American Art

Papers
(The TQCC of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Oil in the Archive9
Announcements2
Front Cover1
Front Matter1
Spirit Portraiture1
Feeling Brown or Acting White?1
Front Matter1
Front Matter0
Indexing Whiteness to American Design0
A Washington School “Thing”0
Disarming Surveillance0
Can Animals Own Copyright?0
Announcements0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea0
Christopher D’Arcangelo Speculates0
Covers0
Leveraging the Limited Edition0
Announcements0
Operating on a Continuum of My Ancestors0
Reframing Illustration0
Covers0
Front Matter0
2024 Patricia and Phillip Frost Essay Award; Invitations from the journal and SAAM’s fellowship program0
Covers0
The Specter of Slavery in the British Art Museum0
Afro-Latinx Intersections0
Of Murals and Men0
Front Matter0
Dark Stars0
Covers0
Front Matter0
Forging the Canon0
Scene Painting0
Radically Anti-Modern0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs0
Donald Evans0
Covers0
Alma W. Thomas0
The McKinley Bowl’s Services and Disservices, 1898–19010
History in the First Person0
Announcements0
An Addendum to Pop0
A Dissenting Realism0
Crossing the Threshold0
Drawing in the Daily News0
The Storefront Method0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)0
TheCemíand the Museum0
Plastic in Motion0
How to Have Color in a Pandemic0
Copyright and Creative Practice0
Extractive Ornament0
Laocoön in the Tropics0
Seeing the Survey Anew0
Whose Expanded Field?0
Front Matter0
Covers0
“Not Acceptable to the People”0
Visualizing Freedom0
Nikkei Artist Collectives in Interwar California0
Covers0
Covers0
Announcements0
Many Hands Make Light-Fingered Work0
From Acoma to the Bajío0
Introduction0
Abstract Nationalisms0
Artist as Arbiter0
Reclamations0
Amistad II0
Excremental Miracles0
Parodying the Biotech Industry0
Remapping Resistance0
Visualizing Resource Extraction, 1840–19100
Announcements0
Islamic Architecture in New York Painting0
Covers0
Traces of Touch0
Front Matter0
The Animacy of Objects0
Introduction0
The International Origins of “Concerned Photography”0
Announcements0
Tapping Canvases0
Where to Begin0
Harry Drinkwater and the Limits of Architectural Photography, 1966–690
The Turpentine State0
Felted Memories0
Announcements0
Domesticating Jefferson Davis0
Material Absence, Relational Presence0
Unfolding Metamorphosis, or the Early American Tactile Image0
Front Matter0
Inherent Vice0
Picturing White Skin on Elephant Tusk0
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court0
Power and Portraiture in a Bolivian Mining Town0
Juan Sánchez’s Counter-Archive0
Playing the Long Game with Michael Jang0
“These cod factories”0
Front Matter0
Sinners All0
“The Requisite Local Coloring”0
Front Matter0
A Means of Protection or Destruction?0
Conclusion0
Announcements0
Portraiture in Indigenous London0
Covers0
Covers0
Mercury is a Messenger0
The Clean, Open Air of John Sloan’s Tenement Paintings0
A Living Art0
Whiteness and the West before the Transcontinental Railroad0
Announcements0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage0
Anisa̱lag̱a’s Claim to the “Seattle Pole”0
Indigenous Space0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered0
Illuminating the Shadows of “Liberty”: George Washington and Blackness in American Art0
Islam and the Middle East in the United States0
Poster Children of the Sun0
Front Matter0
Cut and Sew0
“The Thirteenth Century Men”: Looking to the Past to Critique the Present0
Monumental Absence0
0.042505025863647