Inter-Asia Cultural Studies

Papers
(The TQCC of Inter-Asia Cultural Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Peripherality and nostalgia in Singapore island fiction13
“Losing language is a loss of nation”: transnational movement to preserve Mon scripts in Thailand10
Debordering: woodcut printmaking practice in inter-Asian context9
Multiculturalism through a lens: migrants’ voice in Taiwanese documentaries8
Social impacts of zero-COVID policy on airline workers in Ho Chi Minh City, Vietnam8
Who Am “I”? Exploring the origins and semantic evolution of the Thai first-person pronoun7
Hong Kong: dating apps, political activism and the neoliberal subject7
Deracinating ethnic minors: the affect of authoritarian certitude7
Scholars as political influencers: celebrity, social media and political movements in Thailand6
Tenderness amid tensions: reflections on the 2024 Inter-Asia Cultural Studies (IACS) Summer School6
Tomar naam, amar naam, Vietnam Vietnam! Folk styles and solidarity in the Bengali new wave cinema6
Gendered subalternity in Khwabnama6
Reading “The Yūko Incident”: the monstrous feminine at the intersection of Cold War anxieties in “Japanizing” Thailand6
Citizenship policies and precarity of stateless Vietnamese from Cambodia migrating to Vietnam5
The uses of education: young women negotiating migration, employment, and romance in Gujarat, India5
From amorous histories to sexual histories: rethinking male love narrative in Ming and Qing dynasties and the discourse on homosexuality in modern China5
Editorial: archiving Asian cities amidst time in motion5
Statism as a lifestyle: deciphering society in films on North Korea and evolving communication through cinema4
Alienation perhaps: the entanglement of suffering and agency of young employees in Chinese internet companies4
Syeda Farhana, landscaper of perpetual motion4
“Let us build the world anew” here and now: from Sukarnoism to Bandung School4
The pragmatics of alienation: revisiting humanitarianism in Lebanon3
Introduction: localizing Cold War experiences in Hong Kong3
Remembering the unseen: memory and life histories of male fashion models in 1970s South Korea3
From slash youth to flow workers: exploring the work issues behind the slash youth phenomenon in Mainland China3
Seeing, seeing death, and us: notes on Xu Bing’s Dragonfly Eyes3
Ambedkar and the cinema of reconstitution3
Post-World War II perspectives on Choi Seung-hee: ideological blind spots in Asia-based and Anglophone scholarship3
The Indonesian theater’s laku aktor : a counter discourse to the neoliberal depoliticization of the subject3
Breaking the mold of servitude: subaltern agency and possibilities of freedom in Elias’ Khwabnama3
blind spot: media, memory, and resistance2
Dragonfly Eyes as cosmic theater: from anthropological fiction to fictionalizing anthropology2
Editorial introduction2
Under the Red-and-White Flag: elective Chineseness and socialist realism in Hei Ying's Jakarta2
Developing social work education in Vietnam: the student field practicum during the pandemic2
Bangalore: migration, boundary-drawing and the worlds of work2
Who archives the city? place-making at Gwanghwamun square: power struggles between political authority and civil power2
Geographies of the classical: Kathak across India and Hong Kong2
Correction2
Hello, Okinawa2
Fantastical infrastructure imagining: The MegandThe Wandering Earthas global science fiction cinema in the age of China’s rise2
The Russia-Ukraine war: a view from the Southern Left2
Patching worlds through levitating machinic vision: Xu Bing’s Dragonfly Eyes2
Postcolonial aging, amah, and diaspora in A Simple Life2
The old Seoul Station as a performative space: undoing the archive in the city2
Changes in the lives of Muslim women infected with HIV by their husbands in Thailand’s southernmost border provinces2
Digital intimacy: young women in inter-Asia2
Interrogating Hong Kong’s Cold War settlement: a Christian perspective2
Transborder assemblages: Johnnie To’s co-production action films in Mainland China2
Bringing art back to life: the practice of artistic participation in urban China1
Beyond diaspora’s horizons: mass deportations to China and an alternative to the diaspora paradigm1
“We are just after the company”: tactical resistances of (racial minority) gig workers in Hong Kong1
Sex/ xing 性/ yin 淫 and translation as “thing-in-between”: the reconfiguration of sex/gender knowledge in late Qing China1
Abstinence for the sake of modest success: a Chinese anti-masturbation group’s path to individualisation1
Watching the romance together: the affective audiences in A Dream of Splendor1
Curatorial abstraction and the re-animation of the cold war: the re-emergence of an exclusive report on Taiwanese media1
Mobile genders: the trans* journeys of Chinese students in Australia1
