Performance Research

Papers
(The TQCC of Performance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Governing Care9
Complicating Care6
Ibu in Post-authoritarian Agonism3
La Merda3
Signs of Life – Hearts, Blood and our Breath3
Resilient Matriarchs3
Recipes for (un)learning to (re)member: Ripples, responses, responsibilities3
A Look at the Fasting People3
T.Mudd2
Notes on Contributors2
Rediscovered Music, Undiscoverable Interpretation2
Political Paradigms of Hunger2
Breathwork in VestAndPage Performance Practice2
Who is Afraid of Mourning?2
Bumps, Breakages, Bandages2
The Revolutionary Mourner, and the Collective Body: The performativity of grief in the Woman, Life, Freedom movement2
Now I am Ready to Die2
Re-generative Habit2
Te Mana Motuhake o te Hā: Sovereignty of breath2
Mapping Polivocality in East Asian Theatrical Realism2
Reorientations and Reckonings in Response to Wild Weather1
Choreographic Explorations in the Middle and the Excess1
Correction1
Sensation and Sensibility: Ron Athey's archive of feeling1
Conjuring the Ghosts1
On Invasion1
Where Do Animals Go When They Disappear?1
Notes on Contributors1
Ugly Feelings1
Presence / 021
Through the Lens of Grief: Re-reading performance through pregnancy loss1
An Archipelago of Aid1
The In-between Relation of Performers as Foundational Principle for Constructing Alternative Social Imaginaries1
Mapping and Cross-mapping the Hi:story of Performance Art in Switzerland through Collective Research for Deviant Understandings1
On the Question of the Artistic Transmission of Political Death (II) 11
Ecological Performance and ‘Settler Creep’1
Entering / 041
Gender Performance on the Stage of Chinese Opera1
On Exits and Endings1
Entering / 031
Entering / 011
On Collapsing Time and Withholding Endings, or Hopeful Failure1
The Embodied Archive and the Metaphor of Compost1
Hunger Action1
Participatory Futuring1
Mourning the Factory1
Integrating the Popular in Nineteenth-Century Improvisation1
Racial Kinaesthesia and Coalition in MovementBlack Dragon: Afro Asian performance and the martial arts imagination by Zachary F. Price, Columbus, OH: The Ohio State University Press, 2022; pp. 240.1
Editorial: On mundane performance1
A Period Piece that Endures1
Intimate Engagements with the Earth Assuming the Ecosexual Position: The Earth as lover by Annie Sprinkle and Beth Stephens with Jennie Klein, Minneapolis, MN: Universit1
A Forbidden Sistine Chapel Selfie and Paying Attention to Art Today1
Ritualized / 081
XX1
Clods, Compost and the Buoyancy of Clowns1
‘Holding Breath’1
The Reactionary Repertoire1
Rich Archival Pickings1
‘Do We Need to Talk about Prince Harry?’0
The Art of Notation Revisited0
Reading Rest as Resistance0
‘Doesn’t Every Dying Person’s Last Breath Touch the Living?’0
Ritualized / 030
Towards Becoming an Ecology of Care0
Cultivating ‘ Qi’ in Connecting the More-Than-Human World0
wind meeting0
Page, Stage and Expanding Iberian Performance0
Performance Encounters with Ana Mendieta0
Reflection: Beyond metaphor0
Towards a Fluid Performance Practice0
COVID Relief and the Dynamics of State Care in South Africa’s Performance Economy0
Somewhere Between Breathing In and Breathing Out0
Stranger than Kindness0
Maintenance and Care / 050
Anatomy of Death – Reminiscences of rebirth0
The Life and Art of a Death Doula0
Being on Time0
The Color of Water0
Presence / 070
Materializing Habit to Make Visible0
Towards a Non-Anthropocentric 1 Social Imaginary0
Counterpointing Care0
Body as a Proletarian0
Performative Scores for More-Than-Human Swamp Becomings0
The Sad Choreography of Systemic Misconduct, from Cause to Affect0
Dramaturgies of Decay0
Ashray and Shushrusha0
