Performance Research

Papers
(The TQCC of Performance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Governing Care9
Complicating Care6
Resilient Matriarchs4
Recipes for (un)learning to (re)member: Ripples, responses, responsibilities3
La Merda3
Breathwork in VestAndPage Performance Practice3
Signs of Life – Hearts, Blood and our Breath3
T.Mudd3
A Look at the Fasting People3
Bumps, Breakages, Bandages2
Ibu in Post-authoritarian Agonism2
Re-generative Habit2
The Revolutionary Mourner, and the Collective Body: The performativity of grief in the Woman, Life, Freedom movement2
Mapping Polivocality in East Asian Theatrical Realism2
Notes on Contributors2
Te Mana Motuhake o te Hā: Sovereignty of breath2
Political Paradigms of Hunger2
Rediscovered Music, Undiscoverable Interpretation2
Now I am Ready to Die2
Racial Kinaesthesia and Coalition in MovementBlack Dragon: Afro Asian performance and the martial arts imagination by Zachary F. Price, Columbus, OH: The Ohio State University Press, 2022; pp. 240.1
Editorial: On mundane performance1
Gender Performance on the Stage of Chinese Opera1
The Reactionary Repertoire1
On Invasion1
Entering / 031
Notes on Contributors1
The In-between Relation of Performers as Foundational Principle for Constructing Alternative Social Imaginaries1
Ugly Feelings1
Presence / 021
Through the Lens of Grief: Re-reading performance through pregnancy loss1
Hunger Action1
Choreographic Explorations in the Middle and the Excess1
Correction1
Intimate Engagements with the Earth Assuming the Ecosexual Position: The Earth as lover by Annie Sprinkle and Beth Stephens with Jennie Klein, Minneapolis, MN: Universit1
Where Do Animals Go When They Disappear?1
Notes on Contributors1
On Exits and Endings1
Entering / 011
An Archipelago of Aid1
Rich Archival Pickings1
The Embodied Archive and the Metaphor of Compost1
Clods, Compost and the Buoyancy of Clowns1
Ritualized / 081
Mapping and Cross-mapping the Hi:story of Performance Art in Switzerland through Collective Research for Deviant Understandings1
On the Question of the Artistic Transmission of Political Death (II) 11
Ecological Performance and ‘Settler Creep’1
Entering / 041
Participatory Futuring1
Mother, Daughter and the Shame of Menarche1
A Forbidden Sistine Chapel Selfie and Paying Attention to Art Today1
Conjuring the Ghosts1
Mourning the Factory1
XX1
On Collapsing Time and Withholding Endings, or Hopeful Failure1
‘Holding Breath’1
A Period Piece that Endures1
Integrating the Popular in Nineteenth-Century Improvisation1
Voice is Vision0
Materializing Habit to Make Visible0
Hooding a Hawk: Searching beyond the citta0
Ritualized / 100
Haunting Spectres and Spectating Ghosts0
Twelve (Queer) Labours0
Dramaturgies of Decay0
What Can Heavy Metal Do for Disability Studies?0
Dramaturgy of Mundanity, Dramaturgy of Utopia The City We Make Together: City Council Meeting’s primer for participation by Mallory Ca0
Phrenos – The Bank of Breath0
Ghostwriting the Stage0
Negation as Condition of Possibility for Imagining Anew0
Habit as Restored Behaviour in Purulia Chhau0
Transmuting Trauma and ‘Alchemiz[ing] Inherited Wounds’: iele paloumpis’s disabled, diasporic choreographies of care0
‘I Have the Need to Never Arrive’0
‘Who Cleans the Blood of the City?’0
Invasion as Trespassing Spatial Boundaries0
Editorial0
Practical Manifesto for a Theatre of Repetition0
What Must Be Re-Imagined0
Drawing Our Breath in Pain to Tell Hamlet’s Story0
Walking (to) Greenham, Again0
Careful Lessons From For You’s Artists & Elders0
Performance Encounters with Ana Mendieta0
Care Aesthetics, Coronavirus and Everyday Life0
COVID Relief and the Dynamics of State Care in South Africa’s Performance Economy0
