Performance Research

Papers
(The TQCC of Performance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
On Repair11
Hidden Archives, Closeted Desires, Postponed Utopias3
A Look at the Fasting People3
La Merda3
‘Not knowable in advance’: Feeling brown with José Muñoz2
Life as Script: Benjamin’s study of Brecht in Svendborg2
Resilient Matriarchs2
Notes on Contributors2
Complicating Care2
Signs of Life – Hearts, Blood and our Breath2
Who is Afraid of Mourning?2
Governing Care2
Performing Interruptions1
Through the Lens of Grief: Re-reading performance through pregnancy loss1
Addressable Volume1
A Period Piece that Endures1
On the Question of the Artistic Transmission of Political Death (II) 11
Hunger Action1
Choreographic Explorations in the Middle and the Excess1
Correction1
The In-between Relation of Performers as Foundational Principle for Constructing Alternative Social Imaginaries1
Notes on Contributors1
Clods, Compost and the Buoyancy of Clowns1
Ecological Performance and ‘Settler Creep’1
Notes on Contributors1
Ibu in Post-authoritarian Agonism1
Reorientations and Reckonings in Response to Wild Weather1
The Embodied Archive and the Metaphor of Compost1
Interruption(s)1
Signposting the Anthropocene1
Sensation and Sensibility: Ron Athey's archive of feeling1
Mapping Polivocality in East Asian Theatrical Realism1
Rich Archival Pickings1
Editorial: On mundane performance1
Political Paradigms of Hunger1
A Radical Imagination1
Recipes for (un)learning to (re)member: Ripples, responses, responsibilities1
Mapping and Cross-mapping the Hi:story of Performance Art in Switzerland through Collective Research for Deviant Understandings1
On Touch1
Re-generative Habit1
Entering / 041
Gender Performance on the Stage of Chinese Opera1
Participatory Futuring1
Starting from Lived Experience1
Intimate Engagements with the Earth Assuming the Ecosexual Position: The Earth as lover by Annie Sprinkle and Beth Stephens with Jennie Klein, Minneapolis, MN: Universit1
What the heck? – hacking HEK1
Racial Kinaesthesia and Coalition in MovementBlack Dragon: Afro Asian performance and the martial arts imagination by Zachary F. Price, Columbus, OH: The Ohio State University Press, 2022; pp. 240.1
Mourning the Factory1
Games and Playfulness1
Bumps, Breakages, Bandages1
On Air and in Breath1
Touch (Sk)Interrupted?1
Presence / 021
T.Mudd1
The Revolutionary Mourner, and the Collective Body: The performativity of grief in the Woman, Life, Freedom movement1
Notes on Contributors1
To Do, To Act, To Reform0
Queer, Brown Dancing Bodies in a White Cube: Refusal and mourning in Gerald Casel’s Not About Race Dance0
Ritualized / 020
Editorial0
Emotional Weather Reports: Online performance as affective practice in the MonoVlogs of Layeta Bucoy and Olivia Kristine Nieto0
Dancing and Reading across Difference, with love0
A Listening of the Flesh0
Care-filled Futures0
Editorial: On Air0
COVID-19 Protests and the Performative Force of Untruth0
Still Resisting Left Melancholy? Chinese New Leftist theatre’s inheritance and resistance in Che Guevara (Qie Gewala) (2000–1)0
Unearthing Undercover0
Lessons of Decal (Language as Repertoire)0
‘Signature Act’0
UnCooked Meets0
Invasion, Replacement and Colonial Anxiety in The War of the Worlds0
On the Ends and Endings of Protest0
Imagine a Review0
Repertoire, Relation and Technique0
Collective Breath0
Performances of Exposure and Ethical Spectatorship in Hanna Cormick’s The Mermaid0
Plant Blindness and Repair0
When Melancholia Turns Black0
Being on Time0
Performing Livelier Biosecurity in Human–Candida Artistic Encounters0
