Fashion Theory-The Journal of Dress Body & Culture

Article	Citations
Sur les routes de Samarcande. Merveilles de soie et d’or (On the Routes of Samarkand. Marvels of Silk and of Gold) Sur les routes de Samarcande. Merveilles de soie et	28
Creative Adaptations in Africa: Creating Cosmopolitan Fashion in Nigeria	15
Iris van Herpen. Sculpting the Senses	12
Elvis: Direct from Graceland	7
Fashion Statements in a Site of Conflict	6
Carnivalesque Practices and Cyborg Esthetics: A Study of the Grotesque of Demna	4
The Boubou and Post-Colonial African Musical Performances: Ami Koïta, Bi Kidude, and Sibongile Khumalo	4
Biki: French Visions for Italian Fashion	4
Buildings in Belgium, Buildings in Oil, Buildings in Silk, A tableaux by Lucy McKenzie	4
Deborah Turbeville: Photocollage	4
Sustainability and the Fashion Media: Micro-Utopia, Social Dreaming and Hope in the Margins	3
Dress like a Mum/Mom: Instagram Style Mums and the Fashionable Ideal	3
@JessicaOutOfTheCloset: Intersections of Vintage Styles, Gender, Queerness, and Disability in Online Spaces	3
Fashioning Politics and Protests: New Visual Cultures of Feminism in the United States	3
Upcycling with Material Debris: Nurturing the Creative Process through Responsible Handling of Waste Materials	3
Glittering Bodies: The Politics of Mortuary Self-Fashioning in Eurasian Nomadic Cultures (700 BCE-200 BCE)	3
Beauty Regimes. A History of Power and Modern Empire in the Philippines, 1898–1941	3
Dressed in Time: A World View	3
Everyday Fashion: Interpreting British Clothing Since 1600	2
Undercover—From Necessity to Luxury: The Evolution of Face Coverings during COVID-19	2
Lasting Bonds: Understanding Wearer-Clothing Relationships through Interpersonal Love-Theory	2
Beyond Subculture the Meaning of Style: Chronicling Directions of Scholarship on Dress since Hebdige and Muggleton	2
Sleeping Beauties: Reawakening Fashion	2
Top Boy Crossdressing: The Life of Heliogabalus in the Historia Augusta	2
Yves Saint Laurent aux Musées	2

The Peacock Revolution: Men’s Fashion from 1966 to 1970 The Peacock Revolution: Men’s Fashion from 1966 to 1970 , Pickford’s House, De	2
Correction	1
Transnational Fashion Sustainability: Between and Across the Gulf and the UK	1
Fashion Accounts	1
Westminster Menswear Archive	1
Affective Fashion Trends: Aesthetic and Digital Affects from Nostalgia to AR	1
Conceptualizing Made in China for a Museum Exhibition	1
Print & Paint, 350 Years of Flowers on Cotton	1
The Esthetics of Cosplay	1
John Waters: Pope of Trash	1
Digital 3D Fashion Designers: Cases of Atacac and The Fabricant	1
“His Ghost Walks Among Us Still”: Troubling the Sartorial Legacy of Beau Brummell	1
Critiques of Appropriation and Transnational Labor Ethics	1
Singapore Fashion Histories – Developing an Open-Access Fashion History Website	1
Shimmering Aesthetics: Breaking the Gender Binary	1
“The Good Italian”: Fashion Films as Lifestyle Manifestos. A Study Based on Thematic Analysis and Digital Analytics	1
Letter from the Editor	1
Clothescapes of Refugeehood: Emma Lee’s The Significance of a Dress (2020)	1
LOVE Fashion: In Search of Myself	1
Instruments of Embodiment: Costuming in Contemporary Dance	1
Re-Negotiating National Identity Through Chinese Fashion	1
Fashion and Politics, The Politics of Fashion: Józef Simmler’s Portrait of Emilia Włodkowska, Society Portrait and Haute Couture	1
Worn: Footwear, Attachment and the Affects of Wear	1
Fair Data is the New Black: Online Shopping, Data Leaks, and Broadening the Understanding of Sustainable Fashion	1
Consumer Contextual Learning: The Case of Fast Fashion Consumption	1
Styling Hirohito: Modernity, Monarchy, and “Western Clothes” in Interwar Japan	1
