Journal of Victorian Culture

Papers
(The median citation count of Journal of Victorian Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Maps of a Nation? The Digitized Ordnance Survey for New Historical Research9
Knocker Ups: A Social History of Waking Up in Victorian Britain’s Industrial Towns2
Victorian Faddishness: The Dolly Varden from Dickens to Patience2
‘Short-Spanned Living Creatures’: Evolutionary Perspectives in Rhoda Broughton’s Not Wisely, but Too Well (1867)2
Curious Conversations: Henry Mayhew and the Street-Sellers in the Media Ecology of London Labour and the London Poor2
Mapping Victorian Homes and Haunts: A Methodological Introduction2
What Happened to John Franklin? Danish and British Perspectives from Francis McClintock’s Arctic Expedition, 1857–592
Chronotopic Cartography: Mapping Literary Time-Space2
Ecumenism to Ontology: Stoker’s Theology of the Host1
Tomboys in Sarah Grand’s New Woman Fiction1
Queer Music in the Queen’s Hall: Teleny and Decadent Musical Geographies at the Fin de Siècle1
Private Spirits, Public Lives: Sober Citizenship, Shame and Secret Drinking in Victorian Britain1
Social Smoking and French Fancies: The Dublin Art(s) Club, 1886–981
Pox, Prose, and Prostitution: Masculine Anxiety, the Myth of the Male Author, and the Late-Victorian ‘Exchange Economy’ in George Gissing’s New Grub Street1
Becoming Foreign in the Victorian Novel: International Migration in Little Dorrit and Villette1
Detective Fictions: The ‘baby-farming detective’ in Britain, 1867–971
The ‘Scourge of Modern Times’: Cholera, Race, and Empire in Early Nineteenth-Century British Illustrated Print Culture1
Serena Partridge’s ‘Accessories’: Fabricating Uncertainty in the Brontë Parsonage Museum1
Cookbook Writers and Recipe Readers: Georgiana Hill, Isabella Beeton and Victorian Domesticity1
Digital Maps and Mapping in Victorian Studies1
Provincialism at Large: Reading Locality, Scale, and Circulation in Nineteenth-Century Britain1
Place and Space in Nineteenth-Century Representations of Old London: The Thieves’ House on West Street1
Poets of Promotion: Corporate Personality and Crowd Psychology in Guy Thorne and Leo Custance’s Sharks (1904)1
Killing the Letter: Alternate Literacies and Orthographic Distortions in Jude the Obscure1
Race, Specificity, and Statistics in Victorian Medicine1
Thomas Carlyle, Scotland’s Migrant Philosophers, and Australasian Idealism1
A Catholic Atlantic?1
‘This spasm upon canvas’: George Eliot, Gustave Courbet and Realist Aesthetics1
3. Pushing the Boundaries: Laurel Brake as Research Pioneer0
Spaces of Space-making: Diaspora Fundraising by the Nineteenth-Century Irish Catholic Church0
‘What it meant to be human in the nineteenth century’: The Ambiguities and Vulnerabilities of Victorian Skin0
Ignoble Strife: Far From the Madding Crowd and the Agricultural Labourers Strike of 18740
Raising the Dead: Bodysnatching and Anatomy in Penny Blood Fiction0
Contesting Hymnody in the Victorian Church: Henry Pegram’s Monument to John Stainer (1901–1903)0
Bodies of Ornament: Henry Harris Brown and James Powell & Sons, Monument to Bishop Mandell Creighton and His Wife, Louise (1901)0
Unsettling Entitlement and ‘Ginx’s Baby’0
Microbial Matters: Form and Process in Thomas Hardy’s The Woodlanders0
The Victorian National Theatre0
Masculinity, Madness and Empire in Kipling’s ‘Thrown Away’ and ‘The Madness of Private Ortheris’0
Light and Devotion: Heber, Middleton and the Iconography of Conversion: J. G. Lough, Monument to Bishop Middleton (1832), and Francis Chantrey, Monument to Bishop Heber (1828–35)0
Notes on Contributors0
Introduction: The ‘Laurel Brake Turn’0
Seen through Deep Time: Occult Clairvoyance and Palaeoscientific Imagination0
