Fashion Theory-The Journal of Dress Body & Culture

Papers
(The median citation count of Fashion Theory-The Journal of Dress Body & Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Sur les routes de Samarcande. Merveilles de soie et d’or (On the Routes of Samarkand. Marvels of Silk and of Gold) Sur les routes de Samarcande. Merveilles de soie et 28
Creative Adaptations in Africa: Creating Cosmopolitan Fashion in Nigeria15
Iris van Herpen. Sculpting the Senses12
Elvis: Direct from Graceland7
Fashion Statements in a Site of Conflict6
Buildings in Belgium, Buildings in Oil, Buildings in Silk, A tableaux by Lucy McKenzie4
Deborah Turbeville: Photocollage4
Carnivalesque Practices and Cyborg Esthetics: A Study of the Grotesque of Demna4
The Boubou and Post-Colonial African Musical Performances: Ami Koïta, Bi Kidude, and Sibongile Khumalo4
Biki: French Visions for Italian Fashion4
Glittering Bodies: The Politics of Mortuary Self-Fashioning in Eurasian Nomadic Cultures (700 BCE-200 BCE)3
Beauty Regimes. A History of Power and Modern Empire in the Philippines, 1898–19413
Dressed in Time: A World View3
Sustainability and the Fashion Media: Micro-Utopia, Social Dreaming and Hope in the Margins3
Dress like a Mum/Mom: Instagram Style Mums and the Fashionable Ideal3
@JessicaOutOfTheCloset: Intersections of Vintage Styles, Gender, Queerness, and Disability in Online Spaces3
Fashioning Politics and Protests: New Visual Cultures of Feminism in the United States3
Upcycling with Material Debris: Nurturing the Creative Process through Responsible Handling of Waste Materials3
Top Boy Crossdressing: The Life of Heliogabalus in the Historia Augusta2
Yves Saint Laurent aux Musées2
The Peacock Revolution: Men’s Fashion from 1966 to 1970 The Peacock Revolution: Men’s Fashion from 1966 to 1970 , Pickford’s House, De2
Everyday Fashion: Interpreting British Clothing Since 16002
Undercover—From Necessity to Luxury: The Evolution of Face Coverings during COVID-192
Lasting Bonds: Understanding Wearer-Clothing Relationships through Interpersonal Love-Theory2
Beyond Subculture the Meaning of Style: Chronicling Directions of Scholarship on Dress since Hebdige and Muggleton2
Sleeping Beauties: Reawakening Fashion2
“The Good Italian”: Fashion Films as Lifestyle Manifestos. A Study Based on Thematic Analysis and Digital Analytics1
Letter from the Editor1
Clothescapes of Refugeehood: Emma Lee’s The Significance of a Dress (2020)1
LOVE Fashion: In Search of Myself1
Instruments of Embodiment: Costuming in Contemporary Dance1
Re-Negotiating National Identity Through Chinese Fashion1
Fashion and Politics, The Politics of Fashion: Józef Simmler’s Portrait of Emilia Włodkowska, Society Portrait and Haute Couture1
Worn: Footwear, Attachment and the Affects of Wear1
Fair Data is the New Black: Online Shopping, Data Leaks, and Broadening the Understanding of Sustainable Fashion1
Consumer Contextual Learning: The Case of Fast Fashion Consumption1
Styling Hirohito: Modernity, Monarchy, and “Western Clothes” in Interwar Japan1
Correction1
Transnational Fashion Sustainability: Between and Across the Gulf and the UK1
Fashion Accounts1
Westminster Menswear Archive1
Affective Fashion Trends: Aesthetic and Digital Affects from Nostalgia to AR1
Conceptualizing Made in China for a Museum Exhibition1
Print & Paint, 350 Years of Flowers on Cotton1
The Esthetics of Cosplay1
John Waters: Pope of Trash1
Digital 3D Fashion Designers: Cases of Atacac and The Fabricant1
“His Ghost Walks Among Us Still”: Troubling the Sartorial Legacy of Beau Brummell1
Critiques of Appropriation and Transnational Labor Ethics1
