Journal of Latin American Cultural Studies

Papers
(The median citation count of Journal of Latin American Cultural Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
A Chola Sex Party: Anal And Concha Art12
Spectres of Lost Futures: Hauntology and Juan Soto’s Parábola del retorno10
Displaced Aesthetics: Transnational Networks Linking Mexican And African American Artists6
Mapping Film Festivals In Argentina: Opportunities And Challenges For Transforming Local Film Cultures4
Bending Time and Space for Pan-Americanism: Shots of the “Western Hemisphere” in Wartime Cinema3
Planetary feminist notes from the twenty-second century: Other-than-human entanglements between nature and technology3
The Idea of a Spanish Pacific in History and the Historical Imagination3
From screams to whispers: Sexuality and gender in contemporary latin(x) American aural cultures2
A Bestseller for the Resurgent Right: The Production, Circulation, and Mass Appeal of El libro negro de la nueva izquierda (2016)2
French Kissing the Icon: Erotic Iconoclash and Political Subversion in Deborah Castillo’s The Emancipatory Kiss (2013)2
The Melodramatic Mode in Poetic Activism: An Analysis of María Rivera’s “Los muertos” and its Afterlives2
A Fragmented New Order: Cinema, Prose, and Rebellion in Jorge Icaza’sHuasipungo2
Gore Aesthetics: Chilean Necroliberalism And Travesti Resistance2
“Barely Audible Voices”: Impersonal Justice And The Crisis Of Human Rights Discourse In Roberto Bolaño’s 26662
“The flying ability of the mosquito made the situation difficult to cope with”: Contamination, Containment, and the Biopolitics of the Madeira‐ Mamoré Railway2
Theorising Belle Époque Rio de Janeiro through Opium: João do Rio’s “Visões d’ópio” as a Postcolonial Framework1
An Anarchist Rainforest: Cooperation in Ferreira de Castro’s A selva1
“Polleras para cubrir los calzones”: Fashioning the Pseudonym in Early Nineteenth-Century Argentina1
The Ladina Paradox and Transhistorical Affective Communities in Rosario Castellanos’s Balún Canán1
Claudia Andujar and the Yanomami: Photography and Activism in the Changing Light of The Amazon Forest1
Geological Groundings: Earthly Memories and Inhuman Becomings in Latin American Cultures1
The Bisexual Erasure Of Emiliano Zapata: Obscenity And Censorship In Postrevolutionary Mexico1
Beyond Sex: Pornographic Journalism, Violence, and Politics in Argentina’s Transition to Democracy1
Venezuela’s Mixed-Race People and the Jew: Spectrums of Whiteness in Rufino Blanco Fombona’s Judas Capitolino and Rómulo Gallegos’s “Los inmigrantes”1
Modern and National? The (Non-) Exceptionalism of Colombian Architectural Identity1
The Andean “Blue Book” of Dora Mayer: Mining Terror and Coercive Proletarianisation in The Conduct of the Cerro de Pasco Mining Company0
Queer Bunny: Gender, Nostalgia, and Coloniality in Bad Bunny’s X100PRE0
Mirar de reojo: Countervisuality and Racialised Displacement in La Playa D.C. (2012)0
In Memory of Andrea Noble and Iván Ruiz0
“Bésame otra vez”: The Use of Obscenity to Denounce Violence in Pedro Lemebel’s Incontables (1986)0
Material Algorithms: Bridging the Gap between the Virtual and the Physical in Latin American Digital Literature0
Decolonial Excesses: Racial and Sexual Dissidence in Johan Mijail’s Amor Vegetal0
Disculpture: Cildo Meireles’s Vinyl Records as Sculptural Objects0
Motherhood, Responsibility, and Futurity in Roberto Bolaño’s Amuleto0
Fugitive Sounds: On the Politics of Listening at Argentina’s Southern Border0
In Memory Of Jean Franco0
“Você sabe atirar?”: Children as Miniature Soldiers in Bolsonarism0
Indigenising Colombia’s Marijuana Boom: Race and Settler Colonialism inPájaros de verano0
“Queer Errantry” in the Work of Cristina Rivera Garza0
Uruguayan Women’S Cinema and the Wilful Woman in Beatriz Flores Silva’s En La puta vida0
El ingenio de la inteligencia (The knowledge mill)0
Costa-Gavras's Latin American Films and The Formation of Transnational Cold War Imaginaries, Networks, and Audiences0
Defeat into Victory: Remediating the 1879 Battle of Canchas Blancas in Bolivia, 2015–20180