Zampatti Powerhouse Zampatti Powerhouse , Museum of Applied Arts and Sciences, November 24 2022 − June 11 2023	0
Letter from the Editor	0
Queer: Stories from the NGV Collection	0
Two Decades of Fashion Blogging and Influencing: A Critical Overview	0
Global China	0
In Genderqueer Closets: Challenging Gender Binarism through Embodied Narratives of Affect and Style	0
Transcriptions and Relative Novelty: Virgil Abloh’s Design Strategies	0
Objects, People, Politics: From Perestroika to the Post-Soviet Era	0
“I Do What I Do to Drive Change”: The Social-Symbolic Work of Sustainable Fashion Influencers	0
Fashion You Do Not Own, Fashion You Cannot Feel: Toward a New Paradigm of Sharing Fashion in the Digital Age	0
¡Moda Hoy! Latin American and Latinx Fashion Design Today	0
Costume Behaving Badly: Poverty, Disease and Disgust in Early Twentieth-Century New York Vaudeville	0
Queen Victoria’s Banarasi Brocade: A Transcultural Approach to Royal Fashion	0
Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture ,	0
Unmasking the Pandemic: From Personal Protection to Personal Expression	0
New Luxury Ideologies: A Shift From Building Cultural to Social Capital	0
Masculinity, Identity and Body Politics in the Interzone: A Queer Perspective on Raf Simons’s Critical Fashion Practices (1995–2005)	0
Ethnic Clothing, the Exercises of Self-Representation, and Fashioning Ethnicity in Xishuangbanna, Southwest China	0
Africa Fashion	0
Letter from the Editors	0
Threads of Change: Advancing Sustainable Fashion Through New Materialist Perspectives	0
Vegan Fashion Paradox: Understanding Cognitive Dissonance in Consumer Choices	0
The Politics of Transnational Fashion	0
Theorizing the Third Generation of Fashion Designers: The Case of Pharrell Williams at Louis Vuitton	0

Garmenting: Costume as Contemporary Art	0
In Older Men’s Wardrobes: Creative Tales of Affect, Style and Constraint	0
Food and Fashion	0
Reviving the Silenced; Defining Vegan Fashion and Classifying Materials of Animal Origin	0
Dressed: Fashionable Dress in Aoteoroa New Zealand 1840 to 1910	0
Letter from the Editors	0
Dress as the Agency of Power: Ozioma Onuzulike’s Ceramic Art	0
Monte di Pietà	0
The Cambridge History of Global Fashion	0
Tailoring Modernity and Wrapping Tradition: Chitenge [African Print Fabric] Class and Culture in Zambia	0
Chinese Fashion in China’s Fashion Magazines (2005-2015)	0
Letter from the Editors	0
Reviving, Reinventing and Rethinking an Indigenous Luxury Textile: Piña Cloth, and Fashion in the Philippines	0
Wearing: Art, the Body, and Distance	0
Letter from the Editors	0
Susan Hiner, Behind the Seams: Women, Fashion, and Work in 19 th -Century France	0
Labor of Her Hands, Light of Her Eyes	0
In America: A Lexicon of Fashion	0
From Joint Ventures to Collaborative Projects: Toward an Ethnography of Sino-Italian Fashion Relations in the 2020s	0
Letter from the Editor	0
Copying a Master: London Wholesale Couture and Cristóbal Balenciaga in the 1950s	0
“Same-Old, Same-Old”: The Tired and Tiring Work of Retro as Celebrity Signature Style	0
Masculine Renunciation or Rejection of the Feminine?: Revisiting J.C. Flügel’s Psychology of Clothes	0
Letter from the Editor	0
Letter from the Editors	0
Confronting the Absence of Histories, Presence of Traumas and Beauty in Museum Africa, Johannesburg	0
Personal Branding through Perfume in the Middle East: Investigating the Role of Fragrance in Self-Presentation, Impression Management, and Cultural Identity	0
Yorkshire Fashion Archive	0
Performance Costume: New Perspectives and Methods	0
Bally – A History of Footwear in the Interwar Period	0
