Organised Sound

Papers
(The TQCC of Organised Sound is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
A Sound Artist’s Breakdown of Field Recording over History9
The Politics of Aesthetic Preference in Participatory Music7
OSO volume 28 issue 3 Cover and Front matter5
OSO volume 28 issue 1 Cover and Front matter5
Harold Clark, New Music in the Light of Nobleness: A Scandinavian Dream. An Expatriate’s View of Avant-Garde Norway, 1969–1979. Oslo: Norsk Musikforlag A/S, 2021. ISBN: 978-82-7093-734-9.4
Live Coding Outside, Live Coding Inside: Listening, participation and walking3
Politics of Gear: Gender, innovation and live embodied composition3
Peter Manning 1948–20222
Telematic Sound Body: A trajectory of intimacy and defiance2
OSO volume 26 issue 2 Cover and Back matter2
Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama2
OSO volume 27 issue 1 Cover and Front matter2
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process – ERRATUM2
Sound and Video Examples – Issue 28(3)2
OSO volume 29 issue 1 Cover and Back matter2
New Amateurs and Tricksters: A manifesto for music and sound creation2
Mario Bertoncini’s Musical Design Course: Between Renaissance pedagogy and contemporary research-creation2
Fostering Social Interaction Through Sound Feedback: Sentire2
Open Ambisonics Toolkit: A low-cost hardware–software–theory approach to spatial audio2
‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today2
Sound and More-than-Human Sociality in Catherine Clover’sOh! Ah ah pree trra trra2
The Haptic in Soundscape Composition2
Improvising Inside a House of Cards: New performance and music-making through a collective networked instrument2
Thor Magnusson, Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions. New York: Bloomsbury Academic, 2019. ISBN: 9781501313851. DOI: https://doi.org/10.5040/97815013138992
Modular Composition: An approach towards structural plasticity in music2
Sound and Video Examples – Issue 27(1)1
Distributing Authorship at a Localised Scale: Developing public engagement in sound mapping1
Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.1
Models of Teaching, Magazines and Music Machines: Alternative approaches to electronic music education in Melbourne1
Jennifer Iverson, Electronic Inspirations – Technologies of the Cold War Musical Avant-Garde. New York: Oxford University Press, 2019. ISBN: 9780190868192.1
OSO volume 28 issue 1 Cover and Back matter1
From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment1
Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)1
On the Use of Field Recordings on Radio: A history of the beginnings1
Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction1
Acid Patterns: How people are sharing a visual notation system for the Roland TB-303 to create and recreate acid house music1
Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music1
Cathy Lane and Angus Carlyle (eds.), Sound Arts Now. Axminster: Uniformbooks, 2021. ISBN: 9781910010266.1
Alternative Approaches to Chinese Imagery: Audiovisual aesthetics in A Reflection in the Brook1
Authentic Intelligence Mixtapes: DJs and producers’ communal radical archiving and teaching in the age of AI1
The Topological Model in the Works of Yuasa Jōji1
Between Computer Automation, Voltage Control and Literature: A portrait of Peter Zinovieff1
Sound and video examples – issue 28 (2)1
The Modular Journey: Uncovering analogue aesthetics in digital landscapes1
The Unknowing Side of the Algorithm: Decolonising live coding from Latin America1
Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place1
Machine Listening as Sonification1
Spaces for People: Technology, improvisation and social interaction in the music of Pauline Oliveros1
The Artist as a Subscription: Patching music as an artistic device1
Sensory Experience of Sound Installation Art and Documentation: Comparison across fields of expertise1
OSO volume 29 issue 2 Cover and Back matter1
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction1
Experiencing Sound Installations: A conceptual framework1
Visual Representations to Stimulate New Musicking Strategies in Live Coding1
Sonic Collaborations between Humans, Non-human Animals and Artificial Intelligences: Contemporary and future aesthetics in more-than-human worlds1
Editorial: Live Coding Sonic Creativities1
Miller Puckette and Kerry L. Hagan (eds.), Between the Tracks: Musicians on Selected Electronic Music. Cambridge, MA: MIT Press, 2020. ISBN 9780262539302 (paperback).1
Weightless Infrastructures1
Polite Applause: The sonic politics of ‘Clap for Carers’1
Editorial: Collective and networked sound practices1
Creative Agencies in Participatory Sound Art: Two case studies1
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