Cultural diplomacy, artistic network, and the politics of decolonization between Taiwan and the Philippines in the Cold War era1
Visualising the borderlands: Kang Yong Suk’s Korean state village photographs1
Dreams’ navel: a special issue on Akhtaruzzaman Elias’s Khwabnama1
Chinese daughters’ day: an image-based exploration of Qiqiao traditions in Xihe County1
Can Marxism, liberalism, and Chinese neo-traditionalism co-exist/co-become ( gongsheng )? Provisional reflections on Jon Douglas Solomon’s The Taiwan Cons1
Anticolonialism to postcolonialism to decolonialization/decoloniality: history in transition or genealogies in oblivion?1
Sheep herding in Shanghai, 20221
A reappraisal of Marx’s Ethnological Notebooks: family, gender, individual vs. state, and colonialism1
Partially ethnographic and an ethno fiction ? An anthropological revisit of Dragonfly Eyes1
The “Y” phenomenon: dystopia, utopia, and heterotopia in Thai boys love media1
Alienated in one’s own land: ecology, border security, and nationalism in chars of Bengal1
Anocha Suwichakornpong, film festivals and the institutionalization of art cinema auteur1
Ambivalence of entertainment: the Cold War and pro-communist Mandarin cinema1
Editors’ Note1
Queer theory impossible1
Singing from the same hymnbook: South Asian Canadian solidarity in the long sixties in British Columbia1
Technology and the limits of cultural critique1
Vietnam’s poverty reduction policies for ethnic minorities: the Raglai in Bac Ai, Ninh Thuan, Vietnam1
Be strong, be confident: the rise of China and the 2022 Beijing Winter Games1
“The nightingale is a graceful dancer”: Bulbul Chowdhury, dance heritage, and the new nation-state of Pakistan1
The reorganization of space and literary representation of Seoul during the liberation period, 1945–19501
Carnivalesque communities: Thai TV dramas and the Chinese censorship1
Comparative adversaria of Gandhi and Marx: self-clarification through thinking in diaries and letters1
Chinese tradition “voyages in” Western modernity: a case study of Gu Hongming1
Smug justice: alienation on the court lawns during the Kumanjayi Walker coronial inquest, Mparntwe/Alice Springs1
Akhtaruzzaman Elias’s look back in anguish: time traveler in search of left utopia1
Futurology in Taiwan and mainland China: geopolitical imagination of futures in the late twentieth century1
Singapore: boundary-work, digital creativity, and the normative life script1
Landscape of borders—some fragmentary thoughts1
Chinese Killer King: trespassing the boundaries of crime fiction and Cantonese literature1
Elemental structures of memory: Marston Mats in Vietnam and beyond1
Internet as an ideology: nationalistic discourses, and multiple subject positions of Chinese internet workers1
Inter-Asian dance as method, artistic research as method: Nam Hwayeon’s work on Choi Seung-hee1
Transnational media production from the margins of “Cultural China”: the case of Singapore’s media producers1
iCOOP puzzle: localistic practices, internationalism values, and Fair Trade in South Korea’s cooperative movement1
Thing-in-between ( zhong-jian-wu 中間物)1
A historical garden and a student centre: two memorial landscapes to reposition Hong Kong, 1959–19681
Mutato nomine de te fabula narratur1
Thing-in-between1
Wonders within domestic encounters: three women from Elias’ Khwabnama1
Novelistic heteroglossia in Khwabnama and its aesthetical ventures in reshaping historical narratives1
The aesthetics of intercultural method: from process to procession in new Indonesian and Indo-Australian dance1
Mourning for Itaewon Halloween tragedy1
Realigning the islands, contesting infrastructural Okinawa: toward Yamashiro Chikako’s archipelagic fabulation1
Main challenges of Vietnamese families nowadays and in the coming years1
India digitalized: surveillance, platformization, and digital labour in India1
Roundtable on alternative modernities and alternative methodologies in Southeast Asia1
A Singapore communist subaltern writes back: He Jin’s life stories as historical testimony1
The scramble for Xiaobei: epistemic extraction, racialised knowledge, and representation in Africa–China urban encounters1
The past recollected: One Day We’ll Understand1
The intimate affliction of vicarious racialization: Afro-Chinese couples in South China1
Michael Liu’s Magic and Trans to a New Life : yao/trans/queer kinship, documentary mediation, and the NGO gaze1
Crafting futures in a county city in China: leaving and staying among female vocational college students in transition to adulthood1
Losing one’s place in the world: rethinking alienation as a diagnostic for our time1
Co-making solidarities through radical publishing: micropractices of minor transnationalism with Beatrix Pang and migrant domestic workers1
Expropriated life, class struggle, and the colonial relation along Okinawa’s fence-line1
A reflection on Hong Kong’s yellow economic circle1
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