Organised Sound

Article	Citations
A Sound Artist’s Breakdown of Field Recording over History	10
Politics of Gear: Gender, innovation and live embodied composition	10
OSO volume 28 issue 3 Cover and Front matter	6
The Politics of Aesthetic Preference in Participatory Music	6
Live Coding Outside, Live Coding Inside: Listening, participation and walking	4
Harold Clark, New Music in the Light of Nobleness: A Scandinavian Dream. An Expatriate’s View of Avant-Garde Norway, 1969–1979. Oslo: Norsk Musikforlag A/S, 2021. ISBN: 978-82-7093-734-9.	4
Peter Manning 1948–2022	4
OSO volume 28 issue 1 Cover and Front matter	4
New Amateurs and Tricksters: A manifesto for music and sound creation	3
Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama	3
OSO volume 29 issue 1 Cover and Back matter	3
‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today	3
The Haptic in Soundscape Composition	3
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process – ERRATUM	3
Sound and Video Examples – Issue 28(3)	3
Mario Bertoncini’s Musical Design Course: Between Renaissance pedagogy and contemporary research-creation	2
Open Ambisonics Toolkit: A low-cost hardware–software–theory approach to spatial audio	2
Editorial: Live Coding Sonic Creativities	2
Fostering Social Interaction Through Sound Feedback: Sentire	2
OSO volume 27 issue 1 Cover and Front matter	2
Modular Composition: An approach towards structural plasticity in music	2
Externalising Psychological Spaces in Spatial Music through Gestural Mediation	2
Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place	2
Weightless Infrastructures	2
On the Use of Field Recordings on Radio: A history of the beginnings	1

The Topological Model in the Works of Yuasa Jōji	1
OSO volume 28 issue 1 Cover and Back matter	1
OSO volume 29 issue 1 Cover and Front matter	1
Creative Agencies in Participatory Sound Art: Two case studies	1
Sound and Video Examples – Issue 27(1)	1
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction	1
Visual Representations to Stimulate New Musicking Strategies in Live Coding	1
Jennifer Iverson, Electronic Inspirations – Technologies of the Cold War Musical Avant-Garde. New York: Oxford University Press, 2019. ISBN: 9780190868192.	1
Experiencing Sound Installations: A conceptual framework	1
Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)	1
The Modular Journey: Uncovering analogue aesthetics in digital landscapes	1
Models of Teaching, Magazines and Music Machines: Alternative approaches to electronic music education in Melbourne	1
Neural Synthesis as a Methodology for Art-Anthropology in Contemporary Music	1
A Retrospective on Sound Space and Its Rhizomatic Genealogy	1
Alternative Approaches to Chinese Imagery: Audiovisual aesthetics in A Reflection in the Brook	1
Sensory Experience of Sound Installation Art and Documentation: Comparison across fields of expertise	1
Sound and video examples – issue 28 (2)	1
Spaces for People: Technology, improvisation and social interaction in the music of Pauline Oliveros	1
Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.	1
Understanding and Analysing ‘Organised Space’	1
Machine Listening as Sonification	1
Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction	1
OSO volume 27 issue 3 Cover and Back matter	1
Double Extension: Henri Chopin’s audiopoem performances	1
OSO volume 29 issue 2 Cover and Back matter	1
Authentic Intelligence Mixtapes: DJs and producers’ communal radical archiving and teaching in the age of AI	1
From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment	1
Acid Patterns: How people are sharing a visual notation system for the Roland TB-303 to create and recreate acid house music	1
Sonic Collaborations between Humans, Non-human Animals and Artificial Intelligences: Contemporary and future aesthetics in more-than-human worlds	1
The Unknowing Side of the Algorithm: Decolonising live coding from Latin America	1
Navigating an Urban Archive: An exploration of wavefield synthesis as soundscape composition	0
Agostino Di Scipio, Circuiti del Tempo - un percorso storico-critico nella creatività musicale elettroacustica e informatica. Lucca: LIM, Libreria Musicale Italiana, 2021. ISBN: 9788855430685.	0
A Symphony of Sound Images: Spatial composition strategies in Zhang Xiaofu’sYarlung Zangbo	0
Sound and video examples – issue 27 (2)	0
OSO volume 29 issue 3 Cover and Front matter	0
On Mediating Space, Sound and Experience: Interviews with situated sound art practitioners	0
