OOIR: Observatory of International Research

Papers

(The TQCC of Film-Philosophy is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
The Kierkegaardian Existentialism of Richard Linklater's Before Trilogy	12
Picturing the Autobiographical Imagination: Emotion, Memory and Metacognition inInside Out	2
Dwelling in the Abyss: Society in Werner Herzog and Martin Heidegger	2
The Action Mode: Mile 22 and the Tension of Hypermediated Embodiment	2
Michelle Devereaux (2019) The Stillness of Solitude: Romanticism and Contemporary American Independent Film	2
Mendacity, Rule Consequentialist Ethics and The Ploughman's Lunch	1
A Mud Doctor Checking Out the Earth Underneath: Ruminations on Malick’s Days of Heaven and Loht’s Phenomenology of Film	1
Home Movies as Reliquaries of Memory: A Phenomenological Perspective	1
Mary Ann Doane (2021) Bigger Than Life: The Close-up and Scale in the Cinema	1
Hunter Vaughan (2019) Hollywood's Dirtiest Secret: The Hidden Environmental Costs of the Movies	1
Anima(l) Moralia, or Righteous Anger: Agnieszka Holland’s Spoor	1
Alyssa DeBlasio (2019) The Filmmaker’s Philosopher: Merab Mamardashvili and Russian Cinema	1
Narrative Difference: Jacques Rancière, Gilles Deleuze andUncle Boonmee Who Can Recall His Past Lives	1
Robert Pippin (2020) Filmed Thought: Cinema as Reflective Form	1
When the Wind Is Gently Rustling: Film and the Aesthetics of Natural Beauty	0
Rethinking Inside and Outside: The Door in Ernst Lubitsch'sWhen I Was Deadand Charlie Chaplin'sThe Adventurer	0
Steven DeLay (ed.) (2023). Life Above the Clouds: Philosophy in the Films of Terrence Malick	0
Synthetic Vision in Virtual Reality Documentaries	0
Every Wholly Other: Postsecular Pluralism in Isabel Rocamora'sFaith	0
Is It a Wonderful Life? Frank Capra and Objective List Theories of Worth	0
What Is the Work of Animation? The Plasticity of Time in the Fourth-Dimensional Image	0
Sean Cubitt (2020)Anecdotal Evidence: Ecocritique from Hollywood to the Mass Image	0
Introduction: Catherine Malabou, Plasticity and Film	0
Affective Assemblages of Material Culture: Qi Pao, Mahjong and Performance in Ang Lee’s Lust, Caution	0
Victor Fan (2022). Cinema Illuminating Reality: Media Philosophy through Buddhism	0

Introduction to Special Issue: Film Objects	0
The Pleasure of Self-erasure: Malabou, (Sexual) Anarchy and Agnès Varda’s Sans toit ni loi	0
Kelli Fuery (2022).Ambiguous Cinema: From Simone de Beauvoir to Feminist Film Phenomenology	0
The Human Chameleon: Zelig, Nietzsche and the Banality of Evil	0
When Sympathy Hesitates: An Empathetic Understanding of Cinematic Slowness in Stray Dogs	0
The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema	0
(Re)sounding Audre Lorde: Queer Crip Chorus in Lana Lin’s Experimental Documentary	0
Silence as Elective Mutism in Minor Cinema	0
Daniel Mourenza (2020). Walter Benjamin and the Aesthetics of Film	0
Time Metaphors in Film: Understanding the Representation of Time in Cinema	0
Lost and Beautiful or the (Environmental) Ethics of the Lyric Essay Film	0
Joshua Sikora (Ed.), A Critical Companion to Terrence Malick	0
Breathing, Cinema and Other “Nobjects” in Camille Vidal-Naquet’sSauvage	0
Existential and Phenomenological Horror in Les Diaboliques	0
The Matter of Manual Traces: Letters, Photographs and Bean Paste in Naomi Kawase’s Cinema of Touch	0
Michel Serres, Topology and Folded Time in Christopher Nolan's Dunkirk	0
Documentary Fictions: Jacques Rancière and the Problem of Indexical Media	0
Malabou, Medicine and Film: Screening Brain Injury, Organ Transplantation and Plasticity in Katell Quillévéré'sHeal the Living	0
Haunted by the Other: Levinas, Derrida and the Persecutory Phantom	0
Lucy Bolton (2019) Contemporary Cinema and the Philosophy of Iris Murdoch	0
Julian Hanich & Martin P. Rossouw (Eds.) (2023). What Is Film Good For? On the Values of Spectatorship	0
