European Journal of Cultural Studies

Papers
(The median citation count of European Journal of Cultural Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Journeying into the liminal unknown: Making connections and finding spaces within the communitas of zines105
We have never been human: Staging subjectivity from Diderot and Artaud to the aesthetics of the European refugee crisis45
Cultural omnivorousness in Ukraine: Examining relationships with social indicators via literary preferences among readers31
Networks revisited: Social media, inequality and network culture in the independent television production sector31
Past imperfect: Transition narratives, popular discourses and The Informant31
When in Camelot: Space invaders, neurodiversity and popular culture31
Hermann Bausinger (1926–2021): An appreciation23
‘I can live without you’: Self-branding as individuation in young Chinese women’s transnational mobilities23
Black cultural intermediaries: Difference, neoliberalism and the negotiation of Black cultural value22
The Good, the Bad and the Disney: Employing princesses to examine Hungarian tweens’ understanding of gender17
Soft nationalism in China: The case of Hanfu style15
The revival of radical popular education in Italy as a new form of cultural and class struggle: The case of popular schools in Rome15
Reality offsets: Climate meets capitalism at the Olympic Games14
Becoming apart: Drag and the practice of immanent resistance in postsocialist Belgrade13
Music and dance beyond boundaries? Emphasizing Muslim–Jewish North African commonalities, avoiding politics13
Rethinking the foundations: Global cultural policy at the crossroads12
Lolcows and the mediation of digital freakshows10
Glitch, the Post-digital Aesthetic of Failure and Twenty-First-Century Media10
‘The problem is the system’: Luis Rubiales, Jenni Hermoso and the sound of sealed lips10
‘He should’ve killed your ass’: Notes on Black women deserving death in the Black manosphere9
The Haitang Incident 2024 and the ugliness of danmei culture/industry9
Book review: Štětka V and Mihelj S, The Illiberal Public Sphere: Media in Polarized Societies8
‘I don’t want to care’: Fandom, politics and affect in post-2019 Hong Kong8
‘The world’s shortest highway’: Entrepreneurial populism and the making of a personal campaign8
Space invaders: “Dissonant bodies” in positions of power: A conversation with Nirmal Puwar8
Laughter in times of distress: Pandemic humor and satire in Iran8
Special cultural commons section: Roundtable discussion of Catherine Rottenberg’s This Is Not a Feminism Textbook, Goldsmiths University Press (2023)7
Art in hospitals: The aesthetic-cultural turn of caring space7
Constructing authority in the digital age: Comparing book reviews of professional and amateur critics7
AI Séance: Recounts from designing artificial intelligence for transcendence, interpretive lenses and chance7
Intersectionality and the Construction of Humour in Contemporary Stand-up Comedy7
Urban renewal, contested memories and the politics of cultural production: The case of Jewish–Muslim encounters in Germany7
Je te crois’ (‘I believe you’): Pragmatics of a feminist slogan, or silencing and the scene of address in post-#MeToo France6
Danger, comfort, and silence at the home front: Mediating soldiers’ wives6
Anokha emerging: The Asian Underground, new ethnicities, and diversity conservatism6
International media production, shooting locations, and illiberal spatial projects: The case of Budapest, Hungary6
Haunted spaces and unsettling predicaments: An interrogation of (capitalist) sport via the work of Mark Fisher6
Publication Notice6
The unexpected consequences of a pandemic: Crypto-finance as cultural commons6
Book Review: Johnny Walker, Rewind, Replay: Britain and the Video Boom, 1978–926
Through the looking glass: Feminism and reactionary politics in the digital hall of mirrors6
High art on a mug: Art merchandise in China’s contemporary art market6
Book Review: Aomar Boum and Nadjib Berber, Undesirables. A Holocaust Journey through North Africa BoumAomarBerberNadjib, Undesirables. A Holocaust Journey through North 6
Mattering on the margin: Thoughts on cultural participation in creative digital media5
The racialisation of AIDS in Denmark: Tabloid media scandals of sex, race and contagion5
A care continuum: Food waste challenge in Hong Kong and its narration in action5
From Cinéfondation’s Résidence to film production: The experience of Brazilian filmmakers in an international labour market5
Research on power in musical practices and institutions5
‘We live in a capitalist world, we need to survive!’: Feminist cultural work, platform capitalism, and pandemic precarity5
I was never in it for the money: Media narratives of celebrity chefs and the gastro-capitalist social entrepreneur5
