American Art

Papers
(The TQCC of American Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Oil in the Archive9
Announcements2
Front Matter1
Front Cover1
Front Matter1
Spirit Portraiture1
Feeling Brown or Acting White?1
Front Matter0
Leveraging the Limited Edition0
Islam and the Middle East in the United States0
Tapping Canvases0
Front Matter0
Cut and Sew0
Portraiture in Indigenous London0
Front Matter0
Taxes, Tariffs, and the Creation of Isabella Stewart Gardner’s Fenway Court0
The Turpentine State0
Felted Memories0
Harry Drinkwater and the Limits of Architectural Photography, 1966–690
Front Matter0
Material Absence, Relational Presence0
Covers0
Christopher D’Arcangelo Speculates0
Disarming Surveillance0
Announcements0
Whiteness and the West before the Transcontinental Railroad0
Announcements0
“These cod factories”0
The McKinley Bowl’s Services and Disservices, 1898–19010
Covers0
Of Murals and Men0
Where to Begin0
Remapping Resistance0
The Specter of Slavery in the British Art Museum0
Parodying the Biotech Industry0
Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)0
Covers0
Dark Stars0
Islamic Architecture in New York Painting0
Marcel Duchamp, Copyright, and the Emergence of Art as Idea0
Scene Painting0
Copyright and Creative Practice0
Introduction0
Front Matter0
Inherent Vice0
History in the First Person0
Traces of Touch0
Front Matter0
An Addendum to Pop0
Afro-Latinx Intersections0
Drawing in the Daily News0
“The Thirteenth Century Men”: Looking to the Past to Critique the Present0
Covers0
Power and Portraiture in a Bolivian Mining Town0
Operating on a Continuum of My Ancestors0
Indexing Whiteness to American Design0
Announcements0
Front Matter0
Plastic in Motion0
Announcements0
Covers0
Covers0
Extractive Ornament0
Picturing White Skin on Elephant Tusk0
Front Matter0
Covers0
Many Hands Make Light-Fingered Work0
The International Origins of “Concerned Photography”0
Covers0
Artist as Arbiter0
Illuminating the Shadows of “Liberty”: George Washington and Blackness in American Art0
Reframing Illustration0
Introduction0
A Living Art0
Unfolding Metamorphosis, or the Early American Tactile Image0
Amistad II0
Visualizing Freedom0
Juan Sánchez’s Counter-Archive0
The Clean, Open Air of John Sloan’s Tenement Paintings0
The Portrait of Hanadagá•yas; or,George WashingtonReconsidered0
Poster Children of the Sun0
“Not Acceptable to the People”0
The Animacy of Objects0
A Dissenting Realism0
Announcements0
Announcements0
Abstract Nationalisms0
TheCemíand the Museum0
Whose Expanded Field?0
The Storefront Method0
Excremental Miracles0
Announcements0
Nikkei Artist Collectives in Interwar California0
How to Have Color in a Pandemic0
Seeing the National Museum of the American Indian Anew as a Diplomatic Assemblage0
Covers0
Domesticating Jefferson Davis0
Seeing the Survey Anew0
Conclusion0
Front Matter0
Anisa̱lag̱a’s Claim to the “Seattle Pole”0
Indigenous Space0
Donald Evans0
A Means of Protection or Destruction?0
Monumental Absence0
Forging the Canon0
“The Requisite Local Coloring”0
Covers0
Radically Anti-Modern0
Sinners All0
Announcements0
Invitations and News from SAAM’s Fellowship and Scholarly Publishing Programs0
Visualizing Resource Extraction, 1840–19100
Mercury is a Messenger0
Can Animals Own Copyright?0
Alma W. Thomas0
A Washington School “Thing”0
Laocoön in the Tropics0
Announcements0
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