Silver Halide Crystals and Ionizing Radiation0
Presence / 090
Entering / 020
History Put in Touch with Itself0
A Manifesto for Care with regards to Labour0
Introduction0
I Was Thinking0
Uneasy Breathing0
Notes on Contributors0
The Minutes of the Hildegard von Bingen Society for Gardening Companions0
Inside Out: Praxis as autoethnographic research An Empty Room: Imagining butoh and the social body in crisis by Michael Sakamoto, Middleton, CT: Wesleyan University Pres0
Remembering Differently0
Self-Starvation0
Haunting Spectres and Spectating Ghosts0
Why Do I Keep Crying?0
‘Signature Act’0
Voice is Vision0
Collaborating Across Borders in Isolating Times; Four Artistic Strategies for International Co-creation, with Examples0
Limit(less)0
On Activation0
Towards a Multi-dimensional Understanding of the Performer–Audience Relationship0
A Lament for the Earth: Performing loneliness and liminality with Annie Lennox’s Dido0
On Listening in to the Scientific Mundane0
Ritualized / 070
Phrenos – The Bank of Breath0
Ghostwriting the Stage0
What Can Heavy Metal Do for Disability Studies?0
Ashes to Ashes: Is expression of female violence just too much? Putin’s Ashes by Pussy Riot Performance and short film (2022), www.youtube.com/watch?v=ni_CRPAw_5Q; 3.04 0
Becoming Anorexia0
The Dying Art of Magic0
‘I Have the Need to Never Arrive’0
Invasion as Trespassing Spatial Boundaries0
The Voice of the Air0
Ghost of Justice0
Still Resisting Left Melancholy? Chinese New Leftist theatre’s inheritance and resistance in Che Guevara (Qie Gewala) (2000–1)0
Performing the Politics of Kindness in Aotearoa New Zealand0
Ritualized / 020
Embodying Utopia0
A Puzzle of Diagrams (Incorrect Collective Noun/Incomplete Collection)0
‘Who Cleans the Blood of the City?’0
Representing Hunger0
DJ Performance Analysis0
Presence / 090
Care Aesthetics, Coronavirus and Everyday Life0
Hooding a Hawk: Searching beyond the citta0
A Different Hunger0
Embodied Histories of Gender and Generation in Post-Conflict Northern Ireland0
To Do, To Act, To Reform0
Pirouetting on the twists and turns of music performance studies0
The Three-Dimensional Open Work0
Now What?0
Death and Performative Engagement in Child of Tree0
The Aesthetics of Invasion0
Composing Atmospheres, Engineering Liveness Kinetic Atmospheres: Performance and immersion by Johannes Birringer, London and New York, NY: Routledge, 2022; pp. 3000
In Remembrance0
Gardens Speak: We are amazingly near in Tania El Khoury’s live art0
Thorax0
Lessons of Decal (Language as Repertoire)0
Live Art0
Speculative Sites and Slippery Temporalities0
Imagining Togetherness Amid Dislocation0
Three Acts of Care in Performance and Beyond0
Injecting the Essayistic into the Curatorial0
Notes on Contributors0
The Limits of Cis Compassion: The sad trans experience and its others in contemporary Turkish theatre0
Rehearsing Exits0
Repertoire and Pedagogical Transmission of Asian ‘Traditional Forms’ at the Intercultural Theatre Institute of Singapore0
Vocality, Interspecies Conflict and the Tourist Gaze0
Queer, Brown Dancing Bodies in a White Cube: Refusal and mourning in Gerald Casel’s Not About Race Dance0
Looking Back and Facing Forward: How to learn from pandemic theatre0
Waiting / 020
Let This Sentence Be Your Guide0
Walk This Way0
An Act of Becoming: Dance, doing dancing, dancing bodies0
What Colour Is a Ghost?0
Virtually Ever After0
Planting Ghosts in a Time Machine0
Activations of the Threshold0
Habit as Restored Behaviour in Purulia Chhau0
Dramaturgy of Mundanity, Dramaturgy of Utopia The City We Make Together: City Council Meeting’s primer for participation by Mallory Ca0
The Afterlife of Life as Art0
Care-filled Futures0
A Close Listening to Theatre Aurality0
