Fashion Theory-The Journal of Dress Body & Culture

Papers
(The TQCC of Fashion Theory-The Journal of Dress Body & Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Buildings in Belgium, Buildings in Oil, Buildings in Silk, A tableaux by Lucy McKenzie58
Singapore Fashion Histories – Developing an Open-Access Fashion History Website18
Fair Data is the New Black: Online Shopping, Data Leaks, and Broadening the Understanding of Sustainable Fashion13
Deborah Turbeville: Photocollage10
Sustainability and the Fashion Media: Micro-Utopia, Social Dreaming and Hope in the Margins8
Clothescapes of Refugeehood: Emma Lee’s The Significance of a Dress (2020)7
Transnational Fashion Sustainability: Between and Across the Gulf and the UK6
@JessicaOutOfTheCloset: Intersections of Vintage Styles, Gender, Queerness, and Disability in Online Spaces6
The Layers of Taiwanese Identity: Exploring Fashion Designers’ Cultural Expression6
The Boubou and Post-Colonial African Musical Performances: Ami Koïta, Bi Kidude, and Sibongile Khumalo6
Digital 3D Fashion Designers: Cases of Atacac and The Fabricant5
Sleeping Beauties: Reawakening Fashion5
LOVE Fashion: In Search of Myself5
British Dandies: Engendering Scandal and Fashioning a Nation4
Clothing and Expressive Revolution: Wearing Jeans in Socialism4
Shades and Lengths of Change: Exploring Fashion Changes in Post-Soviet Azerbaijan4
“I Do What I Do to Drive Change”: The Social-Symbolic Work of Sustainable Fashion Influencers4
The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment4
Layers of Repair—On Mending, Care, and Aesthetics of Affect4
Print & Paint, 350 Years of Flowers on Cotton4
A Reparative Space: Theorizing Decolonizing and Freedom Pathways in Fashion Education3
Aldo Fallai for Giorgio Armani, 1977–20213
Unique Fashion Not: Uniqlo’s Commercial Success in Taiwan3
Real Clothes, Real Lives: 200 Years of What Women Wore, the Smith College Historic Clothing Collection3
Transcriptions and Relative Novelty: Virgil Abloh’s Design Strategies3
Signifying African Adornment: An Interview with Ami Doshi Shah and Lafalaise Dion2
Samlingen2
Sartorial Strategies of Female Punks in Malaysia’s Socio-Religious Landscape2
Remaining Difference. Fashion, Sexual Difference, and Galliano’s Poetics of the Cut2
Letter from the Editors2
Letter from the Editors2
The Marchesa Casati as Fashion Plate and Fashion Muse2
Fashion|Sense: On Philosophy and Fashion2
Book Review: A Guide to Traditional Yi Costumes and Ornaments2
Beauty and the Politics of Piety: The Phenomenon of Muslim Women’s Fashion Trends in Indonesia2
Letter from the Editor2
Gabrielle Chanel: Fashion Manifesto1
Adire Translocalities1
Letter from the Editors1
Letter from the Editor1
Threads of Change: Advancing Sustainable Fashion Through New Materialist Perspectives1
From Shatnez to Upcycling: Zoom in on Sustainable Fashion in Israel and in Judaism1
Fashion Aesthetics and Ethics. Past and Present1
Shimmering Aesthetics: Breaking the Gender Binary1
Personal Branding through Perfume in the Middle East: Investigating the Role of Fragrance in Self-Presentation, Impression Management, and Cultural Identity1
M&Others Fashion and Motherhood1
Reviving the Silenced; Defining Vegan Fashion and Classifying Materials of Animal Origin1
Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia1
Revitalizing Meisen Kimono in Chichibu through Storytelling—Craft, Community, and Sense-Making1
Creative Adaptations in Africa: Creating Cosmopolitan Fashion in Nigeria1
Upcycling with Material Debris: Nurturing the Creative Process through Responsible Handling of Waste Materials1
Africa Fashion in Focus: Three Objects from the Exhibition1
Masculinity, Identity and Body Politics in the Interzone: A Queer Perspective on Raf Simons’s Critical Fashion Practices (1995–2005)1
Dress as the Agency of Power: Ozioma Onuzulike’s Ceramic Art1
Dressing Biopolitics, or Can Dress Be Considered a Biopolitical Dispositive?1
“Shocking!” the Surreal World of Elsa Schiaparelli “Shocking!” the Surreal World of Elsa Schiaparelli . Musée des Arts Décoratifs, Paris, France, July 22, 2022 – January0
