Journal of Material Culture

Papers
(The TQCC of Journal of Material Culture is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Exploring commensality, household and solidarity. Evidence of a medium-scale community gathering place in Neolithic Kleitos 1, north-western Greece13
Local fashion, global imagination: Agency, identity, and aspiration in the diasporic Hmong community12
Fragments of affinity: Photographic archives and the material performance of personhood in a zongo community of Ghana11
Making a home in the world: Clothes as mnemonic devices through which refugees experience home in flight and resettlement10
In defense of materiality: Attending to the sensori-social life of things6
The artification of fossils in commercial art spaces: Dinosaurs in a desirescape5
A tiny home of one's own4
The issue is moot: Decolonizing art/artifact4
Ritual act, technology, and the efficacy of traditional tattooing among the Igorots of north Luzon, Philippines4
9/11 steel: Distributed memorialization3
Routinizing and scrutinizing: Divergent yet potentially complementary modes of valuing money's material forms3
Invasive materialities: War bunkers as disturbing nodes of collaboration3
The ophthalmoscope and the physician: Technical innovations and professionalization of medicine3
From demon to deity: Forging a new iconography for Mahishasur3
Introduction: Vital waste, or the body extended3
Anthropological face casts: Towards an ethical processing of their histories and difficult legacies of intimacy and ambiguity3
Objectified but not Materialized Theory: Human Waste Diagrams Under Erasure3
Different ontologies: Shared foes3
Reading clay: The temporal and transformative potential of clay in contemporary scientific practice3
Masculinized femininity of women characters on the Kabuki stage: Female Onnagata's “cross-gender” performance in the “all-male” theatre3
Making masks: The women behind Ghana's nose covering mandate during the COVID-19 outbreak2
When Does Infrastructure “Qualify for [Artistic] Attention”? The “ABCs” of Contemporary Art in Post-Liberalization India2
T-shaped craft researchers’ contribution in transdisciplinary research projects2
Materiality and media memory: The practical application and meaning construction of the tape recorder in China in 1980s2
‘Rotten and useful’: Compos(t)ing knowledge in Mongol Iran2
COVID, clay, and the digital: The role of digital media in pottery skill development during the COVID-19 pandemic in Britain2
Adopted heritage: German objects in the Western Territories of Poland1
Crafting displacement: Reconfigurations of heritage among Syrian artisans in Amman1
Introduction: Afterlives in objects1
Crafting nostalgia: Emotional capital and the randoseru’s victory1
Keeping the family silver: The changing meanings and uses of Manchester’s civic plate1
Transmediation as method and intervention: The woven artwork of Jaad Kuujus (Meghann O'Brien)1
Living with landmines: Inhabiting a war-altered landscape1
Learning from the secondary: Rethinking architectural conservation through ‘barn architecture’1
Will the real materialisms please step forward?1
My address is the Soviet Union – or is it? Baltic identity in souvenir production within the Soviet discourse1
A space age instrument for space voyagers: The personal, professional, and cultural relevance of astronaut chronographs1
Contemporary archaeology in conflict zones: The materiality of violence and the transformation of the urban space in Temuco, Chile during the social outburst1
Tourists of their own past: Aural palimpsests from the Mao era1
The absence that will not go away1
Response to Tim Ingold1
Rethinking gender from the ethnographic museum. Introduction to the special issue1
Circulation in four walnuts from the Sarah Pike Conger collection1
Social ruination and alternative materialities in a dissonant landscape of modernity: The case of GAP in Halfeti, Turkey1
Visualising the universe: The role of pictures in mediating people's relationship with outer space1
Stories with the terrain, stories with the ice: Storytelling as a socio-material practice1
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