Journal of Arts Management Law and Society

Papers
(The median citation count of Journal of Arts Management Law and Society is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Cultural Leadership in Practice: Beyond Arts Management and Cultural Policy13
Red Creative: Culture and Modernity in China. By Justin O’Connor and Xin Gu9
Museum Diplomacy in the Digital Age8
Managing Arts OrganizationsManaging Arts Organizations, by David Andrew Snider, Lanham, MD, Rowman & Littlefield, 2022, $49.00 (paperback), ISBN: 978-1-5381-6064; $46.50 (ebook), ISBN: 978-1-5381-5
Creative Women in Ireland: Not Your Muse Creative Women in Ireland: Not Your Muse , by Aileen O’Driscoll, New York and London, Routledge, 2023, 112 pp., $47.96, ISBN: 975
Integrating Music into Natural Disaster Recovery3
Creating a Global Cultural City via Public Participation in the Arts: Conversations with Hong Kong’s Leading Arts and Cultural Administrators3
The Arts Council at a Crossroad: stories from Britain and South Korea3
Understanding Well-Being Data: Improving Social and Cultural Policy, Practice and Research3
Audience Development and Cultural Policy3
A Sociological Theory of Contemporary Art Collectors2
The Politics and Polemics of Culture in Ireland, 1800–2010. by Pat Cooke2
Creative Tourism in Smaller Communities: Place, Culture, and Local Representation2
A New Direction? The Arts and Central Government Policy in Aotearoa New Zealand, 2017–20202
Cultural Participation: The perpetuation of middle-class privilege in Dublin, Ireland2
Digital Preservation and Promotion: Evaluating the Impact of Virtual Museums on the Traditional Art of Rural Areas2
Within a Carnivalesque Space: The Textual Identity of Danmu and the Rise of Mass Writing2
Strategic Cultural Center Management2
In Memorium2
Entrepreneurial Pathways for Emerging Creatives2
Building an Online Licensing Platform for Digital Images of Artwork1
Spectrums of Co-Creation: An Analysis of the Co-Creation Process in the Development of the Irish National Opera’s Community VR Opera, Out of the Ordinary/As an nGnách1
Classical Concert Visitor Types: Attendance Motivation, Expectation, and Experience1
The New Arts Entrepreneur: Navigating the Arts Ecologies1
In Memoriam1
Managerial and Policy Efficiency Evaluation of Public-Funded Performing Arts: The Case of Opera Houses1
Design: An Emergent Area of Cultural Policy in Montreal1
Creative Infrastructures: Artists, Money, and Entrepreneurial Action1
Arts Management, Cultural Policy, & the African Diaspora1
Art Practice as Policy Practice: Framing the Work of Artists Embedded in Government1
Leadership Communication and Knowledge Integration across the Artistic, Technical and Administration Area in Theaters1
Community Contexts Over Solutions: Observations from The Rural Art Network, Scotland1
Emerging Artist Resilience Needs: Transitional Education for a Post-COVID Creative Sector1
Digital Economy and Baumol’s Cost Disease of Performing Arts: An Empirical Research in China1
How Women Leaders of U.S. Dance Organizations Integrate Unique Leadership Approaches and Artistic Strategies to Increase Their Impact as Leaders and Benefit Their Organizations1
Olympic Film between Nationalism and Cosmopolitanism: The 1964 Tokyo Olympiad and the Postwar Mass Mobilization1
The Cambridge Guide to Mixed Methods for Theatre and Performance Studies1
Regulation or Reputation? Evidence from the Art Market1
Cultural Democracy, Cultural Equity, and Cultural Policy: Perspectives from the UK and USA1
Value Construction in the Creative Economy: Negotiating Innovation and Transformation; the Industrialization of Creativity and Its Limits: Values, Politics and Lifestyles of Contemporary Cultural Econ1
The Land of (Almost) No Central Government Arts Spending? Cultural Policy, Protestant Denominations, and the Cultural Policy Singularity of Unites States of America0
Funding the Artistic Future: Diversifying Support for Sustainable Artistic Impact Through Program Evaluation0
Developing and Evaluating theArts Entrepreneurship Profile:A Systematic Approach0
Technology, Policy, and Inclusion0
Arts and Culture Nonprofits as Civic Actors: Mapping Audience, Community, and Civic Engagement in Nonprofit Organizations0
The Educational Barriers and Needs of Tertiary Arts Entrepreneurship Education: A Case Study in the Greater Bay Area of China0
