Continuum-Journal of Media & Cultural Studies

Article	Citations
Memory, politics and emotions: internet memes and protests in Venezuela and Ukraine	22
‘Swamped by Muslims’ and facing an ‘African gang’ problem: racialized and religious media representations in Australia	15
Snapchat’s augmented reality brand culture: sponsored filters and lenses as digital piecework	15
Drone cultures: encounters with everyday militarisms	10
Towards a queer affective economy of boys’ love in contemporary Chinese media	9
Introductory Reflections on Perpetrators of Crimes Against Humanity and their Representation in Documentary Film	9
Sex in the time of coronavirus: queer men negotiating biosexual citizenship during the COVID-19 pandemic	9
Vulnerability and the discourse of ‘forgotten people’: populism, population and cultural change	9
Producing local content in international waters: the case of Netflix’sTidelands	8
Metaphorical constructions of herding in news reports on Fulani Herdsmen	8
Tracing cultural citizenship online	8
The affective cultural commons of Hong Kong’s pro-democracy movement and figurations of the anonymous protestor	8
Future fashion, biotechnology and the living world: microbial cell factories and forming new ‘oddkins’	7
When hip-hop meets CMC: digital discourse in Nigerian hip-hop	7
Deepfake culture: the emergence of audio-video deception as an object of social anxiety and regulation	7
Dark web advertising: the dark magic system on Tor hidden service search engines	6
Failure to thrive: incels, boys and feminism	6
Deepfakes and documentary practice in an age of misinformation	6
‘Jianghu flow’: examining cultural resonance in The Rap of China	6
Introduction: making a queer turn in contemporary Chinese-language media studies	5
The limits of the Maker ideology: local Makerspaces, experimental practices, and COVID-19	5
Re-inventing Confucian subjects: politics of subject-making inChinese dating with the parents	5
Wardrobe stories: sustainability and the everyday aesthetics of fashion consumption	5
The affective pressures of WhatsApp: from safe spaces to conspiratorial publics	5
North Korea and the ‘Peace Games’: media representations of sport and politics at the 2018 winter Olympics	4

The Little Nyonya: reframing confucian filiality and family rituals for a global Singapore	4
Re-reading Personal Influence in an age of social media	4
Caring for clothes: how and why people maintain garments in regular use	4
Immersive experiences as the condition of possibility for affective spacing	4
Witnessing the perpetrator: testimony and accountability in current Israeli documentary film	4
Out of thin air: emerging Muslim fashion entrepreneurs and the spectre of labour in Indonesia	4
Coping with the ‘double bind’ through vlogging: pandemic digital citizenship of Chinese international students	4
Intimate distractions: Fleabag’s manipulations of audience attention	4
Online images and imaginings of home: the case of the QwaQwa Thaba di Mahlwa Facebook page	4
A politics of uncertainty: good white people, emotions & political responsibility	4
Feminist temporalities: memory, ghosts, and the collapse of time	3
Resisting division: migrant sex work and “New Zealand working girls”	3
Reluctant selfies: older people, social media sharing and digital inclusion	3
Divergent staging of East Asian patriarchy within the Confucian order in Taiwan’s transnational television drama co-productions	3
Queerness within Chineseness: nationalism and sexual morality on and off the competition show The Rap of China	3
Dark, clear or brackish? Using Reddit to break down the binary of the dark and clear web	3
The cultural politics of East-West encounter in Crazy Rich Asians	3
Live streaming funerals: constructing togetherness and belonging in the mediatization era	3
‘Imagine what we could do’— the school strikes for climate and reclaiming citizen empowerment	3
The darker turn of intimate machines: dark webs and (post)social media	3
The web series: empowering diversity on the Australian screen	3
Bad actors never sleep: content manipulation on Reddit	3
Rethinking value: ‘radical transparency’ in fashion	3
‘We Are Here’: the politics of memory in narrating China’s queer feminist history	2
Vampire nostalgia	2
Being your own aesthetic boss: practising independence within the Central Sydney independent music scene’s cultural economy	2
Facing the perpetrator’s legacy: post-perpetrator generation documentary films	2
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation	2
Producing multiculturalism: casting and editing migrants in Korean reality television	2
Transgression, resistance and independent art in contemporary russia	2
‘We can sh*t for another 10 years.’ Toilet paper, pandemic politics and cultural citizenship	2
Chinese-language digital news media in Australia: new narratives of hybrid identities	2
Great AI divides? Automated decision-making technologies and dreams of development	2
Bullshit human rights: Breitbart News’ “Cartel Chronicles” and the militarized framing of humanitarian crisis on the US-Mexico border	2
Fashion futures and critical fashion studies	2