The travelogue cooking show in a sub-state nation: Representing Scotland in British food television5
Backlash, white privilege and anger: Resistance to the equality, diversity and inclusion agenda in the British television industry5
‘I’m just not gay-gay’: Exploring same-sex desire and sexual minority identity formation in SKAM and its Western European remakes5
Negative justice: The case of the human rights museum5
The unprotectables: A critical discourse analysis of older people’s portrayal in UK newspaper coverage of Covid-195
Work in sustainability crisis: The ecological spirit of capitalism and the spectre of sleepwalking5
Book review: Lin Zhang, The Labor of Reinvention: Entrepreneurship in the New Chinese Digital Economy4
‘The last thing I would think about is how to dispose of it’: Fashion competence and the circularity of inactive wardrobe items4
Challengers : A cultural studies commentary on the fire and ice of filmic desires4
Navigating privilege and precarity: A reflexive inquiry into identity, academia, and Indian media industries4
Researching the digital economy and the creative economy: Free gaming shards and commercialised making at the intersection of digitality and creativity4
Platformed intimacies: Professional belonging on social media4
Influencers as emerging actors in global digital propaganda4
Religious migrant women as builders of the new ummah in the Netherlands: A belonging path for Muslims?4
Experiencing disruption and transformation of communal environments: War’s influence on Ukrainian coworking spaces4
Brexit, ugly feelings and the power of participatory art in Grayson Perry: Divided Britain4
Funding arts and culture: Everyday experiences and organisational portfolio precarity4
The performative body of disabled women: Toward the politics of visibility in China4
Ticking off the (pink) diversity box? Production views on LGBT+ in children’s fiction4
‘Grand designs?’ Investigating the cultural and spatial logics of Channel 4’s media hub workspaces in Leeds, Bristol and Glasgow4
Equity, diversity and inclusivity: Once more, with feeling4
‘It’s almost as good as going to a very good concert!’: But is everyone invited? Examining the cultural world of the Death Café neo-tribe4
Immigrant Audience: Understanding Global Cultural Flow Through Somali Immigrants in Turkey4
Tell the story of a virus4
The digital pregnancy: A qualitative study of Danish women’s use of pregnancy apps4
‘I want to be judged on my work, I don’t want to be judged as a person’: Inequality, expertise and cultural value in UK craft3
The ethics of representing perpetrators in documentaries on genocide3
Fungi in popular culture reconsidered: Four more-than-human entanglements3
Logbook of a researcher in sociology in times of crisis: Investigating Jews and Muslims after the 7th of October and the following days3
‘Rocking the establishment’: Subculture, authenticity and the populist radical right in Sweden3
Dancing on a tightrope: Uncertainty, risk perception and trust relationships in the live music industry3
Trans experiences of epistemic recognition against the backdrop of the Finnish trans act reform3
Surveillance and self-care: Performing beauty labor in online video content3
Making the invisible visible3
ECS-Ecrea Early Career Scholar Prize winner - An astrological genealogy of artificial intelligence: From ‘pseudo-sciences’ of divination to sciences of prediction3
Book review: Ya-Hui Cheng, The Evolution of Chinese Popular Music: Modernization and Globalization, 1927 to the Present3
From femcels to ‘femcelcore’: Women’s involuntary celibacy and the rise of heteronihilism3
Space invaders in US immigration courts: Reflections on embodiment, complicities, and the possibility and limits of resistance3
‘Nobody would believe the protagonist of my story’: From assessing credibility to co-creating (un)reliability in the context of queer asylum narratives3
Silver-haired heroines: Representations of ageing femininities in Belgian fiction films (1945–2022)3
Woman, Life, Freedom: Revolting space invaders in Iran3
No more jokes: Comic complexity, Adult Swim and a political aesthetic model of humour3
No room! Of course there’s room3
Netflix teen series and the globalization of difference3
Weaving the network of collectivism –Kuqingas affective glue in China: Analyzing the reality showX-Change3
Moving with affects in Finnish academia: Resistance practices of social science and humanities researchers and a possibility of change3
Book review: Joanne Hollows, Celebrity Chefs, Food Media and the Politics of Eating JoanneHollows, Celebrity Chefs, Food Media and the Politics of Eating. London: Blooms3
Theory, culture, care3
‘Were they nice people? Were they asking good questions?’: Searching for an ethics of love in the history of communication research3
