OOIR: Observatory of International Research

Papers

(The TQCC of Ben Jonson Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)

Article	Citations
Acknowledgements	1
The Binding: Aogan O’Rathaille and Muckross Abbey (A Travelogue)	0
Tom Harrison's Imitation and Contamination of the Classics in the Comedies of Ben Jonson: Guides not Commanders	0
Alchemy of Light: The Art of Reading in Vaughan’s “Regeneration”	0
Acknowledgements	0
Ben Jonson Journal Literary Awards	0
New Light on Thomas May's Date of Birth	0
Lycidas and Catullus' Poem 64	0
Front matter	0
Transcending Justice, Transcending Human Control: Overarching Providence in Shakespeare's Comedies and Romances	0
Contributors	0
Acknowledgements	0
Fletcher's Fathers	0
The Independent Parasite: Mosca’s Theatrical Service in Volpone	0
Front matter	0
Lee Oser, Christian Humanism in Shakespeare: A Study in Religion and Literature	0
Front matter	0
Hamlet, Fortinbras, and the Time Value of Risk in Shakespeare’s Elsinore	0
Acknowledgements	0
Introduction	0
Front matter	0
Acknowledgements	0
Ben Jonson Journal Literary Awards	0
But Did You See the Handkerchief? Celia and the Problem of Inattentional Blindness in Jonson’s Volpone	0
Literature, Truth, and Knowledge	0

Heather James, Ovid and the Liberty of Speech in Shakespeare's England	0
Ben Jonson Journal Literary Awards	0
Victoria Moul, A Literary History of Latin & English Poetry: Bilingual Verse Culture in Early Modern England	0
Fletcher’s Humorous Lieutenant , Soldierly Identity, and Disability	0
Back matter	0
Front matter	0
Ben Jonson Journal Literary Awards	0
Contributors	0
Matthew Hunter, The Pursuit of Style in Early Modern Drama: Forms of Talk on the London Stage	0
Ben Jonson Journal Awards	0
The Body and Figurative Language in Ben Jonson's Epigram CXXV, “To Sir William Uvedale”	0
Back matter	0
Front matter	0
Foreword: Fletcher and Jonson, Jonson and Fletcher	0
Back matter	0
Milton’s Dantean Raphael	0
Punctuation and Style in Christopher Marlowe's Tamburlaine the Great and Ben Jonson's Volpone	0
Contributors	0
Contributors	0
The Convention of Self-Addressed Speech in Shakespeare’s Plays: New Empirical Data	0
Back matter	0
Special Issue Preface	0
Sidney’s Astrophil and Stella: A Reader’s Guide	0
The Sons of Bensalem: Unity and Election in Francis Bacon’s New Atlantis	0
Curtis Perry, Shakespeare and Senecan Tragedy	0
Back matter	0
Ben Jonson Journal Literary Awards	0
Jonson’s University Show	0
Contributors	0
Chris Fitter, Majesty and the Masses in Shakespeare and Marlowe: Western Anti-monarchism, the Earl of Essex Challenge, and Political Stagecraft	0
Jakub Boguszak’s The Self-Centred Art: Ben Jonson’s Parts in Performance	0
Archbishop Caiaphas: The Medieval Stage-Tyrant in the Elizabethan “Martin Marprelate” Controversy	0
Tom Cain and Ruth Connolly's The Poems of Ben Jonson	0
The Ends of Fletcherian History	0
Front matter	0
Contributors	0
Acknowledgements	0
2021 Scholarship on Ben Jonson: An Overview	0
Ben Jonson on Father Thomas Wright	0
Four Monarchies, a Dog, a Cat, and Peg, Meg, or Margaret: “Upward Allusions” in Jonson’s Entertainment at Britain’s Burse	0
Henry Vaughan: Pilgrim Marauder	0
Preface	0
Dennis Taylor, Shakespeare and the Elizabethan Reformation: Literary Negotiation of Religious Difference	0
Ben Jonson Journal Literary Awards	0
Female Silence and Poetic Authority in Jonson’s Volpone and Shakespeare’s Measure for Measure	0
The English Renaissance Playwright’s Classical Encyclopedia: The Lectiones Antiquae of Caelius Rhodiginus as a Resource for Jonson and Chapman	0
Rebecca M. Rush, The Fetters of Rhyme: Liberty and Poetic Form in Early Modern England	0
Fletcher in Company: Collaboration, the Whitefriars Playhouse, and Four Plays or Moral Representations in One	0
Acknowledgements	0
Acknowledgements	0

Back matter	0
“Shall I … act part of Malevole”: A reception history of The Malcontent, 1604–1650	0
Afterword	0
Epicene and the Bearded Woman Saint	0
Italy in Philip Massinger’s The Maid of Honour	0
The Strictly Limited Use of Audience Address in Shakespeare's Plays: An Empirical Approach to Theatrical History	0
Scottish Designs: Bedchamber Politics in Volpone	0
“What do you lack? What is’t you buy?”: Commodity and Community in Bartholomew Fair	0
Back matter	0
Ben Jonson's Patron, Esmé Stuart	0