Rethinking History

Papers
(The median citation count of Rethinking History is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
A borderless polemic? Probing the limits of a transnational approach to historicism12
History in politics: a “battle” of identity historical narratives between Chinese and Anglophone academia9
Traces of existence: public monuments and the dead8
Natalie Zemon Davis in China: global historiographical exchanges as cross-cultural engagement7
Memory, materiality, and trauma: revisiting the parlour floor, St. Albans, 13816
Historizing remediation: how games represent history through media5
Accessing children’s historical experiences through their art: four drawings of aerial warfare from the Spanish Civil War4
The canon in history3
Fall of a tyrant, or heroic last stand? Tipu Sultan and the moral undercurrent in historiography3
The Anthropocene as a historical hyperobject3
The problem of teleological history education and the possibilities of a multispecies, multiscalar, and non-continuous history3
Digital visual history: historiographic curation using digital technologies3
Insurgent memory, post-imperial governance, and change: reassessing the truth about Portugal’s colonial history3
To think a little of you: a paragraph about Rena Merrill2
Black lives and the ‘archival pulse’: the murder of Neil “Tommy” Marsh and other stories2
Thefin de siècleand the multiple temporalities of historical periodization2
Functional stupidity and the modern knowledge condition: Martin Davies on cognitive psychopathology2
Toward the logical structure of historical narrations: an interview with Paul A. Roth2
Martin L. Davies & the specter of history2
Recovering, reimagining or reinventing Elizabeth Macarthur in speculative biography2
Venturing beyond Koselleck’sErwartungshorizont: on the category of the utopian1
War, transgenerational memory and documentary film: mediated and institutional memory in historical culture1
Global history in two chronotopes: time, identity and the practical past in Nagasaki, Japan, 1990 and 20061
‘The point is, history sells’. Martin Davies’s political critique of history and heritage1
Historical irrealism: Paul A. Roth and the epistemic value of narrative explanation1
Lepanto or Little Algiers? Public history and the cultural politics of commemoration in modern Greece1
Beyond truth: an epistemic normativity for historiography1
Sense and historicity: rethinking history with Martin L. Davies1
The role of empathy in bridging Western and Indigenous knowledges: Dominick LaCapra and Ailton Krenak1
How the fictional representation of historical characters can serve to justify historical events and actions: Tipu Sultan’s Tiger1
Textuality as amplification: reconsidering close reading and distant reading in cultural history1
Photography, sport and the hegemony of men: a material(-)discursive perspective1
The historian is present: live interactive documentary as collaborative history1
How not to construe strong constructivism in philosophy of history1
The reality of words. Martin L. Davies and Jean Paul1
Editorial1
‘You are, like, so woke’:Dickinsonand the anachronistic turn in historical drama1
George Saunders’Lincoln in the Bardo: semiotic explorations of Abraham Lincoln in American cultural memory0
Corona, Climate, Chronic Emergency: War Communism in the Twenty-First Century0
What does voluntariness do to participation? Mitmachen in New Deal America and National Socialist Germany, 1933−19450
Two concepts of apocalypse and apocalyptic history today0
Anthropocenic historical knowledge: promises and pitfalls0
Burial0
The open future in peril: the Anthropocene and the political agent of humanistically oriented historiography0
Editorial0
‘Tawaifnama’ or The Courtesan Chronicles0
Is Paul Ricoeur still relevant to the philosophy of history?0
Apprehensive vigilance: Martin L. Davies, philosophy, and the ecological imperative of knowledge0
Shakespeare was a Woman and Other Heresies0
Urbane Künste Ruhr and its cultural interventions in the remaking of the Ruhr region in Germany0
Telling the past – the history of victimization: a post-conflict reading of Sorayya Khan’s Noor0
Boardgaming after the fall of Kabul: player and designer (re)engagement with A Distant Plain0
The Swedish Truth and Reconciliation Commission for Tornedalians, Kvens and Lantalaiset: a Commissioner’s perspective0
Transmedia history0
Fraught spaces: the risks, challenges and failures of collaborative public histories0
Patriarchal power as a conceptual tool for gender history0
Source criticism for cultural history0
Artificial history? Inquiring ChatGPT on historiography0
`They are also victims of the war´: heritage narratives of the Nazis and their victims in Finland0
Metamorphoses of the past: a study of Primo Levi´sThe Periodic Table0
Rethinking medieval margins and marginality0
The ethics of narrative: a readers’ dialogue0
Exploring fishery history in game form: ‘Never again April 18!’0
Micro-narratives of the ancestors: worship, censure, and empathy in family hi(stories)0
Creating Cromwell: an analysis of the historical novel’s position and potentiality through a study of Hilary Mantel’s Wolf Hall trilogy0
Approaches to textual sources in cultural history0
The exemplifying past: a philosophy of history0
Narrative, emplotment, power: on agency and the environment0