Singapore Fashion Histories – Developing an Open-Access Fashion History Website1
Shimmering Aesthetics: Breaking the Gender Binary1
Viktor&Rolf: Fashion Statements0
Fashioning Dirt: Opening a New Discourse0
Radical Pedagogies: Right Here, Right Now!0
Gay Men’s Style: Fashion, Dress and Sexuality in the 21st Century0
Letter from the Editors0
Sargent and Fashion0
Supplying Woolens for Cristóbal Balenciaga: A Comparative Analysis of the Commercial Strategies of Garigue and Agnona (1947–1968)0
Fashion Remains: Rethinking Fashion Ephemera in the Archive0
Letter from the Editors0
Suspending Time: Matter and Memory in Madame Grès’ Pleating Technique0
Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia0
“Well-Dressed” in Suits of Australian Wool: The Global Fiber Wars and Masculine Material Literacy, 1950–19650
Queering Fashion’s Pathologies in Killing Eve 10
Clothing Inside: Addressing American Prisons0
Letter from the Editors0
Material Lives: Women Makers and Consumer Culture in the 18th Century0
Fashion Aesthetics and Ethics. Past and Present0
Letter from the Editors0
Britain’s ‘Dark Factories’: Specters of Racial Capitalism Today0
Symbiosis: A New Paradigm for Understanding How Bodies and Dress Come Together0
From Shatnez to Upcycling: Zoom in on Sustainable Fashion in Israel and in Judaism0
Time to treat the climate and nature crisis as one indivisible global health emergency0
The Fashion System’s Environmental Impact: Theorizing the Market’s Institutional Actors, Actions, Logics, and Norms0
The Marchesa Casati as Fashion Plate and Fashion Muse0
Book Review: A Guide to Traditional Yi Costumes and Ornaments0
Dress Codes0
Shades and Lengths of Change: Exploring Fashion Changes in Post-Soviet Azerbaijan0
Unique Fashion Not: Uniqlo’s Commercial Success in Taiwan0
The Fashion System as Sign Itself: Surprise, Seduction and the Wit of Viktor & Rolf0
Chinese Investment and the Rise of “Made in Africa” Fashion Production0
Follow Fashion: Patrick Kelly, Derrick Adams & AfroQueer Commutation0
Fashion City: How Jewish Londoners Shaped Global Style0
Letter from the Editors0
Transnational Flow of Chinese and UK Fashion Discourse: Analyses of Digital Platforms and Online Shopping in China0
Linda Kinoshita: Rediscovering a Forgotten Japanese American Designer0
“My Cherished Garment”: Rethinking Fashion, Attachment and Durability0
Letter from the Editors0
Fashion and Feeling: The Affective Politics of Dress0
“Shocking!” the Surreal World of Elsa Schiaparelli “Shocking!” the Surreal World of Elsa Schiaparelli . Musée des Arts Décoratifs, Paris, France, July 22, 2022 – January0
Letter from the Editor0
Model Woman: The Creation, Dissemination and Cultural Significance of Barbara Goalen’s Model Persona in Postwar Britain0
Influencers, Niche Magazines and Journalistic Practice in Italy: Toward a New Fashion Editorial System0
Des cheveux et des poils Des cheveux et des poils, Musée des Arts décoratifs, Paris, France, April 5 to September 17, 2023. 0
Crafting Sustainable Fashion: Dimensions of Care in Wearer-Clothing Relationships0
Innovative Upcycling: The Creative Potential of Collaborating with Degraded Materials0
The 2022 Venice Biennale: The Milk of Dreams0
Ceci n’est pas un chapeau: What is Art, and What is Fashion in Degas’s Millinery Series?0
Backstage Matters: Designer’s Invisible Media Work in Independent Fashion Practice0
Revitalizing Meisen Kimono in Chichibu through Storytelling—Craft, Community, and Sense-Making0
Djurdja Bartlett0
Zampatti Powerhouse Zampatti Powerhouse , Museum of Applied Arts and Sciences, November 24 2022 − June 11 20230
Two Decades of Fashion Blogging and Influencing: A Critical Overview0
