Fashion Theory-The Journal of Dress Body & Culture

Papers
(The TQCC of Fashion Theory-The Journal of Dress Body & Culture is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Fashion and the Phantasmagoria of Modernity: An Introduction to Decolonial Fashion Discourse35
Fashion, its Sacrifice Zone, and Sustainability19
Digital 3D Fashion Designers: Cases of Atacac and The Fabricant16
Letter from the Editors: Decoloniality and Fashion14
Decolonizing the Curriculum? Transformation, Emotion, and Positionality in Teaching11
Decolonizing Luxury Fashion in Japan9
Two Decades of Fashion Blogging and Influencing: A Critical Overview7
Dress, the Senses, and Public, Private, and Secret Selves16
Transforming Sustainable Fashion in a Decolonial Context: The Case of Redress in Hong Kong6
Curating Fashion as Decolonial Practice: Ndwalane’s Mblaselo and a Politics of Remembering5
Fractal Folds: The Posthuman Fashion of Iris van Herpen5
“You’ll Never Regret Going Bold”: The Moods of Wedding Apparel on a Practical Wedding5
Decolonizing a Fashion School: A Critical Reflection on Fashion Education in Australia through an Indigenous Perspective4
The Imaginary Dress. An Interdisciplinary Fashion Approach Among Sociological, Anthropological, and Psychological Orientations4
Fashion You Do Not Own, Fashion You Cannot Feel: Toward a New Paradigm of Sharing Fashion in the Digital Age4
Chest-Binding Practices for Trans and Nonbinary Individuals within Different Spatiotemporalities: Redefining the Meanings of Space, Place, and Time3
Upcycling as a Practice for Decolonializing Fashion: An Interview with Ngozi Okaro3
Glittering Bodies: The Politics of Mortuary Self-Fashioning in Eurasian Nomadic Cultures (700 BCE-200 BCE)3
Spanish Couture: In the Shadow of Cristóbal Balenciaga3
Kwame Nkrumah’s Suits: Sartorial Politics in Ghana at Independence3
Deconstructing Fashion: An Interview with Beatrace Angut Oola3
Dress like a Mum/Mom: Instagram Style Mums and the Fashionable Ideal3
In Older Men’s Wardrobes: Creative Tales of Affect, Style and Constraint2
Academ-Ink: University Faculty Fashion and Its Discontents2
Journey to the Self: In-Depth Case Studies of Trans Men’s Self-Construction through Body Work and Clothing2
Beyond Subculture the Meaning of Style: Chronicling Directions of Scholarship on Dress since Hebdige and Muggleton2
Copying a Master: London Wholesale Couture and Cristóbal Balenciaga in the 1950s2
The Fashion System’s Environmental Impact: Theorizing the Market’s Institutional Actors, Actions, Logics, and Norms2
From Joint Ventures to Collaborative Projects: Toward an Ethnography of Sino-Italian Fashion Relations in the 2020s2
Lasting Bonds: Understanding Wearer-Clothing Relationships through Interpersonal Love-Theory2
Global China2
The Deceptive Mirror: The Dressed Body Beyond Reflection2
Passing as Fashionable, Feminine and Sane: “Therapy of Fashion” and the Normalization of Psychiatric Patients in 1960s US2
The Man in the Suit: Jewish Men and Fashion in fin-de-siècle Vienna2
Transnational Fashion Sustainability: Between and Across the Gulf and the UK1
“My Cherished Garment”: Rethinking Fashion, Attachment and Durability1
Objects, People, Politics: From Perestroika to the Post-Soviet Era1
Ethnic Clothing, the Exercises of Self-Representation, and Fashioning Ethnicity in Xishuangbanna, Southwest China1
The Politics of Transnational Fashion1
New Fashion Identity and the State in China: A Decolonial Interpretation1
Unique Fashion Not: Uniqlo’s Commercial Success in Taiwan1
Collecting and Curating Peranakan Fashion: An Interview with Peter Lee1
LA Perse by Cristobal Balenciaga: An Historical, Scientific and Conservation Study1
Fashion and Politics1
Critiques of Appropriation and Transnational Labor Ethics1
Undercover—From Necessity to Luxury: The Evolution of Face Coverings during COVID-191
“Foundations and Beginnings”: W.E.B. Du Bois Posing as a Dandy1
From Local Production to Global Relations: The Congo Fashion Week London1
Transnational Flow of Chinese and UK Fashion Discourse: Analyses of Digital Platforms and Online Shopping in China1
Masculine Renunciation or Rejection of the Feminine?: Revisiting J.C. Flügel’s Psychology of Clothes1
Fashion in the Life of George Sand1
Reinterpreting How and Why People Consume Counterfeit Fashion Products: A Sociological Challenge to the Pro-Business Paradigm1
Aesthetic Labor in Religious Contexts: Women Encountering Modest Dress in the Workplace in the UK and Saudi Arabia1
The Datafication and Quantification of Fashion: The Case of Fashion Influencers1
The Moral Dilemma in Fashion: Using the Prisoner’s Dilemma Game on Animals and the Environment1
The Peacock Revolution: Men’s Fashion from 1966 to 1970 The Peacock Revolution: Men’s Fashion from 1966 to 1970 , Pickford’s House, De1
Re-Negotiating National Identity Through Chinese Fashion1
Toward a Frigid Body: Minimalist Fashion and the Sinthomosexual in China1
Dressing to Pass during the Harlem Renaissance: Fashion in the Novels of Jessie Redmon Fauset and Nella Larsen1
Zurich, 1970. The Exhibition Balenciaga: Ein Meister der Haute Couture1
Navigating Stigma through Refashioning Islamic Veiling: Muslim Women’s Sartorial De-Stigmatization Strategies in Contemporary United States1
Transcriptions and Relative Novelty: Virgil Abloh’s Design Strategies1
The Art of Lace | Haute Couture from Chanel to Iris van Herpen1
Supplying Woolens for Cristóbal Balenciaga: A Comparative Analysis of the Commercial Strategies of Garigue and Agnona (1947–1968)1
From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace1
Reckoning with Highland Rape: Sexuality, Violence, and Power on the Runway1
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