Love Objects: Eros and the Materialistic Aesthetics of Ernst Lubitsch	0
Rebecca A. Sheehan (2020) American Avant-Garde Cinema's Philosophy of the In-Between	0
Humility and Greatness in Damien Chazelle’s First Man	0
Film as Artificial Intelligence: Jean Epstein, Film-Thinking and the Speculative-Materialist Turn in Contemporary Philosophy	0
Countering the Disadvantage: Stasis as an Emancipatory Minimalist Legacy in Chantal Akerman's Cinema	0
Machine Vision and Encoded Behaviour in Harun Farocki's Later Work	0
Death as Film-Philosophy’s Muse: Deleuzian Observations on Moving Images and the Nature of Time	0
The Colour of Film-Philosophy	0
Rupert Read (2019) A Film-Philosophy of Ecology and Enlightenment	0
Take My Breath Away: Review of Mila Zuo (2022) Vulgar beauty: Acting Chinese in the global sensorium	0
In the Mood for Heideggerian Boredom? Film Viewership as Being-in-the-World	0
Reflexive Wonderings: Prospects and Parameters of a Heideggerian Approach to Film as Philosophy	0
Hegel and Hitchcock’s Vertigo: On Reconciliation	0
White Material: Ivory tiles, white womanhood, and white supremacy in Jean-Marc Vallée’s Sharp Objects	0
The Cinematic Anthropocene and the Future Politics of Killing	0
Poetic Objects: Bachelardian Reverie, Reverberation and Repose in Claire Denis'35 Shots of Rum	0
Angels, Guests and Sadists: On-Screen Poetry in the Cinema of Pier Paolo Pasolini	0
Matthew Rukgaber (2022).Nietzsche in Hollywood: Images of theÜbermenschin Early American Cinema	0
Matilda Mroz (2020). Framing the Holocaust in Polish Aftermath Cinema: Posthumous Materiality and Unwanted Knowledge	0
Jean Ma (2022). At the Edges of Sleep: Moving Images and Somnolent Spectators	0
Hans Maes and Katrien Schaubroeck (2021) (eds.) Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration	0
Derivative Desires and Plastic Pedagogies: Malabou, Psychoanalysis and The Big Short	0
The Ethics of Refusal in Terrence Malick’s A Hidden Life	0
David Martin-Jones (2022). Columbo: Paying Attention 24/7	0
The Monstrous Mark of Cinema: Mulholland Drive, Spherology, and the “Virtual Space” of Filmic Fiction	0
“I Said Something Wrong”: Transworld Obligation inYesterday	0
Martin P. Rossouw (2021) Transformational Ethics of Film: Thinking the Cinemakeover in the Film-Philosophy Debate	0
Malabou's Cineplastics and Contemporary French Film: Jacques Audiard, Céline Sciamma and Mia Hansen-Løve	0
Response to Critical Views of Phenomenology of Film	0

The Intensive-Image and the Poetic Film Tradition: Notes on Ruiz, Deren, Pasolini, Buñuel and Deleuze	0
Allan James Thomas (2018) Deleuze, Cinema and the Thought of the World	0
Nietzschean Themes in Béla Tarr's The Turin Horse	0
Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment	0
Ewa Mazierska and Lars Kristensen (eds.) (2020) Third Cinema, World Cinema and Marxism	0
Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art	0
The Disrobing of Aphrodite: Brigitte Bardot inLe Mépris	0
Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement	0
An Ambiguous World of Film: Cinematic Immersion beyond Early Heidegger	0
“I Saw a Different Life. I Can't Stop Seeing It”: Perfectionist Visions inRevolutionary Road	0
New Materialist Freedom in Chloé Zhao's Nomadland	0
Transferring Suspiria: Historicism and Philosophies of Psychoanalytic Transference	0
Inauthenticity as a Disruption of Neoliberal Resilience Discourse in Brady Corbet'sVox Lux	0
Barry Nevin (2018) Cracking Gilles Deleuze's Crystal: Narrative Space-time in the Films of Jean Renoir	0
Jenna Ng (2021). The Post-Screen through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie	0
Sisyphean Unproductivity in Narrative Film	0
Tiago de Luca (2021)Planetary Cinema: Film, media and the earth	0
Speculative Transitions: Hegel, John Huston’s Moby Dick and the Dissolve	0
