European Journal of Cultural Studies

Papers
(The median citation count of European Journal of Cultural Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Humour under occupation: Jokes and humorous anecdotes and their reflections in Palestine75
Contrasting media representations of race and national identity: The case of England and Italy at the Union of European Football Associations Euro 202061
Book review: Kaitlynn Mendes, Jessica Ringrose and Jessalynn Keller, Digital Feminist Activism Girls and Women Fight Back Against Rape Culture29
Deconstructing the stigma of ageing: The rise of the mature female influencers21
‘Pack your patience’: US air travel discourse in Summer 202220
Religious migrant women as builders of the new ummah in the Netherlands: A belonging path for Muslims?15
We have never been human: Staging subjectivity from Diderot and Artaud to the aesthetics of the European refugee crisis15
‘I don’t want to be known for it’: Girls, leadership role models and the problem of representation14
When in Camelot: Space invaders, neurodiversity and popular culture14
The Good, the Bad and the Disney: Employing princesses to examine Hungarian tweens’ understanding of gender13
‘It’s not who I want to be!’: Negotiating the ‘illegible’ single woman in US–UK popular culture13
AIDS melodrama now: Queer tears in It’s a Sin and Pose13
The scales of ecological care: Reflections from Harvard Forest13
Crafting professionals: Skills and resources for graduates entering the craft economy13
The revival of radical popular education in Italy as a new form of cultural and class struggle: The case of popular schools in Rome12
Emotional scapes in Mediterranean port cities: Walking Barcelona, Marseille and Genova11
Musical metapolitics and the Alt-Right11
Space oddity – Reading Nirmal Puwar’s Space Invaders: race, gender and bodies out of place in decolonial times10
Becoming apart: Drag and the practice of immanent resistance in postsocialist Belgrade10
Women as ‘space invaders’ in a gendered billiards hall: The male space and moments of change10
Gendering the history of cinemagoing in Izmir, Turkey: Middle-class women’s experiences of cinema in the 1960s and 1970s10
‘Grand designs?’ Investigating the cultural and spatial logics of Channel 4’s media hub workspaces in Leeds, Bristol and Glasgow10
Equity, diversity and inclusivity: Once more, with feeling10
Book Review: Anne M Cronin, Secrecy in Public Relations, Mediation and News Cultures9
From ‘girlboss’ to #stayathomegirlfriend: The romanticisation of domestic labour on TikTok9
The political economy of fanzines on the threshold of state socialism and post-socialism: The story of Czech(o)slovak fanzines9
Book review: Lin Zhang, The Labor of Reinvention: Entrepreneurship in the New Chinese Digital Economy9
Book review: Laura Clancy, Running the Family Firm: How the Monarchy Manages its Image and our Money8
Beyond ‘reifying whiteness’ in feminist media studies8
Past imperfect: Transition narratives, popular discourses and The Informant8
Artificial Intelligence and the question of creativity: Art, data and the sociocultural archive of AI-imaginations7
‘If I don’t do some couching I will burst’7
HIV/AIDS and its monsters. Negotiating criminalisation along the monster–human continuum7
Fat shaming, feminism and Facebook: What ‘women who eat on tubes’ reveal about social media and the boundaries of women’s bodies7
Classical music as genre: Hierarchies of value within freelance classical musicians’ discourses6
Contemporary curating: Gift-giving in the Zürcher Theater Spektakel performing arts festival6
Microcelebrities’ identity construction on social media: A systematic review and synthesis6
Networks revisited: Social media, inequality and network culture in the independent television production sector6
How time flows making games: An ethnographic analysis of experiences of temporality in an indie videogame studio6
Listening to the cultural acoustics of migrant voices: The archived conversations of the British Broadcasting Corporation and the British Library’s ‘Listening Project’6
Advocacy for territorial and people-centered approaches to development in Romania: Place attachment based on industrial heritage5
Book review: Yiu Fai Chow, Jeroen de Kloet and Leonie Schmidt, ‘It’s My Party’: Tat Ming and the Postcolonial Politics of Popular Music in Hong Kong5
Book Review: Catherine McDermott, Feel-Bad Postfeminism: Impasse, Resilience and Female Subjectivity in Popular Culture5
Beyond the Giralda: Residents’ interpretations of the Seville portrayed in fictional movies and TV series5
