Continuum-Journal of Media & Cultural Studies

Papers
(The TQCC of Continuum-Journal of Media & Cultural Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-10-01 to 2025-10-01.)
ArticleCitations
The Nutbush Dance Reframed: further analysis related to ‘Doing the Nutbush’32
Seven Versions of an Australian Badland and two films: Jindabyne and The Drover’s Wife: The Legend of Molly Johnson21
Correction16
The complexities of home and belonging in the Gulf-Malayalee experience: a close reading of Salim Ahamed’s Pathemari (2015)15
A state against boys’ love? Reviewing the trajectory of censorship over danmei14
Community as the material basis of creative citizenship in Taiwan and Hong Kong12
Moving beyond deficit media figurations of young people: troubling the contemporary ‘youth crime crisis’12
‘I Blame House Hunters ’: How real estate agents use property TV to manage clients and establish expertise11
Guilt and migrant experience in Australia: narratives of happiness and hatred11
Digital infrastructure, ultra-fast broadband, and citizenship in the Gigatown competition in the South Island, Aotearoa New Zealand10
Producing multiculturalism: casting and editing migrants in Korean reality television9
Contesting electric vehicles: agonism, antagonism and conjunctural politics in digital participatory media8
State-sponsored stigma and discrimination: female Indonesian migrants in Hong Kong during the pandemic8
Youth arts as popular education: Cultural Studies at the edges of the creative industries7
“An active and generative process”: encountering death with Ross Gibson7
Lifestyle, opportunity and attraction images: real estate platforms and the digital remediation of space6
Algorithms, affordances and the ambiguity of credit on TikTok6
Thai Boys Love drama fandom as a transnational and trans-subcultural contact zone in Japan6
Nonhuman witnessing: war, data, and ecology after the end of the world, by Michael Richardson6
Witnessing the 2023 earthquakes in Turkey through YouTube documentaries5
Fake histories? Original bands, contemporary formations and Little River Band5
Out of thin air: emerging Muslim fashion entrepreneurs and the spectre of labour in Indonesia5
Terror: live5
Neoliberal feminism with Chinese characteristics: alternative self-representations of female PhDs on RED5
Critiquing cultural appropriation, building community: desi online activism on Tumblr shame blogs and #reclaimthebindi5
“End your weekend”: populism, identity, and the politics of energy transition assemblages in Australia5
Precarious love of eSports players in China: work-and-play amidst love and precarity4
‘Pioneers of culture’: Australian natural history and the German colonial imaginary4
Exploring biracial identities and experiences through the #biracialproblems hashtag on TikTok4
Vocal renewal, revision and revival in Annie Lennox’s 2021 cover of ‘Why’4
Is there a ‘theory of learning’ for Cultural Studies and is it (still) relevant in an era of surveillance capitalism?4
Fatalist attraction: structure of feeling in great recession fiction4
Performing whiteface in contemporary Senegal: mimicry, self-censorship and the disruption of postcolonial whiteness3
The communist empty signifier: the Australian League of Rights and the Voice to Parliament referendum3
Playing with misinformation, lying with truth: satirical conspiracy theories and sacred seriousness of play in online imageboard cultures3
The diaspora queers back: reflections on rebetology and zine-making3
Relocating sustainable fashion: intercultural reciprocity in ‘more than local’ fashion-making3
Ancestors on motorbikes: cosmic rays bring retribution3
Account-sharing programme: beyond piracy streaming platforms in Indonesia3
Longing and belonging: narratives by two Asian North American auto-graphic artists3
Correction3
XR support in the frame: the creative extended reality ecosystem in Australia3
Jack Johnson’s quiet activism3
Shaping old media on new media: vinyl revival and its representation on Chinese social media3
Special issue introduction: reflecting on TikTok creators and digital economies2
Charger rage, digital vigilantism, and the cultural politics of EV infrastructure2
Online feminist stand-up comedy: an emerging affective-discursive intervention on gender in China2
Field recordings as invitation and transportation2
Animal activism on and off screen2
LGBTQA+ allies and activism: past, present and future perspectives2
Nationalism and heroism with Chinese characteristics: a critical discourse analysis of Wolf Warrior II2
Cultural Studies and critical allyship in the settler colonial academe2
Indonesian critiques of the new musical system2
Rape and Revenge (2017): the male gaze and fourth wave feminist rage in rape-revenge film2
Embedded in this modern fast-paced society … can we hear silence? Analysing the presence of silence in a radio programme2
A moving view: an introduction to Our Sentimental Natures2
Beyond the spectacle: everyday witnessing for we that are here2
Feminism and the politics of resilience: essays on gender, media and the end of welfare2
Sex in the time of coronavirus: queer men negotiating biosexual citizenship during the COVID-19 pandemic2
Body of evidence: conspiracy, masculinity and otherness in ‘QAnon shaman’ meme discourses2
Transforming the ‘tart with the cart’: re-imagining the statue of Molly Malone in Ireland’s cultural memory2
Living ghosts and the Laapata : the episode of genocide continuum in Pakistani art2