Immortality, the Good Life and Romantic Love in Groundhog Day and Only Lovers Left Alive	0
Eugenie Brinkema (2022). Life-Destroying Diagrams	0
The Prehistoricity of Cinema: Werner Herzog's Cave of Forgotten Dreams	0
Gilberto Perez (2019) The Eloquent Screen: A Rhetoric of Film	0
Genevieve Yue (2021). Girl Head: Feminism and Film Materiality	0
Mario Slugan (2020) Fiction and imagination in early cinema: A philosophical approach to film history	0
Thinking, Feeling and Experiencing the “Empty Shot” in Cinema	0
Two Cats, One Fish: The Animal,Leviathanand the Limits of Theory	0
Freedom and the Weight of the Crown: Sartrean and Beauvoirian Existentialism in Peter Morgan'sThe Crown	0
Dasein and the Question of the Heterogenous Film Viewer: A Commentary on Loht’s Heideggerian Phenomenology of Film	0
The Availability of Jim Jarmusch’s Film-Philosophy: Wittgenstein, Derrida and Private Language in Ghost Dog: The Way of the Samurai	0
Christina Rawls, Diana Neiva, and Steven S. Gouveia (eds.) (2019) Philosophy and Film: Bridging Divides	0
Voir venir the New Wave: Plasticity in Jacques Rivette’s Film Criticism	0
Lúcia Nagib (2020) Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema	0
Shane Denson (2023). Post-Cinematic Bodies	0
Sarah Cooper (2019). Film and the imagined image	0
Eternity Descending into Time: Badiou and the Cinematic Temporality of Love	0
Nico Baumbach (2019) Cinema/Politics/Philosophy	0
Francesco Sticchi (2021). Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction	0
Robert Breer’s Perpetual Motion Machine	0
Chiara Quaranta (2023). Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction	0
Rituals Within Walls: Thinking Post-War Japan’s History through Cinematic Allegories of Everyday Life	0
Shane Denson (2020), Discorrelated Images	0
Editorial: Film-Philosophy-Poetry	0
Black Cinematic Poethics	0
Introduction: Heidegger and the Phenomenology of Film	0
Vittorio Gallese and Michele Guerra (2020) The Empathic Screen: Cinema and Neuroscience	0
Film as Museum: One-of-a-Kind Objects in Berkun Oya's Bir Başkadır	0
The Filter and the Viewer: On Audience Discretion in Film Noir	0
Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies	0
David Huckvale (2020) Terrors of the Flesh: The Philosophy of Body Horror in Film	0
Chelsea Birks (2021). Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film	0
Eliza Steinbock (2019) Shimmering Images: Trans Cinema, Embodiment, and the Aesthetic of Change	0
Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood	0
Even the Sea is Broken: Return and Loss in Razan AlSalah’s Video Works	0
Truth, Beauty and Goodness: Freedom and the Platonic Triad in Eric Rohmer’s Film Theory	0
From Ascetic Ideals to Honest Illusions: A Nietzschean Interpretation of Inception	0
Receptivity, Simultaneity: The Thin Red Line as Ecological Cinematic Poesis	0
Feminist Epigenet(h)ics: Maternal Waters, Gestational Forms and Mitochondrial Eves in Lucile Hadžihalilović’s Evolution	0
Disgust, Race and Ideology in Carl Franklin’sDevil in a Blue Dress	0
Lee Grieveson (2018) Cinema and the wealth of nations: Media, capital, and the liberal world system	0
Kant and Burke’s Sublime in Werner Herzog’s Films: The Quest for an Ecstatic Truth	0
Rupture, Suture, Nietzsche: Impossible Intersubjectivity in Alien	0
Strata, Narrative, and Space inIci et ailleurs	0
David Lynch, Embodiment and Mediality: Dealing With a Human Form	0
Cinematic Rehearsals of Phenomenology: On the Ontic-Ontological Schema and Heideggerian Film Theory	0
Beller, Jonathan (2018) The message is murder: The substrates of computational capital Beller, Jonathan (2021) The world computer: Derivative conditions of racial capitalism	0
Padraic Killeen (2022). The Dark Interval: Film Noir, Iconography, and Affect	0
Robert Sinnerbrink (2019) Terrence Malick: Filmmaker and Philosopher	0
Hitchcock's Undertexts: Objects and Language	0