Periods of austerity: The emergence of ‘period poverty’ in UK news media3
Romantic opportunism: Doing the work of structures in post-feminist creative industries3
Musical metapolitics and the Alt-Right3
Introduction: Boundary work in Muslim-Jewish encounters in urban Europe2
The consequences of the television closet: It’s a Sin (Red Production Company for Channel 4/HBO Max, 2021) as a meditation on the presence and absence of queer lives on British television2
Science as an ‘object of love’ – affective milieus in the neoliberal university2
A pub for England: Race and class in the time of the nation2
‘Pack your patience’: US air travel discourse in Summer 20222
Beyond cut, copy and paste: How editors stitch Bollywood’s disability affect2
Book review: Fong Siao Yuong, Performing Fear in Television Production: Practices of an Illiberal Democracy2
#GirlBossing the university side hustle: Entrepreneurial femininities, postfeminism and the veneer of ‘female success’ in times of crisis2
No such thing as peacetime: Notes on Gaza, Hannah Arendt and cultural studies2
Europe, Islam and the Roma: Liberalism and the manufacture of cultural difference2
Unforgetting a desirable future: Hauntological lessons for a foundational culture2
Affective academic time management in the neoliberal university: From timeliness to timelessness2
Space invading at the museum2
Screen agencies as cultural intermediaries: Delivering gender equality in the film and television sectors?2
On joining the editorial team of European Journal of Cultural Studies in its 25th year2
Afro-Italian voices: Podcasting and sonic resistance2
Marginalized disappearances: Shaping the power relations of the search for the missing2
Book review: Margreth Lünenborg and Birgitt Röttger-Rössler (eds), Affective Formation of Publics: Places, Networks, and Media2
Book review: Briony Hannell, Feminist Fandom: Media Fandom, Digital Feminisms, and Tumblr HannellBriony, Feminist Fandom: Media Fandom, Digital Feminisms, and Tumblr. Lo2
Affective capitalism and the (new) entrepreneurial mood: Slush as a field configuring event2
Bodies of whiteness: Space invading Viktor Orbán’s ethnonationalism2
Religion and faith: The missing index of inequality in culture and the arts2
Conceptualising change in equality, diversity and inclusion: A case study of the Irish film and television sector2
#MeToo in British schools: Gendered differences in teenagers’ awareness of sexual violence2
Erratum to “Rethinking the foundations: Global cultural policy at the crossroads”2
Zine-making the commons: Reflections on a DIY workshop2
Remembering voices: Singing and critical cosmopolitan memory in the Bengali diaspora2
‘The small girl with the huge dildo is what we needed’: The politics of sex toy in Cocks Not Glocks protest2
Calibrated structures of feeling: Cultural citizenship and the reproduction of the military in Singapore2
Towards luminescent ethnography of creative work: Purity, dirt and social inequality in Russian art institutions2
More than perfect: Cosmetic surgery and ageing single women in contemporary China2
Book Review: Antonio A Casilli, Waiting for Robots: The Hired Hands of Automation CasilliAntonio A, Waiting for Robots: The Hired Hands of Automation. Chicago, IL: The U2
Wounded men of feminism: Exploring regimes of male victimhood in the Spanish manosphere2
Book review: Yiu Fai Chow, Jeroen de Kloet and Leonie Schmidt, ‘It’s My Party’: Tat Ming and the Postcolonial Politics of Popular Music in Hong Kong2
The continuum of regaining one’s body: Childbirth and reproductive choice under beauty pressure in Taiwan2
Rethinking polysemy and negotiated reading of gender representation in television dramas2
Peripheral allegories of platform capitalism: Carnival Row , Prague and the materiality of local labor2
The menopause moment: The rising visibility of ‘the change’ in UK news coverage2
Enduring inequalities: Fifty years of gender equality talk in the media and cultural industries2
Telephone networks and transactional motherhood in Channel 4’s It’s A Sin2
‘Navigating the travel blogger dispositif’: The importance of aesthetic labour within the digital work of British travel bloggers2
Book review: Nahuel Ribke, Multilingual Fiction Series: Genres, Geographies and Performances RibkeNahuel, Multilingual Fiction Series: Genres, Geographie2
Aligning to ambivalence: White petty bourgeois masculinities, leisure and the contemporary cultural politics of gender in the UK2
White and gendered aesthetics and attitudes of #pandemicbaking and #quarantinebaking1
Slow resistance: Feminist and queer activism in ‘illiberal’ contexts1
‘I’m an androgynous tomboy with tattoos’: Amber and (re)imaginations of gender and Koreanness in K-pop1
