Organised Sound

Papers
(The TQCC of Organised Sound is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Politics of Gear: Gender, innovation and live embodied composition10
OSO volume 28 issue 3 Cover and Front matter6
OSO volume 28 issue 1 Cover and Front matter6
Live Coding Outside, Live Coding Inside: Listening, participation and walking6
Harold Clark, New Music in the Light of Nobleness: A Scandinavian Dream. An Expatriate’s View of Avant-Garde Norway, 1969–1979. Oslo: Norsk Musikforlag A/S, 2021. ISBN: 978-82-7093-734-9.6
Audiovisual transformation strategies for object-based sound installations5
Peter Manning 1948–20224
Art of Sound – Creativity in Film Sound and Electroacoustic Music Andrew Knight-Hill and Emma Margetson, London: Focal Press, 2023. ISBN: 9780367755881.4
OSO volume 29 issue 1 Cover and Back matter4
‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today3
The Haptic in Soundscape Composition3
Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama3
Praat Audiotools: An offline analysis-resynthesis toolkit for experimental composition3
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process – ERRATUM3
Modular observers: OpenSoundLab and PatchWorld as case studies for emerging practices of modular synthesis in extended realities3
Sound and Video Examples – Issue 28(3)3
Embodied Human-Computer Interaction in Vocal Music Performance Franziska Baumann , Cham: Springer, 2023. ISBN: 978-3-031-17985-3.3
Modular Composition: An approach towards structural plasticity in music2
Machine Listening as Sonification2
Engaging with everyday sounds Marcel Cobussen, Cambridge: Open Book Publishers, 2022. ISBN: 9781800643925. Open access: https://doi.org/10.11647/OBP.02882
Mario Bertoncini’s Musical Design Course: Between Renaissance pedagogy and contemporary research-creation2
Vibrant algorithms: Sonic collaborations with the living environment2
Editorial: Perspectives and trajectories in spatial music and sonic art2
Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)2
Personalising behaviours of the multi-agent autonomous looper with a corpus of annotated co-performances2
Experimental sense-making, musicking and no control: Performing black box music instruments2
Editorial: Live Coding Sonic Creativities2
The Unknowing Side of the Algorithm: Decolonising live coding from Latin America2
Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place2
Externalising Psychological Spaces in Spatial Music through Gestural Mediation2
Open Ambisonics Toolkit: A low-cost hardware–software–theory approach to spatial audio2
Weightless Infrastructures2
Jennifer Iverson, Electronic Inspirations – Technologies of the Cold War Musical Avant-Garde. New York: Oxford University Press, 2019. ISBN: 9780190868192.1
Notation strategies for effect pedals in the compositional process of Étude n°11
Experiencing Sound Installations: A conceptual framework1
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction1
Models of Teaching, Magazines and Music Machines: Alternative approaches to electronic music education in Melbourne1
A Retrospective on Sound Space and Its Rhizomatic Genealogy1
The sonic trace: A photographic approach to recorded sound in electroacoustic music1
Nodes, glitches and embedded algorithms: COMACROB and posthuman organology1
A spherical microphone prototype for multichannel recording: Technological design, artistic applications and compositional implications1
Visual Representations to Stimulate New Musicking Strategies in Live Coding1
Editorial: New Strategies for Music Notation and Representation in Electroacoustic Music1
Sound and video examples – issue 28 (2)1
Living intermedia: Towards a theory of organism in sound-based material theatre1
OSO volume 28 issue 1 Cover and Back matter1
Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music1
OSO volume 29 issue 1 Cover and Front matter1
OSO volume 27 issue 3 Cover and Back matter1
Sensory Experience of Sound Installation Art and Documentation: Comparison across fields of expertise1
OSO volume 29 issue 2 Cover and Back matter1
Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction1
Conflict mechanisms in multispecies–algorithmic audiovisual systems: An intermedial perspective through Astrofin1
Understanding and Analysing ‘Organised Space’1
Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.1
On the Use of Field Recordings on Radio: A history of the beginnings1
Authentic Intelligence Mixtapes: DJs and producers’ communal radical archiving and teaching in the age of AI1
Agent-Based Music Live Coding: Sonic adventures in 2D1
Double Extension: Henri Chopin’s audiopoem performances1
The sound of consumption: The electromagnetic soundwalk as anti-method1
Alternative Approaches to Chinese Imagery: Audiovisual aesthetics in A Reflection in the Brook1
From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment1
Composing the instrument: Revisiting the concept of the instrument’s score1
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