Anti-Fashion Branding: Framing Technology in Uniqlo and Allbirds	0
Elio Fiorucci	0
Picasso/Chanel	0
Object Lives and Global Histories in Northern North America: Material Culture in Motion, C. 1780-1980 Object Lives and Global Histories in Northern North America: Material Culture in Mo	0
Fashion|Sense: On Philosophy and Fashion	0
Clothing and Expressive Revolution: Wearing Jeans in Socialism	0
Letter from the Editor	0
(Dal Cuore Alle Mani) From the Heart to the Hands: Dolce & Gabbana	0
Cabinet Stories: Curators in the Community	0
The Material Film Costume: Encountering the Mink Dress of Lady in the Dark (Leisen, 1944)	0
From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace	0
Fashion Activism of Extinction Rebellion and Fashion Act Now	0
Letter from the Editor	0
Locational Fashion Cultures	0
A Reparative Space: Theorizing Decolonizing and Freedom Pathways in Fashion Education	0
Samlingen	0
Sartorial Strategies of Female Punks in Malaysia’s Socio-Religious Landscape	0
Vampiric Fashion: Chinese Circulation, Cinema, and Clothing on Screen and off	0
Zurich, 1970. The Exhibition Balenciaga: Ein Meister der Haute Couture	0
“Sobriété, Chic, Discrétion”: Promoting Modern Jewelry and Accessories in Adam: La revue de l’homme, 1925-1940	0
Correction	0
A Dark, A Light, A Bright: The Designs of Dorothy Liebes	0
Aldo Fallai for Giorgio Armani, 1977–2021	0
The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment	0
Des Moines Gay Men’s Chorus, Queer Spaces, Collectives Styles, and Activist Dress, 1984 to the Present	0
Toward a Frigid Body: Minimalist Fashion and the Sinthomosexual in China	0
New Fashion Identity and the State in China: A Decolonial Interpretation	0
Fabrics of Memory	0
Letter from the Editor	0
Work Attire and Work Productivity of Employees While Teleworking During the COVID-19 Pandemic	0
Unravel: The Power and Politics of Textiles in Art	0
Fashioning Dirt: Opening a New Discourse	0
Gabrielle Chanel: Fashion Manifesto	0
Conceptualizing Australian First Nations Fashion, Art and Style	0
Deviance or Devotion: Women Dressed as Men in Late Medieval England	0
Supplying Woolens for Cristóbal Balenciaga: A Comparative Analysis of the Commercial Strategies of Garigue and Agnona (1947–1968)	0
Developments and Challenges of Fashion Law in China	0
Becoming the ‘Sorority Girl’: Following Southern Fashion and Sorority Culture on #Rushtok	0
Chest-Binding Practices for Trans and Nonbinary Individuals within Different Spatiotemporalities: Redefining the Meanings of Space, Place, and Time	0
“Well-Dressed” in Suits of Australian Wool: The Global Fiber Wars and Masculine Material Literacy, 1950–1965	0
Cripping Masculinities: Designing Fashion Utopias	0
Gay Men’s Style: Fashion, Dress and Sexuality in the 21st Century	0
Letter from the Editor	0
Fashion Aesthetics and Ethics. Past and Present	0
Artful Decoloniality: The Politics of Fashion as Art in 20th and 21st Century Vietnam	0
Letter from the Editors	0
Letter from the Editors	0
Fashion Illustration History: Repairing the Links from Ukiyo-e to Shōjo Manga	0
The Fashion System’s Environmental Impact: Theorizing the Market’s Institutional Actors, Actions, Logics, and Norms	0
LA Perse by Cristobal Balenciaga: An Historical, Scientific and Conservation Study	0

Clothing Inside: Addressing American Prisons	0
Les Subtilités d’un Dialogue	0
Fashion in Cuba as Revolt, and the Horror of the Nonproductive	0
Unique Fashion Not: Uniqlo’s Commercial Success in Taiwan	0
Britain’s ‘Dark Factories’: Specters of Racial Capitalism Today	0
The Datafication and Quantification of Fashion: The Case of Fashion Influencers	0
