OOIR: Observatory of International Research

Papers

(The TQCC of Text and Performance Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)

Article	Citations
The stage in the page: analyzing the significance of the Nebentext in Girish Karnad’s play Hayavadana	22
The motion of invisible objects: aging queer desires	13
When the audience becomes the performer: a response to Last Words	4
Auntiethesis: annotated syllabus from UCLA's Global Auntie Studies	3
And so we adapt	3
Freezing ontologies: making visible the messiness of working with theory	2
“Homosexual men whose lives turned out unsuccessful”: Polish aunties in the transition era	2
Personal narrative fiction	2
Three lessons about performance studies derived from the devised adaption Don Quixote Ugly	2
Cracking up: Black feminist comedy in the twentieth & twenty-first century United States	2
Messy performance/s: an introduction	2
Adaptation Unites Us! A call for performance studies and forensics interpretation to adapt with each other	2
Correction	2
Putting on a show: the queering of idealized femininity in Lana Del Rey's early work	2
Housekeeping as homecoming: adapting Chamber Theatre in “great time”	2
Performing blackness: a composite counterstory of direct-to-consumer genetic ancestry testing	2
The presence of the past: temporality, ontology, and the prehistory of performance	2
Autoethnography, performance, and personal experience: contemplating the limits of artificial intelligence	1
Performativity confounded: agency, resistance, and the history of politeness	1
White-expat-fans’ performing K-pop Other on YouTube	1
Is she mad, or does she joke?	1
The performativity of terrorism: subversive experimentalist techniques inPornography(2007) by Simon Stephens	1
American cultures as transnational performance: commons, skills, traces	1
Tau(n)tology: Tannie Evita’s stewardship of South Africa’s national transitions	1
Notes on Florida: a chaos narrative of everyday gay performances	1

Surviving the thin line between the comic and the cosmic through a readaptation of Wild Ducks Flying Backward	1
Editor's farewell: gratitude and futures	1
Text and performance quarterly: in and of the humanities	1
Killjoy pedagogy and the politics of a smile	0
Being Muslim for dummies, or how not to be a threat 101: embodied performances of race and religion after the Manchester attack	0
The serious business of performance practice	0
A mothering dramaturgy: the creative co-practices of mothering and directing in contemporary rehearsal rooms	0
Disability works: performance after rehabilitation	0
Dave Chappelle’s Sticks and Stones as Black Radical Tragic comedy	0
Bitches unleashed: performance and embodied politics in favela funk	0
At the nexus of gumption and intimacy	0
Laboring toward a critical methodpraxis of care	0
Becoming a manual: au(n)to-ethnography and queer performances of a Greek theía	0
Amnesic performance: performing Kinau’s archival isolation on the far side of the moon	0
Posthumanist collaborations in performance studies: a praxis-based approach to qualitative inquiry	0
Adapting to survive … and thrive	0
The Unruly Muse	0
Crossing representational borders in Lola Arias’Minefield/Campo Minado	0
Public performances as assemblages: contesting the narrative of Thailand’s 2010 crackdown	0
“We’re Gonna Party”: a poetic review on Joshua Chambers-Letson's After the Party: A Manifesto for Queer of Color Life	0
They’re just like us only fictional: an analysis on the materiality of LGBTQI+ representation	0
All in A moment: the bridge to an aesthetic life	0
Reenvisioning the need for scholarship on and from Latinidad	0
Amital queer: aunts, negresses, and auntie men in Dionne Brand’s “Dialectics” and Hilton AlsThe Women	0
Statement of Removal	0
Awareness, reflection and imagination: how the metatheatrical explores the self and society in contemporary storytelling	0
Affective legacies: narrating the intergenerational transmission of racial feeling in oral history interviews	0
Glimmers amid the triggers: a response to Linda M. Park-Fuller’s In Sickness and Health: Confessions of a Cowardly Caregiver	0
Hi, my name is __________, and I’m __________: recovering the performative we of hope and healing	0
#AfricanAunties: performing diasporic digital disbelongings on TikTok	0
When hummingbirds are not enough: a response to “in sickness and health: confessions of a cowardly caregiver”	0
Practically Perfect	0
What performance/studies does (now)	0
Practically practicing perfection: failure, success, and rehearsal in Practically Perfect	0
Writing through grief: lessons on loss and love from my teacher mother	0
Spaces for which I sledge	0
Poetic care: the orientations and relations of spoken word performance at three venues in East London	0
Performing Arts in Prisons: Creative Perspectives	0
Moving through crisis in Mariana Valencia’s Solo B	0
An accounting from Dr. Ahlam Muhtaseb	0
Figuring the aggregated aunty: netporn, metadata and South Asian aunties	0
Queer freedom : Black sovereignty	0
He Kept Me Safe: a play on intimate partner violence amongst gay and bisexual men	0
Inner monologues of a newbie CCPer	0
On the censoring of Dr. Ahlam Muhtaseb	0
Auntylectuals: a nonce taxonomy of aunty-power	0
Black and white, quare and queer: reimagining interracial dating through the Sibling Rivalry podcast	0
The performativity of comedic apologies	0
“It keeps us in solidarity”: embodied narrative in Chinese teacher education	0
Towards a less perfect pedagogy	0