Pugilism in Petticoats: Women and Prize-Fighting in Victorian Britain0
Listening to the Alice Books0
‘A man greatly beloved’ and Immortalized in opus sectile Powell & Sons, Monument to Robert Claudius Billing (1899)0
Women, Home, and Alcohol: Constructed Façades and Social Norms in Nineteenth-Century Polish and British Representations of Female Drinking Practices0
Different Kinds of Silence: Revisions of Villette and the ‘Reader’s Romance’0
Florence Nightingale and the Provincial Response to the Crimean War0
Hot Off the Press0
‘Goblin Market’, Sisterhood and the Church Penitentiary Association0
Troubling the Tragic Paradigm: Genre and Epigraph in Thomas Hardy’s Tess of the d’Urbervilles0
Notes on Contributors0
Labour, Literature and Culture in the Not Just Long but also ‘Vast Nineteenth Century’0
The Forms of Informal Empire: Britain, Latin America, and Nineteenth-Century Literature0
Meta-Dracula: Contagion and the Colonial Gothic0
A Crusader Duel at the Crystal Palace: The statues of Godfrey of Bouillon and Richard the Lionheart at the Great Exhibition0
Dante Gabriel Rossetti and Music: Introduction0
‘Sermons in Stones’: Glasnevin Cemetery and the Development of a Catholic Burial Space0
On Exhibition: The Globalization of Stained Glass0
Gaskell in China: A History of Translation and Critical Reception0
Aesthetic Networks among Patrons and Collectors0
Methodological Battles0
University Work: Re-Forming Manuscripts in Elizabeth Jesser Reid’s Correspondence Networks0
An Episcopal Puzzle: George Richmond’s Monument to Bishop Charles James Blomfield (1859–67)0
‘[D]onning the Garb of a Pit Girl again’: Imagining the ‘Pit Brow Lassie’ in Late-Victorian Fiction0
‘Meeting Together in an Equal and Friendly Manner’: The Workplace Literary Culture of Lancashire Mutual Improvement Societies0
Lost Letters Found: The Charles Dickens Letters Project0
The Racialization of Gratitude in Victorian Culture0
Ford Madox Brown’s History of Manchester0
‘Circumstances Sufficiently Appalling to the Country People’: Suicide Burial in Thomas Hardy’s ‘The Grave by the Handpost’0
Local Histories0
Locating the Backstage of Victorian Religion: Spaces of Irish Catholicism0
Sir John Gardner Wilkinson (1797–1875) in Turkish Dress, at Thebes: The Self-Fashioning of an Antiquarian Egyptologist0
Ethnic Jokes: Mocking the Working Irish Woman: Winning Essay, Journal of Victorian Culture Graduate Essay Prize 20210
Disraeli and the Bible0
Addressing the Machine: Victorian Working-Class Poetry and Industrial Machinery0
‘Buy Cheap, Buy Dear!’: Selling Consumer Activism in the Salvation Army c. 1885–19050
A Tale of Two Bridges: The Poetry and Politics of Infrastructure in Nineteenth-Century Wales0
Bringing Africans into the British Narrative of African Exploration0
Roundtable Reflection0
A Personal Response to a Public Commission: William Calder Marshall’s Gospel of St Matthew Panel at St Paul’s Cathedral0
Trick of the Eye: Prospect Gazing, Illusion, and the University Novel0
Notes on Contributors0
Performing the Self through Orientalizing the Kurds in Isabella Bird’s Journeys in Persia and Kurdistan0
7. Collaboration with Laurel0
‘Consider yourself kissed’: Intimacy, Engagement, and Material Culture in Nineteenth-Century 
Middle-Class English Love Letters0
The Imperturbable Seriousness of the Circus Buffoon: The Shakespearean Clown on the Threshold of Modern Comedy0
An Extraordinary Sequel: The ‘Russian’ Influenza and Enduring Sequelae in Victorian Culture0
Inconsistency is the Key: Unravelling the Relationship between Victorian Penny Fiction and Radical Politics0
The Reception House: A New Space for Managing Infectious Disease ‘Contacts’0
Notes on Contributors0
Day in the Life0
