Fashion Theory-The Journal of Dress Body & Culture

Papers
(The TQCC of Fashion Theory-The Journal of Dress Body & Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Buildings in Belgium, Buildings in Oil, Buildings in Silk, A tableaux by Lucy McKenzie15
Sleeping Beauties: Reawakening Fashion14
LOVE Fashion: In Search of Myself12
Singapore Fashion Histories – Developing an Open-Access Fashion History Website11
Simulacra in Silk: Haraway’s Cyborg, Performative “Femininity”, and the Aesthetics of the Automaton on the Margiela Runway11
The Boubou and Post-Colonial African Musical Performances: Ami Koïta, Bi Kidude, and Sibongile Khumalo9
@JessicaOutOfTheCloset: Intersections of Vintage Styles, Gender, Queerness, and Disability in Online Spaces8
The Layers of Taiwanese Identity: Exploring Fashion Designers’ Cultural Expression8
Sustainability and the Fashion Media: Micro-Utopia, Social Dreaming and Hope in the Margins8
Clothescapes of Refugeehood: Emma Lee’s The Significance of a Dress (2020)7
Deborah Turbeville: Photocollage7
Fair Data is the New Black: Online Shopping, Data Leaks, and Broadening the Understanding of Sustainable Fashion7
The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment6
Print & Paint, 350 Years of Flowers on Cotton6
Real Clothes, Real Lives: 200 Years of What Women Wore, the Smith College Historic Clothing Collection4
Layers of Repair—On Mending, Care, and Aesthetics of Affect4
Shades and Lengths of Change: Exploring Fashion Changes in Post-Soviet Azerbaijan4
British Dandies: Engendering Scandal and Fashioning a Nation4
“I Do What I Do to Drive Change”: The Social-Symbolic Work of Sustainable Fashion Influencers4
Aldo Fallai for Giorgio Armani, 1977–20213
A Reparative Space: Theorizing Decolonizing and Freedom Pathways in Fashion Education3
By Way of the Fold: Routes to (K)new Knowledges3
Letter from the Editor: Fashion and Modernity in Taiwan3
Fashion under Fascism: Beyond the Black Shirt (2nd ed)3
Knowledge and Gender in Embellishing Beauties: Cosmetic Culture in Late Imperial China3
Obituaries and Mythmaking: The Media Construction of Cristóbal Balenciaga’s Legacy2
Fashion|Sense: On Philosophy and Fashion2
Letter from the Editors2
Sartorial Strategies of Female Punks in Malaysia’s Socio-Religious Landscape2
Remaining Difference. Fashion, Sexual Difference, and Galliano’s Poetics of the Cut2
Visualizing Nationhood Through Dress: A Cultural Semiotics of Sri Lankan Postage Stamps2
M&Others Fashion and Motherhood2
Samlingen2
Letter from the Editors2
Signifying African Adornment: An Interview with Ami Doshi Shah and Lafalaise Dion2
Personal Branding through Perfume in the Middle East: Investigating the Role of Fragrance in Self-Presentation, Impression Management, and Cultural Identity2
Beauty and the Politics of Piety: The Phenomenon of Muslim Women’s Fashion Trends in Indonesia2
Crafting Sustainable Fashion: Dimensions of Care in Wearer-Clothing Relationships1
Reviving the Silenced; Defining Vegan Fashion and Classifying Materials of Animal Origin1
Letter from the Editor1
Adire Translocalities1
Shimmering Aesthetics: Breaking the Gender Binary1
Fashion Aesthetics and Ethics. Past and Present1
Godna Tihar: Traditional Body Art Festival of the Gond Tribe1
Revitalizing Meisen Kimono in Chichibu through Storytelling—Craft, Community, and Sense-Making1
Mending Matters: Cultures and Contexts of Clothing Repair1
Threads of Change: Advancing Sustainable Fashion Through New Materialist Perspectives1
Gabrielle Chanel: Fashion Manifesto1
