American Art

Papers
(The TQCC of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Oil in the Archive9
Feeling Brown or Acting White?2
Front Matter2
Announcements2
Spirit Portraiture1
Front Matter1
Operating on a Continuum of My Ancestors1
Front Matter0
Inherent Vice0
Islam and the Middle East in the United States0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)0
Traces of Touch0
Front Matter0
Announcements0
Nikkei Artist Collectives in Interwar California0
The Turpentine State0
Afro-Latinx Intersections0
Harry Drinkwater and the Limits of Architectural Photography, 1966–690
Material Absence, Relational Presence0
The Clean, Open Air of John Sloan’s Tenement Paintings0
Reframing Illustration0
Plague Winds0
TheCemíand the Museum0
Announcements0
From Acoma to the Bajío0
Plastic in Motion0
2024 Patricia and Phillip Frost Essay Award; Invitations from the journal and SAAM’s fellowship program0
Covers0
Front Matter0
Covers0
Of Murals and Men0
Crossing the Threshold0
Forging the Canon0
Juan Sánchez’s Counter-Archive0
Monumental Absence0
The Specter of Slavery in the British Art Museum0
Parodying the Biotech Industry0
Dark Stars0
Islamic Architecture in New York Painting0
Visualizing Resource Extraction, 1840–19100
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs, including 2025 Charles C. Eldredge Prize Winner0
Front Matter0
Laocoön in the Tropics0
History in the First Person0
Introduction0
Playing the Long Game with Michael Jang0
An Addendum to Pop0
Copyright and Creative Practice0
Tapping Canvases0
Announcements0
Alma W. Thomas0
Indexing Whiteness to American Design0
Portraiture in Indigenous London0
Power and Portraiture in a Bolivian Mining Town0
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court0
Seeing the Survey Anew0
Appearing Asymptomatic0
Covers0
Domesticating Jefferson Davis0
Visualizing Freedom0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage0
Conclusion0
Extractive Ornament0
Many Hands Make Light-Fingered Work0
The International Origins of “Concerned Photography”0
Reclamations0
Front Matter0
Artist as Arbiter0
Indigenous Space0
Whiteness and the West before the Transcontinental Railroad0
Covers0
Excremental Miracles0
Introduction0
A Living Art0
Amistad II0
Anisa̱lag̱a’s Claim to the “Seattle Pole”0
Scene Painting0
Covers0
Where to Begin0
“Not Acceptable to the People”0
The Animacy of Objects0
A Washington School “Thing”0
Leveraging the Limited Edition0
Cut and Sew0
Mercury is a Messenger0
The Storefront Method0
Front Matter0
Front Matter0
Announcements0
Covers0
Drawing in the Daily News0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea0
Picturing White Skin on Elephant Tusk0
Felted Memories0
Whither Black Art?0
Disarming Surveillance0
“These cod factories”0
Covers0
Crafting Territory in the Choctaw Homelands0
Covers0
A Means of Protection or Destruction?0
Front Matter0
Covers0
Covers0
The McKinley Bowl’s Services and Disservices, 1898–19010
Covers0
Front Matter0
Announcements0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs0
Announcements0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered0
Donald Evans0
Can Animals Own Copyright?0
Announcements0
0.10481691360474