Rethinking Obscenity in Latin America: Obscenity, Art, and Performance0
Bodies to Reveal and Conceal: Baroque Dynamics of Obscenity (Heresy) and Modesty (Saintliness) in Feminine Bodies in the Peruvian Viceroyalty0
Brazil on the World Stage: Carlos Gomes’sColombo, the First Republic, and Brazil’s Cosmopolitan Desires0
“Mejor que una Explicación”: Latin American Data Visualisation in the First Decades of the Twentieth Century0
“Somos más”: Towards a Feminist Critique of the Photographic Archive of the Women’s And Feminist Movement Against the Chilean Dictatorship0
Made in Mexico: The Anti-Communist Cartoons of Dibujos Animados S.A.0
National Santos and Mariachi Machos: Liberatory Ethics and Aesthetics of Pleasure in Mecos Films’ La putiza and La verganza0
Reading Fuegian Narratives and Nonhuman Sensibility in Francisco Coloane’s Patagonian Tales0
Gaming Race in Brazil: Video Games and Algorithmic Racism0
From Idleness to the Abolition of Work in Ricardo Talesnik’s La fiaca0
Sites of Situated Hope: Amazonian Rhythms, Unruly Caribbean Plants, and Post-Anthropocentric Gazes in Contemporary Latin American Cinema0
Metonymy through motosidad : The textual recording of Andean bilingualism and its use for the Latin American testimonial narrative0
Visualising Afro-Cultural Identities in Contemporary Argentina: The Case of Antepasados. Los afroporteños en la cultura nacional0
Wakoborun Rescued her Brother’s Head From Enemy Hands: Munduruku Letters’ Amerindian Perspectivism and Cosmopolitical Territory0
Foreign Faces, Trusted Portraits: Carlos Baca-Flor’s Painted Faces between Paris and New York0
Screening comunalidad : Community cinema, filmmaking, and gender-based violence in Ángeles Cruz’s Nudo mixteco 0
“Once more the money demonstrated its changeable and unpredictable nature”: Money Objects, Texts, and Material Encounters in Sergio Chejfec’s El aire (1992) and 0
Philosophy, University, and Democracy after the Military Rule: Argentina, 1975-19900
Ecological Stereotypes: Perceptions of Indigenous and Maroon Communities in Late Colonial Suriname0
“Children of the altiplano”: Elite Constructions of Race and Space in Bolivia, 1900–19500
Introduction. The Amazon River Basin: Extractivism, Indigenous Perspectives, and a Political Aesthetics of Resistance0
Administrative Errors: Kilmar Ábrego García’s and the US-El Salvador Carceral Archipelago0
The Allure of Modernity: Afro-Uruguayan Press, Black Internationalism, and Mass Entertainment (1928–1948)0
Toward a Definition of the Prosthetic Condition: Mario Bellatin, Simón Hosie, and Other Ways of Inhabiting Contemporaneity0
Mil fórmulas de cocina “La Negra” : Labour, Gender, and Race in Argentina’s Meat Industry, 1917–19400
Introduction: Affective Arrangements and Violence in Latin America0
Roundtable/Photo Essay with Archivo El Insulto0
The Avant-Garde Is Dead, Long Live the Avant-Garde: Glauber Rocha’s Rereading of Brazilian Modernismo and Di Cavalcanti0
Collective Actions-Visual Guerrillas-Spectral Bodies0
Correction0
Nature, Labour, and Infrastructure in the Amazon: Miguel Triana’s Por el sur de Colombia0
Race And Politics In Peruvian And Argentine Porn Under The Transition To Democracy, 1975–19850
Violence, Affect, and Time-Based Media in Mexico, 2010–20190
Escobar’s Narcos and Whiteness: Fantasising of the American Dream by Fetishising Latinx and Latin Americans0
Introduction: Visualities in Conflict. Andrea Noble, an Appreciation0
“Walking Around Naked Sets Back our Struggle”: Travesti Activism, Repression, and Public Space in Buenos Aires (1994–1998)0
Turning to Stone: Diffracted Geostories and Inhuman Intimacy in Latin American Cinema0
The elections are a circus and Neto Bran is the clown: Affective Publics in Guatemala0
Milei, the Transformation of the Popular Soul, and the Crisis of Understanding in Social Sciences0
A Visual History of a Sacrifice: Cristero Photography and the José de León Toral Commemorative Album0
Ephemeral Aurality: Media, Performance, and Sound Archives in (Greater) Mexico0
Teaching the Asian Latin American Experience0
Street Art And Everyday Life: Vómito Attack and Cam.Bsas in Post-2001 Buenos Aires0