Sculpture and Faith at St Paul’s Cathedral, c. 1796–1914: F. J. Williamson, Monument to Henry Hart Milman (1876)0
The Oxford Handbook of Victorian Medievalism0
Masculinity and Vulnerability: Frederick William Pomeroy’s Memorial to Archbishop Frederick Temple (1905)0
5. Laurel Brake, the Study of European Periodicals, and ESPRit0
8. And/also: Laurel Brake, Print Culture’s Restless Pluralist0
Notes on Contributors0
The Remission of Our Ignorance: Beginning to Explore ‘The Cancer Problem’0
Living Vicariously: A Literary Anthropology of Our Unrealized Selves0
Even Better than the Real Thing? Victorian Literary Imitations0
Normalizing Vision: The Representation and Use of Spectacles and Eyeglasses in Victorian Britain0
Learning ‘The Customs of their Fathers’: Irish Villages in Chicago’s Columbian Exposition, 18930
The ‘Gluttonous Child’ Narrative in Italy and Britain: A Transnational Analysis0
Radical Changes: Decolonizing, not just Diversifying, Digital Crime Archives0
Middleness: Provincial Fiction and the Aesthetics of Dull Life0
Political Censorship on the Late-Victorian Stage: Rereading Oscar Wilde’s Vera; or, the Nihilist[s]0
Outbreak: Contagion and Culture in the Victorian Era: Introduction0
Cross-Dressing in the City: Olive Malvery’s The Speculator0
Self-Fashioning Illusions: Twinship, Subjectivity, and Neo-Victorianism in Christopher Priest’s 
The Prestige0
Musical Experience in the Bower: D. G. Rossetti, Listening, and Space0
Oscar Wilde and the Confidence Trick0
A Touch of Empire: Joseph E. Boehm’s Monument to Charles George Gordon (c. 1887–1889)0
10. Laurel Brake and the Media History Turn0
Edwardian Follies0
Epidemics in Nineteenth-Century British Towns: How Important was Cholera?0
Remembering Hodson’s Horse: Commemoration and the Indian Uprising of 1857–580
Even the dogs are shocked!0
A Paris of Their Own: Guidebooks for Anglo-American Female Travellers and the Rewriting of Mainstream Travel Culture0
Working Lives and Beyond: The Workplace and the Formation of Popular Literary Cultures0
Sounding Slavery in the Victorian Drawing Room: The ‘Blackface’ Ballads of Philip Klitz0
Playing Cute: Sensation Villainy and the Aesthetics of Small Things in The Woman in White and Lady Audley’s Secret0
From ‘a piece of grossness’ to ‘minute particularity’: Queen Victoria’s First Pregnancy in the British Press0
‘Epidemics in a Mist’: Medical Climatology and Cholera in Victorian Visual Culture0
Female Husbands and ‘Transing Gender’0
‘Medical Popes’ and ‘Vaccination Protestants’: Anti-Catholicism and the Campaign against Compulsory Vaccination in Victorian England0
‘Be a gen’l’m’n and a Conserwative Sammy’: Political Remediations of the Pickwick Papers in the Provincial Press (1836–1837)0
‘The Eyes of an Intellectual Vampire’: Michael Field, Vernon Lee and Female Masculinities in Late Victorian Aestheticism0
Fame is the Name of the Game0
Notes on Contributors0
‘A slashing review is a thing that they like’: Vivisection and Victorian Literary Criticism0
Bodily-Material Culture Techniques in the Spaces of the Devotional Revolution0
The Adventure of the Stradivarius: Violins in the Work of Arthur Conan Doyle and William Crawford Honeyman0
Taste in North and South Reconsidered: A Case for Attention to Downward and Lateral Mobility in the Victorian Novel0
12. ‘A Revolution in the Making’: Theory, Practice, Print Culture0
1. ‘Trafficking in the rich marketplace of the press’: Walter Pater and Print Culture0
The ABCs of Fame Culture in an ‘Age of Reform’0
Samuel Smiles, Asa Briggs, and Working-Class Leeds0
‘A great pedestrian’: John Stuart Mill, the Walking Philosopher0
6. Taking the Brake Off0
Writers-in-Residence: Women Teachers and the Formation of Character in Hardy’s Jude the Obscure0