Discourses of cultural diversity and inclusion in film policy: The case of Flanders (2002–2022)4
The social positions of taste between and within music genres: From omnivore to snob4
Nobody cares for men anymore: Affective-discursive practices around men’s victimisation across online and offline contexts4
Keywords as method4
‘Good food’ in an Instagram age: Rethinking hierarchies of culture, criticism and taste4
Photographable femininities in women’s magazines and on Instagram4
Pansy asses and terrorists: Sensibilities of anti-environmentalist toxic speech against Extinction Rebellion Finland4
‘Even if the algorithm is a terrible workmate, you just need to learn to live with it’: Perceptions of data analytics among game industry professionals4
Cultural omnivorousness in Ukraine: Examining relationships with social indicators via literary preferences among readers4
Mapping the music of migration: Emergent themes and challenges4
The British state, citizenship rights and gendered folk devils: The case of Shamima Begum4
From progressiveness to perfection: Mothers’ descriptions of their children in print media, 1970–1979 versus 2010–20194
The music business case for diversity: Multiculturalism, pop music and the 1990s4
Stuck inside: Context, precarity and the effect of COVID-19 on Romanian performers3
Don’t Look Up: Satirical cli-fi movies as a catalyst for online environmental debate3
Feminism and the Politics of Resilience: Spectacular girls and the place of psychoanalytic approaches in feminist media and cultural studies during the Coronavirus crisis3
The ethics of representing perpetrators in documentaries on genocide3
Machinic, inadequate, entrepreneurial: Uncovering the citizen subject of the human-centric welfare state3
In the name of help: Anti-interracial marriage discourse in China and the intersection of racial discrimination, patriarchy, and nationalism3
He said, she said3
The semiotic heritage of grunge and the distressed sneakers trend3
Space invaders: “Dissonant bodies” in positions of power: A conversation with Nirmal Puwar3
‘Come and get a taste of normal’: Advertising, consumerism and the Coronavirus pandemic3
Analyzing the Justice and Development Party’s changing discourse on the headscarf issue as the constitutive part of its drift toward authoritarian politics in Turkey3
Book review: Romit Chowdhury, City of Men: Masculinities and Everyday Morality on Public Transport3
The unbearable oldness of generative artificial intelligence: Or the re-making of digital narratives in times of ChatGPT3
‘It’s like almost hypnotised people’: An exploration of vernacular discourses and social imaginaries of terrorism in the United Kingdom3
‘I can live without you’: Self-branding as individuation in young Chinese women’s transnational mobilities3
Black cultural intermediaries: Difference, neoliberalism and the negotiation of Black cultural value3
From London to Bali: Raymond Williams and communication as transport and social networks3
Glitch, the Post-digital Aesthetic of Failure and Twenty-First-Century Media3
Finding fun in the fatigue: Exploring healthism among group fitness instructors3
The mediated circulation of the United Kingdom’s YouthStrike4Climate movement’s discourses and actions3
Markers of self-identities for young Polish diasporic female viewers of The Magnificent Century (Turkish TV series, 2011–2014)3
A life lasts longer than the body through which it moves: An introduction to a special Cultural Commons section on Raymond Williams3
‘In the end you adapt to anything’: Responses to narratives of resilience and entrepreneurship in post-recession Spain3
Talking football: Discourses about race/ethnicity among Spanish youth3
Reality offsets: Climate meets capitalism at the Olympic Games3
The politics of vulnerability in the influencer economy3
What is needed to promote gender equality in the cultural sector? Responses from cultural professionals in Catalonia3
Book Review: Zhen Troy Chen, China’s Music Industry Unplugged: Business Models, Copyright and Social Entrepreneurship in the Online Platform Economy3
Civic stage fright: Motivation and news satire engagement2
Genres at work: A holistic approach to genres in book publishing2
At home with Gumtree: A cultural analysis of Australia’s popular secondhand online marketplace2
‘The man that got away’: Gender inequalities in the consumption and production of jazz2
Book Review: Koen Leurs, Digital Migration2
Purging the neoliberal poison? Marina Diamandis and the cultural grammar of popular left politics2
‘The world’s shortest highway’: Entrepreneurial populism and the making of a personal campaign2