TikTok’s tools: The politics of platform tools for cultural production2
Introduction: media and fakery2
Single mothers as ‘imperfect-resilient’ subjects and their entrepreneurial narratives on TikTok2
Mortality, moral regulation, and (im)moral entrepreneurship in My Favorite Murder2
Cheerful dissensus: Almighty satirical poetry columns in neoliberalist Japan2
“Lie Flat”– Chinese youth subculture in the context of the pandemic and national rejuvenation2
Fakery as a process of negotiation: understanding the information assessment and sharing behaviours of the marginalized elderly on social media2
Coming out in a ‘faux-lesbian comedy’: authenticity and queer identity in MTV’s Faking it1
Conspiracy Theories in the Time of Covid-191
Who is ‘married donkey’? Investigating a neoliberal and dominant feminist discourse on Chinese social media1
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers1
Transnational suburbia: suburban settings in Australian video games1
Shifting from top-down to bottom-up nationalism: an analysis of YouTube speeches from the 2016/17 candlelight revolution in South Korea1
Everybody’s crisis? Critiques and limitations of humanitarian mapping during COVID-191
Correction1
In pursuit of happiness: motivations for urban to rural migration in Turkey1
“Fertility fear” on Chinese social media: The disciplined female reproductive bodies and resistance towards motherhood1
“The algorithm loves the war”: ambivalent visibility in content creator practices during war1
Digital intimacy performed in celebrity voice tweets: forging authenticity amid context collapse1
Film as ‘prosthetic memory’: Chinese mainland audiences’ reconstruction of historical memory through the Taiwanese film “A City of Sadness”1
Birth Family Search (Part 1)1
Fringe to famous1
Breaking the “chain of contempt”: distinction and taste in Chinese social media fandom1
Commercializing desire for platform economics: digital romance in China’s platformization age1
Live streaming funerals: constructing togetherness and belonging in the mediatization era1
Self-presentation of grey-haired influencers on TikTok: active ageing in China1
Flying cars and bigots: projecting post-COVID-19 worlds through the atlas of the civic imagination as refuge for hope1
The ‘poietic’ turn: creative arts research in the academy1
Journalism from the bottom: capture by mythical intelligentsia versus resistance of fisherfolk1
Diminished ambiguity: the transformation of masculinity from Chinese videogames to their fan-fiction1
Culture in practice1
Migration and immigration in Europe and its edges1
Introduction to the Ross Gibson memorial issue1
Birds as buddies: the politics of sentimentality in the Birds in backyards (Australia) Facebook site1
Making bodies, craft skills and the legacies of policy ‘blokeism’1
Climate nags: Affect and the convergence of global risk in online networks1
Thinking, recounting: the first Australian Screen Studies Association Conference (1982)1
Revaluing the Eros Collection for Australian cultural histories1
The practices of care: extinction and de-colonization in the natural history museum1
Art-making for political ecology: practice, poetics and activism through enchantment1
Japanese City Pop and Gen Z in the US: happy, calm, and automated nostalgia1
Ghosts of eugenics’ past: ‘Childhood’ as a target for whitening race in the United States and Canada1
Digital performance at the side stage: the communicative practices of classical musicians and music hobbyists on Instagram1
Reconstituting teachers’ professional knowledge: using Cultural Studies to rethink multicultural education1
Assaying landscape, sensation and knowledge in Ross Gibson’s academic essays1
‘What awaits us’: the life-worlds of post-war migration1
Wet dreams: eco-subjectivity, mineral washing, and the cultural politics of electric mobility1
Correction1
Secularism, decoloniality and the veil: Kutlug Ataman and Cigdem Aydemir on hair and veiling1
Bodily surveillance: Singapore’s COVID-19 app and technological opportunism1
Celebrating 30 years of the CSAA1
Towards ethics of care: exploring eco-identities of men in Life of Pi and Sherdil1
Market miracle and national image: government promotion and nationalist transformation in Black Myth: Wukong and Nezha 21
The cultural economy of Xiangqin : an analysis of the ‘intimate business’ on Chinese television, date-renting sites and mobile phones1
Bodies in flux, cultural studies and the current critical climate1
A streaming generation? Interrogating assumptions about young-adult audiences, content discovery, and engagement with broadcast television1
Zines of rupture: theorising migration studies using comics by racialised migrants and refugees1
Place-bound attributes in music scenes. Evolution of the independent electronica music scene in Brisbane since the mid-1980s1
Between commodification and politicization: the social invention of Bella Ciao1
Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history1
#Runningupthathill, revival and popular music fandom on TikTok1
The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis1
‘Every entry should be the last’: archiving the war and producing implicated publics in Yevgenia Belorusets’ A Wartime Diary (2022)1
Co-creating stories for social innovation: a dialogic reflection of narrative Futuring and Cinema del Pueblo1
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