Fashion Theory-The Journal of Dress Body & Culture

Papers
(The TQCC of Fashion Theory-The Journal of Dress Body & Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Buildings in Belgium, Buildings in Oil, Buildings in Silk, A tableaux by Lucy McKenzie52
Singapore Fashion Histories – Developing an Open-Access Fashion History Website18
Fair Data is the New Black: Online Shopping, Data Leaks, and Broadening the Understanding of Sustainable Fashion12
Deborah Turbeville: Photocollage9
LOVE Fashion: In Search of Myself9
Sleeping Beauties: Reawakening Fashion7
Sustainability and the Fashion Media: Micro-Utopia, Social Dreaming and Hope in the Margins6
The Boubou and Post-Colonial African Musical Performances: Ami Koïta, Bi Kidude, and Sibongile Khumalo5
@JessicaOutOfTheCloset: Intersections of Vintage Styles, Gender, Queerness, and Disability in Online Spaces5
Clothescapes of Refugeehood: Emma Lee’s The Significance of a Dress (2020)5
Transnational Fashion Sustainability: Between and Across the Gulf and the UK5
The Layers of Taiwanese Identity: Exploring Fashion Designers’ Cultural Expression5
Digital 3D Fashion Designers: Cases of Atacac and The Fabricant5
The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment4
Shades and Lengths of Change: Exploring Fashion Changes in Post-Soviet Azerbaijan4
Real Clothes, Real Lives: 200 Years of What Women Wore, the Smith College Historic Clothing Collection4
Clothing and Expressive Revolution: Wearing Jeans in Socialism4
Aldo Fallai for Giorgio Armani, 1977–20214
“I Do What I Do to Drive Change”: The Social-Symbolic Work of Sustainable Fashion Influencers4
Print & Paint, 350 Years of Flowers on Cotton4
British Dandies: Engendering Scandal and Fashioning a Nation4
Book Review: A Guide to Traditional Yi Costumes and Ornaments3
Remaining Difference. Fashion, Sexual Difference, and Galliano’s Poetics of the Cut3
A Reparative Space: Theorizing Decolonizing and Freedom Pathways in Fashion Education3
Unique Fashion Not: Uniqlo’s Commercial Success in Taiwan3
Transcriptions and Relative Novelty: Virgil Abloh’s Design Strategies3
Letter from the Editors3
Signifying African Adornment: An Interview with Ami Doshi Shah and Lafalaise Dion2
The Marchesa Casati as Fashion Plate and Fashion Muse2
Personal Branding through Perfume in the Middle East: Investigating the Role of Fragrance in Self-Presentation, Impression Management, and Cultural Identity2
Samlingen2
Fashion|Sense: On Philosophy and Fashion2
Sartorial Strategies of Female Punks in Malaysia’s Socio-Religious Landscape2
Letter from the Editors2
Letter from the Editor2
M&Others Fashion and Motherhood2
Upcycling with Material Debris: Nurturing the Creative Process through Responsible Handling of Waste Materials2
Adire Translocalities1
Masculinity, Identity and Body Politics in the Interzone: A Queer Perspective on Raf Simons’s Critical Fashion Practices (1995–2005)1
Dress as the Agency of Power: Ozioma Onuzulike’s Ceramic Art1
Threads of Change: Advancing Sustainable Fashion Through New Materialist Perspectives1
Letter from the Editor1
Africa Fashion in Focus: Three Objects from the Exhibition1
From Shatnez to Upcycling: Zoom in on Sustainable Fashion in Israel and in Judaism1
Reviving the Silenced; Defining Vegan Fashion and Classifying Materials of Animal Origin1
Revitalizing Meisen Kimono in Chichibu through Storytelling—Craft, Community, and Sense-Making1
Crafting Sustainable Fashion: Dimensions of Care in Wearer-Clothing Relationships1
Letter from the Editors1
Letter from the Editors1
Creative Adaptations in Africa: Creating Cosmopolitan Fashion in Nigeria1
Beyond Subculture the Meaning of Style: Chronicling Directions of Scholarship on Dress since Hebdige and Muggleton1
Letter from the Editor1
Fashion Aesthetics and Ethics. Past and Present1
Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia1
Dressing Biopolitics, or Can Dress Be Considered a Biopolitical Dispositive?1
Gabrielle Chanel: Fashion Manifesto1
Shimmering Aesthetics: Breaking the Gender Binary1
