Fashion Theory-The Journal of Dress Body & Culture

Article	Citations
Fashion and the Phantasmagoria of Modernity: An Introduction to Decolonial Fashion Discourse	35
Fashion, its Sacrifice Zone, and Sustainability	19
Digital 3D Fashion Designers: Cases of Atacac and The Fabricant	16
Letter from the Editors: Decoloniality and Fashion	14
Decolonizing the Curriculum? Transformation, Emotion, and Positionality in Teaching	11
Decolonizing Luxury Fashion in Japan	9
Two Decades of Fashion Blogging and Influencing: A Critical Overview	7
Dress, the Senses, and Public, Private, and Secret Selves1	6
Transforming Sustainable Fashion in a Decolonial Context: The Case of Redress in Hong Kong	6
Fractal Folds: The Posthuman Fashion of Iris van Herpen	5
“You’ll Never Regret Going Bold”: The Moods of Wedding Apparel on a Practical Wedding	5
Curating Fashion as Decolonial Practice: Ndwalane’s Mblaselo and a Politics of Remembering	5
The Imaginary Dress. An Interdisciplinary Fashion Approach Among Sociological, Anthropological, and Psychological Orientations	4
Fashion You Do Not Own, Fashion You Cannot Feel: Toward a New Paradigm of Sharing Fashion in the Digital Age	4
Decolonizing a Fashion School: A Critical Reflection on Fashion Education in Australia through an Indigenous Perspective	4
Spanish Couture: In the Shadow of Cristóbal Balenciaga	3
Kwame Nkrumah’s Suits: Sartorial Politics in Ghana at Independence	3
Deconstructing Fashion: An Interview with Beatrace Angut Oola	3
Dress like a Mum/Mom: Instagram Style Mums and the Fashionable Ideal	3
Chest-Binding Practices for Trans and Nonbinary Individuals within Different Spatiotemporalities: Redefining the Meanings of Space, Place, and Time	3
Upcycling as a Practice for Decolonializing Fashion: An Interview with Ngozi Okaro	3
Glittering Bodies: The Politics of Mortuary Self-Fashioning in Eurasian Nomadic Cultures (700 BCE-200 BCE)	3
Global China	2
The Deceptive Mirror: The Dressed Body Beyond Reflection	2
Passing as Fashionable, Feminine and Sane: “Therapy of Fashion” and the Normalization of Psychiatric Patients in 1960s US	2

The Man in the Suit: Jewish Men and Fashion in fin-de-siècle Vienna	2
In Older Men’s Wardrobes: Creative Tales of Affect, Style and Constraint	2
Academ-Ink: University Faculty Fashion and Its Discontents	2
Journey to the Self: In-Depth Case Studies of Trans Men’s Self-Construction through Body Work and Clothing	2
Beyond Subculture the Meaning of Style: Chronicling Directions of Scholarship on Dress since Hebdige and Muggleton	2
Copying a Master: London Wholesale Couture and Cristóbal Balenciaga in the 1950s	2
The Fashion System’s Environmental Impact: Theorizing the Market’s Institutional Actors, Actions, Logics, and Norms	2
From Joint Ventures to Collaborative Projects: Toward an Ethnography of Sino-Italian Fashion Relations in the 2020s	2
Lasting Bonds: Understanding Wearer-Clothing Relationships through Interpersonal Love-Theory	2
Fashion in the Life of George Sand	1
Reinterpreting How and Why People Consume Counterfeit Fashion Products: A Sociological Challenge to the Pro-Business Paradigm	1
Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia	1
The Datafication and Quantification of Fashion: The Case of Fashion Influencers	1
The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment	1
The Peacock Revolution: Men’s Fashion from 1966 to 1970 The Peacock Revolution: Men’s Fashion from 1966 to 1970 , Pickford’s House, De	1
Re-Negotiating National Identity Through Chinese Fashion	1
Toward a Frigid Body: Minimalist Fashion and the Sinthomosexual in China	1
