Afterall

Papers
(The TQCC of Afterall is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
The Rise (and Fall?) of the Postcolonial Documenta1
This Hidden World1
Virtual Tower, ‘Virtual’ Pit: On Potentiality and the Status of Unrealised Art1
Colophon0
On the Persistence of the Non-Modern0
Whatever the Future Will Be, It Is Made Now0
Colophon0
Front Matter0
Black Is… Unpacking Aldo Tambellini’s Radical Blackness0
Foreword0
Toxicity: Resisting Extraction through Collectivity at the 7th Lubumbashi Biennale0
Melek – Mashaa’0
Shaping Atmospheres: From Terraforming Land to Geoengineering Air0
Working with the Lack: A Conversation with Lotus L. Kang0
Colophon0
On African Opera: A Conversation with Anawana Haloba0
The White Building: Building A Community, A City and Art0
The Imagination of Isolation: On Current Practices in Aotearoa0
Colophon0
Logarithm0
Logic of the Written Word and Oral Logic: Conflict at the Heart of the Archive0
Searching for Iemanjá0
Contradictions: A Conversation with Richard Mosse0
Settlement: Rosana Paulino and Black Women’s Insubordinate Geohistories0
Ideas to Postpone the End of the World0
Emergence of A New Congolese Art0
Representing the World, Weathering its End: Arthur Bispo do Rosário’s Ecology of the Ship0
Foreword0
The Space of a Metaphor: On Mediterraneanism in the Event-Institution0
Voicing: Imogen Stidworthy’s Practice of Exodus0
Ip Gim: Feminist Art and Activism In South Korea0
Front Matter0
Contributors0
Thinking Blackness in Pan-American Artistic Networks. The Case of the Bienal De São Paulo0
Sensory Worlds: Rosalind Nashashibi’s Proxemic Lens0
Silke Otto-Knapp (1970–2022)0
Front Matter0
Sleep of Reason: An Atlas of the Philosophical Imaginary0
The Power of Vulnerability: Art in the Digital Woke Age0
Applied Art? Feryal Matar and Art Education at the Sharjah Women’s Association0
The Imperceptible Trembling of Things0
Experiences in the Vicinity of Christina Kubisch’s Auditory Art Objects0
Waste Not: Ndary Lô, Récupération, and the Lives of Things0
In the Middle of History Looking Sideways: On Askhat Akhmedyarov’s Work and His Time0
Foreword0
Ghostly Unburyings and Romanticised Blooming Fields: Botanical Entanglements, Women’s Emancipation and Coloniality0
Photography as Writing0
Propagate Autonomy: On Jonas Staal, Captain America and Willi Münzenberg0
Museum as Preface: Walid Raad’s History of Art in the Arab World0
Rosalind Nashashibi: Cold Open Day0
Becoming Ethnic in China: A ‘Good Story’ Told in Painting and Dialect0
SovMod Skull0
The Taller de Gráfica Popular: Collectivity, Popular Prints and Transient Muralism0
Dark Matter, or the Infinite Reservoir of Black Swans0
Contributors0
It’s Always You: Sin Wai Kin’s Infinite Universe0
The Improbable Memorial0
Breathe with me, a Breath of Life: Material Mysticism in Clarice Lispector and Lygia Clark0
Contributors0
Contributors0
Contributors0
Why Is It So Difficult to Love the World?0
Inaudible and Invisible Matters: Sound and Light in Christina Kubisch’s Sonic Practice0
Atmospheres Full of Information: A Conversation with Imogen Stidworthy0
Feed the Fires, Tend the Stock 1973/1981/1994/20210
Politics Inc.0
Front Matter0
The Museum of Modern Art’s International Programme in Southeast Asia (1957–83): The Exhibitions Southeast Asians Appropriated0
Access as Generative Site: In Conversation with Christine Sun Kim0
From Clay Animism to Bandung Aesthetic: The Art of Sayeda Massak, Samira Hosny, Yehya Bu Seri’, Bodour Girgis0
Cross-Eyed and Painless in Toronto: A Borderline Case0
What Is to Be Done0
Homem Com H. on Jonathas de Andrade’s Museu do Homem do Nordeste0
Or Other, or Both0
Foreword0
Time Will Tell0
Rosana Paulino: Art as Memory-Work0
Yanak Uywaña: The Mutual Nurturing of the Arts0
Revisiting Stan Douglas’s ‘Cinema Of Operations’0
A Cascading World of Porosity0
Syria and/as the Planetary in Jumana Manna’s Wild Relatives0
Matter Minding, or What the Work Wants: Aldo Tambellini’s Intermedia0
The Supercut and the Irrecoverable Past: Ho Tzu Nyen’s The Nameless and The Name0
The Exhibition as Medium: Some Observations on the Cybernetisation of the Institution and the Exhibition0
Unreality by Design0
Contributors0
Situated Assemblages of Un-Situated Things0
Re-purpose and Remake0
Hunger for Resistance: Interview with Jonathas de Andrade0
Front Matter0
Between Mean Time0
We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies0
Foreword0
‘Like Waves in My Body’: On Tarek Atoui’s Sonic Practice0
Revealing the Past, Illuminating The Future: Kapwani Kiwanga’s Flashbacks0
Under One or Several Flags0
Repetition, Montage, Archive…0
Front Matter0
Jonas Staal: Re-Forming Representation0
Arthur Bispo do Rosário, An Emblematic Art Brut/Outsider Creator0
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