Mapping out the Roles of Top Management in Nonprofit Arts and Cultural Organizations0
Inescapably Les Misérables? Understanding the Sensemaking of the Artistic Precariat0
Acting on Cultural Policy: Arts Practitioners, Policy-Making and Civil Society0
Creative Work Beyond Precarity: Learning to Work Together0
Cinema Exhibition on a Cultural Basis in Europe: Reflecting on the Contributions of the Nordic Model for Portuguese Local Cinema Policies0
Funding the Arts: Politics, Economics and Their Interplay in Public Policy0
Foreign (In)Direct Investment in Chinese Contemporary Art Game: The Case Studies of Uli Sigg, Guy Ullens and beyond, 1989-20130
The Cultural Entrepreneurship Scorecard: An Instrument for Assessing Cultural Institutions0
Producing the Past: The Changing Protagonists of Canadian Heritage0
The Impact of Specific versus General Art Expertise on Art Experiences – The Case of the Sistine Chapel0
The MFA in Theater Management and the MBA: A Replicative Study of Perspectives of Decision-Makers at Theaters in the United States0
The Brand Operation Strategy of China’s Non-Profit Art Museums-The Case Analysis of UCCA Brand Strategy0
Visiting the Art Museum: A Journey Toward Participation0
The Artists’ Critique on Crowdfunding and Online Gift-Giving0
Culture-Led Smart Villages: A Critical Cultural Policy Analysis in South Africa0
“Opening Pandora’s Box: Will the Return of Cultural Heritage Objects to Their Country of Origin Empty Western Museums?”0
Impact of Pay-What-You-Want Pricing Model0
The Destiny of Movies’ Box Office Performance in China: An Expectation–Evaluation Model0
The Role of Universities in Strengthening Regional Arts Sectors: Central Queensland University and the Regional Arts Services Network0
Introduction0
Space for Governing Culture. Cultural Policy and State Intervention in France, the United Kingdom, and the United States0
Artists as Cultural Intermediaries: How Professional Artists Present Their Work on Homepages and Instagram Accounts0
Artists and Online Dissemination: An Analysis of Positions and Position-Takings0
The Adaptation to New Audiences and Digital Narratives in Theater: A Case Study in Campo de Gibraltar, Spain0
Cultural Mediation and Municipal Cultural Workers in Québec0
Unpacking High-Impact Practices in the Arts: Predictors of College, Career, and Community Engagement Outcomes0
The Art Museum Redefined: Power, Opportunity, and Community Engagement0
Economics of Visual Art: Market Practice and Market Resistance Economics of Visual Art: Market Practice and Market Resistance , by Amy Whitaker, United Kingdom, Cambridg0
Diversity and Inclusion: Are We Nearly There Yet? Target Setting in the Creative Industries0
Leisure, Culture and Territory: A Social Cartography in Two Suburbs of Belo Horizonte, Brazil0
‘Mapping the Most Influential Art Districts in Shanghai (1912-1948) through Clustering Analysis’0
Determinants of Illegal Electronic Books Download in Spain0
Arts Management: How to Find a Balance Between Art and Finance? The Case of China0
The Future of the Museum. 28 Dialogues, by András Szántó. 20210
Modeling the Creative Milieu of Cosmopolitan Cities: Shanghai, 1912–19480
The Impact of Subsidies on Film Quality: Empirical Evidence from France, Korea, the United Kingdom, and United States0
Value-Creation and Challenges of Public Art Practice in Rural Areas: A Systematic Review0
The Role of Classical Music Public Services in Building Urban Cultural Soft Power: A Triple Model in China0
Imperial Encore: The Cultural Project of the Late British Empire0
Industrial Linkages and Digital Synergy: The Input-Output Analysis of Chinese Cultural Industries0
Caring for Cultural Heritage: An Integrated Approach to Legal and Ethical Initiatives in the United Kingdom0
Canadian Cultural Policy in Transition0
Sewing Connections between Artists’ Legacy and Fashion… A Matter of Tailor-Made Economics and Marketing0
Financial Leadership for the Arts: Sustainable Strategies for Creative Organizations0
Contemporary Art Fairs in Mainland China: From Local to International Status?0
Ethics in Museum Fundraising: Evidence from the Czech Republic0
Employee Loyalty in the Process of Market-Oriented Reform: Evidence from Chinese State-Owned Performing Arts Organizations0
