OOIR: Observatory of International Research

Papers

(The TQCC of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)

Article	Citations
Red Power in the Black Panther	10
Seeing the Survey Anew	8
The Art Market as a System	1
Christopher D’Arcangelo Speculates	1
Artistic Process and Domestic Labor in Liza Lou’s Kitchen	1
The In/Visibility of Mourning	1
Joshua C. Taylor (1917–1981)	1
Dancing in the Flames	1
Illuminating the Shadows of “Liberty”: George Washington and Blackness in American Art	1
Dark Stars	1
Add Bates, the 306 Studio, and Interlocking Modernisms in Mid-Twentieth-Century Harlem	1
Georgia O’Keeffe’s Hawai‘i?	1
Announcements	1
Where to Begin	1
Reproducing the New Negro	1
Announcements	0
Covers	0
Disarming Surveillance	0
Unfolding Metamorphosis, or the Early American Tactile Image	0
Front Cover	0
“The Thirteenth Century Men”: Looking to the Past to Critique the Present	0
Sinners All	0
Announcements	0
Feeling Brown or Acting White?	0
Reframing Illustration	0

The Portrait of Hanadagá•yas; or,George WashingtonReconsidered	0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage	0
Cartography as Collage/Collage as Cartography	0
Many Hands Make Light-Fingered Work	0
Conclusion	0
Announcements	0
Front Cover	0
Design Intervention	0
Front Cover	0
Call for Papers	0
Announcements	0
Copyright and Creative Practice	0
Front Matter	0
Announcements	0
Parodying the Biotech Industry	0
Indigenous Space	0
Front Matter	0
Front Matter	0
The Turpentine State	0
Can Animals Own Copyright?	0
Front Matter	0
Seeing the Survey Anew	0
Out of the Shadows	0
“I” is for “Italian”	0
About the Authors	0
Monumental Absence	0
Donald Evans	0
William Trost Richards’s “Real Drawing” and the Currency of Watercolor, ca. 1875–85	0
Front Matter	0
Announcements	0
The Specter of Slavery in the British Art Museum	0
Indexing Whiteness to American Design	0
Abstract Nationalisms	0
Floating on a Chemical Sea	0
An Addendum to Pop	0
Domesticating Jefferson Davis	0
Covers	0
How to Have Color in a Pandemic	0
Afro-Latinx Intersections	0
TheCemíand the Museum	0
Material Absence, Relational Presence	0
A Dissenting Realism	0
A Means of Protection or Destruction?	0
Announcements	0
Statement from the Secretary of the Smithsonian	0
Scholarship in the Museum	0
About the Authors	0
Leveraging the Limited Edition	0
About the Authors	0
Back Cover	0

Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)	0
Covers	0
Visionaries and Stewards	0
Visualizing Freedom	0
Tonita Peña and the Politics of Pueblo Art	0
Laocoön in the Tropics	0
The International Origins of “Concerned Photography”	0
The Storefront Method	0
Islam and the Middle East in the United States	0
Announcements	0
Front Matter	0
Back Cover	0
Covers	0
Whose Expanded Field?	0
Anisa̱lag̱a’s Claim to the “Seattle Pole”	0
Covers	0
Remapping Resistance	0
Appendix	0
Maya Modern	0
Whiteness and the West before the Transcontinental Railroad	0
Poster Children of the Sun	0
Of Murals and Men	0
Introduction	0
Front Cover	0
Announcements	0
Power and Portraiture in a Bolivian Mining Town	0
Radically Anti-Modern	0
Plastic in Motion	0
Spinster Tales	0
“The Requisite Local Coloring”	0
Front Cover	0
Sonja Sekula and “Art of the Mentally Ill”	0
Covers	0
Driving the American Dream	0
Front Matter	0
In Memoriam: David C. Driskell (1931–2020)	0
Front Matter	0
Announcements	0
Designing Polaroid	0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea	0
The McKinley Bowl’s Services and Disservices, 1898–1901	0
Front Matter	0
Covers	0
Front Matter	0
History in the First Person	0
Front Matter	0
Picturing White Skin on Elephant Tusk	0
Tapping Canvases	0
Portraiture in Indigenous London	0
Front Matter	0
Drawing in the Daily News	0
Juan Sánchez’s Counter-Archive	0
Islamic Architecture in New York Painting	0
The Clean, Open Air of John Sloan’s Tenement Paintings	0
An Artist in the Secular World	0