OOIR: Observatory of International Research

Papers

(The median citation count of Text and Performance Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)

Article	Citations
The stage in the page: analyzing the significance of the Nebentext in Girish Karnad’s play Hayavadana	23
The motion of invisible objects: aging queer desires	15
When the audience becomes the performer: a response to Last Words	5
Auntiethesis: annotated syllabus from UCLA's Global Auntie Studies	3
Correction	3
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other	3
And so we adapt	3
Three lessons about performance studies derived from the devised adaption Don Quixote Ugly	3
Personal narrative fiction	3
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing	3
Cracking up: Black feminist comedy in the twentieth & twenty-first century United States	2
Messy performance/s: an introduction	2
Freezing ontologies: making visible the messiness of working with theory	2
Surviving the thin line between the comic and the cosmic through a readaptation of Wild Ducks Flying Backward	2
The presence of the past: temporality, ontology, and the prehistory of performance	2
What is K-pop dance studies?	2
Is she mad, or does she joke?	2
Autoethnography, performance, and personal experience: contemplating the limits of artificial intelligence	2
Putting on a show: the queering of idealized femininity in Lana Del Rey's early work	2
“Homosexual men whose lives turned out unsuccessful”: Polish aunties in the transition era	2
Notes on Florida: a chaos narrative of everyday gay performances	2
Housekeeping as homecoming: adapting Chamber Theatre in “great time”	2
Puppets, community, and cultural intervention: political puppetry in our lives and the world	1
American cultures as transnational performance: commons, skills, traces	1
(Re)Positioning site dance: local acts, global perspectives	1

Performativity confounded: agency, resistance, and the history of politeness	1
Editor's farewell: gratitude and futures	1
Digital performance in everyday life	1
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative	1
Text and performance quarterly: in and of the humanities	1
White-expat-fans’ performing K-pop Other on YouTube	1
When hummingbirds are not enough: a response to “in sickness and health: confessions of a cowardly caregiver”	1
Tau(n)tology: Tannie Evita’s stewardship of South Africa’s national transitions	1
“It keeps us in solidarity”: embodied narrative in Chinese teacher education	0
Messy-making methods, staged encounters, and who’s performance?	0
Communication at the end of the world: affective material performativity and the nuclear danger sign	0
Bitches unleashed: performance and embodied politics in favela funk	0
Staging and intertextualizing Franz Kafka’s “in the penal colony”	0
Becoming Audrey (too): posthumanist and postdisciplinary matching in some(where?) that’s green	0
Purple brick road as a scholar-artist’s praxis: Black feminist dramatic worldmaking	0
Sexuality beyond consent: risk, race, traumatophilia	0
The Beekeeper of Aleppo: a transnational collaboration	0
Reenvisioning the need for scholarship on and from Latinidad	0
Searching for the Captain’s House	0
Depression (re)cycling: geotraumatic performance & other cosmic plot holes	0
Surface relations: queer forms of Asian American inscrutability	0
“A terrible beauty is born”: using Yeats to respond to Last Words , November 2021	0
Performing extinction stories: exploring creative responses to bee decline	0
Some(where?) that’s green: a solo performance	0
My pen-pal, TPQ	0
Laboring toward a critical methodpraxis of care	0
Spaces for which I sledge	0
Documenting Galindo/Galindo documenting	0
Critical aunty studies: an auntroduction	0
An accounting from Dr. Ahlam Muhtaseb	0
Practically Perfect	0
Moving through crisis in Mariana Valencia’s Solo B	0
The serious business of performance practice	0
A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, an	0
He Kept Me Safe: a play on intimate partner violence amongst gay and bisexual men	0
Turning archival: the life of the historical in queer studies Turning archival: the life of the historical in queer studies , by D. Marshall and Z. Tortorici, Durham, NC	0
Culturally-responsive devising as performance	0
A song for the rural South: a collaborative quare autoethnography	0
#AfricanAunties: performing diasporic digital disbelongings on TikTok	0
Figuring the aggregated aunty: netporn, metadata and South Asian aunties	0
Killjoy pedagogy and the politics of a smile	0
Writing through grief: lessons on loss and love from my teacher mother	0
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms	0
Disability works: performance after rehabilitation	0
Old tales through new images and new tales through old images: ethnography of aJambavantaru katha(narrative) performance in Telangana	0
The performativity of comedic apologies	0
Out past metonymy in the New Jewish Cemetery, Lublin	0
Auntylectuals: a nonce taxonomy of aunty-power	0
The Hundreds The Hundreds , by Lauren Berlant and Kathleen Stewart, Durham and London, Duke University Press, 2019, 173 pp., $23.95 (paperback), $99.95 (cloth), ISBN: 97	0
Jotería communication studies: narrating theories of resistance	0

