Performance Research

Papers
(The TQCC of Performance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
The Song of Disobedience11
On Hybridity4
Expanding Empathic and Perceptive Awareness: The experience of attunement in Contact Improvisation and Body Weather4
Magic Circles3
Towards Hybridity3
Into the Nebula: Embodied perception of scenography in virtual environments3
Stranger Things, Secret Cinema and the Transmateriality of Touch3
On Hybridity in Puppetry3
The Viewpoints and the Secret of the Original Anarchist: Mary Overlie and the Undercommons2
Enduring Touch2
Necessity or Choice2
Stop the Show2
Diffracting Virtual Realities2
This is Not a Manifesto2
Experiencing Choreographed 4D Visuals in a VR Dance Installation2
Somatic Ways of Knowing: Fina Miralles’ earliest practices of sensorial perception2
Designed to Save: Scenography and ideology in Hell House1
On Protest1
Cassils with Jean-Luc Nancy1
On Touch1
A Maiden Speech1
Queer Fiesta1
Kinesthetic Empathy as Embodied Research1
Learning from Experience1
Diffraction, Mixture and Cut-Ups in Performing with Plants1
Touching through Music, Touching through Words1
Stop. Rewind. Replay.: Performance, police training and mental health crisis response1
Across Bodily and Disciplinary Borders1
Tactile Attention in One-to-One Performance: The effects of touch on participant experience1
Extravagantly Enigmatic1
On Solidarity1
A Grammar of Care1
The Politics of Urban Silence1
The Actor as Observer-Participant1
Breathing Air into the Archive1
Banners and Memes1
Touch (Sk)Interrupted?1
A Hybridity Continuum1
The Diffracting Light in Contemporary Theatre1
Perceiving, Navigating and Inhabiting: Performance design through sonic strategies1
Diffraction and ‘In-Visible Light’1
On the Edge of the Perceptible: Microacting, imaginary worlds and cognitive estrangement in virtual performance1
Performing Porosity1
Seeing Alone Yet Together: Modern-day Tiresias in VR theatre1
On Repair1
Performing Democracy1
Notes from the SemioticChora1
Diffracting the Politicized Spectale1
Listening in Three Acts1
Theatre Performance through the Intermedial Lens1
British Multiculturalism and Interweaving Hybridities in South Asian Dance1
‘Ladies and Gentlemen we interrupt our program … ’1
Performing Shared Atmospheres1
Choreographic Gestures of Resurgence and Repair: Arkadi Zaides’s research-based performance project:Necropolis1
The Political Theatre of Dirty Hands in the UK Government Response to the COVID-19 Pandemic1
Decolonizing Performance Pedagogy1
Circus Training in the Time of Coronavirus1
Shifting Boundaries of ‘Perceived’ Legitimacy1
‘A blank page … ’ or ‘Ten years since language left … ’ (Artaud)1
Diffractive Co-conspiracy in Queer, Crip Live Art Production1
Sonic Bodies1
Counter-attacking Pollution in Three Aerial Acts1
Editorial: On Air1
Editorial: On Perception1
The Legacy of Kristin Linklater1
Creating Nothing0
Dancing in Car Parks0
T.Mudd0
Beyond Spectacle0
Crafting Inoculation0
Trust Fall0
Ecological Performance and ‘Settler Creep’0
Unfolding Images0
Allowing the Sacred to Appear0
Training Beyond0
Vulnerable Paths to Freedom0
I Was Thinking0
Words from a Pit0
The Forme of Cury0
What about Knowledgefied Discourse in Artistic Research?0
Bringing the Body to Beckett’s MOUTH0
Hybridity in the Utopian City: A multisensory performance practice in action0
Tribute to Mike Pearson Non omnis moriar (Not all of me will die)0
On Shared Resources: Performance studies publications from a pandemic0
Singing the Future Now0
I Had Fun Fearing Cockroaches0
The Universal Caregiver Society0
A bodily mental lexicon: Documenting a choreographer’s method through a multimodal archival resource0