Jauría: Documentary fiction and the transformative potential of sexual violence testimony2
Intersectionality and the Construction of Humour in Contemporary Stand-up Comedy2
WhatsAppening Donald: The social uses of Trump memes2
Beyond fact and fiction: Cultural memory and transmedia ethics in Netflix’sThe Crown2
Representation of climate change and global warming in comics: From apocalyptic fiction to educational tool2
The Haitang Incident 2024 and the ugliness of danmei culture/industry2
Book review: Ya-Hui Cheng, The Evolution of Chinese Popular Music: Modernization and Globalization, 1927 to the Present2
Book review: Jia Tan, Digital Masquerade: Feminist Rights and Queer Media in China2
Deepfakes and the promise of algorithmic detectability2
Envisioning cultural commoning: New Cultural Commons editors’ dialogue on Global South perspectives, inclusivity and Cultural Studies2
‘I want to be judged on my work, I don’t want to be judged as a person’: Inequality, expertise and cultural value in UK craft2
Anticonsumerist marketers: Cultural intermediaries in an era of consumer activism2
Need for belonging: Exploring subcultural identity in the Chinese Lolita online community2
Netflix teen series and the globalization of difference2
Mediating American hospitality: Mark Zuckerberg’s challenge to Donald Trump?2
#ButNotMaternity: Analysing Instagram posts of reproductive politics under pandemic crisis2
‘We haven’t got here just on our own. It’s a conversation’: An interview with Carol Tulloch2
Book review: Queer China: Lesbian and Gay Literature and Visual Culture under Postsocialism2
Jo Cox, public feeling and British political culture: #MoreInCommon2
Book review: Štětka V and Mihelj S, The Illiberal Public Sphere: Media in Polarized Societies2
Ageing and unruliness: Articulations of gaga feminism in representations of ageing, gender and sexuality2
Fatal feminisation: Problematising endocrine-disrupting chemicals in Denmark2
ECS-Ecrea Early Career Scholar Prize winner - An astrological genealogy of artificial intelligence: From ‘pseudo-sciences’ of divination to sciences of prediction2
When the dancing went wrong, the evening went right: An argument for ageing and changing cultural practice2
No room! Of course there’s room2
Book review: Karen Wells, The Visual Cultures of Childhood: Film and Television from The Magic Lantern to Teen Vloggers2
Book review: Joanne Hollows, Celebrity Chefs, Food Media and the Politics of Eating2
Performative resistance and aestheticized conflicts: Barbie’s ambivalent feminist practice2
Making the invisible visible2
The emergence and undermining of sex worker-led freelance feminism2
‘Scatter my ashes at Saks Fifth Avenue’: Boundary work and intermediation in the fashion landscape2
Weaving the network of collectivism –Kuqingas affective glue in China: Analyzing the reality showX-Change2
Queer media production as soft activism: Insights from a Chinese community project2
Unveiling the colonial violence of space in the Gaza genocide1
Who counts, and is counted, in craft?1
Book Review: Movers and Makers: Uncertainty, Resilience and Migrant Creativity in Worlds of Flux1
Black dis/engagement: negotiating mainstream media presence and refusal1
Genre, gender and television screenwriting: The problem of pigeonholing1
Book review: Kay Dickinson, Supply Chain Cinema: Producing Global Film Workers1
Subverting superhero and meiga imaginaries in street art narrative Fenómenas do rural1
Influencer responsibility in practice: The role of Instagram debates for individualised politics during the COVID-19 pandemic1
Special issue introduction: Craft economies and inequalities1
Crisis1
No more jokes: Comic complexity, Adult Swim and a political aesthetic model of humour1
Music and dance beyond boundaries? Emphasizing Muslim–Jewish North African commonalities, avoiding politics1
Twists and turns in the 360 deal: Spinning the risks and rewards of artist–label relations in the streaming era1
The morbid romance of the good job: News and the emotional social imaginary in late capitalism1
Generic visuals in the news as public images: Activating emotions, experiences and identities1
#CannesYouNot? Oppositional and asymmetrical versions of believability in the Depp/Heard case1
Coming to voice: Community radio production as critical pedagogy1
Fear: Introduction to special issue1
Book review1
Migrant youth and the idea of the ‘migrant experience’1
Constructing authority in the digital age: Comparing book reviews of professional and amateur critics1
Friends tell it like it is: Therapy culture, postfeminism and friendships between women1