Green space: disruptive performance(s) of environmental feminism	0
Listen, performance: dropping a note for a future performer	0
Unsettling performance (studies) in communication	0
Public performances as assemblages: contesting the narrative of Thailand’s 2010 crackdown	0
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-institutional performance forum	0
Miscommunication: transmission of information through The Letters of Shadow Puppets	0
Archipelagic performance	0
Performing out-of-control identity: enacting performative agency in personal narratives of seizing	0
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility	0
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man	0
Modest trickster: a response to Last Words	0
Shitsex: recontaminating queer sex and theory	0
Sound-space: a listener’s creative outcome through an acousmatic performance at the Spatial Sound Institute	0
Rated A: soft-porn, cinema and mediations of desire in India	0
Is She Mad, or Does She Joke? Mapping the digital performance piece about the Countess de Castiglione	0
Do you think I can make friends with it? Exploring performative potential of the echo through myth and Autoethnography	0
Black thoughts on Black notes	0
Inner monologues of a newbie CCPer	0
Dear Your name here	0
Adaptation as augmentation: performing writing as a means of survival	0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond	0
Glimmers amid the triggers: a response to Linda M. Park-Fuller’s In Sickness and Health: Confessions of a Cowardly Caregiver	0
Dave Chappelle’s Sticks and Stones as Black Radical Tragic comedy	0
Performing a departmental archive: half a century of performance	0
Performing Arts in Prisons: Creative Perspectives	0
How to see a superbloom	0
On the censoring of Dr. Ahlam Muhtaseb	0
Letter to the Editor	0
Becoming a manual: au(n)to-ethnography and queer performances of a Greek theía	0
The performance studies pendulum	0
At the nexus of gumption and intimacy	0
Hi, my name is __________, and I’m __________: recovering the performative we of hope and healing	0
Adapting to survive … and thrive	0
They’re just like us only fictional: an analysis on the materiality of LGBTQI+ representation	0
Exorcising heteronormative trauma with The ConVersion : queer collaboration in (autoethno)graphic performance	0
Posthumanist collaborations in performance studies: a praxis-based approach to qualitative inquiry	0
“We’re Gonna Party”: a poetic review on Joshua Chambers-Letson's After the Party: A Manifesto for Queer of Color Life	0
Amnesic performance: performing Kinau’s archival isolation on the far side of the moon	0
Towards a less perfect pedagogy	0
Revolt of the body in stillness	0
Crossing representational borders in Lola Arias’Minefield/Campo Minado	0
Queer of color (un)forgiveness: a letter on (un)productive queer relationalities and/in the Pulse nightclub shooting, familial death, sexual molestation, and performance studies	0
K-pop dance: fandoming yourself on social media K-pop dance: fandoming yourself on social media , Oh, Chuyun., London: Routledge, 2022. 194 pp.$48.95 (paperback)	0
All in A moment: the bridge to an aesthetic life	0
Affective legacies: narrating the intergenerational transmission of racial feeling in oral history interviews	0
Black and white, quare and queer: reimagining interracial dating through the Sibling Rivalry podcast	0
Amital queer: aunts, negresses, and auntie men in Dionne Brand’s “Dialectics” and Hilton AlsThe Women	0
In sickness and In health: confessions of a cowardly caregiver	0
Dear sabbatical committee: a plea, a reverie, a provocation	0
Audrey and the anthropocene: a (post?) feminist dreaming	0
Awareness, reflection and imagination: how the metatheatrical explores the self and society in contemporary storytelling	0
The performance of Last Words: a play of relational aesthetics	0
Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film	0
Space in the spotlight: a performance-centered approach to space as performer in rural cemeteries	0
A performance pedagogy of the small	0
The Countess holds me	0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack	0
Fates of the performative: From the linguistic turn to the new materialism	0
Practically practicing perfection: failure, success, and rehearsal in Practically Perfect	0
The viral politics of masks: pandemic resistance and ontological performance	0
Statement of Removal	0
A Performance studies scholar adapts	0
La Pocha Nostra: a handbook for the rebel artist in a post-democratic society	0
The complexities of care: responding to Linda Park-Fuller’s In sickness and in health	0
In regards to performance at the end of the world	0
Queer freedom : Black sovereignty	0
What performance/studies does (now)	0
The Unruly Muse	0