Dressing to Pass during the Harlem Renaissance: Fashion in the Novels of Jessie Redmon Fauset and Nella Larsen	1
Zurich, 1970. The Exhibition Balenciaga: Ein Meister der Haute Couture	1
Navigating Stigma through Refashioning Islamic Veiling: Muslim Women’s Sartorial De-Stigmatization Strategies in Contemporary United States	1
Transcriptions and Relative Novelty: Virgil Abloh’s Design Strategies	1
The Art of Lace | Haute Couture from Chanel to Iris van Herpen	1
Supplying Woolens for Cristóbal Balenciaga: A Comparative Analysis of the Commercial Strategies of Garigue and Agnona (1947–1968)	1
From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace	1
Reckoning with Highland Rape: Sexuality, Violence, and Power on the Runway	1
Transnational Fashion Sustainability: Between and Across the Gulf and the UK	1
“My Cherished Garment”: Rethinking Fashion, Attachment and Durability	1
Objects, People, Politics: From Perestroika to the Post-Soviet Era	1
Ethnic Clothing, the Exercises of Self-Representation, and Fashioning Ethnicity in Xishuangbanna, Southwest China	1
The Politics of Transnational Fashion	1
New Fashion Identity and the State in China: A Decolonial Interpretation	1
Unique Fashion Not: Uniqlo’s Commercial Success in Taiwan	1
Collecting and Curating Peranakan Fashion: An Interview with Peter Lee	1
LA Perse by Cristobal Balenciaga: An Historical, Scientific and Conservation Study	1
Fashion and Politics	1
Critiques of Appropriation and Transnational Labor Ethics	1
Undercover—From Necessity to Luxury: The Evolution of Face Coverings during COVID-19	1
“Foundations and Beginnings”: W.E.B. Du Bois Posing as a Dandy	1
From Local Production to Global Relations: The Congo Fashion Week London	1
Transnational Flow of Chinese and UK Fashion Discourse: Analyses of Digital Platforms and Online Shopping in China	1
Masculine Renunciation or Rejection of the Feminine?: Revisiting J.C. Flügel’s Psychology of Clothes	1
Letter from the Editor	0
Radical Pedagogies: Right Here, Right Now!	0
Upcycling with Material Debris: Nurturing the Creative Process through Responsible Handling of Waste Materials	0
Book Review: A Guide to Traditional Yi Costumes and Ornaments	0
Letter from the Editor	0
The Fashion System as Sign Itself: Surprise, Seduction and the Wit of Viktor & Rolf	0
Carnivalesque Practices and Cyborg Esthetics: A Study of the Grotesque of Demna	0
Seamlessness: Making and (Un)Knowing in Fashion Practice	0
Fashion Theology	0

Model Woman: The Creation, Dissemination and Cultural Significance of Barbara Goalen’s Model Persona in Postwar Britain	0
Fashion in Cuba as Revolt, and the Horror of the Nonproductive	0
Djurdja Bartlett	0
An Interview with River Dean	0
On the Uses and Abuses of Benjamin for Thinking about Fashion. Philipp Ekardt on “Benjamin on Fashion”	0
Letter from the Editors	0
Unmasking the Pandemic: From Personal Protection to Personal Expression	0
Fashion Remains: Rethinking Fashion Ephemera in the Archive	0
Labor of Her Hands, Light of Her Eyes Labor of Her Hands, Light of Her Eyes , Eldem Art Space Dalyanci Mansion, Eskisehir, Turkey, November 18, 2023- April 21, 2024	0
Fashion Statements in a Site of Conflict	0
Yorkshire Fashion Archive Yorkshire Fashion Archive , University of Leeds, UK	0
“I Do What I Do to Drive Change”: The Social-Symbolic Work of Sustainable Fashion Influencers	0
Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture ,	0
Decolonizing the Fashion Curriculum in Denmark and Beyond: Interview with Kat Sark	0
Jenny Kee and Linda Jackson: Step into Paradise	0
