Continuum-Journal of Media & Cultural Studies

Papers
(The TQCC of Continuum-Journal of Media & Cultural Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Correction46
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’41
A state against boys’ love? Reviewing the trajectory of censorship over danmei21
Anime’s Knowledge Cultures: Geek, Otaku, Zhai16
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)11
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’11
Seven Versions of an Australian Badland and two films: Jindabyne and The Drover’s Wife: The Legend of M10
Community as the material basis of creative citizenship in Taiwan and Hong Kong9
Soft infrastructural visibility and the rhythms of queer media in Hong Kong8
The politics and infrastructures of affect in the ‘battle’: making responsible bodies in the early COVID-19 pandemic8
“An active and generative process”: encountering death with Ross Gibson8
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson7
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand6
Guilt and migrant experience in Australia: narratives of happiness and hatred6
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media6
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic5
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan5
When I grow up, I want to be nothing at all : opacity, friction, refusal, and third-wave emo performances of nonbinary5
‘Orlando in Oxbridge’ (for Virginia Woolf)4
Nonbinary and the limits of gender-affirming medical care: towards gender-negative care4
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries4
Youth arts as popular education: Cultural Studies at the edges of the creative industries4
Bronze and scarlet: the material culture of commemoration4
‘Every memory-soaked element in this lively landscape’: Ross Gibson’s fictive speculations4
Terror: live4
Dreaming Down the Track: Awakenings in Aboriginal Cinema4
Sport has never been binary: fragments of a provocation4
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok4
Algorithms, affordances and the ambiguity of credit on TikTok4
The ethics of welcome in place: LGBTQ+ migrants to South Australia4
Restricting young people from digital platforms in Australia: the experience of digital harms and freedom of expression in community support for youth social media age bans3
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum3
Ancestors on motorbikes: cosmic rays bring retribution3
Jack Johnson’s quiet activism3
“End your weekend”: populism, identity, and the politics of energy transition assemblages in Australia3
Fatalist attraction: structure of feeling in great recession fiction3
Charger rage, digital vigilantism, and the cultural politics of EV infrastructure3
Account-sharing programme: beyond piracy streaming platforms in Indonesia3
Shaping old media on new media: vinyl revival and its representation on Chinese social media3
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED3
Precarious love of eSports players in China: work-and-play amidst love and precarity3
‘Pioneers of culture’: Australian natural history and the German colonial imaginary3
Digital mediascapes and cultural transformation: youth identity formation in Tunisia’s post-revolutionary digital sphere3
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness3
Animal activism on and off screen2
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art2
Asian celebrity cultures in the digital age2
Between the superhero and the supercrip: Deaf Gain, exceptionalism and normality in contemporary film and television2
Field recordings as invitation and transportation2
Beyond the spectacle: everyday witnessing for we that are here2
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China2
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures2
A moving view: an introduction to Our Sentimental Natures2
Correction2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II2
Transforming the ‘tart with the cart’: re-imagining the statue of Molly Malone in Ireland’s cultural memory2
Indonesian critiques of the new musical system2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder2
TikTok’s tools: The politics of platform tools for cultural production2
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme2
The diaspora queers back: reflections on rebetology and zine-making2
Introduction: media and fakery2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses2
LGBTQA+ allies and activism: past, present and future perspectives2
Special issue introduction: reflecting on TikTok creators and digital economies2
Single mothers as ‘imperfect-resilient’ subjects and their entrepreneurial narratives on TikTok2
After mass media: storytelling for microaudiences in the twenty-first century2
Longing and belonging: narratives by two Asian North American auto-graphic artists2
XR support in the frame: the creative extended reality ecosystem in Australia2
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk1
Commercializing desire for platform economics: digital romance in China’s platformization age1
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation1
The practices of care: extinction and de-colonization in the natural history museum1
Precarious encounters: queer politics and dispossessed straight men on a Chinese online forum1
Between commodification and politicization: the social invention of Bella Ciao1
Celebrating 30 years of the CSAA1
This non-binary body as protest1
A streaming generation? Interrogating assumptions about young-adult audiences, content discovery, and engagement with broadcast television1
The viral turn: rethinking virality in the creator economy on TikTok1
(Un)happy objects in the South Korean plastic surgery reality television Let Me In (2011–2015) and the Escape the Corset Movement1
Towards ethics of care: exploring eco-identities of men in Life of Pi and Sherdil1
Correction1
Film as ‘prosthetic memory’: Chinese mainland audiences’ reconstruction of historical memory through the Taiwanese film “ A City of Sadness ”1
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling1
Wet dreams: eco-subjectivity, mineral washing, and the cultural politics of electric mobility1
Sounding otherwise: sensory politics and platform resistance in Chinese blind podcasting1
The ‘poietic’ turn: creative arts research in the academy1
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan1
Climate nags: Affect and the convergence of global risk in online networks1
Conspiracy Theories in the Time of Covid-191
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)1
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood1
Co-creating stories for social innovation: a dialogic reflection of narrative Futuring and Cinema del Pueblo1
Birth Family Search (Part 1)1
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram1
Self-presentation of grey-haired influencers on TikTok: active ageing in China1
Modernity and indigeneity: Australian self-representation at the Osaka expositions of 1970 and 20251
“The algorithm loves the war”: ambivalent visibility in content creator practices during war1
Culture in practice1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site1
‘What awaits us’: the life-worlds of post-war migration1
Cult baby: I am monster1
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers1
Correction1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history1
Fringe to famous1
Introduction to the Ross Gibson memorial issue1
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)1
Nonbinary on screen (on stolen Land): reading television representations for the colonial project of gender1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction1
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis1
#Runningupthathill, revival and popular music fandom on TikTok1
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada1
Transnational suburbia: suburban settings in Australian video games1
Assaying landscape, sensation and knowledge in Ross Gibson’s academic essays1
Imagining utopian futures in the present using nonbinary self-portraiture1
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media1
Searching for belonging in exile: rohingya refugees, religion and media narratives1
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