Organised Sound

Papers
(The TQCC of Organised Sound is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Politics of Gear: Gender, innovation and live embodied composition10
A Sound Artist’s Breakdown of Field Recording over History9
The Politics of Aesthetic Preference in Participatory Music7
OSO volume 28 issue 3 Cover and Front matter5
Live Coding Outside, Live Coding Inside: Listening, participation and walking4
Harold Clark, New Music in the Light of Nobleness: A Scandinavian Dream. An Expatriate’s View of Avant-Garde Norway, 1969–1979. Oslo: Norsk Musikforlag A/S, 2021. ISBN: 978-82-7093-734-9.4
OSO volume 28 issue 1 Cover and Front matter4
Telematic Sound Body: A trajectory of intimacy and defiance3
OSO volume 29 issue 1 Cover and Back matter3
Peter Manning 1948–20223
New Amateurs and Tricksters: A manifesto for music and sound creation3
‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today3
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process – ERRATUM3
Sound and Video Examples – Issue 28(3)2
Fostering Social Interaction Through Sound Feedback: Sentire2
Mario Bertoncini’s Musical Design Course: Between Renaissance pedagogy and contemporary research-creation2
Editorial: Live Coding Sonic Creativities2
Externalising Psychological Spaces in Spatial Music through Gestural Mediation2
Improvising Inside a House of Cards: New performance and music-making through a collective networked instrument2
Open Ambisonics Toolkit: A low-cost hardware–software–theory approach to spatial audio2
Weightless Infrastructures2
Modular Composition: An approach towards structural plasticity in music2
The Haptic in Soundscape Composition2
Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama2
OSO volume 27 issue 1 Cover and Front matter2
Live Coding the Global Hyperorgan: The Paragraph environment in the indeterminate place2
Thor Magnusson, Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions. New York: Bloomsbury Academic, 2019. ISBN: 9781501313851. DOI: https://doi.org/10.5040/97815013138992
Leigh Landy, Experiencing Organised Sounds: The Listening Experience across Diverse Sound-Based Works. New York: Routledge, 2024. ISBN: 978-1-032533-278.1
Authentic Intelligence Mixtapes: DJs and producers’ communal radical archiving and teaching in the age of AI1
Spaces for People: Technology, improvisation and social interaction in the music of Pauline Oliveros1
A Retrospective on Sound Space and Its Rhizomatic Genealogy1
Sound and video examples – issue 28 (2)1
Understanding and Analysing ‘Organised Space’1
The Unknowing Side of the Algorithm: Decolonising live coding from Latin America1
From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment1
OSO volume 28 issue 1 Cover and Back matter1
OSO volume 27 issue 3 Cover and Back matter1
Agent-Based Music Live Coding: Sonic adventures in 2D1
Creative Agencies in Participatory Sound Art: Two case studies1
Sound and Video Examples – Issue 27(1)1
Between Computer Automation, Voltage Control and Literature: A portrait of Peter Zinovieff1
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction1
Editorial: Collective and networked sound practices1
The Modular Journey: Uncovering analogue aesthetics in digital landscapes1
Sonic Collaborations between Humans, Non-human Animals and Artificial Intelligences: Contemporary and future aesthetics in more-than-human worlds1
Machine Listening as Sonification1
Experiencing Sound Installations: A conceptual framework1
Radical Creative Semantic Anchoring: Creative-action metaphors and timbral interaction1
OSO volume 29 issue 1 Cover and Front matter1
OSO volume 29 issue 2 Cover and Back matter1
Double Extension: Henri Chopin’s audiopoem performances1
Alternative Approaches to Chinese Imagery: Audiovisual aesthetics in A Reflection in the Brook1
Visual Representations to Stimulate New Musicking Strategies in Live Coding1
Models of Teaching, Magazines and Music Machines: Alternative approaches to electronic music education in Melbourne1
Jennifer Iverson, Electronic Inspirations – Technologies of the Cold War Musical Avant-Garde. New York: Oxford University Press, 2019. ISBN: 9780190868192.1
Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)1
On the Use of Field Recordings on Radio: A history of the beginnings1
Miller Puckette and Kerry L. Hagan (eds.), Between the Tracks: Musicians on Selected Electronic Music. Cambridge, MA: MIT Press, 2020. ISBN 9780262539302 (paperback).1
Acid Patterns: How people are sharing a visual notation system for the Roland TB-303 to create and recreate acid house music1
The Topological Model in the Works of Yuasa Jōji1
Neural Synthesis as a Methodology for Art-Anthropology in Contemporary Music1
Cathy Lane and Angus Carlyle (eds.), Sound Arts Now. Axminster: Uniformbooks, 2021. ISBN: 9781910010266.1
Sensory Experience of Sound Installation Art and Documentation: Comparison across fields of expertise1
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