K-pop dance: fandoming yourself on social media K-pop dance: fandoming yourself on social media , Oh, Chuyun., London: Routledge, 2022. 194 pp.$48.95 (paperback)	0
Performing a departmental archive: half a century of performance	0
Exorcising heteronormative trauma with The ConVersion : queer collaboration in (autoethno)graphic performance	0
Communication at the end of the world: affective material performativity and the nuclear danger sign	0
Fates of the performative: From the linguistic turn to the new materialism	0
Miscommunication: transmission of information through The Letters of Shadow Puppets	0
Queer of color (un)forgiveness: a letter on (un)productive queer relationalities and/in the Pulse nightclub shooting, familial death, sexual molestation, and performance studies	0
Listen, performance: dropping a note for a future performer	0
“A terrible beauty is born”: using Yeats to respond to Last Words , November 2021	0
Collaborative performances of and toward survival in the communication classroom and beyond: an inter-institutional performance forum	0
My pen-pal, TPQ	0
How to see a superbloom	0
Staging and intertextualizing Franz Kafka’s “in the penal colony”	0
Performing extinction stories: exploring creative responses to bee decline	0
Modest trickster: a response to Last Words	0
Do you think I can make friends with it? Exploring performative potential of the echo through myth and Autoethnography	0
The Countess holds me	0
(Re)Positioning site dance: local acts, global perspectives	0
Surface relations: queer forms of Asian American inscrutability	0
In sickness and In health: confessions of a cowardly caregiver	0
Letter to the Editor	0
Black thoughts on Black notes	0
Is She Mad, or Does She Joke? Mapping the digital performance piece about the Countess de Castiglione	0
A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge A revolution in three acts: the radical Vaudeville of Bert Williams, Eva Tanguay, an	0
La Pocha Nostra: a handbook for the rebel artist in a post-democratic society	0
Adaptation as augmentation: performing writing as a means of survival	0
A performance pedagogy of the small	0
“Doctors Don’t Kill Babies! Monsters Do!”: using performance and personal narrative to identify the U.S. Abortion Monster	0
Dear sabbatical committee: a plea, a reverie, a provocation	0
The viral politics of masks: pandemic resistance and ontological performance	0
Turning archival: the life of the historical in queer studies Turning archival: the life of the historical in queer studies , by D. Marshall and Z. Tortorici, Durham, NC	0
In regards to performance at the end of the world	0
Messy-making methods, staged encounters, and who’s performance?	0
Windowscapes, dreamscapes and screen texts: train travel as performative practice in experimental film	0
Sexuality beyond consent: risk, race, traumatophilia	0
Out past metonymy in the New Jewish Cemetery, Lublin	0
Old tales through new images and new tales through old images: ethnography of aJambavantaru katha(narrative) performance in Telangana	0
Jotería communication studies: narrating theories of resistance	0
The Burner, the Default, and the Communicative Ethnographer: adapting ethnographic personae at Burning Man	0
The Beekeeper of Aleppo: a transnational collaboration	0
The Hundreds The Hundreds , by Lauren Berlant and Kathleen Stewart, Durham and London, Duke University Press, 2019, 173 pp., $23.95 (paperback), $99.95 (cloth), ISBN: 97	0
Classroom as refuge: performative possibilities for safety, collective healing, and resistance in the classroom and beyond	0
Dear Your name here	0
Revolt of the body in stillness	0
Embodied fragments: embracing risk, failure, resistance, and pedagogical possibility	0
The complexities of care: responding to Linda Park-Fuller’s In sickness and in health	0
Sound-space: a listener’s creative outcome through an acousmatic performance at the Spatial Sound Institute	0
Depression (re)cycling: geotraumatic performance & other cosmic plot holes	0
Documenting Galindo/Galindo documenting	0
Archipelagic performance	0
The performance studies pendulum	0
Digital performance in everyday life	0
Unsettling performance (studies) in communication	0
Rated A: soft-porn, cinema and mediations of desire in India	0
A Performance studies scholar adapts	0
Performing marginalized embodiment in fitness culture: co-storytelling in/exclusion through personal narrative	0
Critical aunty studies: an auntroduction	0
Shitsex: recontaminating queer sex and theory	0
Culturally-responsive devising as performance	0
Space in the spotlight: a performance-centered approach to space as performer in rural cemeteries	0
The performance of Last Words: a play of relational aesthetics	0
Searching for the Captain’s House	0