American Art

Papers
(The median citation count of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Oil in the Archive9
Announcements2
Feeling Brown or Acting White?2
Front Matter2
Marcel Duchamp, Copyright, and the Emergence of Art as Idea1
Spirit Portraiture1
Front Matter1
Indigenous Space0
Dark Stars0
A Living Art0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)0
Announcements0
Anisa̱lag̱a’s Claim to the “Seattle Pole”0
Copyright and Creative Practice0
A Washington School “Thing”0
Covers0
Can Animals Own Copyright?0
Operating on a Continuum of My Ancestors0
TheCemíand the Museum0
The Animacy of Objects0
Traces of Touch0
Cut and Sew0
Inherent Vice0
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court0
The Turpentine State0
Covers0
Front Matter0
Material Absence, Relational Presence0
Announcements0
Afro-Latinx Intersections0
Domesticating Jefferson Davis0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered0
Front Matter0
Covers0
Extractive Ornament0
2024 Patricia and Phillip Frost Essay Award; Invitations from the journal and SAAM’s fellowship program0
Crafting Territory in the Choctaw Homelands0
Felted Memories0
Covers0
Of Murals and Men0
Covers0
Covers0
Covers0
Reframing Illustration0
Front Matter0
Introduction0
Covers0
The McKinley Bowl’s Services and Disservices, 1898–19010
Amistad II0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs0
Excremental Miracles0
Visualizing Resource Extraction, 1840–19100
Alma W. Thomas0
Scene Painting0
Monumental Absence0
Announcements0
Nikkei Artist Collectives in Interwar California0
Front Matter0
Islam and the Middle East in the United States0
Laocoön in the Tropics0
Tapping Canvases0
Announcements0
Playing the Long Game with Michael Jang0
Front Matter0
Indexing Whiteness to American Design0
Harry Drinkwater and the Limits of Architectural Photography, 1966–690
Announcements0
Seeing the Survey Anew0
Front Matter0
Portraiture in Indigenous London0
Disarming Surveillance0
Visualizing Freedom0
Whither Black Art?0
The Clean, Open Air of John Sloan’s Tenement Paintings0
Covers0
Many Hands Make Light-Fingered Work0
Whiteness and the West before the Transcontinental Railroad0
Announcements0
Covers0
Artist as Arbiter0
Forging the Canon0
Covers0
Covers0
Reclamations0
Crossing the Threshold0
Announcements0
Parodying the Biotech Industry0
Where to Begin0
Mercury is a Messenger0
Islamic Architecture in New York Painting0
Front Matter0
Juan Sánchez’s Counter-Archive0
Introduction0
Whose Expanded Field?0
Poster Children of the Sun0
History in the First Person0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs, including 2025 Charles C. Eldredge Prize Winner0
An Addendum to Pop0
“Not Acceptable to the People”0
The Storefront Method0
Drawing in the Daily News0
Leveraging the Limited Edition0
Announcements0
Power and Portraiture in a Bolivian Mining Town0
Front Matter0
Plague Winds0
Picturing White Skin on Elephant Tusk0
Christopher D’Arcangelo Speculates0
Abstract Nationalisms0
Plastic in Motion0
“These cod factories”0
Conclusion0
Appearing Asymptomatic0
Front Matter0
A Means of Protection or Destruction?0
From Acoma to the Bajío0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage0
Donald Evans0
Front Matter0
Sinners All0
The International Origins of “Concerned Photography”0
The Specter of Slavery in the British Art Museum0
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