Italy, an Extraordinary Commonplace? Stereotypes and Imaginaries of Italianness in Online Communication by Fashion Brands*0
In Genderqueer Closets: Challenging Gender Binarism through Embodied Narratives of Affect and Style0
The Worth Question: Addendum to ‘Exhibition Review: Victoria G. Karelias Collection of Greek Traditional Costumes’0
“I Do What I Do to Drive Change”: The Social-Symbolic Work of Sustainable Fashion Influencers0
Fashion: Seductive Play0
¡Moda Hoy! Latin American and Latinx Fashion Design Today0
Flaunting and Consumption: Women’s Headdress in the Ming Dynasty of China0
Costume Behaving Badly: Poverty, Disease and Disgust in Early Twentieth-Century New York Vaudeville0
Unmasking the Pandemic: From Personal Protection to Personal Expression0
Bodies, Power and Fashionable Femininity in Designer Fashion Boutiques: Between the “Panopticon” and the “Confessional”0
New Luxury Ideologies: A Shift From Building Cultural to Social Capital0
Letter from the Editors0
Masculinity, Identity and Body Politics in the Interzone: A Queer Perspective on Raf Simons’s Critical Fashion Practices (1995–2005)0
Africa Fashion0
Journey to the Self: In-Depth Case Studies of Trans Men’s Self-Construction through Body Work and Clothing0
Letter from the Editors0
Statement Sleeves Statement Sleeves , The Museum at FIT , New York , January 24–August 25, 0
Vegan Fashion Paradox: Understanding Cognitive Dissonance in Consumer Choices0
Garmenting: Costume as Contemporary Art0
British Dandies: Engendering Scandal and Fashioning a Nation0
In Older Men’s Wardrobes: Creative Tales of Affect, Style and Constraint0
Queer: Stories from the NGV Collection0
Global China0
Reviving the Silenced; Defining Vegan Fashion and Classifying Materials of Animal Origin0
Dressed: Fashionable Dress in Aoteoroa New Zealand 1840 to 19100
Navigating Stigma through Refashioning Islamic Veiling: Muslim Women’s Sartorial De-Stigmatization Strategies in Contemporary United States0
Letter from the Editors0
Objects, People, Politics: From Perestroika to the Post-Soviet Era0
Fashion You Do Not Own, Fashion You Cannot Feel: Toward a New Paradigm of Sharing Fashion in the Digital Age0
Monte di Pietà0
Letter from the Editor0
Tailoring Modernity and Wrapping Tradition: Chitenge [African Print Fabric] Class and Culture in Zambia0
Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture ,0
Letter from the Editors0
Wearing: Art, the Body, and Distance0
Transcriptions and Relative Novelty: Virgil Abloh’s Design Strategies0
Ethnic Clothing, the Exercises of Self-Representation, and Fashioning Ethnicity in Xishuangbanna, Southwest China0
Susan Hiner, Behind the Seams: Women, Fashion, and Work in 19 th -Century France0
In America: A Lexicon of Fashion0
Queen Victoria’s Banarasi Brocade: A Transcultural Approach to Royal Fashion0
Theorizing the Third Generation of Fashion Designers: The Case of Pharrell Williams at Louis Vuitton0
Letter from the Editor0
“Same-Old, Same-Old”: The Tired and Tiring Work of Retro as Celebrity Signature Style0
The Politics of Transnational Fashion0
The Cambridge History of Global Fashion0
Masculine Renunciation or Rejection of the Feminine?: Revisiting J.C. Flügel’s Psychology of Clothes0
Letter from the Editors0
Threads of Change: Advancing Sustainable Fashion Through New Materialist Perspectives0
Personal Branding through Perfume in the Middle East: Investigating the Role of Fragrance in Self-Presentation, Impression Management, and Cultural Identity0
Reviving, Reinventing and Rethinking an Indigenous Luxury Textile: Piña Cloth, and Fashion in the Philippines0
Yorkshire Fashion Archive0
