Museum International

Papers
(The median citation count of Museum International is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Innovative Partnerships in Sustainable Digital Heritage Conservation: A Case Study of Uganda’s BRIMS Heritage Resource Center and E-Waste Traders6
Provenance Research in Museums: Principles, Practices and Possibilities5
When a Museum and a Game Developer Team Up4
Gender and Queerness at the Victoria and Albert Museum: A Case of Museum Activism?3
The Impact of Public-Private Partnerships and Management Autonomy on Museums’ Performance: The Case of Egyptian Museums2
Re-Imagining the Museum2
A Path Forward: Curating Art & Climate Change at the Sainsbury Centre, University of East Anglia2
Climatic and Environmental Threats to Cultural Heritage2
Plants Weaving Between Museums: An Ethnography of Loose Threads2
Beyond the Object File: Reframing Provenance Research and its Possibilities2
Provenance Studies in the Realm of Natural and Human Sciences Museums: Singular Collections, Myriad Questions2
Framing the Point of View Exhibition: Youth, Gender, and Diversity at the Rijksmuseum1
Rethinking Provenance: Archival and Decolonial Perspectives on Object Biographies1
The Participatory Engagement of Generation Z in Museums: A Case Study From Latvia1
Children’s Access to the Archives: Past, Present and Future1
Engaging Youth in Culture and Environment: Intergenerational Transmission and Museum Engagement in the Outer Hebrides1
Expanding Horizons: Towards a Mutually Beneficial Museum-Hospital Partnership1
Dancing into Financial and Social Sustainability: Partnerships Between Museums and the Dance Sector in Costa Rica and France1
Towards Sustainability in the Museum Sector: A Circular-Economy-Based Model for Museum Collections1
Provenance and Transformation: Humanities in Natural History Collections1
A Supernova of Science and Culture:1
Sustainability as a Driving Force: Perspectives on Museums in Germany as Social Actors1
The Carcerality of Museums: Abolitionist Perspectives on Musealisation0
Deeply Ecologising Museums and Heritage: A Case Study of the Horniman Museum and Gardens0
Arctic Indigenous Fashion: Honouring Women’s Roles and Sustainable Practices0
Collection Ecologies for Repatriation Practice:0
Museums for Peace: In Search of History, Memory, and Change0
Externalised Storage: An Opportunity for Sustainable Development? A Case Study of the Louvre Conservation Centre in Liévin, France0
Beyond Restitution: Provenance Research as an Evolving (and Involving) Process0
Art on the Jam Lid: Ethical and Legal Issues in the Commercialisation of Museum Collections0
From Playground to Cultural Ground: The Youth-Driven Revival of Traditional Iranian Games for Intangible Cultural Heritage Preservation0
The Changing Role of Provenance Researchers in Museums: Three Curators in Interview0
Youth, Intangible Heritage and New Technologies in Museums0
Provenance Research Beyond the Museum:0
Cosmogonies of Economic Growth in Nso Communities: Exhuming ‘Homemade’ Sustainable Development from German Museum Archives0
‘Who Could Be Opposed to Partnerships?’: Independence, Integrity and Credibility at Risk in the Entrepreneurial Museum0
A Landscape of Lightheartedness: Using Comedy and Humour to Shape Inclusive and Participatory Museums0
Expanding museums’ horizons through partnerships and collaboration0
Exhibiting Leadership: A Proven Approach to Ambitious and Effective Action on Sustainability and Climate Change by Australian Museums0
Integrating Life Histories into Provenance Research: Case Studies from the Yale Babylonian Collection0
Beyond Restitution: The Potential of Provenance for Curatorial Practice0
Editorial Reframing Provenance and Reclaiming Histories in Museums0
Researching and Developing Bio-based Materials for the Transport, Conservation and Exhibition of Museum Collections: A Case Study from France0
Making the Unaccountable Accountable:0