Symbiosis: A New Paradigm for Understanding How Bodies and Dress Come Together	0
Decentering Durability: Decarbonizing and Decolonizing Ideas and Practices of Long-Lasting Clothes	0
Letter from the Editors	0
Book Review: A Guide to Traditional Yi Costumes and Ornaments	0
Viktor&Rolf: Fashion Statements	0
Dress Codes	0
Radical Pedagogies: Right Here, Right Now!	0
Letter from the Editors	0
Letter from the Editors	0
Chinese Investment and the Rise of “Made in Africa” Fashion Production	0
Sargent and Fashion	0
Fashion Remains: Rethinking Fashion Ephemera in the Archive	0
Suspending Time: Matter and Memory in Madame Grès’ Pleating Technique	0
Transnational Flow of Chinese and UK Fashion Discourse: Analyses of Digital Platforms and Online Shopping in China	0
Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia	0
Queering Fashion’s Pathologies in Killing Eve 1	0
Crafting Sustainable Fashion: Dimensions of Care in Wearer-Clothing Relationships	0
Letter from the Editors	0
Model Woman: The Creation, Dissemination and Cultural Significance of Barbara Goalen’s Model Persona in Postwar Britain	0
Fashion and Feeling: The Affective Politics of Dress	0
Material Lives: Women Makers and Consumer Culture in the 18th Century	0
Letter from the Editors	0
Revitalizing Meisen Kimono in Chichibu through Storytelling—Craft, Community, and Sense-Making	0
From Shatnez to Upcycling: Zoom in on Sustainable Fashion in Israel and in Judaism	0
Time to treat the climate and nature crisis as one indivisible global health emergency	0
The Marchesa Casati as Fashion Plate and Fashion Muse	0
Italy, an Extraordinary Commonplace? Stereotypes and Imaginaries of Italianness in Online Communication by Fashion Brands*	0
Shades and Lengths of Change: Exploring Fashion Changes in Post-Soviet Azerbaijan	0
Influencers, Niche Magazines and Journalistic Practice in Italy: Toward a New Fashion Editorial System	0
The Fashion System as Sign Itself: Surprise, Seduction and the Wit of Viktor & Rolf	0
Fashion: Seductive Play	0
Follow Fashion: Patrick Kelly, Derrick Adams & AfroQueer Commutation	0
The 2022 Venice Biennale: The Milk of Dreams	0
Fashion City: How Jewish Londoners Shaped Global Style	0
Bodies, Power and Fashionable Femininity in Designer Fashion Boutiques: Between the “Panopticon” and the “Confessional”	0
Linda Kinoshita: Rediscovering a Forgotten Japanese American Designer	0
The Worth Question: Addendum to ‘Exhibition Review: Victoria G. Karelias Collection of Greek Traditional Costumes’	0
“My Cherished Garment”: Rethinking Fashion, Attachment and Durability	0
Journey to the Self: In-Depth Case Studies of Trans Men’s Self-Construction through Body Work and Clothing	0
“Shocking!” the Surreal World of Elsa Schiaparelli “Shocking!” the Surreal World of Elsa Schiaparelli . Musée des Arts Décoratifs, Paris, France, July 22, 2022 – January	0
Flaunting and Consumption: Women’s Headdress in the Ming Dynasty of China	0
Letter from the Editor	0
British Dandies: Engendering Scandal and Fashioning a Nation	0
Des cheveux et des poils Des cheveux et des poils, Musée des Arts décoratifs, Paris, France, April 5 to September 17, 2023.	0
Letter from the Editors	0
Innovative Upcycling: The Creative Potential of Collaborating with Degraded Materials	0
Ceci n’est pas un chapeau: What is Art, and What is Fashion in Degas’s Millinery Series?	0
Navigating Stigma through Refashioning Islamic Veiling: Muslim Women’s Sartorial De-Stigmatization Strategies in Contemporary United States	0
Backstage Matters: Designer’s Invisible Media Work in Independent Fashion Practice	0
Statement Sleeves Statement Sleeves , The Museum at FIT , New York , January 24–August 25,	0
Djurdja Bartlett	0