OOIR: Observatory of International Research

Papers

(The median citation count of Studies in Theatre and Performance is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
Narratives of home or failure: the impact of artists and site-specific artworks in communities	3
Theatre of the oppressed and its times	2
‘Taping into the void’: acting labour, self-tapes, and resistance in the digital economy	2
Editorial, 43.2	2
History plays in the twenty-first century: new tools for interpreting the contemporary performance of the past	2
Martyr plot and the national founding myth: staging Croatian national identity through amateur performances of a medieval genre	2
Broadway Bodies: A Critical History of Conformity	2
Interview with casting director Sophie Parrott (CDG)	2
Free Bitch - Ongoing … ..	1
The spectacle of an invisible audience: how the birthday celebrations for the ghost deity Niang Ma in Chiayi, Taiwan, destabilise notions of what constitutes a theatre audience	1
Good nights out: a history of popular British theatre since the Second World War	1
Decolonisation and solidarity roundtable discussion	1
Editorial	1
Heisnam Sabitri: The Way of the Thamoi	1
Embodying a new sexual politics of meat in Lucy Kirkwood’s Tinderbox	1
Contemporary performance and political economy: oikonomia as a new ethico-political paradigm	1
A diary of war and theatre	1
Terror and horror in contemporary Iraqi theatre	1
Re-imagining Independence in Contemporary Greek Theatre and Performance	1
Collective resistance roundtable discussion	1
Hunkering down in the theatre of war: reflections on the interpersonal politics of collective resistance	1
Directorial strategies for enhancing stage presence: When practice- based research meets phenomenology	1
Artist roundtable on casting and identity with Nicole Acquah, Emma Jude Harris, Samia La Virgne, and Kerry Kyriacos	1
Writing forward: translation, performance, creativity	1
Physical solidarity as feeling the feeling	1

A queery of everything: queer-conscious casting and multiverse dramaturgy	1
ANTI – PERFORMANCE AS PRAXIS	1
Adaptation and Resilience in the Performing Arts: The Pandemic and Beyond	1
Solidarity and cannibalism: anthropophagic actions as a devising process in contemporary dance training	1
The Southall ever after festival – what COVID-19 taught us about community, research and funding	1
Summer Cannibals	1
Under the Radar – a case study: embedding knowledge exchange in creative practice-research projects in the SHAPE subjects through engagement activities with non-academic par	0
Editorial 44.2	0
Choreographing immersion: encountering borders, difference, and power	0
The pontianak in contemporary dance in Malaysia	0
Murphy in performance: The Gigli Concert at the Abbey Theatre in 1983 and 1991	0
A screen archive of Asian bros: casting masculinity and performing stereotypes	0
Self-authoring feminine Blackness through solo performance	0
Form and pressure: Augusto Boal at the RSC	0
“The messenger has arrived”: the Angel of America as a prophet of intra-action on stage	0
Arts-based approaches to evaluating impact: a case study of youth perspectives towards Smart Local Energy Systems	0
Performance and postsocialism in postmillennial China	0
Meaningful agency in participatory performance: a contextual approach	0
Performance \| Process \| Politics	0
‘Therapy with My Exotic Self’	0
Reality theatre as a method for social science research: the Vietnamese diaspora in central europe	0
Against community: ambivalent identities in Actors Touring Company and David Greig’s The Events	0
‘No one Escapes’: thoughts on coloniality, peace and martyrdom after watching Khalid Abdalla’s Nowhere	0
Editorial: hostipitality in times of glocal precarities	0
Utopian drama: in search of a genre	0
Through the glass wall: architectural insights into the feminist Turkish play On İkinci Ev	0
Exhibition curation as practice-as-research performance historiography: an incomplete story of audience experience	0
Reclaiming the margins: collective resistance and feminist artistic practices in Putin’s Russia	0
Walking as performing in the city: dialogues and ethnographic encounters	0
The many faces of Ruan Dacheng: poet, playwright, politician in seventeenth-century China	0
Editorial: seeking solidarity and wonder through performance	0
Transmedia theatre plays: a contemporary anthology	0
Making Sense: Part II	0
Editorial 43.1	0
Music and sound in European theatre: practices, performances, perspectives	0
Making Sense: Part III	0
Sites of multiplicity: anarchiving, feminism, and performance	0
Intermedial heterotopia in contextual studies	0
Editorial: Casting and identity	0
Am I really the only one dancing? Seeking solidarity in wit(h)ness	0
Editorial, Studies in Theatre and Performance 45.1 (March 2025)	0
Mounted masculinity – imperial identity in the equestrian acts of Frank Fillis’s circus in South Africa, c. 1882–1910	0
The theatre of Louise Lowe	0
The City (Revised)	0
On being a body listening: vocal expression beyond words in Ant Hampton and Britt Hatzius’ this is not my voice speaking and nature theater of Oklahoma li	0
Livecasting in twenty-first-century British theatre: NT Live and the aesthetics of spectacle, materiality and engagement	0
Decolonisation and contemporary dance	0
Theatre of change: a theatre community of homelessness and pedagogy	0
Brecht and the Art of Spectatorship	0
Dramaturgy of sex on stage in contemporary theatre	0