“The Good Italian”: Fashion Films as Lifestyle Manifestos. A Study Based on Thematic Analysis and Digital Analytics	0
Britain’s ‘Dark Factories’: Specters of Racial Capitalism Today	0
Letter from the Editor	0
Letter from the Editor	0
Styling Hirohito: Modernity, Monarchy, and “Western Clothes” in Interwar Japan	0
The 2022 Venice Biennale: The Milk of Dreams	0
Des cheveux et des poils Des cheveux et des poils, Musée des Arts décoratifs, Paris, France, April 5 to September 17, 2023.	0
Masculinity, Identity and Body Politics in the Interzone: A Queer Perspective on Raf Simons’s Critical Fashion Practices (1995–2005)	0
Letter from the Editors	0
Clothed in Meaning: Literature, Labor, & Cotton in Nineteenth Century America	0
Letter from the Editor	0
Bodies, Power and Fashionable Femininity in Designer Fashion Boutiques: Between the “Panopticon” and the “Confessional”	0
Letter from the Editors	0
Follow Fashion: Patrick Kelly, Derrick Adams & AfroQueer Commutation	0
Flaunting and Consumption: Women’s Headdress in the Ming Dynasty of China	0
Cripping Masculinities: Designing Fashion Utopias	0
Material Lives: Women Makers and Consumer Culture in the 18th Century	0
Print & Paint, 350 Years of Flowers on Cotton	0
Worn: Footwear, Attachment and the Affects of Wear	0
Queer: Stories from the NGV Collection	0
Milli: A Celebration of Style	0
In America: A Lexicon of Fashion	0
The Boubou and Post-Colonial African Musical Performances: Ami Koïta, Bi Kidude, and Sibongile Khumalo	0
Chinese Investment and the Rise of “Made in Africa” Fashion Production	0
Tenant of Culture – ‘Eclogues (an Apology for Actors)’, Nicoletti, London Contemporary 30/09/2019–14/12/2019	0
Yves Saint Laurent aux Musées	0
Influencers, Niche Magazines and Journalistic Practice in Italy: Toward a New Fashion Editorial System	0
Letter from the Editor	0
Letter from the Editor	0
Beauty Regimes. A History of Power and Modern Empire in the Philippines, 1898–1941 Beauty Regimes. A History of Power and Modern Empire in the Philippines, 1898–1941	0
Des Moines Gay Men’s Chorus, Queer Spaces, Collectives Styles, and Activist Dress, 1984 to the Present	0
Artful Decoloniality: The Politics of Fashion as Art in 20th and 21st Century Vietnam	0
Letter from the Editors	0
¡Moda Hoy! Latin American and Latinx Fashion Design Today ¡Moda Hoy! Latin American and Latinx Fashion Design Today, The Museum at Fashion Institute	0
The Age of Undress: Art, Fashion, and the Classical Ideal in the 1790s	0
Object Lives and Global Histories in Northern North America: Material Culture in Motion, C. 1780-1980 Object Lives and Global Histories in Northern North America: Material Culture in Mo	0
Fragrance (untitled) by Maison Martin Margiela between Artwork and Commercial Product	0
Dressed: Fashionable Dress in Aoteoroa New Zealand 1840 to 1910	0
Gay Men’s Style: Fashion, Dress and Sexuality in the 21st Century Gay Men’s Style: Fashion, Dress and Sexuality in the 21st Century by	0
Elvis: Direct from Graceland	0
Fashion and Feeling: The Affective Politics of Dress Fashion and Feeling: The Affective Politics of Dress , edited by Roberto Filippello and Ilya Parkins (London:	0
Picasso/Chanel	0
Letter from the Editors	0
Contemporary Indonesian Fashion: Through the Looking Glass	0
Letter from the Editor	0
Costume Behaving Badly: Poverty, Disease and Disgust in Early Twentieth-Century New York Vaudeville	0
Confronting the Absence of Histories, Presence of Traumas and Beauty in Museum Africa, Johannesburg	0
Fabrics of Memory	0
Clothing and Expressive Revolution: Wearing Jeans in Socialism	0