From Shatnez to Upcycling: Zoom in on Sustainable Fashion in Israel and in Judaism1
Upcycling with Material Debris: Nurturing the Creative Process through Responsible Handling of Waste Materials1
Africa Fashion in Focus: Three Objects from the Exhibition1
Rethinking the Beauty Business in Late Colonial South Asia: A Study of Afghan Snow Cream1
Dress as the Agency of Power: Ozioma Onuzulike’s Ceramic Art1
Yorkshire Fashion Archive1
Cabinet Stories: Curators in the Community1
“I’m Ready for My Close-up”: Makeup for Film1
Young Muslim Women’s Self-Styling: A Decolonial Research Architecture1
Letter from the Editors1
Creative Adaptations in Africa: Creating Cosmopolitan Fashion in Nigeria1
Cristóbal Balenciaga and Australia: Importing, Reproducing and Adapting Balenciaga Couture in Sydney, 1938–19681
Dressing Biopolitics, or Can Dress Be Considered a Biopolitical Dispositive?1
Letter from the Editors1
Ceci n’est pas un chapeau: What is Art, and What is Fashion in Degas’s Millinery Series?1
Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia1
Heritage Glamor Across Oceans: Federico Forquet’s Luxe Strategy for Italian Fashion in the United States0
Toward a Clothing Repair Infrastructure for All: A Generational View on Mending Practices at Home and at Schools0
The Fashion System as Sign Itself: Surprise, Seduction and the Wit of Viktor & Rolf0
“My Cherished Garment”: Rethinking Fashion, Attachment and Durability0
Letter from the Editors0
Yves Saint Laurent aux Musées0
Zampatti Powerhouse Zampatti Powerhouse , Museum of Applied Arts and Sciences, November 24 2022 − June 11 20230
Cosmetics, Consumer Culture and the Construction of Women’s Identity in Edo-Period Japan0
Decentering Durability: Decarbonizing and Decolonizing Ideas and Practices of Long-Lasting Clothes0
Food and Fashion0
Follow Fashion: Patrick Kelly, Derrick Adams & AfroQueer Commutation0
Beyond the Monolith: Redefining African Fashion, Identity, and Design Narratives0
Deviance or Devotion: Women Dressed as Men in Late Medieval England0
Spanish Style: Fashion Illuminated, 1550–17000
A Dark, A Light, A Bright: The Designs of Dorothy Liebes0
“Shocking!” the Surreal World of Elsa Schiaparelli “Shocking!” the Surreal World of Elsa Schiaparelli . Musée des Arts Décoratifs, Paris, France, July 22, 2022 – January0
Theorizing the Third Generation of Fashion Designers: The Case of Pharrell Williams at Louis Vuitton0
On Not Fixing Things: Ambivalence and Reparation in the Fashion Industry0
Material Lives: Women Makers and Consumer Culture in the 18th Century0
The Kabyle Dress – From Folklore to Haute-Couture Statement: Algerian Berber Artist and Fashion Designer Khadidja Hamsi (1937 – 2021)0
Artful Decoloniality: The Politics of Fashion as Art in 20th and 21st Century Vietnam0
Fashioning the Posthuman Body in the Anthropocene: Alexander McQueen’s The Horn of Plenty0
Chinese Fashion in China’s Fashion Magazines (2005-2015)0
The Worth Question: Addendum to ‘Exhibition Review: Victoria G. Karelias Collection of Greek Traditional Costumes’0
Optics of Obvious Mending0
Makeup and Kisses: The Erotic Ambiguity of Cosmetics in the Long Nineteenth Century0
Letter from the Editors0
Fashion’s Transnational Inequalities Socio-Political, Economic and Environmental0
Labor of Her Hands, Light of Her Eyes0
Cosmotechnics of Fashion: Remixology in Global African Cinema0
Dress, Dreams, and Desire. A History of Fashion and Psychoanalysis0
Sewing Wool: Japanese Fashion Designers and Women’s Fashion in 1930s Taiwan0
Mondrian’s Dress. Yves Saint Laurent, Piet Mondrian, and Pop Art0