Ascriptions of migration: Racism, migratism and Brexit1
Online sex workers’ absence from gig economy discourse: The politics of seeing in the neoliberal sexual agenda1
Special cultural commons section: Roundtable discussion of Catherine Rottenberg’s This Is Not a Feminism Textbook, Goldsmiths University Press (2023)1
‘When showing Hanfu to foreigners, I feel very proud’: The imagined community and affective economies of Hanfu (Chinese traditional couture) among Chinese migrant youth in the United Kingdom1
Redrawing women’s later-in-life desires: Representations of ageing femininities, intimacies and the promise of happiness in graphic novels1
‘The problem is the system’: Luis Rubiales, Jenni Hermoso and the sound of sealed lips1
From femcels to ‘femcelcore’: Women’s involuntary celibacy and the rise of heteronihilism1
Je te crois’ (‘I believe you’): Pragmatics of a feminist slogan, or silencing and the scene of address in post-#MeToo France1
Nationalized anti-feminism: A collusion between nationalism and gender-equal sexism1
Through the looking glass: Feminism and reactionary politics in the digital hall of mirrors1
The minor as major: Outsiderness and social class in Saara Turunen’s prose1
Woman, Life, Freedom: Revolting space invaders in Iran1
Periods of austerity: The emergence of ‘period poverty’ in UK news media1
Palpating history: Magical healing and revolutionary care in Rural Serbia and Macedonia1
Dancing on a tightrope: Uncertainty, risk perception and trust relationships in the live music industry1
Slow resistance: Feminist and queer activism in ‘illiberal’ contexts1
Epistemologies with no name: Normalistas-teachers and their metaphorical knowledge1
‘All at the tap of a button’: Mapping the food app landscape1
Trans experiences of epistemic recognition against the backdrop of the Finnish trans act reform1
Pressing back with Jenni Hermoso: Understanding the non-consensual kiss as abusive1
Romantic opportunism: Doing the work of structures in post-feminist creative industries1
Women’s football, sexism and media representation: Contextualising the Rubiales/Hermoso kiss1
‘Rocking the establishment’: Subculture, authenticity and the populist radical right in Sweden1
Loving cultural work at Southbank Centre: Evolutions of emotional, embodied, collaborative labour1
Moving with affects in Finnish academia: Resistance practices of social science and humanities researchers and a possibility of change1
Otherness as a Commodity: Rethinking Islamophobia and anti-Semitism in Central and Eastern Europe from the time of ‘Global Socialism’0
Ambivalent affective labor: The datafication of qing and danmei writers in the cultural industry0
‘Life itself is kinship’: Care and disgust in more-than-human worlds0
Book Review: Mohamed Zayani and Joe F Khalil, The Digital Double Bind: Change and Stasis in the Middle East0
The nation as an imagined commodity: Branding ‘Melania’0
Technology of optimization: An emerging configuration of productivity among professional software employees0
The transgender space invader: Out of time and out of affect0
Contestations and cooperation in Muslim–Jewish neighbourhood encounters: A London case study0
Director for hire? Negotiating creativity and work in the Irish television sector0
Brexit, ugly feelings and the power of participatory art in Grayson Perry: Divided Britain0
Book review: Susan Liddy (ed.), Women, Ageing and the Screen Industries: Falling off a Cliff?0
The work of documentary relationships0
Telephone networks and transactional motherhood in Channel 4’s It’s A Sin0
#GirlBossing the university side hustle: Entrepreneurial femininities, postfeminism and the veneer of ‘female success’ in times of crisis0
Grey people in an ordinary world: Navigating the politics of migration at the Eurovision Song Contest0
It’s a Sin: AIDS as incipient crisis0
‘It takes a long time to become young’: A critical feminist intersectional study ofVogue’s Non-Issue0
Book review: Eleftheria J. Lekakis, Consumer Activism: Promotional Culture and Resistance0
Book review: Tiziano Bonini & Emiliano Treré, Algorithms of Resistance: The Everyday Fight Against Platform Power0
Feminist flashpoints and the burning question of accountability0
Corrigendum to Space invaders: “Dissonant bodies” in positions of power: A conversation with Nirmal Puwar0
The continuum of regaining one’s body: Childbirth and reproductive choice under beauty pressure in Taiwan0
Affective academic time management in the neoliberal university: From timeliness to timelessness0
Ticking off the (pink) diversity box? Production views on LGBT+ in children’s fiction0