Editorial: Radical education in electronic music, past and present	0
The Aural Aesthetics of Modernity: From the Philips Pavilion to EMPAC	0
Lo-fi Today	0
M. Clarke, F. Dufeu and P. Manning, Inside Computer Music. New York: Oxford University Press, 2020. ISBN 9780190659653 (paperback).	0
The Music of James Tenney Robert Wannamaker, Volume 1: Contexts and Paradigms; Volume 2: A Handbook to the Pieces. Champaign, IL: University of Illinois Press, 2021. ISBN: 978-0-252-0436	0
Structuring Spectra in Electroacoustic Music	0
A Sonic Indofuturism	0
Pop Materialising: Layers and topological space in digital pop music	0
OSO volume 29 issue 3 Cover and Back matter	0
Jonathan Impett (ed.), Sound Work: Composition as Critical Technical Practice. Leuven: Leuven University Press, 2021. ISBN: 9789462702585.	0
Debris:Machine learning, archive archaeology, digital audio waste	0
Sound and Video Examples – Issue 27(3)	0
Compositional Techniques and Sound Spatialisation in Shanghai-Based Electronic Music since 2000	0
On the Integration of Machine Agents into Live Coding	0

Radioatelier: Czech radio space for acoustic art 2003–2022	0
Baschet’s Voice Leaf: The voice wrapped in the sculptural leaf	0
OSO volume 27 issue 2 Cover and Front matter	0
The Visual Representation of Timbre	0
Sound and Video Examples – issue 29 (3)	0
Electroacoustic Improvisation and Life Nourishment	0
Group Performance Paradigms in Free Improvisation	0
Sound and video examples – issue 28 (1)	0
Spiralling Out of a Shell: Fictioning more-than-machine listening	0
Editorial: Socially engaged sound practices, part 2	0
Improvising with Machines: A taxonomy of musical interactions	0
Hello! I’ve Been Here the Whole Time: When non-cochlear sound art meets disability aesthetics	0
OSO volume 28 issue 3 Cover and Back matter	0
Technology and Mathematics as Non-Human Forces: The agency of hyperbolic paraboloids, computer software and interface hardware in the making of a visitor-interactive audiovisual work	0
Sarah Washington (ed.), RadioArtZone. Berlin: Hatje Cantz Verlag, 2023. ISBN: 978-3-7757-5515-3.	0
Analytical Approaches to Electroacoustic Music Improvisation	0
‘To Explore the World of Sound’: Music, silence and nation-building in Bing Bang Boom (1969)	0
OSO volume 27 issue 3 Cover and Front matter	0
Simon Emerson (ed.), The Routledge Research Companion to Electronic Music: Reaching out with Technology. Abingdon: Routledge, 2018. ISBN: 9781472472915 (hardback).	0
Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music	0
Charting the Scene(s) of Sonic Arts in Hong Kong	0
Other-than-Human Perspectives on Écosystème(s): Towards an ecosemiotic approach to sound and media art	0
Agent-Based Music Live Coding: Sonic adventures in 2D	0
Weak Interactions, Strong Bonds: Live electronics as a complex system	0
Editorial: Commercial music and the electronic music studio – influence, borrowings and language	0
‘We Cross Examine with Old Sonic DNA’: King Britt and Tara Rodgers in conversation on Blacktronika, music technology and pedagogy	0
The Emergence of Spaces: Openness and identity/ies	0
Discovering Creative Commons Sounds in Live Coding	0
Radio: An instrument in art – with reference to selected works by Polish artists	0
Sine Wave in Music and Sound Art: A typology of artistic approaches	0
Diverse Sound Practices: An exploration of experimental electronic music in regional Australia	0
Flexibility Conceiving Relationships between Timbres Revealed by Network Analysis	0
Live Coding Patterns and a Toolkit for Pure Data	0
Bridging Gaps in Black Music Research: A conversation on experimental sound by the BMRU	0
Spatiotemporal Networks in Ryoji Ikeda’s Electronic Music: Loop, variation and re-contextualisation of sound	0
Crossing Lines: Stylistic gradients in Chinese electroacoustic music	0
Electroacoustic Confessional: Confronting one’s artistic past	0
Editorial: Radio – a space for sonic art	0
Livecoderas Latinoamericanas: Diversity, educational access and musicking networks in live coding in Latin America	0
OSO volume 27 issue 2 Cover and Back matter	0
Ear Talk Project: Participatory co-composition on YouTube and the Web	0
Small Gestures: Generating radical sonic futures in an algorithmic world	0
The Biophilic Instrument Pavilion: Spatialisation across disciplines	0
Metastable Inventions: Simondonian concretisation and technical invention in modular synthesis practice	0
Reframing Sound Shapes in Spectromorphological Composition: Notating perspectival space through spherical, Euclidean and Cartesian-coordinate systems	0
