Journal of African Cultural Studies

Papers
(The TQCC of Journal of African Cultural Studies is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
The Campus as War Zone: Contemporary Anglophone Fiction, Post-Independence Civil War, and the African University7
Booty Power Politics: The Social-mediated Consumption of Black Female Bodies in Popular Culture5
Re-Contextualising Breakdance Aesthetics: Performance, Performativity, and Re-Enaction of Breakdancing in Uganda5
“Mama Majuto”: A Reflection on Playing Mzungu in Tanzanian Video Films4
Slavery and Resistance in Abi Daré’s The Girl with the Louding Voice4
Language and Hip-Hop in Africa: A Tanzanian Perspective4
The Dream Factory: Chinese Presence on a Nigerian University Campus4
Remix and Revision: Encounters between Africa and Europe in Contemporary African Popular Culture3
Campus Movements and Student Revolutionaries: Imagining Haile Selassie I University in Hiwot Teffera’s MemoirTower in the Sky3
Notes on the Text, Context and the Cultural Politics of Reading Taiwo Shango3
Language, Authenticity, and Hiplife Music in Accra3
Performing Spiritual Solidarity: Christian Music and #EndSARS Protest in Nigeria3
Voicing Afro-Modernity: How Black Atlantic Audiobooks Speak Back3
“Sweet Like Honey”: Twa Photographers Reframing the Past, Present and Future in a Remote Rwandan Marginalised Community3
Kutuma Salamu on Public Service Radio and the Performance of Popular Culture: Voice of Kenya from the 1960s to the 1980s2
Beyond the Static: Women, Voice and Radio Zulu in the 1970s and 1980s2
“Back to Sender”: Pentecostal Prayer Forms and Language Dynamics in Nigeria’s Contemporary World2
From “Sin Street” to “Education Street”: Music, Politics and Transgression in Maputo’s Red-Light District, Mozambique (c.1960–86)2
Taiwo Shango : The German Context2
Masculine Aesthetics and Food Ascetics: An Autobiographical Exploration of Fitness Religion in Cape Town2
Rethinking Agency in Kenyan Animal Conservations: Ng’ang’a Mbugua’s Terrorists of the Aberdare2
From Guns and Steel to Germs: Malarial Detritus in New Sculptures by Gonçalo Mabunda2
Textualisation du harcèlement sexuel dans le campus universitaire camerounais : une analyse à partir de La révolte de Mbazoua de Moone Nda’a2
Circumventing Censorship on the University Campus Through the Analysis of a Dramatic Text2
Laughing off Ebola in Sierra Leone: Humor in Times of Crisis2
Cultural Pluralisms: Neo-Nollywood and Biyi Bandele’s Ẹlẹ́ṣin Ọba (2022)2
Desiring Queer Motherhood and Mothering Ourselves2
Zimbabwean Popular Cultural Expressions of Alternative Sexual Identities2
“That Name Has Lost Our Culture”: National Arts Competitions and Cultural Dispossession – The Tsutsube in Botswana2
Campus and Creation in Côte d’Ivoire: Issues and Strategies for an Aesthetic of Camouflage in Zouglou2
Being Muslim at the Intersection of Islam and Popular Cultures in Nigeria2
Guiding Muslim Women in the University: The Muslim Students’ Society of Nigeria Women’s Programmes in Northern Nigeria2
When Men Become Women: Parody and Satire in Khady Touré's Film Échange Inégal: Goor Dongue2
Rethinking Human-Centredness and Eco-Sustainability in an African Setting: Insights from Luganda Folktales2
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