Three Acts of Care in Performance and Beyond0
Gezi’s Many Women in Red: A genealogy of an icon from street to stage0
Come to the Table0
The Remnant of My Volition (Force Majeure)0
Body as a Proletarian0
Watching the Detectives0
Stranger than Kindness0
Repertoire and Pedagogical Transmission of Asian ‘Traditional Forms’ at the Intercultural Theatre Institute of Singapore0
Assemblies under Pressure from Catastrophe Back Stages: Essays across art, performance, and public life by Shannon JacksonEvanston, IL0
Repertoire Research0
Pushing Forward with Creative Practice0
Injecting the Essayistic into the Curatorial0
A Manifesto for Care with regards to Labour0
Performing Shared Atmospheres0
Remembering Differently0
Performative Scores for More-Than-Human Swamp Becomings0
Practical Manifesto for a Theatre of Repetition0
Drawing Oblivion0
Notes on Contributors0
Towards a Non-Anthropocentric 1 Social Imaginary0
Live Art0
Care Aesthetics, Coronavirus and Everyday Life0
WE/Time/Trembling/Softly0
Presence / 090
The Power of the Sad: Performance, bearing with and compassion0
Witnessing the Mundane0
Habits of Belonging in and through Boxing0
We Will Outlive the Blood You Bleed0
Inscribing Bodily Narratives0
Presence / 110
Why Do I Keep Crying?0
Feeling(s) without Organs0
Activations of the Threshold0
I Was Thinking0
Let This Sentence Be Your Guide0
Notes on Contributors0
Performative Scores in Pandemic Times10
Towards Becoming an Ecology of Care0
‘It’s Not Because It’s Not There, That It Isn ’t There’: Visibility and invisibility within Black flamenco performance0
Stop the Show0
Walking (to) Greenham, Again0
Maintenance and Care /060
The Limits of Cis Compassion: The sad trans experience and its others in contemporary Turkish theatre0
Potential Singularity and Transformative Instability0
Resounding Relations0
Waiting / 020
Performing the Politics of Kindness in Aotearoa New Zealand0
Embodied Rhetoric0
Cura, the Curatorial and Paradoxes of Care0
On Activation0
Becoming with Wheat0
The Politics of Urban Silence0
Spinoza’s Concept of ‘Wonder’ as Aesthetic Interruption0
Breathing Air into the Archive0
Digital Contention in Latin America0
Presence / 090
Enduring Touch0
Breathing out of the University, and into many Schools0
Sonic Touch0
Presence / 050
Presence / 070
Counterpointing Care0
Liquid Social Choreography0
Ritualized / 030
Inside Out: Praxis as autoethnographic research An Empty Room: Imagining butoh and the social body in crisis by Michael Sakamoto, Middleton, CT: Wesleyan University Pres0
Playing with Then and Now0
Ashray and Shushrusha0
‘A blank page … ’ or ‘Ten years since language left … ’ (Artaud)0
Notes on Contributors0
Introduction0
How to Resist When Resistance Feels Impossible0
Now What?0
Interrupted Authority0
Editorial0
Introduction0
Reading Rest as Resistance0
Stratifying the Air: A review of Scott Magelssen’s Performing Flight Performing Flight: From barnstormers to space tourism by Scott Magelssen, Ann Arb0
Listening in Three Acts: Thinking, responding, doing Act 30
COVID Relief and the Dynamics of State Care in South Africa’s Performance Economy0
Notes on Contributors0
Beginning with Love0
Confronting Coloniality’s Unpayable Debts0
Negation as Condition of Possibility for Imagining Anew0
With Whom Can You Imagine Sharing This World’s Sidewalk?0
Limit(less)0
Imagining Togetherness Amid Dislocation0
Unintentional Poetics of Deleuze's Diagram between Mapping and Tracing0
A Puzzle of Diagrams (Incorrect Collective Noun/Incomplete Collection)0
A Star isn’t Born, judy’s Made!0