Letter from the Editors0
Mediating Methodologies: Examining the Competing Interests of Designers and Curators in Fashion Exhibition-Making Practices0
Bridging Fashion and Sustainability: Exploring the Cultural Impact of Vintage Clothing in Taiwan0
Instruments of Embodiment: Costuming in Contemporary Dance0
Mending in the Museum: Chronomanuality, Value, and the Ethics of Care in Textile Conservation0
Ethnic Clothing, the Exercises of Self-Representation, and Fashioning Ethnicity in Xishuangbanna, Southwest China0
The World is Yours : A Fashion, Textiles, and Portraiture Benediction by Bisa Butler0
Lasting Bonds: Understanding Wearer-Clothing Relationships through Interpersonal Love-Theory0
Ephemeral Matters. Into the Fashion Archive0
Garmenting: Costume as Contemporary Art0
Suspending Time: Matter and Memory in Madame Grès’ Pleating Technique0
With License to Change: Upsala Coat Factory, Pierre Cardin, and the Democratization of Fashion, Sweden 1940–19700
Performance Costume: New Perspectives and Methods0
Locational Fashion Cultures0
“Same-Old, Same-Old”: The Tired and Tiring Work of Retro as Celebrity Signature Style0
Elegancias and the Parisian Dream: Fashioning Latin American Elites in Early 20th Century Paris0
Backstage Matters: Designer’s Invisible Media Work in Independent Fashion Practice0
GIRLS. On Boredom, Rebellion and Being In-Between0
“Being Gorgeous is a Duty!” Hegemony, Agency, and Visual Culture in Modern Argentina0
Dress Codes0
Gay Men’s Style: Fashion, Dress and Sexuality in the 21st Century0
Innovative Upcycling: The Creative Potential of Collaborating with Degraded Materials0
Clothing Inside: Addressing American Prisons0
Letter from the Editors0
Iris van Herpen. Sculpting the Senses0
Italy, an Extraordinary Commonplace? Stereotypes and Imaginaries of Italianness in Online Communication by Fashion Brands*0
Africa Fashion0
Humble Opulence: Architectural Minimalism of Privé at Armani/Silos0
Anna-Maria Saar: Darning Invisibility0
The Peacock Revolution: Men’s Fashion from 1966 to 1970 The Peacock Revolution: Men’s Fashion from 1966 to 1970 , Pickford’s House, De0
Fabrics of Memory0
Curating Makeup in The Cult of Beauty : An Integrative, Transhistorical, Transdisciplinary Storyteller0
Wearing Free China: Gendered Diplomacy and the Politics of the Qipao in Taiwan–Australia Relations During the Global Sixties0
Gender Plasticity: Fashion Dolls and Queer Aesthetic Labor0
A Historical Culture of Clothing Circularity: Reuse, Repair and Refurbishing in Mid-Nineteenth-Century Victoria, Australia0
“[T]o Dress So as to Call Forth No Remark at All”: Sartorial Representations of Victorian Gentlemanliness in Charles Dickens’s Great Expectations0
Fashion: Seductive Play0
Fashion Accounts0
Fashioning Dirt: Opening a New Discourse0
From Your Size to My Size: Fashioning Agency Among Kenyan Consumers0
(Dal Cuore Alle Mani) From the Heart to the Hands: Dolce & Gabbana0
Radical Mending: An Interview with Orsola de Castro0
Elio Fiorucci0
Dress, Social Space and Gender Relations in the Perception of Female Hikers and Mountaineers Between the 1830s and 1920s0
Letter from the Editors0
Letter from the Editors0
Queen Victoria’s Banarasi Brocade: A Transcultural Approach to Royal Fashion0
Object Lives and Global Histories in Northern North America: Material Culture in Motion, C. 1780-1980 Object Lives and Global Histories in Northern North America: Material Culture in Mo0
Top Boy Crossdressing: The Life of Heliogabalus in the Historia Augusta0