Lived In Bars: Deng Nan-Guang as the Vagabond-Tourist of Taiwanese Fashion Photography0
Material Lives: Women Makers and Consumer Culture in the 18th Century0
Yves Saint Laurent aux Musées0
Les Subtilités d’un Dialogue0
Interwoven Threads: A Quantitative Visual Analysis of Taiwan’s Tn̂g-sann and Qipao0
Influencers, Niche Magazines and Journalistic Practice in Italy: Toward a New Fashion Editorial System0
Chinese Fashion in China’s Fashion Magazines (2005-2015)0
Deviance or Devotion: Women Dressed as Men in Late Medieval England0
Letter from the Editors0
Viktor&Rolf: Fashion Statements0
Suspending Time: Matter and Memory in Madame Grès’ Pleating Technique0
“Sobriété, Chic, Discrétion”: Promoting Modern Jewelry and Accessories in Adam: La revue de l’homme, 1925-19400
Decentering Durability: Decarbonizing and Decolonizing Ideas and Practices of Long-Lasting Clothes0
Elio Fiorucci0
Unravel: The Power and Politics of Textiles in Art0
Fashion Statements in a Site of Conflict0
Orange Culture: An Interview with Adebayo Oke-Lawal0
Fashion’s Transnational Inequalities Socio-Political, Economic and Environmental0
Global China0
Ethnic Clothing, the Exercises of Self-Representation, and Fashioning Ethnicity in Xishuangbanna, Southwest China0
Outlaws: Fashion Renegades of 80s London0
Affective Fashion Trends: Aesthetic and Digital Affects from Nostalgia to AR0
Letter from the Editors0
Letter from the Editors0
Bridging Fashion and Sustainability: Exploring the Cultural Impact of Vintage Clothing in Taiwan0
Conceptualizing Australian First Nations Fashion, Art and Style0
Letter from the Editors0
Object Lives and Global Histories in Northern North America: Material Culture in Motion, C. 1780-1980 Object Lives and Global Histories in Northern North America: Material Culture in Mo0
Dress like a Mum/Mom: Instagram Style Mums and the Fashionable Ideal0
The Worth Question: Addendum to ‘Exhibition Review: Victoria G. Karelias Collection of Greek Traditional Costumes’0
Dressed: Fashionable Dress in Aoteoroa New Zealand 1840 to 19100
Fashioning Global Africa: Independence to Now0
“Talora in Abito di Femmina, Talora di Maschio”: Roleplay in Portrait Miniature with Mica Costume Overlay, from Florence to Europe0
Top Boy Crossdressing: The Life of Heliogabalus in the Historia Augusta0
Locational Fashion Cultures0
Fashion Remains: Rethinking Fashion Ephemera in the Archive0
Unmasking the Pandemic: From Personal Protection to Personal Expression0
John Waters: Pope of Trash0
Clothing Inside: Addressing American Prisons0
Queering Fashion’s Pathologies in Killing Eve 10
Food and Fashion0
Queer: Stories from the NGV Collection0
Sargent and Fashion0
Artful Decoloniality: The Politics of Fashion as Art in 20th and 21st Century Vietnam0
Journey to the Self: In-Depth Case Studies of Trans Men’s Self-Construction through Body Work and Clothing0
Gay Men’s Style: Fashion, Dress and Sexuality in the 21st Century0
Cabinet Stories: Curators in the Community0
Consumer Contextual Learning: The Case of Fast Fashion Consumption0
Follow Fashion: Patrick Kelly, Derrick Adams & AfroQueer Commutation0
New Fashion Identity and the State in China: A Decolonial Interpretation0
Tailoring Modernity and Wrapping Tradition: Chitenge [African Print Fabric] Class and Culture in Zambia0
Beauty Regimes. A History of Power and Modern Empire in the Philippines, 1898–19410
The Esthetics of Cosplay0
Chest-Binding Practices for Trans and Nonbinary Individuals within Different Spatiotemporalities: Redefining the Meanings of Space, Place, and Time0
The 2022 Venice Biennale: The Milk of Dreams0
Reviving, Reinventing and Rethinking an Indigenous Luxury Textile: Piña Cloth, and Fashion in the Philippines0
Carnivalesque Practices and Cyborg Esthetics: A Study of the Grotesque of Demna0
Letter from the Editors0
“Well-Dressed” in Suits of Australian Wool: The Global Fiber Wars and Masculine Material Literacy, 1950–19650
Social Fabric0
Des Moines Gay Men’s Chorus, Queer Spaces, Collectives Styles, and Activist Dress, 1984 to the Present0
