Continuum-Journal of Media & Cultural Studies

Papers
(The TQCC of Continuum-Journal of Media & Cultural Studies is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Community as the material basis of creative citizenship in Taiwan and Hong Kong27
Correction16
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)15
A state against boys’ love? Reviewing the trajectory of censorship over danmei14
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’13
‘I Blame House Hunters ’: How real estate agents use property TV to manage clients and establish expertise11
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’11
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan10
Chinese-language digital news media in Australia: new narratives of hybrid identities10
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand10
Youth arts as popular education: Cultural Studies at the edges of the creative industries10
Lifestyle, opportunity and attraction images: real estate platforms and the digital remediation of space9
Guilt and migrant experience in Australia: narratives of happiness and hatred9
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic9
Producing multiculturalism: casting and editing migrants in Korean reality television8
Afterword: troubling the dark social8
Mental and social scotoma represented and worked through in the television series Our Boys (Levi, Ceder and Abu-Wael 2019)8
Out of thin air: emerging Muslim fashion entrepreneurs and the spectre of labour in Indonesia8
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson8
Critical data provenance as a methodology for studying how language conceals data ethics7
Fake histories? Original bands, contemporary formations and Little River Band7
Media portrayals of binational couples in 90 Day Fiancé7
Critiquing cultural appropriation, building community: desi online activism on Tumblr shame blogs and #reclaimthebindi6
Terror: live6
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries5
Fatalist attraction: structure of feeling in great recession fiction5
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED5
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’5
‘Pioneers of culture’: Australian natural history and the German colonial imaginary5
Precarious love of eSports players in China: work-and-play amidst love and precarity5
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok5
Is there a ‘theory of learning’ for Cultural Studies and is it (still) relevant in an era of surveillance capitalism?5
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness4
Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making4
Account-sharing programme: beyond piracy streaming platforms in Indonesia4
The diaspora queers back: reflections on rebetology and zine-making4
Jack Johnson’s quiet activism4
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures4
Correction4
XR support in the frame: the creative extended reality ecosystem in Australia4
Introduction: media and fakery3
Beyond the spectacle: everyday witnessing for we that are here3
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art3
A moving view: an introduction to Our Sentimental Natures3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum3
Longing and belonging: narratives by two Asian North American auto-graphic artists3
Failure to thrive: incels, boys and feminism3
Field recordings as invitation and transportation3
Shaping old media on new media: vinyl revival and its representation on Chinese social media3
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme3
Indonesian critiques of the new musical system3
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China3
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film2
Feminism and the politics of resilience: essays on gender, media and the end of welfare2
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk2
Reconstituting teachers’ professional knowledge: using Cultural Studies to rethink multicultural education2
Flying cars and bigots: projecting post-COVID-19 worlds through the atlas of the civic imagination as refuge for hope2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses2
Cultural Studies and critical allyship in the settler colonial academe2
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media2
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan2
‘What awaits us’: the life-worlds of post-war migration2
Introduction: digital cultures and acts of refusal, secrecy and power across privacy-enhancing technologies2
Conspiracy Theories in the Time of Covid-192
Being your own aesthetic boss: practising independence within the Central Sydney independent music scene’s cultural economy2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II2
LGBTQA+ allies and activism: past, present and future perspectives2
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation2
Sex in the time of coronavirus: queer men negotiating biosexual citizenship during the COVID-19 pandemic2
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers2
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media2
Self-presentation of grey-haired influencers on TikTok: active ageing in China2
The ‘poietic’ turn: creative arts research in the academy2
Stranger Things: boys and feminism2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder2
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