Inter-Asia Cultural Studies

Papers
(The TQCC of Inter-Asia Cultural Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
“Losing language is a loss of nation”: transnational movement to preserve Mon scripts in Thailand8
Multiculturalism through a lens: migrants’ voice in Taiwanese documentaries6
Peripherality and nostalgia in Singapore island fiction6
Social impacts of zero-COVID policy on airline workers in Ho Chi Minh City, Vietnam5
Debordering: woodcut printmaking practice in inter-Asian context5
Deracinating ethnic minors: the affect of authoritarian certitude5
Tenderness amid tensions: reflections on the 2024 Inter-Asia Cultural Studies (IACS) Summer School4
Gendered subalternity in Khwabnama4
Scholars as political influencers: celebrity, social media and political movements in Thailand4
Tomar naam, amar naam, Vietnam Vietnam! Folk styles and solidarity in the Bengali new wave cinema4
“Let us build the world anew” here and now: from Sukarnoism to Bandung School3
The uses of education: young women negotiating migration, employment, and romance in Gujarat, India3
Arif Dirlik in South Korea3
Editorial: archiving Asian cities amidst time in motion3
Citizenship policies and precarity of stateless Vietnamese from Cambodia migrating to Vietnam3
From amorous histories to sexual histories: rethinking male love narrative in Ming and Qing dynasties and the discourse on homosexuality in modern China3
Duplicities: the false promise of Asian Studies3
Syeda Farhana, landscaper of perpetual motion2
The Indonesian theater’s laku aktor : a counter discourse to the neoliberal depoliticization of the subject2
Complicitous?2
Post-World War II perspectives on Choi Seung-hee: ideological blind spots in Asia-based and Anglophone scholarship2
Breaking the mold of servitude: subaltern agency and possibilities of freedom in Elias’ Khwabnama2
Seeing, seeing death, and us: notes on Xu Bing’s Dragonfly Eyes2
Introduction: localizing Cold War experiences in Hong Kong2
Statism as a lifestyle: deciphering society in films on North Korea and evolving communication through cinema2
Ambedkar and the cinema of reconstitution2
From slash youth to flow workers: exploring the work issues behind the slash youth phenomenon in Mainland China2
Internet as an ideology: nationalistic discourses, and multiple subject positions of Chinese internet workers1
Futurology in Taiwan and mainland China: geopolitical imagination of futures in the late twentieth century1
Interrogating Hong Kong’s Cold War settlement: a Christian perspective1
Mourning for Itaewon Halloween tragedy1
Patching worlds through levitating machinic vision: Xu Bing’s Dragonfly Eyes1
Treading the border of (il)legality: statelessness, “amphibian life,” and the Rohingya “boat people” of Asia1
Inter-Asian dance as method, artistic research as method: Nam Hwayeon’s work on Choi Seung-hee1
The aesthetics of intercultural method: from process to procession in new Indonesian and Indo-Australian dance1
Comparative adversaria of Gandhi and Marx: self-clarification through thinking in diaries and letters1
Introduction1
A Singapore communist subaltern writes back: He Jin’s life stories as historical testimony1
Hello, Okinawa1
The reorganization of space and literary representation of Seoul during the liberation period, 1945–19501
Tributes to memory1
Geographies of the classical: Kathak across India and Hong Kong1
Fantastical infrastructure imagining: The MegandThe Wandering Earthas global science fiction cinema in the age of China’s rise1
Elemental structures of memory: Marston Mats in Vietnam and beyond1
Mutato nomine de te fabula narratur1
The intimate affliction of vicarious racialization: Afro-Chinese couples in South China1
iCOOP puzzle: localistic practices, internationalism values, and Fair Trade in South Korea’s cooperative movement1
Developing social work education in Vietnam: the student field practicum during the pandemic1
Cultural diplomacy, artistic network, and the politics of decolonization between Taiwan and the Philippines in the Cold War era1
Anticolonialism to postcolonialism to decolonialization/decoloniality: history in transition or genealogies in oblivion?1
Indigenism as a project: language politics and the hegemony of postcolonialism in Taiwan1
Can Marxism, liberalism, and Chinese neo-traditionalism co-exist/co-become ( gongsheng )? Provisional reflections on Jon Douglas Solomon’s The Taiwan Cons1
Queer theory impossible1
Dreams’ navel: a special issue on Akhtaruzzaman Elias’s Khwabnama1
Changes in the lives of Muslim women infected with HIV by their husbands in Thailand’s southernmost border provinces1
Be strong, be confident: the rise of China and the 2022 Beijing Winter Games1
Editorial introduction1
Embodying beauty, desiring the world: dress and fashion in the 1980s’ China1
blind spot: media, memory, and resistance1
Anocha Suwichakornpong, film festivals and the institutionalization of art cinema auteur1
Crafting futures in a county city in China: leaving and staying among female vocational college students in transition to adulthood1
Wonders within domestic encounters: three women from Elias’ Khwabnama1
The Russia-Ukraine war: a view from the Southern Left1
Akhtaruzzaman Elias’s look back in anguish: time traveler in search of left utopia1
Who archives the city? place-making at Gwanghwamun square: power struggles between political authority and civil power1
Between the past and the future: the rise of nationalist discourse at the 1983 CCTV Spring Festival Gala1
Transborder assemblages: Johnnie To’s co-production action films in Mainland China1
Curatorial abstraction and the re-animation of the cold war: the re-emergence of an exclusive report on Taiwanese media1
India digitalized: surveillance, platformization, and digital labour in India1
Arif’s gift1
A reappraisal of Marx’s Ethnological Notebooks: family, gender, individual vs. state, and colonialism1
Under the Red-and-White Flag: elective Chineseness and socialist realism in Hei Ying's Jakarta1
The “Y” phenomenon: dystopia, utopia, and heterotopia in Thai boys love media1
The old Seoul Station as a performative space: undoing the archive in the city1
Postcolonial aging, amah, and diaspora in A Simple Life1
Chinese Killer King: trespassing the boundaries of crime fiction and Cantonese literature1
Abstinence for the sake of modest success: a Chinese anti-masturbation group’s path to individualisation1
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