Editorial: Ecologically grounded creative practices and ubiquitous music – interaction and environment	0
Improvisation through Performance-installation	0
Live Coding Poetry: The narrative of code in a hybrid musical/poetic context	0
Tom Erbe Interviewed by Theodore Gordon	0
Ears to the Ground: Socially engaged sound art as learning in process	0
Presentation of Noise Elements of Chinese Plucked String Instruments in Electronic Music	0
Fusion and Application of Chinese Ethnic Elements in Electroacoustic Music in Mist on a Hill	0
Ecologies of Sound with Regard toArrhythmia	0
Ecomprovisation: Project Markarian 335	0
Editorial: Chinese Electroacoustic Music Today	0
Pedagogical Approaches in Music and Audio Education for Deaf and Hard-of-Hearing Students	0
Unstable Structure: The improvising modular synthesiser	0
OSO volume 28 issue 2 Cover and Back matter	0
Editorial: The sonic and the electronic in improvisation, part 2	0
A Phenomenological Approach to Wearable Technologies and Viscerality: From embodied interaction to biophysical music performance	0
OTTOsonics: Designing and implementing an open and affordable 3D spatial audio system	0
The Artist as a Subscription: Patching music as an artistic device	0
Acouscapes: A software for ecoacoustic education and soundscape composition in primary and secondary education	0
Anatomical Intelligence: Live coding as performative dissection	0
From Boethian Harmony to a Dry Riverbed: El sonido recobrado	0
OSO volume 27 issue 1 Cover and Back matter	0
Digital DJing in the GCSE Classroom: Art or instrument?	0
Biomimicry in Electroacoustic Composition: Conceptual frameworks and prototypes	0
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process	0
Investigating the Physically Hidden: Auditory-based illusions for sound installations	0
New Technologies, Old Behaviours: Electronic media and electronic music improvisors in Europe at the turn of the millennium	0
Material Sources, Lack of Notation and the Presence of Collaborators: The case of Double by Constança Capdeville	0
Live Coding and Music Production as Hybrid Practice	0
Post-sonic Perspectives on Socially Engaged Compositional Practices: Composing ‘after sound’ and beyond music	0
Algorave Music Practice in Indonesia: Paguyuban Algorave	0
Musical Live Coding in Relation to Interactivity Variations	0
Tangible Radio: Deaf studies and sound studies coalitions	0
Exploration of Spatial Composition with a New Electronic Stringed Instrument	0
Ma and Traditional Japanese Aesthetics in Spatial Music and Sonic Art	0
Material Media Sonification: Sounding the visibly present artefact	0

The Prisoner: A missing link in England’s history of electronic music	0
Dissident Sounds: Electronic music in Venezuela from the notions of radical education	0
Jane Grant , John Matthias and David Prior (eds.), The Oxford Handbook of Sound Art. Oxford: Oxford University Press, 2021. ISBN: 9780190274054.	0
‘If You Love Music You Should Learn How to DJ’: Maria Chavez and Elijah interviewed by Jake Williams	0
Soundscapes of Papua: Cultural-based pedagogical approach through electroacoustic music	0
Sound and Video Examples – issue 29 (2)	0
Editorial: Experimental sound from the Black and South Asian diaspora	0
The Aesthetics of Musical Complex Systems	0
Enactive Listening: Perceptual reflections on soundscape composition	0
An Art of the Radio: Musique concrète and mass culture, 1941–1952	0
OSO volume 28 issue 2 Cover and Front matter	0
Sound and video examples — issue 29 (1)	0
Experience of Space in Sound: Perceptions, concepts and methods	0
Récit Music: Musical community in the information age	0
Electroacoustic Improvisation and the Metaphysical Imaginary	0
Sound Practices in the Global South: Co-listening to Resounding Plurilogues Budhaditya Chattopadhyay, Cham, Switzerland: Palgrave MacMillan, 2024. ISBN: 978-3-030-99731-1.	0
Alan F. Blackwell, Emma Cocker, Geoff Cox, Alex McLean and Thor Magnusson, Live Coding: A User’s Manual. Cambridge, MA: MIT Press, 2022. ISBN: 9780262544818. doi: https://doi.org/10.7551/mitpress/1377	0
OSO volume 29 issue 2 Cover and Front matter	0
Marko Ciciliani, Barbara Lüneburg and Andreas Pirchner (eds.), Vol. 1: Ludified: Artistic Research in Audiovisual Composition, Performance & Perception and Vol. 2: Game Elements in Marko Cicili	0
Editorial: More-than-human, more-than-music	0
Thirty Years of Sound Hacking: From freeware to Eurorack	0
Sound, Image and Motion: Teaching with an interdisciplinary approach	0