Re-Defining Fashion Cities: African Fashion Designers Between Local and Global Networks0
Developments and Challenges of Fashion Law in China0
Fashion Activism of Extinction Rebellion and Fashion Act Now0
Fashion Accounts0
Optics of Obvious Mending0
Africa Fashion0
Work Attire and Work Productivity of Employees While Teleworking During the COVID-19 Pandemic0
Des cheveux et des poils Des cheveux et des poils, Musée des Arts décoratifs, Paris, France, April 5 to September 17, 2023. 0
Wearing: Art, the Body, and Distance0
Time to treat the climate and nature crisis as one indivisible global health emergency0
Fashioning Politics and Protests: New Visual Cultures of Feminism in the United States0
Westminster Menswear Archive0
The Politics of Transnational Fashion0
Letter from the Editor0
Correction0
Letter from the Editor0
“His Ghost Walks Among Us Still”: Troubling the Sartorial Legacy of Beau Brummell0
Letter from the Editor0
Sur les routes de Samarcande. Merveilles de soie et d’or (On the Routes of Samarkand. Marvels of Silk and of Gold) Sur les routes de Samarcande. Merveilles de soie et 0
Fashioning Dirt: Opening a New Discourse0
Fashion and Feeling: The Affective Politics of Dress0
Fashion and Politics, The Politics of Fashion: Józef Simmler’s Portrait of Emilia Włodkowska, Society Portrait and Haute Couture0
Confronting the Absence of Histories, Presence of Traumas and Beauty in Museum Africa, Johannesburg0
Letter from the Editor0
Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture Textile Orientalisms: Cashmere and Paisley Shawls in British Literature and Culture ,0
Ephemeral Matters. Into the Fashion Archive0
Navigating Stigma through Refashioning Islamic Veiling: Muslim Women’s Sartorial De-Stigmatization Strategies in Contemporary United States0
Arkadius. Great Passions. Confrontations0
The Peacock Revolution: Men’s Fashion from 1966 to 1970 The Peacock Revolution: Men’s Fashion from 1966 to 1970 , Pickford’s House, De0
Letter from the Editors0
From Driza-Bone to Moving in Air: Reimagining Fashion Practice as Part of Environmentally Attuned Fashion Futures0
Fashioning the Posthuman Body in the Anthropocene: Alexander McQueen’s The Horn of Plenty0
Re-Negotiating National Identity Through Chinese Fashion0
Fashion City: How Jewish Londoners Shaped Global Style0
Fabrics of Memory0
Mending in the Museum: Chronomanuality, Value, and the Ethics of Care in Textile Conservation0
Djurdja Bartlett0
The Cambridge History of Global Fashion0
Garmenting: Costume as Contemporary Art0
Fashion in Cuba as Revolt, and the Horror of the Nonproductive0
Transnational Flow of Chinese and UK Fashion Discourse: Analyses of Digital Platforms and Online Shopping in China0
From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace0
“Shocking!” the Surreal World of Elsa Schiaparelli “Shocking!” the Surreal World of Elsa Schiaparelli . Musée des Arts Décoratifs, Paris, France, July 22, 2022 – January0
Flaunting and Consumption: Women’s Headdress in the Ming Dynasty of China0
“Same-Old, Same-Old”: The Tired and Tiring Work of Retro as Celebrity Signature Style0
Ceci n’est pas un chapeau: What is Art, and What is Fashion in Degas’s Millinery Series?0
Fashion & Interiors. A Gendered Affair (MoMu Antwerp, March 29–August 3, 2025)0
Susan Hiner, Behind the Seams: Women, Fashion, and Work in 19 th -Century France0
The Fashion System as Sign Itself: Surprise, Seduction and the Wit of Viktor & Rolf0
Queen Victoria’s Banarasi Brocade: A Transcultural Approach to Royal Fashion0
Italy, an Extraordinary Commonplace? Stereotypes and Imaginaries of Italianness in Online Communication by Fashion Brands*0
Vegan Fashion Paradox: Understanding Cognitive Dissonance in Consumer Choices0
Undercover—From Necessity to Luxury: The Evolution of Face Coverings during COVID-190
“Being Gorgeous is a Duty!” Hegemony, Agency, and Visual Culture in Modern Argentina0
The Fashion System’s Environmental Impact: Theorizing the Market’s Institutional Actors, Actions, Logics, and Norms0
Dressed in Time: A World View0