Ridiculing the unreasonable: The political aesthetic of Zondag met Lubach0
Re-claiming resilience and re-imagining welfare: A response to Angela McRobbie0
First contact: Reading Raymond Williams0
Book review: Cristina Moreno-Almeida, Memes, Monsters, and the Digital Grotesque0
Economic martyrs and moralised others: The construction of social class in UK media during the ‘age of austerity’0
Iconographies of the everyday: Mediated whiteness and food hospitality activism0
The digital pregnancy: A qualitative study of Danish women’s use of pregnancy apps0
Book review: Jian Lin, Chinese Creator Economies: Labor and Bilateral Creative Workers0
Narrating the pandemic: COVID-19, China and blame allocation strategies in Western European popular press0
Book review: Sarah Banet-Weiser and Kathryn Claire Higgins, Believability: Sexual Violence, Media, and the Politics of Doubt0
Eating (with) the other: Jewish-Muslim gastronomic encounters0
Migrants as ‘pawns’: Antimigrant debates on Twitter and their affinity to European border politics and discourses0
No such thing as peacetime: Notes on Gaza, Hannah Arendt and cultural studies0
In conversation with Deirdre Figueiredo MBE, Director of Craftspace0
Book review: Fong Siao Yuong, Performing Fear in Television Production: Practices of an Illiberal Democracy0
Drama production and audiences as ‘affective superaddressee’ in an illiberal democracy0
Alt. Health Influencers: how wellness culture and web culture have been weaponised to promote conspiracy theories and far-right extremism during the COVID-19 pandemic0
‘One of our own’: Statues of comedians, popular culture, and nostalgia in English towns0
Mummy influencers and professional sharenting0
The menopause moment: The rising visibility of ‘the change’ in UK news coverage0
Water, earth, fire, air: Banal nationalism and Avatar: The Last Airbender0
Nation branding through the lens of soccer: Using a sports nation branding framework to explore the case of China0
The female entrepreneur: Fragments of a genealogy0
Downward professional mobility, cultural difference and immigrant niches: Dynamics of and changes to migrants’ attitudes towards interpersonal communication and work performance0
Introduction to a special Cultural Commons section on It’s a Sin0
The persistence of the housewife ideology: Shifts in women’s roles in production of Sumbanese handwoven cloth0
Football and the sounds of the Black Atlantic0
Book Review: Rosalind Gill and Shani Orgad, Confidence Culture0
Trash, dirt, glitch: The imperfect turn0
Remembering voices: Singing and critical cosmopolitan memory in the Bengali diaspora0
Affective capitalism and the (new) entrepreneurial mood: Slush as a field configuring event0
Living in the wake of punk0
Unveiling the girl boss sexual contract: A multimodal discourse analysis of female influencers in the United Kingdom, Sweden and Slovenia0
Fulfilling the self through food in wellness blogs: Governing the healthy subject0
Documentary imaginary: Production and audience research of The Act of Killing and The Look of Silence0
Narrating refusals of work: Feeling through two European novels and the organizing potential of sharing stories0
Differentiating space invaders: Negotiating ‘the migrant’ through moving difference0
A pub for England: Race and class in the time of the nation0
Book Review: Diaspora as Revolution – Book review of Stuart Hall’ Familiar Stranger: a Life between Two Islands, Stephanie Kaczynski0
Book review: Margreth Lünenborg and Birgitt Röttger-Rössler (eds), Affective Formation of Publics: Places, Networks, and Media0
Ways of hoping: Variegated hope among theatre freelancers during COVID-190
Challengers: A cultural studies commentary on the fire and ice of filmic desires0
‘How Goopy are you?’ Women, Goop and cosmic wellness0
‘With you, sister @JenniHermoso’: Productive rage in the viralization of #SeAcabó0
The intimacy triple bind: Structural inequalities and relational labour in the influencer industry0
A feminism of the soul? Postfeminism, postsecular feminism and contemporary feminine spiritualities0
Home in question: Uncovering meanings, desires and dilemmas of non-home0
Comedy clubs that platform marginalised identities: Prefigurative politics in Sophie Duker’s Wacky Racists0
‘Punch up, punch down o! All I know is there is punch’: Jokes about Africa(ns) in cross-cultural contexts0
Book review0
Note from the Editors0
Technologies of the self(-deception): Confidence, optimism and effort of Chinese esports players0
Tell the story of a virus0
Book review: Clive Nwonka and Anamik Saha (eds), Black Film British Cinema II0
2.2279000282288