The Jew in the Jamaican, the Amalgam in the Attic: A New View of Bertha Mason in Charlotte Brontë’s Jane Eyre0
The Catholic Footprint in Victorian Dublin0
Catherine Helen Spence’s Autobiography: Literary Culture and Associational Life in Nineteenth-Century South Australia0
Palatable Bugs for the Victorians: Entomophagy, Class and Colonialism in Vincent M. Holt’s Why Not Eat Insects?0
Villette, Female Political Agency, and the French Revolution of 18480
Hilarious Homicides: Satirizing Sensational Murders in Late Nineteenth-Century London0
Erskine Nicol and the representation of national and religious identities in nineteenth-century Ireland0
A Catalogue of Labouring-Class and Self-Taught Poets, c. 1700–1900: A Reflection0
“I didn’t know there were so many kinds of people and so many sorts of provincialism in the world’’: Tracking Provincialism Through the Nineteenth-Century Corpus0
‘Of Pride and Joy No Common Rate’: From the Surplus Women Problem to Surplus Jouissance in Margaret Oliphant’s Hester0
‘Quite a pleasant little afternoon’s sport’: Imperial Femininity and Hunting Culture in Impressions of a Tenderfoot0
Vegetarian Evolution in Nineteenth-Century Britain0
The Rossettis: Radical Romantics, or, GABRIEL DANTE ROSSETTI and Some Other People I Guess0
The Archaeological Aesthetic0
War at t’ Parsonage: The Brontës and Military Conflict0
‘Going home when it was not home’: Jamais Vu in Nineteenth-Century British Fiction0
Photography and the Perils of Automaticity: P. H. Emerson, Copyright, and the Agency of the Artist0
Experiencing Léotard’s Sensational Body: Risk, Morality and Pleasure above the British Stage0
“Mirror, Mirror on the Wall”: Elizabeth Barrett Browning Version 2.00
Thinking Back Through Her Mothers0
Picturing Music: Doubling Ekphrasis in Six Rossetti Sonnets0
A Vishnu-Come-Lately: John Bacon’s Monument to William Jones (1799)0
Cities and Empire through Space and Time: Dickens’s Virtual Afterlife0
Notes on Contributors0
Sculpture and Faith at St Paul’s Cathedral, c. 1796–1913: Introduction0
Soldiership, Christianity, and the Crimean War: The Reception of Catherine Marsh’s Memorials of Captain Hedley Vicars0
Commemorative Print: Serialized Monuments during the Shakespeare Tercentenary Debates0
2. Laurel Brake and Theatre: The Case of Oscar Wilde0
Notes on Contributors0
Ophelia’s Bathtub Boogaloo0
Polyphonic History: The Reception of Boudica and Notions of History-Making0
Notes on Contributors0
Carving Destruction: Carlo Marochetti’s Monument to Granville Gower Loch (1853)0
Notes on Contributors0
“I have loved, O Lord, the beauty of thy house’: Magnificence and Catholic Architecture in Ireland, 1850–19000
Gothic Secret Histories and Representing Australian Colonial Deaths at Sea: The Case of Captain Charles Wright Harris and the Wreck of the SS Admella (1859)0
Swinburne’s Boyishness0
Life on Mars?: Hélène Smith, Clairvoyance, and Occult Media0
Victorian Romance and Religion Collide0
9. The Gendered Press: On Victorian Media as an Invitation to Politics0
Capital, Conversion, and Settler Colonialism in Samuel Butler’s Erewhon0
Queer for Art: Tennyson’s Poetic Autonomy as Female Same-Sex Desire0
John Bull in a China Shop0
Roundtable: Piston, Pen & Press0
William Calder Marshall’s Imperial Homonormativity: Righteousness and Peace Have Kissed Each Other (1862–63)0
Workers’ Responses to Paternalism in British Factory-Based Events (1840–1860)0
Notes on Contributors0
Responsibility and Community: Narrating the Individual and the Collective in Pandemic Times0
[Re-]forming Cotton Famine Poetry – Some Implications0
‘Monstrous Tumours’: Elephantiasis between Disability and Contagion in British India, 1850–19500