Games and Playfulness0
Notes on Contributors0
Y-Performance, Care and Intergenerational Response0
A Moving Moment0
[Dis]rupting, [mis]understanding, [un]learning and [re]membering—Lerato Shadi, Hamedine Kane and Euridice Zaituna Kala0
Dramaturgy of Mundanity, Dramaturgy of Utopia The City We Make Together: City Council Meeting’s primer for participation by Mallory Ca0
Editorial: On Interruptions0
Microhistories of Jewish Clandestine Performance, Self-Orientation and Survival during the Holocaust0
Towards Becoming an Ecology of Care0
Intellectual responsibility and eco-aesthetic existentialism: Experimental kinetic dramaturgies from Flanders0
Hidden Archives, Closeted Desires, Postponed Utopias0
Notes on Contributors0
Presence / 130
Plutarch’s Boat0
Defiant Joy and Care-Based Solidarity in Puerto Rican Theatre0
Solidarity in Performance0
Collaborating Across Borders in Isolating Times; Four Artistic Strategies for International Co-creation, with Examples0
Choreographing Breath and Air in Object Performances0
Making Sense of Life and Death: A Review of Andrew Griffin’s Untimely Deaths in Renaissance Drama0
Congealing the Abject0
A Trilogy of Getting Stuck0
Who is Afraid of Mourning?0
Backstage of the Eye0
Signs of Life – Hearts, Blood and our Breath0
Epilogue0
Solidarity as a Common Notion0
On Interruption0
The Chamber of Banality: Hell on Earth0
Histories, Stories and Encounters with Butō’s Mythopoesis A History of Butō by Bruce Baird, New York: Oxford University Press, 2022; pp. 288; 60 monochrome images.0
South Africa’s Student Activist Turn in the Decolonial Present0
Notes on Contributors0
Becoming-Leech0
Mette’s Pharmacy0
Feeling(s) without Organs0
Sonic Touch0
Qualic monsters in corridors: Reading Mette Ingvartsen’s ‘Manual Focus (solo version for camera)’0
Ritualized / 110
Presence / 060
Race and Performance Dal Segno0
Between Craft and Metaphysics0
Et Anima Est Sanguis et Sanguis Est Anima0
Diffracting Cybernetic-Existentialism0
The Vindication of Vocality in Occitan and Indigenous Oral Traditions0
And So …0
Marriage in Death and the Cyberspace of Feminist Intervention in Contemporary China0
Notes on Contributors0
Utopian Training0
The Slow Emergency of the Future0
Choreography as Concept, Dancing as Material0
Resisting to Dystopias of Bodily Control0
Towards Anamnestic Art0
The ‘Squishy Science’ of Theatre and the Post-Relativistic Universe0
The Men in White0
Interweaving Deaf and Hearing Cultural Practices in Performance Processes0
Live Transference on Stage as the Creation of a New Type of Performer0
The Aesthetic of Acclimatization0
What is Vodun?0
Entangled Speech0
A Mercurial Mirage: Seascapes as event, logic and method0
Meeting on Paper0
Growing Trees of Culture0
Your House Does Not Look Like You Anymore0
The Artful Agile Atypical Octopussy0
The Power of Unwanted Presence0
Interruption(s)0
Dramaturgy of Response-ability0
Notes on Contributors0
Touch Me, If You Want0
Challenging Normo-divergency Inclusivity and Equality in Performance Training: Teaching and learning for neuro and physical diversity 0
Here Now Yma Nawr0
Potential Singularity and Transformative Instability0
The Transloca as Theoretical and Hermeneutical Model0
Fowl Play0
Freedom is a Performance Hangout* (*Click on this fake sweat distraction technique to release infinite scroll)0
Composing Atmospheres, Engineering Liveness Kinetic Atmospheres: Performance and immersion by Johannes Birringer, London and New York, NY: Routledge, 2022; pp. 3000
‘Not knowable in advance’: Feeling brown with José Muñoz0
Picturing Meditation0
