Ben Jonson Journal

Papers
(The median citation count of Ben Jonson Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Acknowledgements1
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Literature, Truth, and Knowledge0
Ben Jonson Journal Literary Awards0
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Ben Jonson Journal Literary Awards0
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Acknowledgements0
Ben Jonson Journal Awards0
Tom Cain and Ruth Connolly's The Poems of Ben Jonson0
Ben Jonson Journal Literary Awards0
2021 Scholarship on Ben Jonson: An Overview0
Contributors0
Archbishop Caiaphas: The Medieval Stage-Tyrant in the Elizabethan “Martin Marprelate” Controversy0
Foreword: Fletcher and Jonson, Jonson and Fletcher0
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Acknowledgements0
Punctuation and Style in Christopher Marlowe's Tamburlaine the Great and Ben Jonson's Volpone0
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Fletcher in Company: Collaboration, the Whitefriars Playhouse, and Four Plays or Moral Representations in One0
The Convention of Self-Addressed Speech in Shakespeare’s Plays: New Empirical Data0
Henry Vaughan: Pilgrim Marauder0
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Fletcher’s Humorous Lieutenant , Soldierly Identity, and Disability0
Introduction0
Curtis Perry, Shakespeare and Senecan Tragedy0
Epicene and the Bearded Woman Saint0
“Shall I … act part of Malevole”: A reception history of The Malcontent, 1604–16500
Ben Jonson Journal Literary Awards0
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Ben Jonson's Patron, Esmé Stuart0
Ben Jonson’s 1545 Aldine Copy of the Hypnerotomachia Poliphili and its Role in his Early Masques0
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The Ends of Fletcherian History0
New Light on Thomas May's Date of Birth0
Ben Jonson Journal Literary Awards0
Matthew Hunter, The Pursuit of Style in Early Modern Drama: Forms of Talk on the London Stage0
Desecration and Veneration in Shakespeare's Othello and The Winter's Tale0
Front matter0
Four Monarchies, a Dog, a Cat, and Peg, Meg, or Margaret: “Upward Allusions” in Jonson’s Entertainment at Britain’s Burse0
Victoria Moul, A Literary History of Latin & English Poetry: Bilingual Verse Culture in Early Modern England0
Special Issue Preface0
Contributors0
Acknowledgements0
Female Silence and Poetic Authority in Jonson’s Volpone and Shakespeare’s Measure for Measure0
Fletcher's Fathers0
Contributors0
The Binding: Aogan O’Rathaille and Muckross Abbey (A Travelogue)0
The Strictly Limited Use of Audience Address in Shakespeare's Plays: An Empirical Approach to Theatrical History0
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Ben Jonson Recalled in 16830
“What do you lack? What is’t you buy?”: Commodity and Community in Bartholomew Fair0
Afterword0
But Did You See the Handkerchief? Celia and the Problem of Inattentional Blindness in Jonson’s Volpone0
Acknowledgements0
Jakub Boguszak’s The Self-Centred Art: Ben Jonson’s Parts in Performance0
Hamlet, Fortinbras, and the Time Value of Risk in Shakespeare’s Elsinore0
Ben Jonson on Father Thomas Wright0
Acknowledgements0
Tom Harrison's Imitation and Contamination of the Classics in the Comedies of Ben Jonson: Guides not Commanders0
Alchemy of Light: The Art of Reading in Vaughan’s “Regeneration”0
Ben Jonson Journal Awards0
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The English Renaissance Playwright’s Classical Encyclopedia: The Lectiones Antiquae of Caelius Rhodiginus as a Resource for Jonson and Chapman0
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Lycidas and Catullus' Poem 640
Transcending Justice, Transcending Human Control: Overarching Providence in Shakespeare's Comedies and Romances0
Acknowledgements0
Preface0
Dennis Taylor, Shakespeare and the Elizabethan Reformation: Literary Negotiation of Religious Difference0
Contributors0
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Lee Oser, Christian Humanism in Shakespeare: A Study in Religion and Literature0
Queen Anna of Denmark, Prince Henry Stuart, and an Education in Masquing0
Cosmopolitan Fletcher: Reimagining Commedia dell’Arte on the Jacobean Stage0
Chris Fitter, Majesty and the Masses in Shakespeare and Marlowe: Western Anti-monarchism, the Earl of Essex Challenge, and Political Stagecraft0
Rebecca M. Rush, The Fetters of Rhyme: Liberty and Poetic Form in Early Modern England0
Front matter0
Sidney’s Astrophil and Stella: A Reader’s Guide0
The Sons of Bensalem: Unity and Election in Francis Bacon’s New Atlantis0
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