Acoustic mediations: Indigenous sonorities in Latin America0
Correction0
Producing a People of “The Ambushed”: The Political Project Of Agustín Laje0
Mariana Callejas: Literature and Horror in Pinochet’s Chile0
Foreign Intimacies and Political Pasts in Paula Markovitch’s El actor principal (2019)0
Introduction. The Politics of Obscenity in Latin America0
Masculinity in the Police Procedural under Dictatorship: Palito Ortega’s Brigada en acción0
The Politics of Detachment and Disruptive Tourism in Las cosas como son (Fernando Lavanderos, 2012)0
Odara’s Healing Powers: Afro-Brazilian Earth Ecologies. A Conversation with Ayrson HeráClito0
The Insubordination Of The Gaze: Marian Icon And Performance In The Mujeres Creando Collective0
Narcotraffic, Friendship, And (Infra)Politics: A Survey Of Narcoliterature And (Un)Sociability0
Past With Present (and Future). Affective Agency in Latin American Abortion Rights Activism0
Los mecos de Veracruz: Queer Gestures and the Performance of Nahua Indigeneity0
Introduction: The New Right and Latin America – Affects, Discourse, Media, Performance0
Sensing Shipibo Aesthetics Beyond the Peruvian Amazon: Kené Design in Icaros: A Vision (2016)0
El secreto de la tierra : Entangled Poetics and the Venezuelan Amazon in Una ojeada al mapa de Venezuela (1939) by Enrique Bernardo Núñez0
The Architecture of Nayib Bukele’s Deceit: Autocratic Avatars, Carceral Structures, and Utopian Simulacra in El Salvador0
Intimacy, Relationality, Repair: AIDS, Mexico, and the Case of Agustín Martínez Castro0
Between the Long Sixties and the Short Eighties: An Analysis of Jorge Denti’s Film Malvinas, Historia de traiciones0
Beyond The Anemone: Argenis Luna’s Frictional Ethics In Rita Indiana’s Fiction0
Is The Rectum (Still) A Grave? Death In Naty Menstrual’s Continuadísimo0
Unearthing Value: Visions of Gold in Contemporary Venezuelan Art0
Asia-Latin America As Critical Infrastructure: Notes on Cultural (Im)Mobility, Indiscipline, Access, and Translation0
Transpacific Critique and the Extimacies of Settler Coloniality, Race, and Asia-Latin America0
Zama and the Politics of Contamination: from Di Benedetto’s Novel to Martel’s Film0
108: Memory, Libido, and Obscenity between Paraguay and Brazil0
Lisa M, “La primera rapera mujer de Puerto Rico y de Latinoamérica”, and Early 1990s Feminist Puerto Rican Hip-Hop Culture0
From Valentino to Disney: Global Gauchos in 1920s Hollywood Cinema0
Refusing Redress: Debt, Inheritance, and Creation in Rosario Ferré’s Sweet Diamond Dust0
From Land to Earth: Surveying Writing0
The Narrative of Simulation in José Asunción Silva's De sobremesa0
Catastrophe and Utopia in the Experimental Opera, Os Desastres da Guerra , by Nuno Ramos0
La Bella Otero’s Overdetermined Anality: Tales of Sexual Inversion in Early Twentieth-Century Buenos Aires0
Crossroads of Change: Afro-Cuban Meanings of Cambio in the Music and Videos of X Alfonso0
Representing Marichuy Online: Digital Listening And Indigenous Voice In The Latin American Political Periphery0
Links in a Chain: El Che in the Work of Freddy Alborta, Carlos Alonso, Arnold Belkin, and Leandro Katz0
Contesting the Neoliberal City: Place-Based Activism in the Documentary Films of Barrio Anti-Gentrification Movements in Bogotá and Mexico City0
Protests in Peru: Interdisciplinary Perspectives on a Structural Crisis0
Passing Through the Body: Recent Exercises of Memory and Collectivity, Forty Years After the Dictatorship in Chile0
A Family Affair: TFP and the Vagaries of Moral Panic in Authoritarian Brazil0
In Memory of Ana M. López0
Man and Cosmos: An Indianist Response to Nuclear Threat in the Amautic Thought of Fausto Reinaga (Bolivia 1978–83)0
A Portrait of Imagined Hemispheric Power Relations: Contested Visualities in Archival Photographs of the Pan-American Highway0
The Political Violence of the 1970s in Recent Argentine Cinema: Strategies for the Reaffectivisation of the Past in Rojo (Benjamín Naishtat, 2018)0
On the Tension between Copyright and the Conceptions of Collective Creation in some Mapuche Poetry0
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