Racialized disability-disabled race in contemporary British theatre: pathologizing and prostheticizing blackness in debbie tucker green’s ear for eye (20	0
The cycleborg : everyday performances of solidarity and hope of the cycling female	0
Special Interests	0
Scenes from Preceding Years	0
Making Sense: Part I	0
‘Me and the Sky’: smashing the glass ceiling in Come from Away , neoliberal feminism, and climate change	0
Performing memory and testimony after a national disaster: the Sewol mothers in Talking about Her (2016), VEGA	0
Queer communities, friendship, and moments of joy and wonder in Andrew Logan’s Alternative Miss World competition	0
Editorial, Studies in Theatre and Performance 46.1	0
Review of Sophie Duncan’s Searching for Juliet: the lives and deaths of Shakespeare’s first tragic heroine	0
Dancers as interpreters: the aesthetics and social commentary of Hausa Koroso Dance	0
Irish rebellion in-yer-face or consigned to history: Seán O’Casey’s The Plough and the Stars in 2016	0
Oil and modern world dramas: from petro-mania to petro-melancholia	0
Staging en/k/counter : coevality of violence and theatre in India	0
Act(ion)s of solidarity: possibilities of hope and change through art	0
Divorced, beheaded, defied: solidarity in individual and collective herstories in SIX the Musical (2017)	0
WRITING FROM THE _________________	0
Composting Grief: Part I	0
Editorial (42.2)	0
Hyper-femininity as radical resistance: re-envisaging the starlet through a feminist practice of solidarity in It’s Sophie! (2018)	0
Composting Grief: Part II & III	0
Daughters Opera : an epistemic representation of feminist solidarities	0
Editorial: Grounds for Re-wor(l)ding	0
Fragments of Encounters	0
Editorial	0
Past hauntings for the future: the return of the Victorian ghost in Caryl Churchill’s Cloud Nine (1979)	0
Muscle works: physical culture and the performance of masculinity	0
The Methuen Drama Handbook of Women in Contemporary British Theatre	0
Transition of traditional rod-puppetry and cultural commons: a case study of Satya Narayan Putul Natya Sanstha in Jaynagar, West Bengal	0
Shakespeare through Islamic Worlds	0
A conversation about new directions in studies of modernity and theatre	0
If you call for papers, the papers call back at you: some thoughts on CfP and selection processes	0
Crossing and reimagining the South-North border in a heterotopic space	0
Scenographic ‘stuff’: attending to everyday objects in performance (and beyond)	0
Building theatre, making policy: materiality and cultural democracy at Liverpool’s PurpleDoor	0
Performance and race: teaching Shakespeare to Saudi students using current events and popular culture	0
‘Looking back in the present’: reevaluating African identity and spirituality through casting roles in initiation rites of a Nigerian University	0
Death with laughter: the subject of the unconscious in Martin McDonagh’s Hangmen	0
The active white coats: a costume studies approach to the performance of medicine in Life Matters (2019)	0
Before solidarity: the process politics of relationality, receptivity, and attunement	0
The body as territory: a movement perspective	0
Thoughts on casting practices from a transgender perspective	0
Dance teaching in HE: further thoughts on the possibilities of artistic citizenship for decolonial practice	0
Feeling together: the affective project of co-presence and the limits of the audience community	0
Audience behavior in immersive theatre: an environment-behavior studies analysis of Punchdrunk’s Sleep No More	0
Weapons of conflict and friendship: the gumayi and yilimung in The Visitors	0