendment Bill Movement0
Book publicists and the labour of cultural intermediation0
The temporality of community sentiment on the Australian continent: mineral extraction, waste storage and Indigenous protest writing0
Translation of deconstructivism in the Romanian post-communist transition interval0
Beyond smell and sensationalism: remixing durian for and by Asians and Asian Canadians in Canada0
A queer feast of memories: using archives in festival research0
The agonistic imagination: the illiberal and pluralist possibilities of contemporary BrexLit fiction0
Caring for clothes: how and why people maintain garments in regular use0
Multiplicity, relationality, and petal avatars: Thatgamecompany’s Flower as an identity model0
Introduction: popular music, revival and renewal: histories, cultures, practices0
Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse0
‘The queer pedagogical encounter: a continuum of futures’, introduction to ‘In Queer Minds’ special issue0
Fear and posting in Nepal: countering spectacles of fear through everyday social media practices0
Figuring it out: ‘confusing’ non-binary gender in Runaways and The Order of the Stick0
It’s new, it’s revolutionary, and it’s modern: Vietnamese indie music in the age of digital streaming platforms0
Nihonjin after 3.11: the construction of Japaneseness in times of national crisis0
Rethinking value: ‘radical transparency’ in fashion0
The web series: empowering diversity on the Australian screen0
Place-bound attributes in music scenes. Evolution of the independent electronica music scene in Brisbane since the mid-1980s0
Introduction: mapping the music and video streaming landscape and its disruptions in Southeast Asia0
Noise, ecological crises, and the posthuman sensibility of Michel Serres in Jonathan Glazer’s Under the Skin0
Making bodies, craft skills and the legacies of policy ‘blokeism’0
Deliberation through contestation: EU investments in cultural and artistic spaces beyond the EU0
Ungrievable lives and the ensemble of opinions0
Fight for the Wild: emotion and place in conservation, community formation, and national identity0
Future fashion, biotechnology and the living world: microbial cell factories and forming new ‘oddkins’0
Communities, connections, and careers: building personal and professional networks through community media work0
Getting research funded: five essential rules for early career researchers0
Normporn: queer viewers and the TV that soothes us0
Biscuit production and consumption as war re-enactment0
Cyborg, goddess, or magical girl/heavenly woman? Rethinking gender and technology in science education via Ghost in the Shell0
Our America: migratory dreams in Pajtim Statovci’s My Cat Yugoslavia and Crossing0
Flipping the heterosexual script: representing girls’ positive sexual health on Netflix0
Ghosts of modernity, warnings of Urban Transience: Hallam Towers expedition, 17th January 2012. Illustrations from the ‘book of humanity’0
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