OOIR: Observatory of International Research

Papers

(The median citation count of Text and Performance Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
On the anguish of going: an actor’s Endgame	9
Baton Rouge SLAM! An Obituary for Summer 2016	8
The stage in the page: analyzing the significance of the Nebentext in Girish Karnad’s play Hayavadana	7
In regards to performance at the end of the world	5
A performance pedagogy of the small	4
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms	2
The performance of Last Words: a play of relational aesthetics	2
On the censoring of Dr. Ahlam Muhtaseb	2
Performing Arts in Prisons: Creative Perspectives	2
The performativity of terrorism: subversive experimentalist techniques inPornography(2007) by Simon Stephens	2
An accounting from Dr. Ahlam Muhtaseb	2
“Doctors Don’t Kill Babies! Monsters Do!”: using performance and personal narrative to identify the U.S. Abortion Monster	2
Artistic research and the queer prophetic	1
The Unruly Muse	1
Notes on Florida: a chaos narrative of everyday gay performances	1
Culturally-responsive devising as performance	1
La Pocha Nostra: a handbook for the rebel artist in a post-democratic society	1
The viral politics of masks: pandemic resistance and ontological performance	1
Spaces for which I sledge	1
Is she mad, or does she joke?	1
Staging and intertextualizing Franz Kafka’s “in the penal colony”	1
Inner monologues of a newbie CCPer	1
Is She Mad, or Does She Joke? Mapping the digital performance piece about the Countess de Castiglione	1
Housekeeping as homecoming: adapting Chamber Theatre in “great time”	1
Killjoy pedagogy and the politics of a smile	1

Letter to the Editor	1
Mapping the “naturecultural turn” in performance studies	1
Autoethnography, performance, and personal experience: contemplating the limits of artificial intelligence	1
The serious business of performance practice	1
Dave Chappelle’s Sticks and Stones as Black Radical Tragic comedy	1
Performance as narrative medicine	1
The motion of invisible objects: aging queer desires	1
Embodied abject play: women “sex comics” and abject feminism	0
Freezing ontologies: making visible the messiness of working with theory	0
Black and white, quare and queer: reimagining interracial dating through the Sibling Rivalry podcast	0
#AfricanAunties: performing diasporic digital disbelongings on TikTok	0
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative	0
Queer of color (un)forgiveness: a letter on (un)productive queer relationalities and/in the Pulse nightclub shooting, familial death, sexual molestation, and performance studies	0
“Can you dance for me?” the (Im)possibility of speaking trauma in dance ethnography	0
Bodies in dialogue: offering a model for queer oral history	0
What can we do? Performative refusal in Ikaria	0
Sound-space: a listener’s creative outcome through an acousmatic performance at the Spatial Sound Institute	0
Spectacular sweethearts: rethinking novelty through racial diversity and femininity on the bandstand	0
Figuring the aggregated aunty: netporn, metadata and South Asian aunties	0
Editor's farewell: gratitude and futures	0
Moving through crisis in Mariana Valencia’s Solo B	0
How to see a superbloom	0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack	0
Miscommunication: transmission of information through The Letters of Shadow Puppets	0
Black thoughts on Black notes	0
Disability works: performance after rehabilitation	0
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-institutional performance forum	0
When the audience becomes the performer: a response to Last Words	0
Three lessons about performance studies derived from the devised adaption Don Quixote Ugly	0
Performing a departmental archive: half a century of performance	0
A Performance studies scholar adapts	0
Adapting to survive … and thrive	0
Practically Perfect	0
Fates of the performative: From the linguistic turn to the new materialism	0
The performance studies pendulum	0
“I forget who I am while I remember who I was so I can perform who I am”: memory, embodied practice, and thing-power in theater-making	0
¡Presente! The politics of presence	0
Amnesic performance: performing Kinau’s archival isolation on the far side of the moon	0
Cracking up: Black feminist comedy in the twentieth & twenty-first century United States	0
Dear Your name here	0
Out past metonymy in the New Jewish Cemetery, Lublin	0
Digital performance in everyday life	0
The Beekeeper of Aleppo: a transnational collaboration	0
Statement of Removal	0
Becoming a manual: au(n)to-ethnography and queer performances of a Greek theía	0
The Sense of Brown	0
Amital queer: aunts, negresses, and auntie men in Dionne Brand’s “Dialectics” and Hilton AlsThe Women	0
Public performances as assemblages: contesting the narrative of Thailand’s 2010 crackdown	0
Towards a less perfect pedagogy	0
Poetic care: the orientations and relations of spoken word performance at three venues in East London	0