Layers as epistemic and political devices in mobile locative media; the case of iNakba in Israel/Palestine	2
Media portrayals of binational couples in90 Day Fiancé	2
Politicians as entertainers - a political performance of the personal	2
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media	2
Refiguring the perpetrator in Rithy Panh’s documentary films: S-21: The Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell	2
The Locality of Plastic Bodies: Korean Reality TV, Celebrity, and Bimaxillary Surgery	2
The cultural economy of Xiangqin: an analysis of the ‘intimate business’ on Chinese television, date-renting sites and mobile phones	2
Before the door: storying the material, affective and ethical dimensions of inclusion for women academics	2
Remediation, virality and affect: a phenomenological reading into the Alan Kurdi Image	2
Contemporary flâneuses in late capitalism: the representation of urban space in two Hong Kong women artists’ works	2
‘The race for space’: capitalism, the country and the city in Britain under COVID-19	2
‘Just like us’: community radio broadcasters and the on-air performance of community identity	2
Shedding light on ‘dark’ ads	2
Migrant placemaking and authorship: digital storytelling by Chinese interprovincial students	2
Against family loyalty: documentary films on descendants of perpetrators from the last Argentinean dictatorship	2

Quiet celebrity in the time of pandemic: stripping away artifice in performances of self, cultures of citizenship, and community care	2
Cultural Studies and education: a dialogue of ‘disciplines’?	1
For mature audiences: Australian media classification and sexual violence on screen from 1983 to 1995	1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction	1
‘I played by all the rules! Why didn’t you tell me there weren’t any rules, it’s not fair!’:contradiction, corporeality, and conformity in Grace and Frankie1	1
Moistening the dry lips of Dracula: postmenopausal anxiety and mimetic fertility	1
Nostalgia, adaptation and ethnic reconciliation: narratives of Juancun Mainlanders in the TV drama A Touch of Green	1
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II	1
Gumnuts in the garden of good and evil: racialization and fetishism in May Gibbs’s Snugglepot and Cuddlepie	1
From nation builders to global connectors: children and China’s BRI propaganda	1
‘Sissy that walk’: the queer kinaesthetics of mobility-through-difference	1
Cathartic corridors: queering linearity in Final Fantasy XIII	1
Critical data provenance as a methodology for studying how language conceals data ethics	1
Art-making for political ecology: practice, poetics and activism through enchantment	1
Browning’s Dracula and the development of the classical screen vampire: genre, form, and figure	1
Autographics as autoethnography: comic book adventures of a migrant academic	1
Introduction: media and fakery	1
Two or three things I know about Tom	1
Suicide, depression and mental disorder in vampire fiction: when the world starts crumbling	1
#HereToStay: murals of resistance and civic engagement	1
Australian cultural policy studies, South African exceptionalism	1
Critiquing cultural appropriation, building community: desi online activism on Tumblr shame blogs and #reclaimthebindi	1
Stranger Things: boys and feminism	1
Using Bourdieu to understand perpetrators in The Act of Killing and The Look of Silence	1
Cyborg, goddess, or magical girl/heavenly woman? Rethinking gender and technology in science education via Ghost in the Shell	1
The ‘poietic’ turn: creative arts research in the academy	1
Pandemic citizenship: introduction	1
Remembering perpetrators through documentary film in post-dictatorial Chile	1
‘Forgiveness is something that can be seen from behind’. Visualizing a conversation with a perpetrator and a survivor of the 1994 Rwandan genocide in a reconciliation village	1
Digital books and the far right	1
Perpetrating and resisting fortress USA: documentary strategies of National Bird and Fahrenheit 11/9	1
Growing violence: the image of the boy in Australian domestic violence prevention campaigns	1
Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making	1
One for the boys: an affirmative feminist boys studies	1
Reconstituting teachers’ professional knowledge: using Cultural Studies to rethink multicultural education	1
Vampire apocalypse and the evolutionary sublime: the ‘End of Days’ in John Logan’sPenny Dreadful	1
Football is life: the loves and madness of RomaTifosi	1
Ungrievable lives and the ensemble of opinions	1
The final frontier: imagining queer futurity in Star Trek	1
Climate change and SIDS in the transpacific region: flows of people, capital and goods	1
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media	1
Citizenship and neoliberalism: pandemic horror in Latin America	1
There’s a riot goin’ on	1
Good clean fun: power and play in Wet and Messy (WAM) pornography	0
The politics of the representation of Christian women characters in select Hindi films	0
Hong Kong vampire films: anxious imaginings of death and illness	0