Dementia in Dramaturgically Hybrid Performance and the Performance of Objects0
White Privilege and the Return of the Real Playing Real: Mimesis, media, and mischief edited by Lindsay Brandon HunterEvanston, IL: Northwestern University Press, 2021; 0
Collaboration and Co-finitude0
Notes on Contributors0
Blood Re-born0
Keeping up Appearances0
Moving Together0
'The great contraband a person can sneak into a prison is joy'0
To Kill or Die For0
Tempered by Breath0
Performance and Protest as Creative World-Building for Black Liberation0
The ‘Freicha’ as an Interruption in/of Westernized Israeli Theatre0
Training Utopias: Editorial0
On ‘Halt!’ and On ‘on’0
Hell in the Cave: Falling down to find the light0
rendezvous0
Gaming Protest0
Technoparticipation0
Utopia in Actor Training0
Inscribing Bodily Narratives0
A Puzzle of Diagrams (Incorrect Collective Noun/Incomplete Collection)0
L’Enfer du Théatre0
Forming Blank, Performing Form0
Ritualized / 070
Walking Out of the Mundane0
China Quick-Fix0
Wearing a Second Skin of Sounds: Touching the other through sounding and listening0
Dancers’ Perceptual Skills: An ethnographic, cognitive and phenomenological study0
Parliament of Practices0
Dancing Diffraction0
Ritualized / 100
Performative Scores in Pandemic Times10
On Dammed Landscapes and Invasive Infrastructures0
Notes on Contributors0
Invading Capitalist Ageism in Applied Theatre through Anti-Ageism Praxis0
Ibn ‘Arabi and the Shadhiliya of Tunisia0
Diffractive Dramaturgy0
The Essay, the Maligned0
The Task at Hand: Learning to unlearn in the politics of presence0
Resilient Matriarchs0
Moving across the Terrain: Perceiving and performing the landscape0
Performing Change0
Entangled Gestures and Technical Objects0
Advaita Vedanta and Qi Gong0
Failing Purposefully, Productively and Politically0
‘And then again, I draw myself to the detail’0
On the Ends and Endings of Protest0
Care Aesthetics, Coronavirus and Everyday Life0
Concentric Circles of Dramaturgy0
The Anatomy of Knowledge0
Presence / 140
Performing Interruptions0
Governing Care0
Festivilization of Cultures0
(C)Overt Operations0
first draft·ings0
Presence / 040
Complicating Care0
Notes on Contributors0
Ibu in Post-authoritarian Agonism0
Editorial: On mundane performance0
Stratifying the Air: A review of Scott Magelssen’s Performing Flight Performing Flight: From barnstormers to space tourism by Scott Magelssen, Ann Arb0
The Dancer–Drummer–Drum Body: Expanding corporeal experiences through improvisation in black dance0
Bleeding Foreheads0
Performing Waria/Performing Care0
Airpocalypse0
Interrupting Everyday Life0
Theatre's Computational Turn Theater as Data: Computational journeys into theater research edited by Miguel Escobar Varela. Ann Arbor, Ml: University of Michigan Press, 0
Bumps, Breakages, Bandages0
Performing Solidarity0
Life as Script: Benjamin’s study of Brecht in Svendborg0
Training Artists in Times of Crisis0
Meet – An intimate performative encounter format0
The Formation of Identity and the Disruption of Colonial Ideological Hegemony0
A Note of Thanks0
Guts ’n’ Brains0
minkfestival.com: an online festival about the zoo of the pandemic0
History Put in Touch with Itself0
Book as Meeting Place: Dance, drama and cross-culture reconciliation across the life of physical theatre company Marrugeku Marrugeku: Telling that Story edited by Helen 0
US Dance and Globalism at Mid-Century0
Unearth Not0
On Listening in to the Scientific Mundane0
Performing care on the borders of the self in Tactility Studies: Pandemic distances0
Sitting With My Legs Crossed–Unfolding0
Notes on Contributors0
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