Edward Lloyd’s World Revealed0
Control and Enlightenment: Nineteenth-Century Miners’ Reading Rooms0
Robert Paul and the Origins of British Cinema0
Blessed Damozel(s): Ekphrastic Perspectives on Rossetti’s Poem and Painting0
The Suburbs – A Promise Made Good0
Sex and the Scottish City0
Alienated Heroines in Basil, Lady Audley’s Secret, and East Lynne: A Jaeggian Reading0
More Light or Heat? A Spiritual Look at the Life of W. T. Stead0
Correction: Workers’ Responses to Paternalism in British Factory-Based Events (1840–1860)0
Deceit, Deservingness, and Destitution: Able-Bodied Widows and the New Poor Law0
Notes on Contributors0
Performing Plainness in Sarah Stickney Ellis’s Friends at Their Own Fireside: Or, Pictures of the Private Life of the People Called Quakers0
William Calder Marshall’s Biblical Historicism: The Book of Job (1862–63)0
Immediate Accidents and Lingering Trauma: Railwaymen Poets, Danger, and Emotive Verse0
Walking as a Gendered Practice: Travel and Transgressions in Henry James’s Daisy Miller (1878) and The Wings of the Dove (1902)0
Women, Realism, and Power: How the Victorian Actress Says It All0
Making a Comeback0
Katharine Conway’s Ethics of Intimacy0
The Photographs of A. B. Ovenstone and the Reinvention of the Scottish Amateur Tradition0
‘A Library of Our Own Compositions’: The Minervian Library and Children’s Social Authorship in Victorian Orkney0
‘An Industrial Revelation’ – The Political Apocalyptic in Gaskell’s North and South0
Notes on Contributors0
William Morris, News from Nowhere, and the Hammersmith Bridge: Visual Encounters0
Amelia B. Edwards and Romantic Egyptology0
Religion Pays: The Business of Art Industry Entrepreneurs and Splendour in the Spaces of Nineteenth-Century Irish Catholicism0
Fin-de-Siècle Cosmopolitanism0
Afterword: Provincialism at Large0
Olive Schreiner, Marie Corelli and the Anxieties of Female Authorship0
Edward Burne-Jones: A Radical Interpretation0
Sculpture and Faith at St Paul’s Cathedral, c. 1796-1914: W. F. Woodington, The Gospel of St Luke (1862): Enlisting the Bible0
The Folklore of Evolution in Andrew Lang’s Writings0
Notes on Contributors0
Re-reading the Moxon Tennyson0
Humbug and a ‘Welsh Hindoo’: A Small History of Begging, Race and Language in Mid-nineteenth Century Liverpool0
The Victorian Gayze from Winckelmann to Michael Field0
Walter Pater and Non-Darwinian Science0
Bodies and Deathscapes in Rural Catholic Ireland, 1800–19000
Vision, Vulnerability, and the Victorian Marketplace in Christina Rossetti’s ‘Goblin Market’0
The Commodification of Identity in Victorian Narrative: Autobiography, Sensation and the Literary Marketplace0
A New Woman Dialogue with Aestheticism and Decadence: Netta Syrett’s Short Stories for The Yellow Book0
Of Mouchers and Men0
‘Certain passages of it are quite as bad and immoral as anything that Zola has ever written’: Lucas Malet and the Victorian Bildungsroman0
The Best Developed Man in Great Britain and Ireland? Eugen Sandow and the Commercialization of Eugenics in Twentieth-Century Britain0
Reshaping the Ballad: William Wallace’s Musical Re-figuring of Rossetti’s Sister Helen’0
Sculpture, Faith, and the Many Worlds of Victorian Sculpture: W. F. Woodington, Genesis (1862)0
Re-forming the Transnational Victorian Archive: Introduction0
A Great, Big, Happy (white) Family? Utopian Dreams of Anglo-American Unity0
Notes on Contributors0
4. Intro-/Inter-: Laurel Brake and the Political Epistemology of the Introduction 1990–20160
The Agency of Music in Industrial Society: A Comparative Study of the Royal Manchester Institution, Manchester Athenaeum and Manchester Mechanics’ Institution, 1834-18600
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