Introduction0
Being on Time0
Reading Rest as Resistance0
Between Japan and the Global: Marking Okada Toshiki’s innovations Okada Toshiki & Japanese Theatre edited by Peter Eckersall, Barbara Geilhorn, Andreas Regelsberger 0
Towards a Fluid Performance Practice0
WE/Time/Trembling/Softly0
‘Signature Act’0
Performative Scores for More-Than-Human Swamp Becomings0
Why Do I Keep Crying?0
Ghosts of Queer Past, Present and Future0
The Life and Art of a Death Doula0
Presence / 090
Body as a Proletarian0
Death and Performative Engagement in Child of Tree0
Witnessing the Mundane0
Repertoire Research0
Invasion, Replacement and Colonial Anxiety in The War of the Worlds0
Rehearsing Exits0
On Ghosts Editorial0
I Was Thinking0
The Color of Water0
A Replica of a Replica: Memory, trauma and monumental repair0
Queer, Brown Dancing Bodies in a White Cube: Refusal and mourning in Gerald Casel’s Not About Race Dance0
Presence / 090
Nostalgic Hunger in Zhu Yu’s Eating People0
Repertoire and Pedagogical Transmission of Asian ‘Traditional Forms’ at the Intercultural Theatre Institute of Singapore0
Breathing with Ghosts0
Tracking the Social Process0
Let This Sentence Be Your Guide0
Composing Atmospheres, Engineering Liveness Kinetic Atmospheres: Performance and immersion by Johannes Birringer, London and New York, NY: Routledge, 2022; pp. 3000
Performing Waria/Performing Care0
The Three-Dimensional Open Work0
Limit(less)0
On Activation0
Presence / 070
When Melancholia Turns Black0
Come to the Table0
Meet – An intimate performative encounter format0
The Dying Art of Magic0
Ritualized / 070
Revealing Interdependence0
Breathing out of the University, and into many Schools0
Speculative Sites and Slippery Temporalities0
Keeping up Appearances0
The Queer Archive as Promiscuous Ethics of Care0
The Afterlife of Life as Art0
The Koortjie Undercommons0
Habits of Belonging in and through Boxing0
Ghost of Justice0
Just One Big Green Ball0
On ‘a certain convocation of politic worms’ ( Hamlet )0
Invading Capitalist Ageism in Applied Theatre through Anti-Ageism Praxis0
Representing Hunger0
‘Doesn’t Every Dying Person’s Last Breath Touch the Living?’0
Potential Singularity and Transformative Instability0
Drawing Oblivion0
A Grammar of Care0
wind meeting0
Ashes to Ashes: Is expression of female violence just too much? Putin’s Ashes by Pussy Riot Performance and short film (2022), www.youtube.com/watch?v=ni_CRPAw_5Q; 3.04 0
DJ Performance Analysis0
The Uncanny Sounds in Kamisato Yudai’s Immigrant Ghost Stories0
Activations of the Threshold0
A Close Listening to Theatre Aurality0
An Act of Becoming: Dance, doing dancing, dancing bodies0
Still Resisting Left Melancholy? Chinese New Leftist theatre’s inheritance and resistance in Che Guevara (Qie Gewala) (2000–1)0
Stranger than Kindness0
Towards Becoming an Ecology of Care0
A Lament for the Earth: Performing loneliness and liminality with Annie Lennox’s Dido0
Planting Ghosts in a Time Machine0
Resounding Relations0
Maintenance and Care /060
Live Art0
Anatomy of Death – Reminiscences of rebirth0
Body-worn Technology, Heightened Awareness and Habit0
Reflection: Beyond metaphor0
Artificial Respiration0
The Sad Choreography of Systemic Misconduct, from Cause to Affect0
A Puzzle of Diagrams (Incorrect Collective Noun/Incomplete Collection)0
Gardens Speak: We are amazingly near in Tania El Khoury’s live art0
Towards a Multi-dimensional Understanding of the Performer–Audience Relationship0
Vocality, Interspecies Conflict and the Tourist Gaze0
A Different Hunger0
Entering / 020
Feeling(s) without Organs0
To Photograph Without Taking Any Pictures — Notes on the act of photographing0