Orange Culture: An Interview with Adebayo Oke-Lawal0
Becoming the ‘Sorority Girl’: Following Southern Fashion and Sorority Culture on #Rushtok0
Unmasking the Pandemic: From Personal Protection to Personal Expression0
Backstage Matters: Designer’s Invisible Media Work in Independent Fashion Practice0
From Joint Ventures to Collaborative Projects: Toward an Ethnography of Sino-Italian Fashion Relations in the 2020s0
Susan Hiner, Behind the Seams: Women, Fashion, and Work in 19 th -Century France0
Influencers, Niche Magazines and Journalistic Practice in Italy: Toward a New Fashion Editorial System0
New Fashion Identity and the State in China: A Decolonial Interpretation0
Fashion in Cuba as Revolt, and the Horror of the Nonproductive0
The World is Yours : A Fashion, Textiles, and Portraiture Benediction by Bisa Butler0
The Worth Question: Addendum to ‘Exhibition Review: Victoria G. Karelias Collection of Greek Traditional Costumes’0
Toward a Frigid Body: Minimalist Fashion and the Sinthomosexual in China0
“Sobriété, Chic, Discrétion”: Promoting Modern Jewelry and Accessories in Adam: La revue de l’homme, 1925-19400
Africa Fashion0
Wearing: Art, the Body, and Distance0
“My Cherished Garment”: Rethinking Fashion, Attachment and Durability0
Undercover—From Necessity to Luxury: The Evolution of Face Coverings during COVID-190
Objects, People, Politics: From Perestroika to the Post-Soviet Era0
Flaunting and Consumption: Women’s Headdress in the Ming Dynasty of China0
Letter from the Editor0
Developments and Challenges of Fashion Law in China0
Critiques of Appropriation and Transnational Labor Ethics0
Social Fabric0
Affective Fashion Trends: Aesthetic and Digital Affects from Nostalgia to AR0
Statement Sleeves0
Tailoring Modernity and Wrapping Tradition: Chitenge [African Print Fabric] Class and Culture in Zambia0
Des cheveux et des poils Des cheveux et des poils, Musée des Arts décoratifs, Paris, France, April 5 to September 17, 2023. 0
Nottingham Trent University Lace Archive: A Tantalizing Array of Gaps Within a Complex Web of Threads0
Anna-Maria Saar: Darning Invisibility0
Object Lives and Global Histories in Northern North America: Material Culture in Motion, C. 1780-1980 Object Lives and Global Histories in Northern North America: Material Culture in Mo0
Instruments of Embodiment: Costuming in Contemporary Dance0
Queer: Stories from the NGV Collection0
Fashion’s Transnational Inequalities Socio-Political, Economic and Environmental0
Time to treat the climate and nature crisis as one indivisible global health emergency0
The Fashion System as Sign Itself: Surprise, Seduction and the Wit of Viktor & Rolf0
Cabinet Stories: Curators in the Community0
Letter from the Editor0
Everyday Fashion: Interpreting British Clothing Since 16000
Vampiric Fashion: Chinese Circulation, Cinema, and Clothing on Screen and off0
Style Narrative Geographies: Black Women Making Harlem Through Fashion and Memory Work0
Letter from the Editors0
Glittering Bodies: The Politics of Mortuary Self-Fashioning in Eurasian Nomadic Cultures (700 BCE-200 BCE)0
Fashion City: How Jewish Londoners Shaped Global Style0
Des Moines Gay Men’s Chorus, Queer Spaces, Collectives Styles, and Activist Dress, 1984 to the Present0
Letter from the Editor0
Sargent and Fashion0
Chest-Binding Practices for Trans and Nonbinary Individuals within Different Spatiotemporalities: Redefining the Meanings of Space, Place, and Time0
Carnivalesque Practices and Cyborg Esthetics: A Study of the Grotesque of Demna0
Djurdja Bartlett0
Radical Pedagogies: Right Here, Right Now!0
From Driza-Bone to Moving in Air: Reimagining Fashion Practice as Part of Environmentally Attuned Fashion Futures0
Two Decades of Fashion Blogging and Influencing: A Critical Overview0
Clothing Inside: Addressing American Prisons0
“Same-Old, Same-Old”: The Tired and Tiring Work of Retro as Celebrity Signature Style0
Anti-Fashion Branding: Framing Technology in Uniqlo and Allbirds0
Navigating Stigma through Refashioning Islamic Veiling: Muslim Women’s Sartorial De-Stigmatization Strategies in Contemporary United States0