Metal Skin as Sartorial Design: Styling the Prosthetic Body on Social Media0
Greer Lankton: Modeling, Doll-Making, Transfemininity, and Biopolitics in the 1980s East Village0
Cecil Beaton’s Fashionable World, National Portrait Gallery, London, UK0
Style Narrative Geographies: Black Women Making Harlem Through Fashion and Memory Work0
Des cheveux et des poils Des cheveux et des poils, Musée des Arts décoratifs, Paris, France, April 5 to September 17, 2023. 0
Letter from the Editors0
Letter from the Editors0
Repair and Care: Reframing Fashion Sustainability Pedagogy0
Letter from the Editors0
Linda Kinoshita: Rediscovering a Forgotten Japanese American Designer0
Superfine: Tailoring Black Style0
Azzedine Alaïa and Christian Dior, Two Masters of Haute Couture/Azzedine Alaïa et Christian Dior, Deux Maîtres de la Haute Couture0
“His Ghost Walks Among Us Still”: Troubling the Sartorial Legacy of Beau Brummell0
“Talora in Abito di Femmina, Talora di Maschio”: Roleplay in Portrait Miniature with Mica Costume Overlay, from Florence to Europe0
From Driza-Bone to Moving in Air: Reimagining Fashion Practice as Part of Environmentally Attuned Fashion Futures0
Letter from the Editors0
¡Moda Hoy! Latin American and Latinx Fashion Design Today0
Correction0
Outlaws: Fashion Renegades of 80s London0
Fashion for the Ordinary Japanese People: The Transformation of Japan’s Emerging Brand of Workman Under COVID-190
Letter from the Editors0
Carnivalesque Practices and Cyborg Esthetics: A Study of the Grotesque of Demna0
Becoming the ‘Sorority Girl’: Following Southern Fashion and Sorority Culture on #Rushtok0
Fashion & Interiors. A Gendered Affair (MoMu Antwerp, March 29–August 3, 2025)0
In Genderqueer Closets: Challenging Gender Binarism through Embodied Narratives of Affect and Style0
Vegan Fashion Paradox: Understanding Cognitive Dissonance in Consumer Choices0
Navigating Stigma through Refashioning Islamic Veiling: Muslim Women’s Sartorial De-Stigmatization Strategies in Contemporary United States0
Letter from the Editor0
The Cambridge History of Global Fashion0
Beyond Vanity: The History and Power of Hairdressing0
Posthuman Ethics of Care for Fashion0
Affective Fashion Trends: Aesthetic and Digital Affects from Nostalgia to AR0
Westwood Kawakubo0
Monte di Pietà0
Susan Hiner, Behind the Seams: Women, Fashion, and Work in 19 th -Century France0
Influencers, Niche Magazines and Journalistic Practice in Italy: Toward a New Fashion Editorial System0
Les Subtilités d’un Dialogue0
Work Attire and Work Productivity of Employees While Teleworking During the COVID-19 Pandemic0
The Relationship Between Political Status and Fashion Behavior in Contemporary China: A Comparative Study of Communist Party Members and Nonmembers0
Tailoring an Image0
Fashioning Deviance: A Sociological Interpretation of Crime, Style, and Identity in Ghana and Nigeria0
Fashion Illustration History: Repairing the Links from Ukiyo-e to Shōjo Manga0
Fashion Queers0
Unravel: The Power and Politics of Textiles in Art0
Sur les routes de Samarcande. Merveilles de soie et d’or (On the Routes of Samarkand. Marvels of Silk and of Gold) Sur les routes de Samarcande. Merveilles de soie et 0
Taiwan in Italy: Cultural Mediation, Validation and Self-Actualization in the Global Fashion System0
Everyday Fashion: Interpreting British Clothing Since 16000
Social Fabric0
Letter from the Editors0
Fashion Activism of Extinction Rebellion and Fashion Act Now0
Letter from the Editors0
More than Religion: Motivations Behind Mennonite Brethren Clothing Decisions0