Speculative biology: precarious life in art and science resurrection projects	0
Longing and belonging: narratives by two Asian North American auto-graphic artists	0
Biscuit production and consumption as war re-enactment	0
Mooncalf Menstrual Meat (MMM)	0
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling	0
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers	0
Noise, ecological crises, and the posthuman sensibility of Michel Serres in Jonathan Glazer’s Under the Skin	0
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’	0
A collective vision: Decolonisation and resisting individualism in Waru	0
Figuring it out: ‘confusing’ non-binary gender in Runaways and The Order of the Stick	0
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan	0
Conspiracy Theories in the Time of Covid-19 Conspiracy Theories in the Time of Covid-19 , by Clare Birchall and Peter Knight, London, Routledge, 2023, 238 pp., US$128.00	0
English teaching and media education: the (lost) legacies of Cultural Studies	0
Afterword: troubling the dark social	0
Bodies in flux, cultural studies and the current critical climate	0
Guilt and migrant experience in Australia: narratives of happiness and hatred	0
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism	0
Correction	0
Hip hop as decoration: theorizing the hybridity of hip hop and yoga in Perth, Western Australia	0
Cathy Freeman, reconciliation and the burden of history	0
Cultural nationalism, Australian media studies, and Tom O’Regan	0
Is there a ‘theory of learning’ for Cultural Studies and is it (still) relevant in an era of surveillance capitalism?	0
From grassroots to dissent: media activism and campaigning for equality, diversity and inclusion in media industries	0
Transnational suburbia: suburban settings in Australian video games	0
Continuum and the legacy of Brian Shoesmith and Tom O’Regan: a memorial issue	0
Editing After Exit – Alienation and Counter–Alienation in the Cultures of Cultural Studies Journals	0
Researching audiences in Surabaya: an initial engagement with Brian Shoesmith to study the Indonesian television audience (1993-1995)	0
Lifestyle, opportunity and attraction images: real estate platforms and the digital remediation of space	0
Place-bound attributes in music scenes. Evolution of the independent electronica music scene in Brisbane since the mid-1980s	0
Correction	0
Introduction: confucian values and television in East Asia	0
Overcoming ‘confirmation bias’ and the persistence of conspiratorial types of thinking	0
Nihonjinafter 3.11: the construction of Japaneseness in times of national crisis	0
Neoliberalism and the undead gothic subject in Daybreakers	0

How to care about coral rubble: deep sea cameras, cinematic realism, and mourning via mediated encounter	0
A post-secular journey	0
Podcasts and political listening: sound, voice and intimacy in the Joe Rogan Experience	0
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees	0
This hashtag is just my style: popular feminism & digital fashion activism	0
Writing the Feminist Internet: a Chthonian Feminist Internet Theory for the twenty first century	0
Brian Shoesmith’s contributions to Bangladesh’s media and cultural studies	0
Precarious futures: cultural studies in pandemic times	0
Multiplicity, relationality, and petal avatars: Thatgamecompany’s Flower as an identity model	0
Visioning a queer documentary: Huang Hui-chen’s Small Talk	0
Some reflections on Tom O’Regan’s “Some Reflections on the ‘Policy Moment’”	0
The diaspora queers back: reflections on rebetology and zine-making	0
Cultural Studies and critical allyship in the settler colonial academe	0
A pandemic of creative loneliness	0
Field recordings as invitation and transportation	0
Register phenomena as international news: risk, register, and translation in Japanese coverage of quotes from the 2020 US presidential debate	0
Getting research funded: five essential rules for early career researchers Getting research funded: five essential rules for early career researchers , by Tseen Khoo, Ph	0
Post-cultural revolution Chinese cinema of betrayal: the figure of the collaborator and the doubling paradigm	0
Celebrating 30 years of the CSAA	0
The Rassemblement National on social media: the online rewards of gendered political speech for radical right politicians	0
Lesbian separatism and identity development: making space for themselves	0
Fear and posting in Nepal: countering spectacles of fear through everyday social media practices	0
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic	0
Terror: live	0
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis	0
Introduction: digital cultures and acts of refusal, secrecy and power across privacy-enhancing technologies	0
Making bodies, craft skills and the legacies of policy ‘blokeism’	0
Intimatopias and the queering of Australian war fiction	0
Migration and immigration in Europe and its edges	0
Theory for the world to come: speculative fiction and apocalyptic anthropology	0
Feminism and the politics of resilience: essays on gender, media and the end of welfare	0
