Continuum-Journal of Media & Cultural Studies

Papers
(The TQCC of Continuum-Journal of Media & Cultural Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history27
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)15
Unearthing the code of Gondwana VR12
Underrated, overlooked, suppressed, discarded: canonical discourse and 1980s rock music from Australia and New Zealand11
‘We can sh*t for another 10 years.’ Toilet paper, pandemic politics and cultural citizenship11
Resisting division: migrant sex work and “New Zealand working girls”11
Migrant placemaking and authorship: digital storytelling by Chinese interprovincial students9
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art9
Indigenous Cinema, the camera ashore, and House Made of Dawn9
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis8
Correction8
Caring for clothes: how and why people maintain garments in regular use8
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees7
English teaching and media education: the (lost) legacies of Cultural Studies7
Birth Family Search (Part 1)7
Race and the suburbs in American film7
Art-making for political ecology: practice, poetics and activism through enchantment6
Happy Valley6
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’5
On becoming a queer educator: reflections on queer perspectives and approaches in initial teacher education5
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder5
Chinese-language digital news media in Australia: new narratives of hybrid identities4
Indonesian critiques of the new musical system4
Modifications of R: how the virtual comes to matter in VR, XR and MR art and performance4
Citizenship and neoliberalism: pandemic horror in Latin America4
Field recordings as invitation and transportation4
Dark, clear or brackish? Using Reddit to break down the binary of the dark and clear web4
Vive la république européenne? Reading The European Balcony Project as artistic counter-public4
Pandemic citizenship: introduction4
A moving view: an introduction to Our Sentimental Natures4
Adapting European heritage: Bernardine Evaristo’s Soul Tourists (2005) and Omar Victor Diop’s Project Diaspora (2014)4
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’3
Correction3
The Rassemblement National on social media: the online rewards of gendered political speech for radical right politicians3
‘Go sharp or go home’: the competitive subcultural practices of historical Australian youth culture known as ‘Sharpies’3
Correction3
The colonial project of gender: trans joy, queerness in practice, coloniality in turmoil3
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom3
Translation of deconstructivism in the Romanian post-communist transition interval3
‘The queer pedagogical encounter: a continuum of futures’, introduction to ‘In Queer Minds’ special issue3
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling3
‘I Blame House Hunters’: How real estate agents use property TV to manage clients and establish expertise3
Coping with the ‘double bind’ through vlogging: pandemic digital citizenship of Chinese international students3
Climate change and SIDS in the transpacific region: flows of people, capital and goods3
Overcoming ‘confirmation bias’ and the persistence of conspiratorial types of thinking2
The web series: empowering diversity on the Australian screen2
Culture in practice2
A post-secular journey2
Guilt and migrant experience in Australia: narratives of happiness and hatred2
Proud to be not beautiful: navigating affects in the rebellious body project of Chinese TuoMeiYi feminism2
Archives and autographics: reanimating diaspora in the Transpacific2
Representations of Swedish ‘gangster rap’ in contemporary media – Exploring dimensions of public pedagogy2
‘Zero dollars and zero cents’: resourcefulness and DIY music scenes in rural and regional South Australia2
Industry dialogue: navigating complexity in the future of fashion2
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses2
Creative is not always lucrative: how grassroots film communities defy the ‘creativisation of culture’ in post-authoritarian Indonesia2
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)2
The practices of care: extinction and de-colonization in the natural history museum2
A state against boys’ love? Reviewing the trajectory of censorship over danmei2
Back catalogue touring and the ephemeral archive: personal memory and popular music heritage2
The darker turn of intimate machines: dark webs and (post)social media2
Streaming platform imaginaries: audiences and Southeast Asian streaming2
Feedback, difference, and remediation: post-war Taiwanese covers of Shanghai shidaiqu1
Representing Aboriginal Childhood: The politics of memory and forgetting in Australia1
Transnational suburbia: suburban settings in Australian video games1
LGBTQA+ allies and activism: past, present and future perspectives1
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic1
Contemporary drag practices and performers: drag in a changing scene volume 11
Ungrievable lives and the ensemble of opinions1
Stranger Things: boys and feminism1
Anatomy of a film industry Redux: Notes on the West Australian case (1969–1993)1
Provocation in women’s filmmaking: authorship and art cinema1
Notes on Transkids: an affirmative feminist study of transgender boyhood in Israel’s sexual modernity1
Cyborg, goddess, or magical girl/heavenly woman? Rethinking gender and technology in science education via Ghost in the Shell1
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson1
Transgression, resistance and independent art in contemporary russia1
Communities, connections, and careers: building personal and professional networks through community media work1
Figured actions in the Transformers action figure, nonnormative positivism, disability, and transformation1
‘Just like us’: community radio broadcasters and the on-air performance of community identity1
Writing the Feminist Internet: a Chthonian Feminist Internet Theory for the twenty first century1
Some reflections on the ‘policy moment’1
Cultural Studies and critical allyship in the settler colonial academe1
Youth arts as popular education: Cultural Studies at the edges of the creative industries1
Deliberation through contestation: EU investments in cultural and artistic spaces beyond the EU1
Introduction: digital cultures and acts of refusal, secrecy and power across privacy-enhancing technologies1
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand1
Media portrayals of binational couples in 90 Day Fiancé1
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media1
Lifestyle, opportunity and attraction images: real estate platforms and the digital remediation of space1
#Runningupthathill, revival and popular music fandom on TikTok1
Mental and social scotoma represented and worked through in the television series Our Boys (Levi, Ceder and Abu-Wael 2019)1
Between commodification and politicization: the social invention of Bella Ciao1
Spectacularisation of ‘madness’ and the sugarcoated discourse of care in Indonesian social media: a dispositive analysis1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia1
Producing multiculturalism: casting and editing migrants in Korean reality television1
Engendering ethics: recognition and inclusion of intersectional identities in queer communities when conducting population survey research1
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II1
Asylum-seeker emergency and third spaces in the Inspector Montalbano TV series1
Biscuit production and consumption as war re-enactment1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)1
Feminism and the politics of resilience: essays on gender, media and the end of welfare1
Shedding light on ‘dark’ ads1
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation1
Sex in the time of coronavirus: queer men negotiating biosexual citizenship during the COVID-19 pandemic1
The production of girls’ love narrative in Couple of Mirrors (2021) through transmedia storytelling in contemporary China1
Describing, knotting, tying: developing emerging media documentary in a creative accelerator context1
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