We are history: historical affect, memory and militancy among revolutionary youth in postwar Iran0
Deep history and deep listening: Indigenous knowledges and the narration of deep pasts0
Historical truth as a tool for decolonisation: Cira Pallí-asperó and Tine Destrooper in conversation with Olivia Umurerwa Rutazibwa0
The other side of the linguistic turn: theory of history and the negotiation of humanity0
Material records of the Anthropocene: a surface-oriented approach0
Disappearance and archive fevers in film: the rewriting of history and practical uses of the past0
The cabinet of Charles Kirkpatrick Sharpe: an essay in the biographical distillation of affinities0
Between agency and event: The Book of Job as a Greek Tragedy0
Transients, punks and hobos: rethinking the history of train hopping through experimental film0
Are there historical lessons across time and space? The ethics of ‘never again’ in European history teaching0
Voluntariness as state building. How vaccination programs changed German society and vice versa—1870s to 2020s0
Using fiction to tell mad stories: a journey into historical imagination and empathy0
‘So dense a commingling of the improbable and the mundane!’: writing Palestinian history in a magical realist key0
Pietistic atheism and the modern breakthrough: on the narrative culture of secularity0
KNOWING IS SEEING: distance and proximity in affective virtual reality history0
A buried river, an emerging crisis, a cumulative tale0
History as translation / anachronism as synchronism0
Writing the concubine: Anne Boleyn, Eustace Chapuys and popular historiography in Hilary Mantel’s Wolf Hall trilogy0
What is close reading? An exploration of a methodology0
“The dead do not negotiate”: Hilary Mantel, The Mirror and the Light , and Britain’s obsession with history0
Covid-19, online workshops, and the future of intellectual exchange0
“Uses of the past” in applied history methodology: the case of trust-building for public institutions in Belgium0
The politicisation of historical memory on Twitter: “Positive antisemitism” in the Holocaust debate in Poland0
Experiments in history: the voice of Bondi0
How might Indigenous decolonization agendas inform Anthropocene historiography?0
Complexity and materiality in representations of reality0
Metafiction and the study of history: makerly knowledge in the archive0
Beyond the endpoint: the report of the Belgian commission on colonial injustice and the wider tapestry of truth initiatives0
The state of voluntariness? (Re)migration policy in post-fascist Germany between denazification, decolonization and development0
Kibbutz Buchenwald: history and fiction0
A film treatment in ‘Layers’: a new approach to creative historical writing through screenwriting innovation0
Rethinking the historical film form: trauma, temporality and indirect representation in historical essay films0
Prisoners of the archives: privacy, identity and the history of incarceration0
Grasping the scale of events: Voices from Chernobyl between the historical and the monumental0
The histories we tell: historical consciousness and student protests in a Chilean public high school0
‘I place form before content’ – an interview in 2009 with Alun Munslow0
A ‘wicked problem’: rethinking history education in the Anthropocene0
Reclaiming History in the British Museum entranceway: imperialism, patronage and female, queer and black legacies0
Missing from the record: historians, archival research and underwater munitions0
The notes, the markings: along the margins of the years0
Unheeded history: screening savage native Americans in Quentin Tarantino’sInglourious Basterds0
Being alongside: the practice of collaborative public history0
Enlivening the English Civil Wars through Historical Fictions0
The politics of voluntariness in modern history: introduction0
Militarism in medievalism: the Prince of Thieves video game and the Gulf War0
Historiography as readymade0
Public history and transmedia storytelling for conflicting narratives0
Waste and historicity in the Anthropocene0
‘I don’t even trust now what I read in history books’: family history and the future of co-production and collaboration0
Reflections: on writing and being written about0
Source genres in history writing0
The design of The Troubles : simulating terror in Northern Ireland0
Trauma, modernism, realism: a genealogy, the middle voice0
Just a matter of time: reviewing temporality in Australian historiography0
Judging voluntariness: abortion assistance around 19000
History on the margins: truths, struggles and the bureaucratic research economy in Colombia, 2016–20230
Humor as (graphic) resilience and revenge against Holocaust perpetrators in Miriam Katin’s work0
Visualising memory: filmmaking as research method to engage with China’s wartime past0
Dissolving boundaries: work, activity, and voluntariness in digitized capitalism0
Towards historical news values: Czech news media between past knowledge and current histotainment0
Latent and manifest filmic narration: prison as a visual icon and the representation of political repression during the Years of Lead in Moroccan cinema (2000–2018)0
The belonging in abject communities: a new understanding through sewerage ghost towns0
Rethinking oral history and tradition: an indigenous perspective0
History, Melancholy, and the Anthropocene: H. G. Wells on ‘Mind at the End of its Tether’0
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