Radio-Active Ghosts0
Counterpointing Care0
Theatre's Computational Turn Theater as Data: Computational journeys into theater research edited by Miguel Escobar Varela. Ann Arbor, Ml: University of Michigan Press, 0
Lessons of Decal (Language as Repertoire)0
Unintentional Poetics of Deleuze's Diagram between Mapping and Tracing0
A Listening of the Flesh0
Presence / 100
Unpacking and Enveloping0
Ritualized / 030
Self-Starvation0
Performing Processions: Premonitions and palimpsests0
With Whom Can You Imagine Sharing This World’s Sidewalk?0
Walk This Way0
Collaborating Across Borders in Isolating Times; Four Artistic Strategies for International Co-creation, with Examples0
Introduction0
Unbounding [sic] Prometheus0
Page, Stage and Expanding Iberian Performance0
The Voice of the Air0
Silver Halide Crystals and Ionizing Radiation0
On Listening in to the Scientific Mundane0
Composing Improvisational Cells for Networked Music Performance0
Contracts as Protocols of Governmentality in Performance Art0
A Star isn’t Born, judy’s Made!0
Dispossessed Breath0
Stanislavski versus the Peasant Woman0
The Practice of Endings in a Work that has no End0
‘Nothing is more tragic than the grotesque’0
Notes on Contributors0
The Limits of Cis Compassion: The sad trans experience and its others in contemporary Turkish theatre0
Collaboration and Co-finitude0
Care-filled Futures0
Uneasy Breathing0
The Art of Notation Revisited0
Can Stories Save Us?0
Embodied Histories of Gender and Generation in Post-Conflict Northern Ireland0
Performance, Unknown Otherwise Surface Relations: Queer forms of Asian American inscrutability by Vivian L. Huang, Durham, NC: Duke University Press, 2022; pp. 2270
‘Do We Need to Talk about Prince Harry?’0
Waiting / 020
Slow Fade to Blackout0
UnCooked Meets0
It’s time0
Embodying Utopia0
In Remembrance0
Black Lung0
Naming the Unnamed0
Assemblies under Pressure from Catastrophe Back Stages: Essays across art, performance, and public life by Shannon JacksonEvanston, IL0
The Aesthetics of Invasion0
Pirouetting on the twists and turns of music performance studies0
History Put in Touch with Itself0
The Minutes of the Hildegard von Bingen Society for Gardening Companions0
Thorax0
Repertoire, Relation and Technique0
Presence / 120
Feeling and Falling at the End-Times0
Towards a Rattling of the Everyday0
Maintenance and Care / 050
Somewhere Between Breathing In and Breathing Out0
Notes on Contributors0
To Do, To Act, To Reform0
Josephine0
Making and Breaking ‘Bad’ Habits in Drugs, Law and Human Rights Scrutiny0
Emotional Weather Reports: Online performance as affective practice in the MonoVlogs of Layeta Bucoy and Olivia Kristine Nieto0
Looking Back and Facing Forward: How to learn from pandemic theatre0
What Colour Is a Ghost?0
Ritualized / 020
Activation in the Moment of Pausing or Slowing0
Three Acts of Care in Performance and Beyond0
Becoming Anorexia0
Notes on Contributors0
A Manifesto for Care with regards to Labour0
Injecting the Essayistic into the Curatorial0
Habits from Hyperconnected Solitude0
UNcovering Stories of Displacement and Hope0
‘It’s Not Because It’s Not There, That It Isn ’t There’: Visibility and invisibility within Black flamenco performance0
Beginning with Love0
Performing the Politics of Kindness in Aotearoa New Zealand0
Inside Out: Praxis as autoethnographic research An Empty Room: Imagining butoh and the social body in crisis by Michael Sakamoto, Middleton, CT: Wesleyan University Pres0
Cultivating ‘ Qi’ in Connecting the More-Than-Human World0
rendezvous0
Remembering Differently0
And So …0
Now What?0
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