Breathing out of the University, and into many Schools0
Composing Improvisational Cells for Networked Music Performance0
Unbounding [sic] Prometheus0
Transmuting Trauma and ‘Alchemiz[ing] Inherited Wounds’: iele paloumpis’s disabled, diasporic choreographies of care0
The Koortjie Undercommons0
Keeping up Appearances0
Radio-Active Ghosts0
On ‘a certain convocation of politic worms’ ( Hamlet )0
Drawing Oblivion0
Stanislavski versus the Peasant Woman0
UnCooked Meets0
Contracts as Protocols of Governmentality in Performance Art0
Invasion, Replacement and Colonial Anxiety in The War of the Worlds0
Performance, Unknown Otherwise Surface Relations: Queer forms of Asian American inscrutability by Vivian L. Huang, Durham, NC: Duke University Press, 2022; pp. 2270
Theatre and Solidarity among the Transnational Alevi Community0
Feeling and Falling at the End-Times0
Slow Fade to Blackout0
Assemblies under Pressure from Catastrophe Back Stages: Essays across art, performance, and public life by Shannon JacksonEvanston, IL0
Presence / 120
Habits of Belonging in and through Boxing0
Repertoire Research0
Dispossessed Breath0
Meet – An intimate performative encounter format0
Maintenance and Care /060
It’s time0
On Ghosts Editorial0
Ghosts of Queer Past, Present and Future0
Breathing with Ghosts0
Artificial Respiration0
Editorial0
Feeling(s) without Organs0
Potential Singularity and Transformative Instability0
Towards a Rattling of the Everyday0
Just One Big Green Ball0
Emotional Weather Reports: Online performance as affective practice in the MonoVlogs of Layeta Bucoy and Olivia Kristine Nieto0
Between Japan and the Global: Marking Okada Toshiki’s innovations Okada Toshiki & Japanese Theatre edited by Peter Eckersall, Barbara Geilhorn, Andreas Regelsberger 0
Body-worn Technology, Heightened Awareness and Habit0
What Must Be Re-Imagined0
Josephine0
Resounding Relations0
Beginning with Love0
Performing Processions: Premonitions and palimpsests0
Black Lung0
Activation in the Moment of Pausing or Slowing0
Come to the Table0
The Practice of Endings in a Work that has no End0
Witnessing the Mundane0
Negation as Condition of Possibility for Imagining Anew0
A Listening of the Flesh0
UNcovering Stories of Displacement and Hope0
Making and Breaking ‘Bad’ Habits in Drugs, Law and Human Rights Scrutiny0
A Star isn’t Born, judy’s Made!0
A Replica of a Replica: Memory, trauma and monumental repair0
A Grammar of Care0
With Whom Can You Imagine Sharing This World’s Sidewalk?0
Confronting Coloniality’s Unpayable Debts0
Theatre's Computational Turn Theater as Data: Computational journeys into theater research edited by Miguel Escobar Varela. Ann Arbor, Ml: University of Michigan Press, 0
The Uncanny Sounds in Kamisato Yudai’s Immigrant Ghost Stories0
Unintentional Poetics of Deleuze's Diagram between Mapping and Tracing0
Introduction0
When Melancholia Turns Black0
Performing Waria/Performing Care0
‘It’s Not Because It’s Not There, That It Isn ’t There’: Visibility and invisibility within Black flamenco performance0
Repertoire, Relation and Technique0
Drawing Our Breath in Pain to Tell Hamlet’s Story0
Twelve (Queer) Labours0
rendezvous0
And So …0
‘Nothing is more tragic than the grotesque’0
Notes on Contributors0
Invading Capitalist Ageism in Applied Theatre through Anti-Ageism Praxis0
Ritualized / 100
WE/Time/Trembling/Softly0
Can Stories Save Us?0
Presence / 100
Collaboration and Co-finitude0
Careful Lessons From For You’s Artists & Elders0
Walking (to) Greenham, Again0
To Photograph Without Taking Any Pictures — Notes on the act of photographing0
Practical Manifesto for a Theatre of Repetition0
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