“Well-Dressed” in Suits of Australian Wool: The Global Fiber Wars and Masculine Material Literacy, 1950–19650
The 2022 Venice Biennale: The Milk of Dreams0
Wearing: Art, the Body, and Distance0
“The Good Italian”: Fashion Films as Lifestyle Manifestos. A Study Based on Thematic Analysis and Digital Analytics0
Nottingham Trent University Lace Archive: A Tantalizing Array of Gaps Within a Complex Web of Threads0
Arkadius. Great Passions. Confrontations0
Rick Owens: Temple of Love at Palais Galliera, Paris0
Time to treat the climate and nature crisis as one indivisible global health emergency0
Statement Sleeves0
Helmut Lang. Séance De Travail 1986–20050
Dirty Looks: Desire and Decay in Fashion0
Tailoring Modernity and Wrapping Tradition: Chitenge [African Print Fabric] Class and Culture in Zambia0
Interwoven Threads: A Quantitative Visual Analysis of Taiwan’s Tn̂g-sann and Qipao0
From Ura-Harajuku to the World: The Origins of Takashi Murakami’s Superflat Aesthetics in Japanese Fashion0
Cripping Masculinities: Designing Fashion Utopias0
Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture ,0
Correction0
Westminster Menswear Archive0
Introduction: Cross-Dressing0
Viktor&Rolf: Fashion Statements0
Letter from the Editor0
We the Makers Sustainable Fashion Prize 2025 and Quilts, Wool, Use0
In-Between Democratic Imperialism, Visual Reception, and the Colonial Order: Taiwan’s Adoption of Japanese Vintage Subculture0
Fashioning Politics and Protests: New Visual Cultures of Feminism in the United States0
From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace0
Conceptualizing Australian First Nations Fashion, Art and Style0
El Mundo de Balenciaga (The World of Balenciaga): Reconstructing the Spanish Contribution to the 1974 Exhibition0
Orange Culture: An Interview with Adebayo Oke-Lawal0
Dress Cultures in Zambia: Interwoven Histories, Global Exchanges, and Everyday Life0
Fashion and Politics, The Politics of Fashion: Józef Simmler’s Portrait of Emilia Włodkowska, Society Portrait and Haute Couture0
Gay Rodeos, Western Wear, and Unresolved Tensions in 21st-Century North America Cowboy Culture and Esthetics0
Correction0
“Sobriété, Chic, Discrétion”: Promoting Modern Jewelry and Accessories in Adam: La revue de l’homme, 1925-19400
Anti-Fashion Branding: Framing Technology in Uniqlo and Allbirds0
Djurdja Bartlett0
Chest-Binding Practices for Trans and Nonbinary Individuals within Different Spatiotemporalities: Redefining the Meanings of Space, Place, and Time0
Sargent and Fashion0
Fashion’s Psyche: Review of Dress, Dreams, & Desire at the Museum at FIT0
Letter from the Editors0
Letter from the Editors0
Reviving, Reinventing and Rethinking an Indigenous Luxury Textile: Piña Cloth, and Fashion in the Philippines0
Symbiosis: A New Paradigm for Understanding How Bodies and Dress Come Together0
Picasso/Chanel0
Fashioning Global Africa: Independence to Now0
History, Material Culture, and the Fashioned Nostalgic Self: A Methodological Approach to Contemporary 1950s Fashion0
New Fashion Identity and the State in China: A Decolonial Interpretation0
Re-Defining Fashion Cities: African Fashion Designers Between Local and Global Networks0
Fashions in Africa, and Africas in Fashion – Global Africa as Method0
The Politics of Transnational Fashion0
Fashion and Feeling: The Affective Politics of Dress0
Undercover—From Necessity to Luxury: The Evolution of Face Coverings during COVID-190
Lived In Bars: Deng Nan-Guang as the Vagabond-Tourist of Taiwanese Fashion Photography0
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