Bally – A History of Footwear in the Interwar Period0
Food and Fashion0
Elio Fiorucci0
Picasso/Chanel0
Clothing and Expressive Revolution: Wearing Jeans in Socialism0
Dress as the Agency of Power: Ozioma Onuzulike’s Ceramic Art0
(Dal Cuore Alle Mani) From the Heart to the Hands: Dolce & Gabbana0
Labor of Her Hands, Light of Her Eyes0
From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace0
Chinese Fashion in China’s Fashion Magazines (2005-2015)0
Fashion Activism of Extinction Rebellion and Fashion Act Now0
Copying a Master: London Wholesale Couture and Cristóbal Balenciaga in the 1950s0
Letter from the Editor0
A Reparative Space: Theorizing Decolonizing and Freedom Pathways in Fashion Education0
Letter from the Editors0
Samlingen0
Confronting the Absence of Histories, Presence of Traumas and Beauty in Museum Africa, Johannesburg0
Vampiric Fashion: Chinese Circulation, Cinema, and Clothing on Screen and off0
Correction0
From Joint Ventures to Collaborative Projects: Toward an Ethnography of Sino-Italian Fashion Relations in the 2020s0
A Dark, A Light, A Bright: The Designs of Dorothy Liebes0
Anti-Fashion Branding: Framing Technology in Uniqlo and Allbirds0
The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment0
Toward a Frigid Body: Minimalist Fashion and the Sinthomosexual in China0
Letter from the Editor0
New Fashion Identity and the State in China: A Decolonial Interpretation0
Fashion|Sense: On Philosophy and Fashion0
Letter from the Editor0
Letter from the Editor0
Performance Costume: New Perspectives and Methods0
Unravel: The Power and Politics of Textiles in Art0
The Material Film Costume: Encountering the Mink Dress of Lady in the Dark (Leisen, 1944)0
Gabrielle Chanel: Fashion Manifesto0
Deviance or Devotion: Women Dressed as Men in Late Medieval England0
Object Lives and Global Histories in Northern North America: Material Culture in Motion, C. 1780-1980 Object Lives and Global Histories in Northern North America: Material Culture in Mo0
Locational Fashion Cultures0
Developments and Challenges of Fashion Law in China0
Chest-Binding Practices for Trans and Nonbinary Individuals within Different Spatiotemporalities: Redefining the Meanings of Space, Place, and Time0
Cabinet Stories: Curators in the Community0
“Sobriété, Chic, Discrétion”: Promoting Modern Jewelry and Accessories in Adam: La revue de l’homme, 1925-19400
Cripping Masculinities: Designing Fashion Utopias0
Letter from the Editor0
Zurich, 1970. The Exhibition Balenciaga: Ein Meister der Haute Couture0
Work Attire and Work Productivity of Employees While Teleworking During the COVID-19 Pandemic0
Artful Decoloniality: The Politics of Fashion as Art in 20th and 21st Century Vietnam0
Sartorial Strategies of Female Punks in Malaysia’s Socio-Religious Landscape0
Letter from the Editors0
Conceptualizing Australian First Nations Fashion, Art and Style0
Fashion Illustration History: Repairing the Links from Ukiyo-e to Shōjo Manga0
LA Perse by Cristobal Balenciaga: An Historical, Scientific and Conservation Study0
Aldo Fallai for Giorgio Armani, 1977–20210
Les Subtilités d’un Dialogue0
Des Moines Gay Men’s Chorus, Queer Spaces, Collectives Styles, and Activist Dress, 1984 to the Present0
Fashion in Cuba as Revolt, and the Horror of the Nonproductive0
The Datafication and Quantification of Fashion: The Case of Fashion Influencers0
Fabrics of Memory0
Decentering Durability: Decarbonizing and Decolonizing Ideas and Practices of Long-Lasting Clothes0
Becoming the ‘Sorority Girl’: Following Southern Fashion and Sorority Culture on #Rushtok0
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