The World is Yours : A Fashion, Textiles, and Portraiture Benediction by Bisa Butler0
Wearing Free China: Gendered Diplomacy and the Politics of the Qipao in Taiwan–Australia Relations During the Global Sixties0
Everyday Fashion: Interpreting British Clothing Since 16000
Letter from the Editors0
Chinese Investment and the Rise of “Made in Africa” Fashion Production0
Fashion Queers0
Bally – A History of Footwear in the Interwar Period0
(Dal Cuore Alle Mani) From the Heart to the Hands: Dolce & Gabbana0
The Kabyle Dress – From Folklore to Haute-Couture Statement: Algerian Berber Artist and Fashion Designer Khadidja Hamsi (1937 – 2021)0
Toward a Frigid Body: Minimalist Fashion and the Sinthomosexual in China0
Statement Sleeves0
Letter from the Editors0
Cripping Masculinities: Designing Fashion Utopias0
¡Moda Hoy! Latin American and Latinx Fashion Design Today0
A Dark, A Light, A Bright: The Designs of Dorothy Liebes0
Conceptualizing Made in China for a Museum Exhibition0
Instruments of Embodiment: Costuming in Contemporary Dance0
Performance Costume: New Perspectives and Methods0
Critiques of Appropriation and Transnational Labor Ethics0
Masculine Renunciation or Rejection of the Feminine?: Revisiting J.C. Flügel’s Psychology of Clothes0
Letter from the Editors0
Elvis: Direct from Graceland0
The Datafication and Quantification of Fashion: The Case of Fashion Influencers0
Letter from the Editors0
Zampatti Powerhouse Zampatti Powerhouse , Museum of Applied Arts and Sciences, November 24 2022 − June 11 20230
Vampiric Fashion: Chinese Circulation, Cinema, and Clothing on Screen and off0
Elegancias and the Parisian Dream: Fashioning Latin American Elites in Early 20th Century Paris0
Beyond the Monolith: Redefining African Fashion, Identity, and Design Narratives0
Lasting Bonds: Understanding Wearer-Clothing Relationships through Interpersonal Love-Theory0
Labor of Her Hands, Light of Her Eyes0
Radical Pedagogies: Right Here, Right Now!0
Letter from the Editors0
Theorizing the Third Generation of Fashion Designers: The Case of Pharrell Williams at Louis Vuitton0
Glittering Bodies: The Politics of Mortuary Self-Fashioning in Eurasian Nomadic Cultures (700 BCE-200 BCE)0
Anti-Fashion Branding: Framing Technology in Uniqlo and Allbirds0
Fashion: Seductive Play0
Two Decades of Fashion Blogging and Influencing: A Critical Overview0
Linda Kinoshita: Rediscovering a Forgotten Japanese American Designer0
New Luxury Ideologies: A Shift From Building Cultural to Social Capital0
“The Good Italian”: Fashion Films as Lifestyle Manifestos. A Study Based on Thematic Analysis and Digital Analytics0
Backstage Matters: Designer’s Invisible Media Work in Independent Fashion Practice0
The Material Film Costume: Encountering the Mink Dress of Lady in the Dark (Leisen, 1944)0
Becoming the ‘Sorority Girl’: Following Southern Fashion and Sorority Culture on #Rushtok0
In America: A Lexicon of Fashion0
Letter from the Editors0
Yorkshire Fashion Archive0
Picasso/Chanel0
Costume Behaving Badly: Poverty, Disease and Disgust in Early Twentieth-Century New York Vaudeville0
Dress Codes0
From Joint Ventures to Collaborative Projects: Toward an Ethnography of Sino-Italian Fashion Relations in the 2020s0
Sewing Wool: Japanese Fashion Designers and Women’s Fashion in 1930s Taiwan0
Monte di Pietà0
In Genderqueer Closets: Challenging Gender Binarism through Embodied Narratives of Affect and Style0
Fashion Illustration History: Repairing the Links from Ukiyo-e to Shōjo Manga0
Britain’s ‘Dark Factories’: Specters of Racial Capitalism Today0
“My Cherished Garment”: Rethinking Fashion, Attachment and Durability0
Symbiosis: A New Paradigm for Understanding How Bodies and Dress Come Together0
Iris van Herpen. Sculpting the Senses0
Innovative Upcycling: The Creative Potential of Collaborating with Degraded Materials0
Model Woman: The Creation, Dissemination and Cultural Significance of Barbara Goalen’s Model Persona in Postwar Britain0
Objects, People, Politics: From Perestroika to the Post-Soviet Era0
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