Continuum-Journal of Media & Cultural Studies

Papers
(The TQCC of Continuum-Journal of Media & Cultural Studies is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Correction27
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)16
Chinese-language digital news media in Australia: new narratives of hybrid identities15
Community as the material basis of creative citizenship in Taiwan and Hong Kong14
A state against boys’ love? Reviewing the trajectory of censorship over danmei12
‘I Blame House Hunters ’: How real estate agents use property TV to manage clients and establish expertise11
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’11
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’10
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson10
Mental and social scotoma represented and worked through in the television series Our Boys (Levi, Ceder and Abu-Wael 2019)9
Some reflections on the ‘policy moment’9
Youth arts as popular education: Cultural Studies at the edges of the creative industries9
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic8
Lifestyle, opportunity and attraction images: real estate platforms and the digital remediation of space8
Out of thin air: emerging Muslim fashion entrepreneurs and the spectre of labour in Indonesia8
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan8
Producing multiculturalism: casting and editing migrants in Korean reality television8
Guilt and migrant experience in Australia: narratives of happiness and hatred8
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand8
Afterword: troubling the dark social7
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’6
Critical data provenance as a methodology for studying how language conceals data ethics6
Fake histories? Original bands, contemporary formations and Little River Band6
Media portrayals of binational couples in 90 Day Fiancé6
‘Pioneers of culture’: Australian natural history and the German colonial imaginary5
Fatalist attraction: structure of feeling in great recession fiction5
Is there a ‘theory of learning’ for Cultural Studies and is it (still) relevant in an era of surveillance capitalism?5
Precarious love of eSports players in China: work-and-play amidst love and precarity5
Terror: live5
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries5
Critiquing cultural appropriation, building community: desi online activism on Tumblr shame blogs and #reclaimthebindi5
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED4
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum4
Correction4
Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making4
Jack Johnson’s quiet activism4
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness4
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures4
Account-sharing programme: beyond piracy streaming platforms in Indonesia4
XR support in the frame: the creative extended reality ecosystem in Australia4
Shaping old media on new media: vinyl revival and its representation on Chinese social media3
Introduction: media and fakery3
Field recordings as invitation and transportation3
The diaspora queers back: reflections on rebetology and zine-making3
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China3
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder3
Failure to thrive: incels, boys and feminism3
Longing and belonging: narratives by two Asian North American auto-graphic artists3
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme3
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art3
A moving view: an introduction to Our Sentimental Natures3
Beyond the spectacle: everyday witnessing for we that are here3
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan2
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation2
Contemporary drag practices and performers: drag in a changing scene volume 12
Indonesian critiques of the new musical system2
Feminism and the politics of resilience: essays on gender, media and the end of welfare2
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk2
‘What awaits us’: the life-worlds of post-war migration2
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media2
Stranger Things: boys and feminism2
LGBTQA+ allies and activism: past, present and future perspectives2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II2
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media2
The ‘poietic’ turn: creative arts research in the academy2
Reconstituting teachers’ professional knowledge: using Cultural Studies to rethink multicultural education2
Being your own aesthetic boss: practising independence within the Central Sydney independent music scene’s cultural economy2
Introduction: digital cultures and acts of refusal, secrecy and power across privacy-enhancing technologies2
Cultural Studies and critical allyship in the settler colonial academe2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses2
Sex in the time of coronavirus: queer men negotiating biosexual citizenship during the COVID-19 pandemic2
Re-reading Personal Influence in an age of social media2
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers2
Conspiracy Theories in the Time of Covid-192
Coming out in a ‘faux-lesbian comedy’: authenticity and queer identity in MTV’s Faking it2
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