Picasso/Chanel0
“Well-Dressed” in Suits of Australian Wool: The Global Fiber Wars and Masculine Material Literacy, 1950–19650
Dressed in Time: A World View0
Letter from the Editors0
Letter from the Editors0
Sewing Wool: Japanese Fashion Designers and Women’s Fashion in 1930s Taiwan0
Costume Behaving Badly: Poverty, Disease and Disgust in Early Twentieth-Century New York Vaudeville0
Re-Defining Fashion Cities: African Fashion Designers Between Local and Global Networks0
Chinese Investment and the Rise of “Made in Africa” Fashion Production0
Fabrics of Memory0
Symbiosis: A New Paradigm for Understanding How Bodies and Dress Come Together0
Crafting Sustainable Fashion: Dimensions of Care in Wearer-Clothing Relationships0
Monte di Pietà0
Work Attire and Work Productivity of Employees While Teleworking During the COVID-19 Pandemic0
Queen Victoria’s Banarasi Brocade: A Transcultural Approach to Royal Fashion0
Fashioning Global Africa: Independence to Now0
(Dal Cuore Alle Mani) From the Heart to the Hands: Dolce & Gabbana0
Italy, an Extraordinary Commonplace? Stereotypes and Imaginaries of Italianness in Online Communication by Fashion Brands*0
In Genderqueer Closets: Challenging Gender Binarism through Embodied Narratives of Affect and Style0
The Politics of Transnational Fashion0
The Fashion System’s Environmental Impact: Theorizing the Market’s Institutional Actors, Actions, Logics, and Norms0
¡Moda Hoy! Latin American and Latinx Fashion Design Today0
Lived In Bars: Deng Nan-Guang as the Vagabond-Tourist of Taiwanese Fashion Photography0
Zampatti Powerhouse Zampatti Powerhouse , Museum of Applied Arts and Sciences, November 24 2022 − June 11 20230
Letter from the Editor0
Global China0
Letter from the Editors0
Bally – A History of Footwear in the Interwar Period0
Yves Saint Laurent aux Musées0
“Being Gorgeous is a Duty!” Hegemony, Agency, and Visual Culture in Modern Argentina0
Confronting the Absence of Histories, Presence of Traumas and Beauty in Museum Africa, Johannesburg0
Suspending Time: Matter and Memory in Madame Grès’ Pleating Technique0
Fashion Activism of Extinction Rebellion and Fashion Act Now0
Cripping Masculinities: Designing Fashion Utopias0
The Kabyle Dress – From Folklore to Haute-Couture Statement: Algerian Berber Artist and Fashion Designer Khadidja Hamsi (1937 – 2021)0
Les Subtilités d’un Dialogue0
Arkadius. Great Passions. Confrontations0
Fashion Statements in a Site of Conflict0
Transnational Flow of Chinese and UK Fashion Discourse: Analyses of Digital Platforms and Online Shopping in China0
Letter from the Editors0
A Dark, A Light, A Bright: The Designs of Dorothy Liebes0
Conceptualizing Made in China for a Museum Exhibition0
Lasting Bonds: Understanding Wearer-Clothing Relationships through Interpersonal Love-Theory0
Correction0
Unravel: The Power and Politics of Textiles in Art0
“Talora in Abito di Femmina, Talora di Maschio”: Roleplay in Portrait Miniature with Mica Costume Overlay, from Florence to Europe0
Outlaws: Fashion Renegades of 80s London0
Top Boy Crossdressing: The Life of Heliogabalus in the Historia Augusta0
New Luxury Ideologies: A Shift From Building Cultural to Social Capital0
Bridging Fashion and Sustainability: Exploring the Cultural Impact of Vintage Clothing in Taiwan0
Ethnic Clothing, the Exercises of Self-Representation, and Fashioning Ethnicity in Xishuangbanna, Southwest China0
John Waters: Pope of Trash0
Letter from the Editors0
Sur les routes de Samarcande. Merveilles de soie et d’or (On the Routes of Samarkand. Marvels of Silk and of Gold) Sur les routes de Samarcande. Merveilles de soie et 0
In America: A Lexicon of Fashion0
Fashion Remains: Rethinking Fashion Ephemera in the Archive0
Viktor&Rolf: Fashion Statements0
Mending in the Museum: Chronomanuality, Value, and the Ethics of Care in Textile Conservation0
Queering Fashion’s Pathologies in Killing Eve 10
Gay Men’s Style: Fashion, Dress and Sexuality in the 21st Century0
Locational Fashion Cultures0
Letter from the Editors0
Consumer Contextual Learning: The Case of Fast Fashion Consumption0
