Continuum-Journal of Media & Cultural Studies

Papers
(The TQCC of Continuum-Journal of Media & Cultural Studies is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Seven Versions of an Australian Badland and two films: Jindabyne and The Drover’s Wife: The Legend of M50
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)22
Correction17
Community as the material basis of creative citizenship in Taiwan and Hong Kong14
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’14
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’13
A state against boys’ love? Reviewing the trajectory of censorship over danmei11
Anime’s Knowledge Cultures: Geek, Otaku, Zhai11
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson10
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media9
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan8
Guilt and migrant experience in Australia: narratives of happiness and hatred8
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic8
Soft infrastructural visibility and the rhythms of queer media in Hong Kong8
“An active and generative process”: encountering death with Ross Gibson7
Dreaming Down the Track: Awakenings in Aboriginal Cinema6
When I grow up, I want to be nothing at all : opacity, friction, refusal, and third-wave emo performances of nonbinary6
Youth arts as popular education: Cultural Studies at the edges of the creative industries6
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand6
‘Orlando in Oxbridge’ (for Virginia Woolf)6
Bronze and scarlet: the material culture of commemoration5
Algorithms, affordances and the ambiguity of credit on TikTok5
The politics and infrastructures of affect in the ‘battle’: making responsible bodies in the early COVID-19 pandemic5
‘Told you to ask questions in English!’: shame as a gatekeeping affect in Mainland China’s English-language stand-up comedy5
Fatalist attraction: structure of feeling in great recession fiction4
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’4
“End your weekend”: populism, identity, and the politics of energy transition assemblages in Australia4
Precarious love of eSports players in China: work-and-play amidst love and precarity4
Sport has never been binary: fragments of a provocation4
‘Pioneers of culture’: Australian natural history and the German colonial imaginary4
‘Every memory-soaked element in this lively landscape’: Ross Gibson’s fictive speculations4
The ethics of welcome in place: LGBTQ+ migrants to South Australia4
Nonbinary and the limits of gender-affirming medical care: towards gender-negative care4
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok4
Terror: live3
Correction3
Jack Johnson’s quiet activism3
Longing and belonging: narratives by two Asian North American auto-graphic artists3
Digital mediascapes and cultural transformation: youth identity formation in Tunisia’s post-revolutionary digital sphere3
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness3
Restricting young people from digital platforms in Australia: the experience of digital harms and freedom of expression in community support for youth social media age bans3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum3
XR support in the frame: the creative extended reality ecosystem in Australia3
The diaspora queers back: reflections on rebetology and zine-making3
Shaping old media on new media: vinyl revival and its representation on Chinese social media3
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED3
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries3
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures3
Ancestors on motorbikes: cosmic rays bring retribution3
Account-sharing programme: beyond piracy streaming platforms in Indonesia3
Charger rage, digital vigilantism, and the cultural politics of EV infrastructure3
Field recordings as invitation and transportation2
Indonesian critiques of the new musical system2
Single mothers as ‘imperfect-resilient’ subjects and their entrepreneurial narratives on TikTok2
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme2
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China2
Asian celebrity cultures in the digital age2
Searching for belonging in exile: rohingya refugees, religion and media narratives2
Wet dreams: eco-subjectivity, mineral washing, and the cultural politics of electric mobility2
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses2
Between the superhero and the supercrip: Deaf Gain, exceptionalism and normality in contemporary film and television2
Animal activism on and off screen2
Hybrid futures and white nostalgia: Kamala Harris in the age of Trump2
Beyond the spectacle: everyday witnessing for we that are here2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film2
Transforming the ‘tart with the cart’: re-imagining the statue of Molly Malone in Ireland’s cultural memory2
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media2
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers2
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II2
A moving view: an introduction to Our Sentimental Natures2
Special issue introduction: reflecting on TikTok creators and digital economies2
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art2
TikTok’s tools: The politics of platform tools for cultural production2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder2
After mass media: storytelling for microaudiences in the twenty-first century2
The ‘poietic’ turn: creative arts research in the academy2
Cult baby: I am monster2
Sounding otherwise: sensory politics and platform resistance in Chinese blind podcasting2
LGBTQA+ allies and activism: past, present and future perspectives2
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk2
0.090883016586304