Music Education Research

Papers
(The median citation count of Music Education Research is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-10-01 to 2025-10-01.)
ArticleCitations
Sound teaching: a research-informed approach to inspiring confidence, skill, and enjoyment in music performance15
Together apart: a comparison of a thematic and diffractive analysis of a participatory music project13
Ecosocial approach to music education13
How is perception related to action? A neurophysiological perspective on music perception and learning13
Epilogue11
Please mind the gap: reflecting on gender inequality in music higher education, one year on from Slow Train Coming10
An exploration of the practice habits and experiences of professional musicians10
Qualitative analysis of university lecturers’ understanding and approaches of sight-reading teaching in China9
Enduring impacts of cathedral choral training on choristers’ lives8
Turning points in shaping choral conducting practice: six tales of Norwegian conductors’ professional development8
What happens in school music in Norway? Findings from a national survey of music teachers8
The construction of ‘we’ Empowering music practice in kindergarten7
A dialogic exploration of pedagogical orchestration and entrained participation7
YouTube comments on violin instruction videos: an analysis of comments in Turkish7
Music copywriting and the problems of music education: overcoming prohibitions and the use of music in teaching7
Giftedness theories in musical talent development research: a scoping review with implications for music education scholars and practitioners6
Context matters: adaptation of student-centred education in China school music classrooms6
Education and the reggaetón genre: does reggaetón socialize in traditional masculine stereotypes?6
The subject ‘music’ from inside versus outside the music teaching profession: a comparative case study on the views of music and non-music primary education teachers in Spain6
The unicorns of elementary schools: male elementary general music teachers5
Proposing an assessment framework for Cantonese operatic singing after reviewing the current practices in Hong Kong and Guangdong, China5
Improvisation in traditional music: learning practices and principles5
Editorial5
Teachers’ perspectives on music education in Croatian music schools5
Conservatoire staff perspectives on the role of alumni in higher music education: who benefits?5
From practising to practice; towards a practice model for self-regulated learning5
Children's experiences of choral singing: evaluating reflexive choir journals with primary school pupils4
Using architecture to understand music: an interdisciplinary active learning pilot project4
Patterns of variation in sociomusical identity of school-goers in a condition of social vulnerability and musical gaps in their education4
Australia’s hidden musicians: education and training in rural and regional areas4
Music literacy and the instrumental teacher4
Globalization, nationalism, and music education in the twenty-first century in Greater China Globalization, nationalism, and music education in the twenty-first century in Greater China4
Tensions, issues and strengths of Professor Lucy Green’s model of informal learning4
Bringing a ‘What’s the problem represented to be?’ approach to music education: a national plan for music education 20223
Challenges in teachers’ professional identity development under the National Teacher Training Programme: an exploratory study of seven major cities in Mainland China3
Improving classroom inclusion through Orff-inspired music education: a study from a secondary school in Fujian, China3
Towards a transformative music education: a collaborative autoethnography in the Spanish university context3
How to teach a puppet to sing: exploring posthuman perspectives on the ‘natural’ voice alongside The Walk (2021)3
Teaching music to kindergarten children in Saudi Arabia: parents’ perspectives3
Social support in university music students’ coping with performance anxiety: people, strategies and performance situations3
‘In the cracks between freedom and fear’: student reflections on identity and confidence learning in a creative music ensemble3
Cognitive processing of rhythm in primary education: encounters between teaching practice and scientific evidence3
Teaching music theory in UK higher education today: contexts and commentaries3
Professional interactions and networks of co-teaching music educators3
Examining gender bias in student evaluations of music teacher educators3
Voicing voicing: attuning to the material in studio recording the Lullaby Choir3
Teaching musical instruments during COVID-19: teachers assess struggles, relations with students, and leveraging2
Enduring impacts of collaborative workplace music mentoring for early childhood generalist teachers, music mentors and students2
Embodied pedagogy for strings: preparing and performing Ysaÿe’s solo violin sonata no. 2 op. 27 – a journey of unexpected discoveries2
Meeting the musician-teacher halfway: a Baradian perspective on identity research in music education2
Preparing for infants’ musicking – a tracking case study of a Chinese family's musical environment2
The place of master theses in music performance education in Sweden: subjects, purposes, justifications2
Editorial2
In-service teacher training for Cantonese opera teaching in Hong Kong schools2