Awareness, reflection and imagination: how the metatheatrical explores the self and society in contemporary storytelling	0
Eclectic Truth Poetry Slam to Baton Rouge SLAM! An Obituary for Summer 2016: a recording of critical performance ethnography	0
Revolt of the body in stillness	0
What performance/studies does (now)	0
“We’re Gonna Party”: a poetic review on Joshua Chambers-Letson's After the Party: A Manifesto for Queer of Color Life	0
Text and performance quarterly: in and of the humanities	0
When hummingbirds are not enough: a response to “in sickness and health: confessions of a cowardly caregiver”	0
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility	0
Modest trickster: a response to Last Words	0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond	0
The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy inShakespeare WallahandThe Last Lear	0
Auntiethesis: annotated syllabus from UCLA's Global Auntie Studies	0
“Knowledge is like food”: qanruyutet on change and subsistence from John Smith	0
K-pop dance: fandoming yourself on social media K-pop dance: fandoming yourself on social media , Oh, Chuyun., London: Routledge, 2022. 194 pp.$48.95 (paperback)	0
A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, an	0
And so we adapt	0
Space in the spotlight: a performance-centered approach to space as performer in rural cemeteries	0
At the nexus of gumption and intimacy	0
“Homosexual men whose lives turned out unsuccessful”: Polish aunties in the transition era	0
Communication at the end of the world: affective material performativity and the nuclear danger sign	0
The Countess holds me	0
The Hundreds The Hundreds , by Lauren Berlant and Kathleen Stewart, Durham and London, Duke University Press, 2019, 173 pp., $23.95 (paperback), $99.95 (cloth), ISBN: 97	0
Reenvisioning the need for scholarship on and from Latinidad	0
Messy-making methods, staged encounters, and who’s performance?	0
Laughing at pink ribbon culture: Tig Notaro’s comedic subversion of the she-ro	0
All in A moment: the bridge to an aesthetic life	0
Exorcising heteronormative trauma with The ConVersion : queer collaboration in (autoethno)graphic performance	0
Adaptation as augmentation: performing writing as a means of survival	0
Performativity confounded: agency, resistance, and the history of politeness	0
Dear sabbatical committee: a plea, a reverie, a provocation	0
Laboring toward a critical methodpraxis of care	0
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man	0
The presence of the past: temporality, ontology, and the prehistory of performance	0
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other	0
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing	0
White-expat-fans’ performing K-pop Other on YouTube	0
This bridge we call communication: Anzaldúan approaches to theory, method, and praxis	0
Depression (re)cycling: geotraumatic performance & other cosmic plot holes	0
Transporting cultural sites/scripts: performing surfing, re-examining he’e nalu, and shaping/riding an alaia	0
Do objects perform?: anthrolithic performance in Chaco Canyon	0
Practically practicing perfection: failure, success, and rehearsal in Practically Perfect	0
Performing extinction stories: exploring creative responses to bee decline	0
Queer generativity: temporal collisions of Fred Astaire’s Dancing Lessons	0
(Re)Positioning site dance: local acts, global perspectives	0
“A terrible beauty is born”: using Yeats to respond to Last Words , November 2021	0
Tau(n)tology: Tannie Evita’s stewardship of South Africa’s national transitions	0
Queer freedom : Black sovereignty	0
Affective legacies: narrating the intergenerational transmission of racial feeling in oral history interviews	0
Performing ice (performing landscapes series)	0
Correction	0
Surviving the thin line between the comic and the cosmic through a readaptation of Wild Ducks Flying Backward	0
Recalling emotional recall: reflecting on the methodological significance of affective memory in autoethnography	0
Skills and strategies of activist mermaids: from pretty to powerful pictures	0
American cultures as transnational performance: commons, skills, traces	0
They’re just like us only fictional: an analysis on the materiality of LGBTQI+ representation	0
Conquergood’s other: materializing the cultural text of Hmong and Latinx	0
The performativity of comedic apologies	0
Glimmers amid the triggers: a response to Linda M. Park-Fuller’s In Sickness and Health: Confessions of a Cowardly Caregiver	0
Unsettling performance (studies) in communication	0
Searching for the Captain’s House	0
Old tales through new images and new tales through old images: ethnography of aJambavantaru katha(narrative) performance in Telangana	0
Ishtyle: Accenting Gay Indian Nightlife	0
Embodying/writing/performing “women’s work”: pleasurable tensions and double binds of feminist performative autoethnography	0
Listen, performance: dropping a note for a future performer	0
Crossing representational borders in Lola Arias’Minefield/Campo Minado	0
Turning archival: the life of the historical in queer studies Turning archival: the life of the historical in queer studies , by D. Marshall and Z. Tortorici, Durham, NC	0
Hi, my name is __________, and I’m __________: recovering the performative we of hope and healing	0
The complexities of care: responding to Linda Park-Fuller’s In sickness and in health	0
Shitsex: recontaminating queer sex and theory	0
“It keeps us in solidarity”: embodied narrative in Chinese teacher education	0
Critical aunty studies: an auntroduction	0
Staging Process: The Aesthetic Politics of Collective Performance	0
Auntylectuals: a nonce taxonomy of aunty-power	0
Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film	0
My pen-pal, TPQ	0
Do you think I can make friends with it? Exploring performative potential of the echo through myth and Autoethnography	0