At home with Gumtree: A cultural analysis of Australia’s popular secondhand online marketplace1
Book review: Eleftheria J. Lekakis, Consumer Activism: Promotional Culture and Resistance1
(Re)thinking culture thickly: The public realm from Hannah Arendt’s The Human Condition to the Bennett Institute report1
Feminist activists discuss practices of monetisation: Digital feminist activism, neoliberalism and subjectivity1
Preface: Space Invaders revisited1
Art heterotopias against hegemonic discourses: Dancing the Cyprus conflict1
‘Scatter my ashes at Saks Fifth Avenue’: Boundary work and intermediation in the fashion landscape1
In conversation with Deirdre Figueiredo MBE, Director of Craftspace1
The monstrous-digital: Data necropolitics, social media, and the assassination of Brian Thompson1
Nostalgia and cultural creativity: The case of contemporary Athens1
A plea for promiscuous creativity1
Unveiling the colonial violence of space in the Gaza genocide1
The British state, citizenship rights and gendered folk devils: The case of Shamima Begum1
Note from the Editors1
The limits of humanisation: ‘ideal’ figures of the refugee and depoliticisation of displacement in virtual reality filmClouds Over Sidra1
Performative resistance and aestheticized conflicts: Barbie ’s ambivalent feminist practice1
Ridiculing the unreasonable: The political aesthetic of Zondag met Lubach1
Epistemologies with no name: Normalistas-teachers and their metaphorical knowledge1
Comedy clubs that platform marginalised identities: Prefigurative politics in Sophie Duker’s Wacky Racists1
The mediated circulation of the United Kingdom’s YouthStrike4Climate movement’s discourses and actions1
Talking on oppression: A feminist exploration of female sexuality in À Nos Amours and Benim Sinemalarım th1
Fatal feminisation: Problematising endocrine-disrupting chemicals in Denmark1
Exploring the impact of social media on Orientalist representations and its effects on Syrian refugees in Turkiye1
In the name of help: Anti-interracial marriage discourse in China and the intersection of racial discrimination, patriarchy, and nationalism1
Home and beyond: Housework as aesthetic engagement with everyday environment1
Book Review: Koen Leurs, Digital Migration1
‘One of our own’: Statues of comedians, popular culture, and nostalgia in English towns1
Online sex workers’ absence from gig economy discourse: The politics of seeing in the neoliberal sexual agenda1
Motherhood, diet culture and intergenerational conflict in the #almondmom archetype on TikTok1
Queer dialogues with the global south: Western fans and the appeal of Thai boys’ love1
Space oddity – Reading Nirmal Puwar’s Space Invaders: race, gender and bodies out of place in decolonial times1
Book Review: Mohamed Zayani and Joe F Khalil, The Digital Double Bind: Change and Stasis in the Middle East1
Trash, dirt, glitch: The imperfect turn1
Differentiating space invaders: Negotiating ‘the migrant’ through moving difference1
Urban/image: Conceptualizing Amsterdam as urban environment in virtual renderings1
Corrigendum to Space invaders: “Dissonant bodies” in positions of power: A conversation with Nirmal Puwar1
Book review1
‘Remember the time we sing’: A caring inquiry1
‘When showing Hanfu to foreigners, I feel very proud’: The imagined community and affective economies of Hanfu (Chinese traditional couture) among Chinese migrant youth in the United Kingdom1
Manosphere creep: Emotional and hermeneutic labour in Netflix’s Adolescence1
Analyzing the Justice and Development Party’s changing discourse on the headscarf issue as the constitutive part of its drift toward authoritarian politics in Turkey1
‘U OK hun’? Classed femininities, meme culture and locating humour in the celebrity ‘hun’1
Women as ‘space invaders’ in a gendered billiards hall: The male space and moments of change1
Employment motivations and values in the creative industries: Reorienting from creativity to well-being among Generation Zs in Ireland1
Book Review: Zhen Troy Chen, China’s Music Industry Unplugged: Business Models, Copyright and Social Entrepreneurship in the Online Platform Economy1
‘Mindfulness for modern life’: The blending of Orientalism and neoliberal self-care strategies in the branding of Rituals1
Don’t Look Up: Satirical cli-fi movies as a catalyst for online environmental debate1
He said, she said1
Ascriptions of migration: Racism, migratism and Brexit1
‘Show me your phone!’: Affect, neoliberal rationality and nationalism in Türkiye’s street interviews1
The persistence of the housewife ideology: Shifts in women’s roles in production of Sumbanese handwoven cloth1
Technologies of the self (-deception): Confidence, optimism and effort of Chinese esports players1
‘Fighting for breath’: Inhabiting uninhabitable places0
Ways of hoping: Variegated hope among theatre freelancers during COVID-190
