American Art

Papers
(The median citation count of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Oil in the Archive9
Front Matter2
Announcements2
Feeling Brown or Acting White?2
Operating on a Continuum of My Ancestors1
Spirit Portraiture1
Nikkei Artist Collectives in Interwar California1
Front Matter1
“Not Acceptable to the People”0
Traces of Touch0
Announcements0
Playing the Long Game with Michael Jang0
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court0
The Turpentine State0
Harry Drinkwater and the Limits of Architectural Photography, 1966–690
Front Matter0
Domesticating Jefferson Davis0
Material Absence, Relational Presence0
Reframing Illustration0
Extractive Ornament0
TheCemíand the Museum0
Reclamations0
Covers0
Front Matter0
2024 Patricia and Phillip Frost Essay Award; Invitations from the journal and SAAM’s fellowship program0
Conclusion0
Excremental Miracles0
Of Murals and Men0
Whither Black Art?0
Covers0
Donald Evans0
Parodying the Biotech Industry0
Front Matter0
Introduction0
Islamic Architecture in New York Painting0
The McKinley Bowl’s Services and Disservices, 1898–19010
Amistad II0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs, including 2025 Charles C. Eldredge Prize Winner0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)0
Scene Painting0
Front Matter0
History in the First Person0
Introduction0
An Addendum to Pop0
Inherent Vice0
The Clean, Open Air of John Sloan’s Tenement Paintings0
Tapping Canvases0
Alma W. Thomas0
Front Matter0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea0
Indexing Whiteness to American Design0
Power and Portraiture in a Bolivian Mining Town0
Afro-Latinx Intersections0
Disarming Surveillance0
Seeing the Survey Anew0
Forging the Canon0
Covers0
Visualizing Freedom0
Whiteness and the West before the Transcontinental Railroad0
Appearing Asymptomatic0
Juan Sánchez’s Counter-Archive0
Many Hands Make Light-Fingered Work0
From Acoma to the Bajío0
Announcements0
Artist as Arbiter0
Covers0
Covers0
Covers0
A Living Art0
Crossing the Threshold0
Announcements0
Anisa̱lag̱a’s Claim to the “Seattle Pole”0
Monumental Absence0
Announcements0
Covers0
Mercury is a Messenger0
Where to Begin0
The Animacy of Objects0
Can Animals Own Copyright?0
A Washington School “Thing”0
Cut and Sew0
Leveraging the Limited Edition0
Covers0
The Storefront Method0
Front Matter0
Announcements0
Plague Winds0
Announcements0
Drawing in the Daily News0
Portraiture in Indigenous London0
Plastic in Motion0
Picturing White Skin on Elephant Tusk0
Covers0
Covers0
“These cod factories”0
Crafting Territory in the Choctaw Homelands0
Laocoön in the Tropics0
A Means of Protection or Destruction?0
Front Matter0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage0
Copyright and Creative Practice0
Front Matter0
The International Origins of “Concerned Photography”0
The Specter of Slavery in the British Art Museum0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs0
Indigenous Space0
Dark Stars0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered0
Felted Memories0
Visualizing Resource Extraction, 1840–19100
Announcements0
Covers0
Front Matter0
Islam and the Middle East in the United States0
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