Presence / 100
Ritualized / 010
Performing Processions: Premonitions and palimpsests0
Composing Atmospheres, Engineering Liveness Kinetic Atmospheres: Performance and immersion by Johannes Birringer, London and New York, NY: Routledge, 2022; pp. 3000
I am Queen Mary0
China Quick-Fix0
Performing Relations0
‘This is My Life’0
Epilogue0
‘Do We Need to Talk about Prince Harry?’0
Becoming Anorexia0
Being and Pub0
A Replica of a Replica: Memory, trauma and monumental repair0
A Grammar of Care0
‘I Have the Need to Never Arrive’0
Dramaturgy of Mundanity, Dramaturgy of Utopia The City We Make Together: City Council Meeting’s primer for participation by Mallory Ca0
Airpocalypse0
Representing Hunger0
Breath^work0
Holding Breath0
Transmuting Trauma and ‘Alchemiz[ing] Inherited Wounds’: iele paloumpis’s disabled, diasporic choreographies of care0
Towards a Rattling of the Everyday0
Theatre and Solidarity among the Transnational Alevi Community0
Ballet, Biopolitics and the Relevance of History0
The Minutes of the Hildegard von Bingen Society for Gardening Companions0
The Aesthetic of Acclimatization0
The Color of Water0
Reflection: Beyond metaphor0
After the Ordinary0
The Queer Archive as Promiscuous Ethics of Care0
Towards an Ecodramaturgical Human0
Embodied Histories of Gender and Generation in Post-Conflict Northern Ireland0
The Political Theatre of Dirty Hands in the UK Government Response to the COVID-19 Pandemic0
Ashes to Ashes: Is expression of female violence just too much? Putin’s Ashes by Pussy Riot Performance and short film (2022), www.youtube.com/watch?v=ni_CRPAw_5Q; 3.04 0
Larvatus Prodeo0
Materializing Habit to Make Visible0
Notation as Diagram0
On the ‘Doing’ of ‘Something’0
Careful Lessons From For You’s Artists & Elders0
'The great contraband a person can sneak into a prison is joy'0
Voice is Vision0
Contracts as Protocols of Governmentality in Performance Art0
Enstranglements: Undercover in Arts for Health0
Presence / 120
UNcovering Stories of Displacement and Hope0
Interruptions from Speech0
Maintenance and Care / 050
A Multitude of Drops0
Just One Big Green Ball0
(M)Othering Like Us0
The Aesthetics of Invasion0
Cover to Uncover0
A Different Hunger0
Performance, Unknown Otherwise Surface Relations: Queer forms of Asian American inscrutability by Vivian L. Huang, Durham, NC: Duke University Press, 2022; pp. 2270
Notes on Contributors0
Banners and Memes0
Diagramming performances0
Undercover Next Door0
Embodying Utopia0
In Remembrance0
The Deep, Dark Play of the US Capitol Riots0
Activation in the Moment of Pausing or Slowing0
Notes on Contributors0
Walk This Way0
The Transloca as Theoretical and Hermeneutical Model0
On ‘a certain convocation of politic worms’ ( Hamlet )0
Mette’s Pharmacy0
Presence / 080
The Sad Choreography of Systemic Misconduct, from Cause to Affect0
History Put in Touch with Itself0
What Must Be Re-Imagined0
Theatre's Computational Turn Theater as Data: Computational journeys into theater research edited by Miguel Escobar Varela. Ann Arbor, Ml: University of Michigan Press, 0
Twelve (Queer) Labours0
The Song of Disobedience0
Body-worn Technology, Heightened Awareness and Habit0
Wearing a Second Skin of Sounds: Touching the other through sounding and listening0
Self-Starvation0
Interrupting Everyday Life0
Between Japan and the Global: Marking Okada Toshiki’s innovations Okada Toshiki & Japanese Theatre edited by Peter Eckersall, Barbara Geilhorn, Andreas Regelsberger 0
Page, Stage and Expanding Iberian Performance0
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