Inheriting a dynasty: Family succession dramas and the moral economy of Downton Abbey0
Wild Intimacies: Justice-Seeking Mothers in Iran, Networked Activism and the Affective Politics of Mourning0
Ambivalent affective labor: The datafication of qing and danmei writers in the cultural industry0
‘Life itself is kinship’: Care and disgust in more-than-human worlds0
Humour under occupation: Jokes and humorous anecdotes and their reflections in Palestine0
The economic logic of right-wing populism in the culture industry: The case of Russell Brand’s online content0
Access and diversity in South African craft and design: The work of craft intermediaries in Cape Town0
Book Review: Anne M Cronin, Secrecy in Public Relations, Mediation and News Cultures0
Feminist flashpoints and the burning question of accountability0
British history at Tate Britain post-Brexit: Rich, white men and space invaders0
Identity construction and collusion in documentary of the Gaelic-speaking community: A filmmaker’s perspective0
‘Healthy Publics’ and the pedagogy of It’s a Sin0
Book review: Åsa Johannesson, Queer Methodology for Photography JohannessonÅsa, Queer Methodology for Photography. New York: Routledge, 2024, 144 pp. $160 (Hardback), IS0
Downward professional mobility, cultural difference and immigrant niches: Dynamics of and changes to migrants’ attitudes towards interpersonal communication and work performance0
The transgender space invader: Out of time and out of affect0
Eating (with) the other: Jewish-Muslim gastronomic encounters0
Investment obligations for global streamers as a wind of hope for the peripheral markets in Europe: The cases of Croatia and Poland0
‘I was not like them’. On quitting cultural work0
Book review: Sarah Banet-Weiser and Kathryn Claire Higgins, Believability: Sexual Violence, Media, and the Politics of Doubt0
Best friends forever – really? The group of friends as the ideal model of sociability in children’s animations0
Discourses of cultural diversity and inclusion in film policy: The case of Flanders (2002–2022)0
Book Review: Diaspora as Revolution – Book review of Stuart Hall’ Familiar Stranger: a Life between Two Islands, Stephanie Kaczynski0
Sohn-Rethel in Naples. On plebeian creativity0
Book Review: Catherine McDermott, Feel-Bad Postfeminism: Impasse, Resilience and Female Subjectivity in Popular Culture0
Rescreening history from below: Spanish women’s participation in the empire’s project in Morocco: Love in Times of War0
Book review: Laura Clancy, Running the Family Firm: How the Monarchy Manages its Image and our Money0
Man enough to kill, boy enough to cry: Liminality and irresolvability in Adolescence0
The significance of place in book publishing: Insights from community publishing in regional Australia0
Book review0
Blending In and Sticking Out: Performing legitimacy claims to become (a) representative0
Microcelebrities’ identity construction on social media: A systematic review and synthesis0
Before the educated and individualised transfuge de classe : Autobiographical narratives of social advancement in the 19th and early 20th centuries0
The (de-)radical(-ising) potential of r/IncelExit and r/ExRedPill0
‘I think it takes balls, girl balls, to challenge those stereotypes’: Women’s perceptions of board game culture0
Book review: Glitch Feminism0
Unveiling the girl boss sexual contract: A multimodal discourse analysis of female influencers in the United Kingdom, Sweden and Slovenia0
Zombie states, adrenalised academics and spectral shadows: A transclass perspective on social mobility0
‘Adolescence’, manufactured outrage and instructed victimhood: How the discourse on boys’ alienation is fuelled by anti-feminist agendas0
A feminism of the soul? Postfeminism, postsecular feminism and contemporary feminine spiritualities0
‘It’s not who I want to be!’: Negotiating the ‘illegible’ single woman in US–UK popular culture0
Crafting professionals: Skills and resources for graduates entering the craft economy0
Book review: Michele Paule and Hannah Yelin, Who Runs the World? Girls, Leadership, and Women in the Public Eye PauleMicheleYelinHannah, Who Runs the Wor0
Migrants as ‘pawns’: Antimigrant debates on Twitter and their affinity to European border politics and discourses0
Grey people in an ordinary world: Navigating the politics of migration at the Eurovision Song Contest0
The work of documentary relationships0
Book review: Tiziano Bonini & Emiliano Treré, Algorithms of Resistance: The Everyday Fight Against Platform Power0
‘As I get older, I am more and more comfortable in myself’: Gendered portraits of older adults in a popular 50+ magazine in Finland0
Water, earth, fire, air: Banal nationalism and Avatar: The Last Airbender0
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