Artful Decoloniality: The Politics of Fashion as Art in 20th and 21st Century Vietnam0
Reviving, Reinventing and Rethinking an Indigenous Luxury Textile: Piña Cloth, and Fashion in the Philippines0
Journey to the Self: In-Depth Case Studies of Trans Men’s Self-Construction through Body Work and Clothing0
Fashion: Seductive Play0
Beauty Regimes. A History of Power and Modern Empire in the Philippines, 1898–19410
Ceci n’est pas un chapeau: What is Art, and What is Fashion in Degas’s Millinery Series?0
Follow Fashion: Patrick Kelly, Derrick Adams & AfroQueer Commutation0
Fashion Queers0
Dress Codes0
Food and Fashion0
Letter from the Editors0
Letter from the Editors0
Elegancias and the Parisian Dream: Fashioning Latin American Elites in Early 20th Century Paris0
Letter from the Editors0
Fashion Illustration History: Repairing the Links from Ukiyo-e to Shōjo Manga0
“The Good Italian”: Fashion Films as Lifestyle Manifestos. A Study Based on Thematic Analysis and Digital Analytics0
Deviance or Devotion: Women Dressed as Men in Late Medieval England0
Material Lives: Women Makers and Consumer Culture in the 18th Century0
The Esthetics of Cosplay0
Innovative Upcycling: The Creative Potential of Collaborating with Degraded Materials0
Performance Costume: New Perspectives and Methods0
The 2022 Venice Biennale: The Milk of Dreams0
Decentering Durability: Decarbonizing and Decolonizing Ideas and Practices of Long-Lasting Clothes0
Wearing Free China: Gendered Diplomacy and the Politics of the Qipao in Taiwan–Australia Relations During the Global Sixties0
Iris van Herpen. Sculpting the Senses0
Elvis: Direct from Graceland0
Model Woman: The Creation, Dissemination and Cultural Significance of Barbara Goalen’s Model Persona in Postwar Britain0
Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture ,0
Chinese Fashion in China’s Fashion Magazines (2005-2015)0
Fashion Accounts0
Letter from the Editors0
Beyond the Monolith: Redefining African Fashion, Identity, and Design Narratives0
Westminster Menswear Archive0
Labor of Her Hands, Light of Her Eyes0
The Datafication and Quantification of Fashion: The Case of Fashion Influencers0
Letter from the Editors0
Optics of Obvious Mending0
“His Ghost Walks Among Us Still”: Troubling the Sartorial Legacy of Beau Brummell0
Yorkshire Fashion Archive0
Linda Kinoshita: Rediscovering a Forgotten Japanese American Designer0
Elio Fiorucci0
Fashioning Politics and Protests: New Visual Cultures of Feminism in the United States0
Theorizing the Third Generation of Fashion Designers: The Case of Pharrell Williams at Louis Vuitton0
The Peacock Revolution: Men’s Fashion from 1966 to 1970 The Peacock Revolution: Men’s Fashion from 1966 to 1970 , Pickford’s House, De0
Dress Cultures in Zambia: Interwoven Histories, Global Exchanges, and Everyday Life0
Fashioning Dirt: Opening a New Discourse0
Interwoven Threads: A Quantitative Visual Analysis of Taiwan’s Tn̂g-sann and Qipao0
Fashioning the Posthuman Body in the Anthropocene: Alexander McQueen’s The Horn of Plenty0
Fashion and Politics, The Politics of Fashion: Józef Simmler’s Portrait of Emilia Włodkowska, Society Portrait and Haute Couture0
Re-Negotiating National Identity Through Chinese Fashion0
Garmenting: Costume as Contemporary Art0
Ephemeral Matters. Into the Fashion Archive0
Fashion and Feeling: The Affective Politics of Dress0
Vegan Fashion Paradox: Understanding Cognitive Dissonance in Consumer Choices0
Letter from the Editors0
Beyond Vanity: The History and Power of Hairdressing0
Dressed: Fashionable Dress in Aoteoroa New Zealand 1840 to 19100
Masculine Renunciation or Rejection of the Feminine?: Revisiting J.C. Flügel’s Psychology of Clothes0
From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace0
The Material Film Costume: Encountering the Mink Dress of Lady in the Dark (Leisen, 1944)0
Britain’s ‘Dark Factories’: Specters of Racial Capitalism Today0
The Cambridge History of Global Fashion0
Conceptualizing Australian First Nations Fashion, Art and Style0
Fashion & Interiors. A Gendered Affair (MoMu Antwerp, March 29–August 3, 2025)0
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