Text and Performance Quarterly

Papers
(The median citation count of Text and Performance Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Auto-Grafting traumatic excess: tattooing Medusa and the visibility politics of survival5
The motion of invisible objects: aging queer desires5
When the audience becomes the performer: a response to Last Words4
Soulscaping Black feminist performance through home finding4
Personal narrative fiction4
Cracking up: Black feminist comedy in the twentieth & twenty-first century United States3
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing3
The presence of the past: temporality, ontology, and the prehistory of performance3
Messy performance/s: an introduction2
Notes on Florida: a chaos narrative of everyday gay performances2
Editor's farewell: gratitude and futures2
Putting on a show: the queering of idealized femininity in Lana Del Rey's early work2
Bellied in Bahia2
Text and performance quarterly: in and of the humanities2
Autoethnography, performance, and personal experience: contemplating the limits of artificial intelligence2
What is K-pop dance studies?2
Is she mad, or does she joke?2
Puppets, community, and cultural intervention: political puppetry in our lives and the world2
Killjoy pedagogy and the politics of a smile1
The dramaturgy of digital resurrection1
(Re)Positioning site dance: local acts, global perspectives1
In a queer new light: eluridating difference beyond clarity1
Redface: race, performance, and indigeneity1
Homing performance: a Black feminism roundtable1
Hi, my name is __________, and I’m __________: recovering the performative we of hope and healing1
When hummingbirds are not enough: a response to “in sickness and health: confessions of a cowardly caregiver”1
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative1
Why performance (now?): audience, dialogue and Wave 1.12.221
Culturally-responsive devising as performance1
Queer freedom : Black sovereignty1
Messy-making methods, staged encounters, and who’s performance?1
Joyful resistance: reflections on a creative process in two student solo performances1
Wave 1.12.221
Digital performance in everyday life1
Letter to the Editor1
Disability works: performance after rehabilitation1
My pen-pal, TPQ0
On the censoring of Dr. Ahlam Muhtaseb0
The serious business of performance practice0
Rated A: soft-porn, cinema and mediations of desire in India0
Shitsex: recontaminating queer sex and theory0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond0
Documenting Galindo/Galindo documenting0
Adaptation as augmentation: performing writing as a means of survival0
The performance of Last Words: a play of relational aesthetics0
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack0
Black and white, quare and queer: reimagining interracial dating through the Sibling Rivalry podcast0
A song for the rural South: a collaborative quare autoethnography0
Surface relations: queer forms of Asian American inscrutability0
Laboring toward a critical methodpraxis of care0
Moving through crisis in Mariana Valencia’s Solo B0
Swamp tales: the curse of Black feminist performance0
Revolt of the body in stillness0
In regards to performance at the end of the world0
The Hundreds The Hundreds , by Lauren Berlant and Kathleen Stewart, Durham and London, Duke University Press, 2019, 173 pp., $23.95 (paperback), $99.95 (cloth), ISBN: 970
Unsettling performance (studies) in communication0
Digital homeplace: a letter on Black feminist performance and becoming0
Miscommunication: transmission of information through The Letters of Shadow Puppets0
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-inst0
“A terrible beauty is born”: using Yeats to respond to Last Words , November 20210
Dear sabbatical committee: a plea, a reverie, a provocation0
Listen, performance: dropping a note for a future performer0
Sound-space: a listener’s creative outcome through an acousmatic performance at the Spatial Sound Institute0
A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, an0
An accounting from Dr. Ahlam Muhtaseb0
Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film0
“For the first time in my life, I wish I was not a Kentuckian:” trans liminal performance as worldmaking in rural U.S. places0
A performance pedagogy of the small0
What performance/studies does (now)0
Exorcising heteronormative trauma with The ConVersion : queer collaboration in (autoethno)graphic performance0
The Unruly Muse0
Audrey and the anthropocene: a (post?) feminist dreaming0
Dissatisfactions: queer Latinidad and the politics of style0
Sexuality beyond consent: risk, race, traumatophilia0
Green space: disruptive performance(s) of environmental feminism0
He Kept Me Safe: a play on intimate partner violence amongst gay and bisexual men0
The performativity of comedic apologies0
The complexities of care: responding to Linda Park-Fuller’s In sickness and in health0
Bitches unleashed: performance and embodied politics in favela funk0
Archipelagic performance0
Performing out-of-control identity: enacting performative agency in personal narratives of seizing0
Depression (re)cycling: geotraumatic performance & other cosmic plot holes0
Staging and intertextualizing Franz Kafka’s “in the penal colony”0
Grief-time in Wave 1.12.220
“We’re Gonna Party”: a poetic review on Joshua Chambers-Letson's After the Party: A Manifesto for Queer of Color Life0
Palestinian music in exile: voices of resistance0
Reenvisioning the need for scholarship on and from Latinidad0
Dear Your name here0
The future is in the gutters: performing diary comics as home/work0
Out past metonymy in the New Jewish Cemetery, Lublin0
Glimmers amid the triggers: a response to Linda M. Park-Fuller’s In Sickness and Health: Confessions of a Cowardly Caregiver0
Writing through grief: lessons on loss and love from my teacher mother0
Awareness, reflection and imagination: how the metatheatrical explores the self and society in contemporary storytelling0
Searching for the Captain’s House0
Inner monologues of a newbie CCPer0
The Countess holds me0
Legal fictions and bodily realities: privacy, personhood, and the fall of Roe v. Wade0
Turning archival: the life of the historical in queer studies Turning archival: the life of the historical in queer studies , by D. Marshall and Z. Tortorici, Durham, NC0
In sickness and In health: confessions of a cowardly caregiver0
Spaces for which I sledge0
Performing a departmental archive: half a century of performance0
At the nexus of gumption and intimacy0
Black thoughts on Black notes0
Jotería communication studies: narrating theories of resistance0
Act like you got some home training: finding and (re)calling home in academia0
The performance studies pendulum0
Becoming Audrey (too): posthumanist and postdisciplinary matching in some(where?) that’s green0
K-pop dance: fandoming yourself on social media K-pop dance: fandoming yourself on social media , Oh, Chuyun., London: Routledge, 2022. 194 pp.$48.95 (paperback)0
Amnesic performance: performing Kinau’s archival isolation on the far side of the moon0
Queer of color (un)forgiveness: a letter on (un)productive queer relationalities and/in the Pulse nightclub shooting, familial death, sexual molestation, and performance studies0
Performing extinction stories: exploring creative responses to bee decline0
Adapting to survive … and thrive0
“It keeps us in solidarity”: embodied narrative in Chinese teacher education0
Modest trickster: a response to Last Words0
Purple brick road as a scholar-artist’s praxis: Black feminist dramatic worldmaking0
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man0
A Performance studies scholar adapts0
All in A moment: the bridge to an aesthetic life0
Some(where?) that’s green: a solo performance0
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility0
Posthumanist collaborations in performance studies: a praxis-based approach to qualitative inquiry0
Is She Mad, or Does She Joke? Mapping the digital performance piece about the Countess de Castiglione0
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