Sound qualities in Early Childhood Education: an analysis of textbooks in Spain2
Human rights education through collaborative songwriting: a workshop for music teacher education in Chile2
Experiences during listening to music in school2
Contemporary music perception among music students: current trends and educational perspectives in Armenia2
The positive learning transfer from a musical play early-learning system® to young children’s linguistic and spatial skills2
Female conservatoire students’ voices regarding futures in the male-dominated world of western classical music: the communicative or controlled mirroring pianist body?2
School off, music on: dimensions of young adult’s musical practices after finishing school2
International communication and cultural exchange based on music: a study of the experience of Chinese music education in other countries2
Perceptions of values and influential sources of creativity, music types, and music activities in school music learning: a study of students in Changsha, China2
Conceptualising instrumental practice among Chinese American children, their parents, and teachers: self-regulation, cultural mediation, and filial piety2
Assessing accessibility: an instrumental case study of a community music group2
Integrating movable numbers into fixed-do system in solfege class: an action research study2
Centring perspectives of disabled children in music education research1
Teacher beliefs about student agency in whole-class playing1
The shifting sands of UK secondary music curricula: problematising relationships between aural training and music literacy1
Teaching and learning in music education – a meta-synthesis1
Motivational factors for sustained participation in a traditional Chinese orchestra among primary school students: a self-determination theory perspective1
What factors influence whether and how Norwegian kindergarten teachers sing with children? Results of a national survey1
Effects of an intercultural music course on adolescents’ intergroup attitudes in southwest China1
Becoming a ‘Trans Synth Queen’: YouTube, electronic music composition, and coming out1
Recognising intra-actions of music and pupil1
Who takes part in participation? Challenges to empowering student voice in music teacher education1
Thinking ahead: the use of mental training in young violinists’ skill development1
Blurred lines and queered spaces: an examination of teachers’ visions of multi-styles curricula1
The parent role in Suzuki music lessons: experiences and perspectives shared by novice Suzuki parents1
Reverberations in music education: What does sound ‘do’ in our learning spaces ?1
Empowering piano students of Western classical music: challenging teaching and learning of musical interpretation in higher education1
Exploring Nordic approaches to advanced instrumental music pedagogy: insights from ethnographic fieldwork1
Reconceptualising literature reviews in Ghanaian music theory and composition: a path toward academic rigour and creative engagement1
Becoming musicians: learning strategies among Palestinian Arab wedding musicians in the Galilee region1
OOO, Guerrilla metaphysics, and the allure of children’s musical play1
Call For PapersRIME 2025 The 14th International Conference for Research in Music Education (April 22–25 2025, Online)1
An International quartet of voices: sharing songs and culture beyond borders1
On decolonising music diversity in/and higher education1
Student teachers’ views of their own musical skills to teach the National Core Curriculum in Finland1
Supporting musical affordances for desistance and resistance in youth justice settings1
Introduction to the Special Issue: Posthuman Perspectives for Music Education1
How inclusive are our music classrooms? A theoretical model and case study from a preschool class of a mainstream private nursery school in Cyprus1
Sound possibilities: listening for the new in early years music-making practices1
Facilitators and barriers to the Music College Entrance Examination among Chinese ethnic minority students1
The instrumental practice goal realization inventory: from intention to evaluation1
Introducing multi-sited focused ethnography for researching one-to-one (singing voice) pedagogy in higher education1
Music education research special issue: posthuman perspectives for music education1
Through the lens of Bourdieu: an integral literature review on bringing gender neutrality to the musical instrument selection process1
Collaboration, relationships and fleeting opportunities: growing the future early childhood music education workforce1
Understanding virtual rehearsal participation through self-determination theory1
‘It’s music and we came to play instruments’: teaching for engagement in classroom music1
Intercultural dialogue and the mobilisation of aural skills1
Review of music literacy strand of the Oxford Music Analysis Conference (July 2023), Society for Music Analysis1
Digital music and critical music literacy1
Crossing borders and generations: examining the relationship between music engagement and immigration generation1
Exploring the perspectives of Asian American parents on their musically talented children in instrumental education1
Methodological shifts and departures in music education research: embracing complexity with diffraction, intra-action, and agentic assemblages1
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