The Efficiency of the Performing Arts: Evidence from Data Envelopment Analysis for Russian Theaters0
Protecting Art in the Street: A Guide to Copyright in Street Art and Graffiti, by Enrico Bonadio. Stockholm: Dokument Forlag0
Creative Hustling: Women Making and Distributing Films from Nairobi0
Québec on the World Stage: Examining a Provincial Approach to Cultural Diplomacy0
American Perspectives on Public Funding for Artists0
Hidden in Plain Sight: Systems Intelligence in Arts Leadership0
Digitizing Cinemas – Comprehensive Intended and Unintended Consequences for Diversity0
Beyond Aesthetics: Contemporary Art as an Answer to Critics Towards Arts-Based Methods in Organizations0
The Advocacy Coalition in the British Film Institute in Its Early Days0
Transforming Museum Management: Evidence-Based Change through Open Systems Theory Transforming Museum Management: Evidence-Based Change through Open Systems Theory , by 0
Orchestra Management in Practice0
The Music Export Business: Born Global0
Imposing a Nonexploitative AI-Generated Content Levy on Generative AI Service Providers0
A Blind Spot? Cultural Field Perspectives on Tourism0
Generous and Ungenerous Contracts: Case Study of the Artist William Powhida’s Grevsky and Store-to-Own Contracts0
Notice of duplicate publication: Book Review: Qualitative Literacy: A Guide to Evaluating Ethnographic and Interview Research by Mario Luis Small and Jessica McCrory Cal0
Developing Digital Classical Concert Stream Offerings – A Typology of Audience Preferences0
How Strategic Engagement is Influenced by Personal Values: Insights from Arts Board Directors0
Co-Leadership in the Arts and Culture: Sharing Values and Vision0
The Legitimation of Young and Emerging Artists in Digital Platforms: The Case of Saatchi Art0
Leadership in Arts Organizations: The Power of Successful Work Relationships0
The Impacts of COVID-19 on Black, Indigenous, Artists and Arts Administrators of Color in the U. S.0
Kaunas Biennial: From Local Exhibition to Contemporary Art Platform Evolution Stages, Features and Management Models0
Access, Diversity, Equity and Inclusion in Cultural Organizations - Insights from the Careers of Executive Opera Managers of Color in the U.S.0
The Moral Foundations of Public Funding for the Arts, by Michael Rushton The Moral Foundations of Public Funding for the Arts , by Michael Rushton, London, England, Palg0
Bound by Creativity: How Contemporary Art is Created and Judged, by Hannah Wohl, University of Chicago Press. 20210
The Metamorphosis of Cultural and Creative Organizations - Exploring Change from a Spatial Perspective0
Nigeria’s Financial Sector Liberalization: An Implicit Cultural Policy for Art Market Development0
Ruling Culture: Art Police, Tomb Robbers, and the Rise of Cultural Power in Italy0
The Beginner’s Guide to Opera Stage Management: Gathering the Tools You Need to Work in Opera The Beginner’s Guide to Opera Stage Management: Gathering the Tools You Need to Work in Ope0
Localized Curatorial Discourse and “International” Standards: A Case Study of the Shanghai Waves Exhibition at a Chinese Art Museum0
Protecting Built Heritage in Hong Kong Protecting Built Heritage in Hong Kong , by Steven Brian Gallagher, Singapore, Springer, 2022, 0
Socioeconomic Dimensions of Artistic and Culture Labor: Insights from the Spanish Context0
Curating, Interpretation and Museums: When Attitude Becomes Form0
Geopolitics of Digital Heritage0
Cultures of Participation: Arts, Digital Media and Cultural Institutions0
The Pretty Face of Inequality: Arts Attendance in Panama0
The Creative Economy: Arts, Cultural Value and Society in PracticeThe Creative Economy: Arts, Cultural Value and Society in Practice, by Amanda J. Ashley, Carolyn G. Loh, Matilda Rose Bubb, and Shosha0
From Grassroots to Systems Change: Art for Social Justice0
Navigating Transitions in Arts and Cultural Governance0
Cultural Governance and New Forms of Governmentality Focus on the South Korean Case0
Political Memory and the Esthetics of Care: The Art of Complicity and Resistance0
The Impacts of Public Art on Cities, Places and People’s Lives0
Qualitative Literacy: A Guide to Evaluating Ethnographic and Interview Research0
The Future Designer: Anthropology Meets Innovation in Search of Sustainable Design0
Marketing the Arts: Breaking Boundaries0
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