21c Museum Hotels0
Louvre x Joker: Folie à Deux0
Revisiting Colonial Legacies: Unprovenanced Ethnological Collections at the Livingstone and Moto Moto Museums in Zambia0
Looking Beyond Knives, Buttons and Beaded Aprons: Indigenous and Maroon Agency in Colonial Collecting Practices and the Provenance of Ten Surinamese Objects in The Netherlands0
Symbiotic Museums: An Interdisciplinary Challenge0
Museums on TikTok: Key Strategies for Attracting Generation Z0
The Collapse of an Unequal Marriage: Examining the Potentials and Risks of Public-Private Partnerships through the Example of the Kunstpalast and E.ON0
Understanding Youth and Empowering Cultural Heritage Transformation: A Case Study of HEY Ivrea! Heritage Enhancement Through Youth0
Provenance Research as Knowledge Production: Re-examining the Kampung Baru Mosque Mimbar at the Jakarta History Museum0
Towards Sustainable Cultural Institutions for a New Nation: Creating a National Museum and Archives for South Sudan0
Youths Take Over: The Kolektif Journey in Youth Engagement at National Gallery Singapore0
Book Review Artistic Provenance Research0
The Provenance Reliability Index:0
Exhibiting the Exiled: Exploring the Interplay Between Politics and Museum Practice at the Tibet Museum, Dharamshala0
Evolving Communities: Living Heritage and Community Engagement in Three South American Museums0
Engaging Care Leavers Through Participatory Programmes at the Foundling Museum: Reciprocal Relationship Building with Disadvantaged Youths0
Museums at the Service of Cultural Relations: The Maasai-Pitt Rivers Museum Living Cultures Partnership0
Conducting Provenance Research at the Calouste Gulbenkian Museum: A Curator’s Perspective0
Southeast Asian Artefacts at the National Taiwan Museum: Tracing Provenance and Engaging Migrant Communities Through Interpretation0
Cultural Sustainability and Social Inclusion: A Case Study of Contemporary Art Museums in Hungary0
Reimagining Provenance: Queer Possibilities in Provenance Research0
Narrating Partition through Interactive Digital Fiction: The ReReeti Foundation’s Un.Divided Identities Exhibition0
The Individual as a Compass for Sustainability: Innovative Strategies at the MALBA0
The Sustainable Museum: How Museums Contribute to the Great Transformation0
ICOM-ITC: A Capacity-Building Platform for Young Museum Professionals0
Mountains on Display: Curating Time, Uncontrollability and Vulnerable Ecosystems at Haus der Berge and Norsk Fjellsenter0
Performances of Intergenerational Memory as Memorial: The Forgotten Diaspora Remembered by the Muzeum Pamięci Sybiru0
Youth Unleashed: Museums as Platforms for Heritage and Climate Dialogue0
From Sustainable Development to Sustaining Practices for Human, More-than and Other-than Human Worlds0
Discursive Strategies of Climate Change: The Case of Climate Activism in Museums0
Provenance Research and the Ethics of Ownership: Case Studies from the Archaeological Collections of the Allard Pierson (University of Amsterdam)0
Integrating Digital Technologies into Cultural Heritage Conservation to Engage Young Audiences: A Case Study of Milele Museum, Rwanda0
Entangled and Sustainable Approaches to Museum Practices: A Case Study of the University of Queensland’s Blue Assembly0
Sustainability at the Core of Strategic Planning for Museums0
Opportunities and Challenges as Museum Brand Licensing Takes Off0
Museum Sustainabilities0
Towards an Ethics of Care for Cultural Belongings and Ancestral Remains from the Mariana Islands in European Museums0
Conducting Provenance Research at Cambridge’s University Museums0
Reappropriation as a Method of Provenance Research: The Usakos Railway Workers’ Collection0
Uncovering Colonial Legacies: Collaborative Provenance Research on Malagan Carvings from New Ireland0
Museums and Real Estate Development: A Roadmap for Positive Impact0
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