Flying cars and bigots: projecting post-COVID-19 worlds through the atlas of the civic imagination as refuge for hope	0
Contemporary drag practices and performers: drag in a changing scene volume 1	0
Binge-watching: Cultural Studies and developing critical literacy in the age of surveillance capitalism	0
It’s New, it’s revolutionary, and it’s modern. Vietnamese indie music in the age of digital streaming platforms	0
Asylum-seeker emergency and third spaces in the Inspector Montalbano TV series	0
Affect, sibling bonds and childhood sexual abuse in Shame and The War Zone	0
Underrated, overlooked, suppressed, discarded: canonical discourse and 1980s rock music from Australia and New Zealand	0
Corridor talk: conversing with Tom O’Regan	0
Mental and social scotoma represented and worked through in the television series Our Boys (Levi, Ceder and Abu-Wael 2019)	0
Mapping fairy-tale space: pastiche and metafiction in borderless tales	0
The cosmopolitics of food futures: imagining nature, law, and apocalypse	0
Gestures of concern	0
Notes on Transkids: an affirmative feminist study of transgender boyhood in Israel’s sexual modernity	0
‘This felt more like a conversation’: challenging gender norms in electronic music production through alternative education programs	0
Race and the suburbs in American film	0
Introduction	0
Industry dialogue: navigating complexity in the future of fashion	0
Book publicists and the labour of cultural intermediation	0
Happy Valley	0
‘Amit, wake up’: indigenization, gender and Taiwanese pop star Chang Hui-mei’s music	0
Vampiric love: Autoimmunization, Romanticism and sacrifice in F.W. Murnau’s Nosferatu	0
What’s the use?: on the uses of use	0
Indigenous Cinema, the camera ashore, andHouse Made of Dawn	0
Expectation and anticipation: research assemblages for elections	0
LGBTQA+ allies and activism: past, present and future perspectives	0
Southeast Asian Shapeshifters in the age of streaming: minor transnationalism, horror and reimagining MUBI in Malaysia	0
Re-discovering the Australian Multicultural Literature Collection: an interview with Sneja Gunew	0
Youth arts as popular education: Cultural Studies at the edges of the creative industries	0
Beyond a queer utopia: interrogating misogyny in transnational boys love media	0
Vive la république européenne? Reading The European Balcony Project as artistic counter-public	0
Climate nags: Affect and the convergence of global risk in online networks	0
Handshakes and hashtags: how changing social interactions make us feel awkward	0
When the online backs the street – the making of digitized political emotion: a case study of the Romanian anti-government protests	0
Fatalist attraction: structure of feeling in great recession fiction	0
Translation of deconstructivism in the Romanian post-communist transition interval	0
Commercializing desire for platform economics: digital romance in China’s platformization age	0
Complicit masculinity and the serialization of violence: notes from Australian cinema	0
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses	0
CSAA 30 th anniversary and continuum	0
‘Go sharp or go home’: the competitive subcultural practices of historical Australian youth culture known as ‘Sharpies’	0
Writing precariously: branching narratives, command, and fictive agency in risk society	0
Coming out in a ‘faux-lesbian comedy’: authenticity and queer identity in MTV’sFaking it	0
Some reflections on the ‘policy moment’	0
Wogs as work: humour as ethnic entrepreneurship and convivial labour	0
Hermeneutic theory: Malaysian practices	0
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan	0
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED	0
Not suiting the bureau: Tom O’Regan’s early work	0
Seeking connections across constellations: a reflection on Tom O’Regan	0
Cannibalizing collective memory: Chinese history and political consciousness in Tsui Hark’sThe Taking of Tiger Mountain	0
Kids and gigs: mediated constructions of parental identities and popular music concerts	0
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder	0
Harold A. Innis, Asian media and dependency theory: remembering the work of Brian Shoesmith	0
Creative is not always lucrative: how grassroots film communities defy the ‘creativisation of culture’ in post-authoritarian Indonesia	0
Fake histories? Original bands, contemporary formations and Little River Band	0
From ‘exorcism’ to engagement: the private sphere of perpetratorship in twenty-first century South African documentary film	0
Afterword: The fake and the authentic	0
Archives and autographics: reanimating diaspora in the Transpacific	0
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram	0
Birth Family Search (Part 1)	0
The electrified social and its dark alternatives: policing and politics in the computational age	0
Vampiric transformations: the popular politics of the (post) romantic vampire	0
From broadcast media to distributed systems – John Hartley’s ‘cultural science’ and the future of ‘old’ cultural studies	0
‘I Blame House Hunters’: How real estate agents use property TV to manage clients and establish expertise	0