Lit-Literature Interpretation Theory

Papers
(The TQCC of Lit-Literature Interpretation Theory is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
Archival and Affective Displacements: The Ethics of Self-reflexivity, Shame, and Sacrifice in J.M. Coetzee’s Life-Writing1
Chasing David Copperfield’s Memory of a Stained Glass Window: Or, Meditations on the Postsecular and Postcritical1
Complex Slasher Characters in American Basic Cable Television1
Children of the Culture Wars: Secularism, Aesthetics, and Judgments of Value in Zadie Smith’sOn Beauty0
Emerging Trends in Horror Film and Television: Part 10
The Girl with All the Gifts: Eco-Zombiism, the Anthropocalypse, and Critical Lucidity0
Inoperativity and Forgiveness in Paul Muldoon’s “Dirty Data”10
“Live in Fragments No Longer. Only Connect.”: The Alienation and Self-Restoration of the Subject in Olga Tokarczuk’s Flights0
Finding Hope in the “Radical Ordinary”: Charles Dickens’s Perspectives on Christianity inBleak HouseandLittle Dorrit0
Contemporary Gothic Horror Cinema: The Imagined Pasts and Traumatic Ghosts of Crimson Peak (2015) and The Woman in Black (2012)0
Emerging Trends in Horror Film and Television: Part 20
The Book, Meaning, and Densities of Essential Forms in J.M. Coetzee’s Foe0
Moments of Being, Moments of Nonbeing: Humanism and Posthumanism in Virginia Woolf’s “A Sketch of the Past” andTo the Lighthouse0
Natural Theology and the Revelation ofLittle Dorrit0
Anachronism in the Anthropocene: Plural Temporalities and the Art of Noticing in Ruth Ozeki’s A Tale for the Time Being0
Barack Obama’s “Drone Speech” and the Meaning of “Just War” After 9/110
Metafiction, Lexical Ostentation, and Censorship in Umezaki Haruo’s “B-tō fūbutsushi”0
The Secret History of HB-2: Bathroom Safety in the Eighteenth Century and Beyond0
The Impossibility of (Not) Serving: Sovereignty and Subjectivity throughInfernoIX0
Archives, Asylums, and Remembering Landscapes in Barry’s The Secret Scripture0
The Limit Point of Hope: Black Theology and Gloria Naylor’s the Women of Brewster Place0
Innocence, Provocation, and Moral Injury: The Problem of Discrimination in Phil Klay’s Redeployment0
Fanny’s Place in the Family: Useful Service and the Social Order inMansfield Park0
“Maimed and Naked Monks in the Bloodslaked Dust”: Augustine, Aquinas, and Cormac McCarthy on Just War0
Literary Siblings, Decoloniality, and Delinking from the State: ReadingMoby-Dickat the Open City of Ritoque, Chile0
Roads, Misogyny, and the Rape Culture in Joyce Carol Oates’ Rape: A Love Story and Cara Hoffman’s So Much Pretty0
Einfühlung Als Gemeinschaft : Edith Stein, Emotional Numbing, and Anhedonia—A Way Forward0
Jennifer Egan’s Digital Archive: A Visit from the Goon Squad, Humanism, and the Digital Experience0
Against Rights: Jeremy Bentham on Sexual Liberty and Legal Reform0
The Trouble with Talking to God: Devotional Address in Jorie Graham’s Prayer Poetry0
Reading Contemporary American Warfare with Just War Theory0
“Prior Justification”: Neo-World War II Films as Rhetorical Appeals for “Just War” in the New Millennium0
“The Comrades are Sweet, but They Never Chat, They Make Speeches All the Time”: On Laughter and Linearity in Nancy Mitford’s The Pursuit of Love0
Hierarchies of Identity and Non-Belonging: The Unimagined Community in K. H. Lim’s Written in Black0
Gastropods, Viruses, and Deep Time in The Sound of a Wild Snail Eating0
Can Postcritique Handle a “Heaven-sent” Text?: Quranic Enchantment in Mohja Kahf’sThe Girl in the Tangerine Scarfand Ayad Akhtar’sAmerican Dervish0
Reeducating The Sympathizer : Refugee Aesthetics and Intertextuality Recode the Western Canon0
The Ghosts in the Machine: Screened Reality and the Desktop Film0
Agency, Mobility, and Constraint in Neoliberal Fiction of Female Labor0
Reparative Reading and Christian Anarchism0
Psychoanalysis and the Politics of Prestige Horror0
Wrestling with the Eco-Self in John Webster's Duchess of Malfi0
“The Spirit of Martyrdom is Over”: Irony, Communication, and Indifference in Daniel Defoe’sThe Shortest Way with the Dissenters(1702)0
Speculative Formalism: Religion and Literature for a Postsecular Age0
Being Vendible: Commodification and Agency in All’s Well That Ends Well0
Contemporary Basque Horror: Legado en los huesos (2019) and the Value of Regional Readings within National Traumas0
After Peele: Get Out’s Influence on the Horror Genre and Beyond0
Defects of (Human) Nature? Cognitive Biases in Golding’s Lord of the Flies0
Sense and Sensibilityand Psychoanalysis: Jane Austen and the Kristevan Semiotic0
Vietnam Vet Noir After 9/11: Quarry,Dog Soldiers, and the Anti-Ethical Appeal of a Contemporary Subgenre0
Processes of Abjection: Toward a Marxist Theory of Horror0
“You Can’t Stop Picturing that Beautiful Handset”: The Found Phone Trope in Twenty-First-Century Media0
Structural Racism and Just War Theory in Post-World War II America: Susan Choi and Toni Morrison on Violence, Imagination, and Human Flourishing0
Introduction0
From Superhero to Tragic Hero: Rethinking Genre and Character in Ryan Coogler’sBlack Panther0
Severe Pain and Good Faith: Just War Theory’s Right Intention in the Bush-Era Torture Memos0
Speaking Fees: Capital, Colony, and Reference in China Miéville’sEmbassytown0
“Breaking the Frame:” The Role of Artmaking in Narratives of Migration and Diaspora0
Wartime for Duz and Grape-Nut Flakes: Nostalgia, Capital, and War in Don DeLillo’s “Human Moments in World War III”0
College Parochialism0
“See I Know How to Grab It”: Capturing Money in the Neoliberal Heist Film0
Man-Made Menopause and Architectural Embodiment in Herman Melville’s “I and My Chimney”0
“You Who Called Me Scout are Dead and in Your Grave”: Fathers and Daughters in Go Set a Watchman and to Kill a Mockingbird0
“Food Becomes a Measured Thing”: Family, Food, and Violence in Latina Memoir0
“The Spaces Between”: Bernadette Mayer’sMemoryand the Interstitial Archive0
Fiction Passing for Non-Fiction: (Un)Real Identity and Fake News in The Human Stain0
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