“Well-Dressed” in Suits of Australian Wool: The Global Fiber Wars and Masculine Material Literacy, 1950–1965	0
Vampiric Fashion: Chinese Circulation, Cinema, and Clothing on Screen and off	0
Fashion|Sense: On Philosophy and Fashion	0
British Dandies: Engendering Scandal and Fashioning a Nation	0
Letter from the Editor	0
Dress Codes	0
Developments and Challenges of Fashion Law in China	0
Fashion Activism of Extinction Rebellion and Fashion Act Now	0
Hat: Origins, Language, Style	0
Exploring Tattooed Presentation on YouTube: A Case Study of Kat Von D	0
“We Are Expected to Be Pretty and Well-Dressed Till We Drop”: Fashion and “Passing” in the Novels of Edith Wharton	0
Garmenting: Costume as Contemporary Art	0
Conceptualizing Made in China for a Museum Exhibition	0
Decolonizing the Gaze: An Interview with Dario Calmese	0
Letter From the Editor	0
Samlingen	0

Buildings in Belgium, Buildings in Oil, Buildings in Silk, A tableaux by Lucy McKenzie	0
Letter from the Editor	0
Instruments of Embodiment: Costuming in Contemporary Dance Instruments of Embodiment: Costuming in Contemporary Dance , by Eric C. Mul	0
“Sobriété, Chic, Discrétion”: Promoting Modern Jewelry and Accessories in Adam: La revue de l’homme, 1925-1940	0
Bally – A History of Footwear in the Interwar Period	0
The Marchesa Casati as Fashion Plate and Fashion Muse	0
New Luxury Ideologies: A Shift From Building Cultural to Social Capital	0
Sur les routes de Samarcande. Merveilles de soie et d’or (On the Routes of Samarkand. Marvels of Silk and of Gold) Sur les routes de Samarcande. Merveilles de soie et	0
Africa Fashion Africa Fashion, Victoria & Albert Museum , London, July 2, 2022–April 16, 2023 Brookly	0
FLEURS DU MAL: On the Repulsive/Precious in Rodarte’s Spring/Summer 2018 Collection	0
Passing to Be Noticed: An Interview with Christopher Smith	0
Letter from the Editor	0
Biki: French Visions for Italian Fashion	0
Ceci n’est pas un chapeau: What is Art, and What is Fashion in Degas’s Millinery Series?	0
Reviving the Silenced; Defining Vegan Fashion and Classifying Materials of Animal Origin	0
The Worth Question: Addendum to ‘Exhibition Review: Victoria G. Karelias Collection of Greek Traditional Costumes’	0
Correction	0
Letter from the Editors	0
Letter from the Editors	0
The Material Film Costume: Encountering the Mink Dress of Lady in the Dark (Leisen, 1944)	0
Dressed in Time: A World View Dressed in Time: A World View , by Margaret Maynard (London: Bloomsbury, 2022)	0
Cabinet Stories: Curators in the Community	0
Letter from the Editor	0
Clothing Inside: Addressing American Prisons	0
Revitalizing Meisen Kimono in Chichibu through Storytelling—Craft, Community, and Sense-Making	0
Letter from the Editor	0
Zampatti Powerhouse Zampatti Powerhouse , Museum of Applied Arts and Sciences, November 24 2022 − June 11 2023	0
Letter from the Editors	0
Symbiosis: A New Paradigm for Understanding How Bodies and Dress Come Together	0
Food and Fashion Food and Fashion , The Museum at FIT, New York, NY, September 13, 2023 - November 26, 2023	0
Patch Work, a Life Amongst Clothes	0
Anti-Fashion Branding: Framing Technology in Uniqlo and Allbirds	0
“Shocking!” the Surreal World of Elsa Schiaparelli “Shocking!” the Surreal World of Elsa Schiaparelli . Musée des Arts Décoratifs, Paris, France, July 22, 2022 – January	0
Time to treat the climate and nature crisis as one indivisible global health emergency	0
The Esthetics of Cosplay	0
Consumer Contextual Learning: The Case of Fast Fashion Consumption	0
Blanche’s Clothes in Elia Kazan’sA Streetcar Named Desire: From Social Guise to Critique of the Film Medium	0