OOIR: Observatory of International Research

Papers

(The TQCC of Studies in Theatre and Performance is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)

Article	Citations
Narratives of home or failure: the impact of artists and site-specific artworks in communities	2
Editorial, 43.2	2
Physical solidarity as feeling the feeling	1
Directorial strategies for enhancing stage presence: When practice- based research meets phenomenology	1
A diary of war and theatre	1
Broadway Bodies: A Critical History of Conformity	1
History plays in the twenty-first century: new tools for interpreting the contemporary performance of the past	1
Contemporary performance and political economy: oikonomia as a new ethico-political paradigm	1
Summer Cannibals	1
Martyr plot and the national founding myth: staging Croatian national identity through amateur performances of a medieval genre	1
Testing scores for performing placestories	1
Artist roundtable on casting and identity with Nicole Acquah, Emma Jude Harris, Samia La Virgne, and Kerry Kyriacos	1
The Southall ever after festival – what COVID-19 taught us about community, research and funding	1
‘Taping into the void’: acting labour, self-tapes, and resistance in the digital economy	1
Interview with casting director Sophie Parrott (CDG)	1
Hyper-femininity as radical resistance: re-envisaging the starlet through a feminist practice of solidarity in It’s Sophie! (2018)	0
Preliminary thoughts on the death of the editor	0
Divorced, beheaded, defied: solidarity in individual and collective herstories in SIX the Musical (2017)	0
Editorial 43.1	0
Special Interests	0
Murphy in performance: The Gigli Concert at the Abbey Theatre in 1983 and 1991	0
Thoughts on casting practices from a transgender perspective	0
Editorial (42.2)	0
Re-imagining Independence in Contemporary Greek Theatre and Performance	0
Negotiating cultural exchange. Federico García Lorca on the British stage from the Spanish civil war until the mid-fifties	0

Transition of traditional rod-puppetry and cultural commons: a case study of Satya Narayan Putul Natya Sanstha in Jaynagar, West Bengal	0
Irish rebellion in-yer-face or consigned to history: Seán O’Casey’s The Plough and the Stars in 2016	0
The cycleborg : everyday performances of solidarity and hope of the cycling female	0
Dance teaching in HE: further thoughts on the possibilities of artistic citizenship for decolonial practice	0
If you call for papers, the papers call back at you: some thoughts on CfP and selection processes	0
Against community: ambivalent identities in Actors Touring Company and David Greig’s The Events	0
Through the glass wall: architectural insights into the feminist Turkish play On İkinci Ev	0
Under the Radar – a case study: embedding knowledge exchange in creative practice-research projects in the SHAPE subjects through engagement activities with non-academic partners an	0
In pursuit of a new theatre: the case of the Malvern festival	0
Walking as performing in the city: dialogues and ethnographic encounters	0
The spectacle of an invisible audience: how the birthday celebrations for the ghost deity Niang Ma in Chiayi, Taiwan, destabilise notions of what constitutes a theatre audience	0
Performing memory and testimony after a national disaster: the Sewol mothers in Talking about Her (2016), VEGA	0
Queer communities, friendship, and moments of joy and wonder in Andrew Logan’s Alternative Miss World competition	0
A queery of everything: queer-conscious casting and multiverse dramaturgy	0
The body as territory: a movement perspective	0
Performance and race: teaching Shakespeare to Saudi students using current events and popular culture	0
Decolonisation and solidarity roundtable discussion	0
National cultural history and transnational political concerns in Rasha Fadhil’s Ishtar in Baghdad (2003)	0
Intermedial heterotopia in contextual studies	0
Weapons of conflict and friendship: the gumayi and yilimung in The Visitors by Jane Harrison	0
Choreographing immersion: encountering borders, difference, and power	0
WRITING FROM THE _________________	0
Self-authoring feminine Blackness through solo performance	0
Audience behavior in immersive theatre: an environment-behavior studies analysis of Punchdrunk’s Sleep No More	0
Mounted masculinity – imperial identity in the equestrian acts of Frank Fillis’s circus in South Africa, c. 1882–1910	0
Scenes from Preceding Years	0
Past hauntings for the future: the return of the Victorian ghost in Caryl Churchill’s Cloud Nine (1979)	0
Arts-based approaches to evaluating impact: a case study of youth perspectives towards Smart Local Energy Systems	0
The City (Revised)	0
Editorial: Grounds for Re-wor(l)ding	0
Feeling together: the affective project of co-presence and the limits of the audience community	0
Editorial	0
‘Looking back in the present’: reevaluating African identity and spirituality through casting roles in initiation rites of a Nigerian University	0
Livecasting in twenty-first-century British theatre: NT Live and the aesthetics of spectacle, materiality and engagement	0
Dramaturgy of sex on stage in contemporary theatre	0
Fragments of Encounters	0
Theatre of change: a theatre community of homelessness and pedagogy	0
Scenographic ‘stuff’: attending to everyday objects in performance (and beyond)	0
Review of Sophie Duncan’s Searching for Juliet: the lives and deaths of Shakespeare’s first tragic heroine	0
‘Me and the Sky’: smashing the glass ceiling in Come from Away , neoliberal feminism, and climate change	0
Meaningful agency in participatory performance: a contextual approach	0
Am I really the only one dancing? Seeking solidarity in wit(h)ness	0
Editorial: seeking solidarity and wonder through performance	0
Good nights out: a history of popular British theatre since the Second World War	0
Exhibition curation as practice-as-research performance historiography: an incomplete story of audience experience	0
The active white coats: a costume studies approach to the performance of medicine in Life Matters (2019)	0
Adaptation and Resilience in the Performing Arts: The Pandemic and Beyond	0
Act(ion)s of solidarity: possibilities of hope and change through art	0
Making Sense: Part I	0
Solidarity and cannibalism: anthropophagic actions as a devising process in contemporary dance training	0

Music and sound in European theatre: practices, performances, perspectives	0
Collective resistance roundtable discussion	0
Sites of multiplicity: anarchiving, feminism, and performance	0
Editorial, Studies in Theatre and Performance 45.1 (March 2025)	0
Editorial 44.2	0
Making Sense: Part II	0
On being a body listening: vocal expression beyond words in Ant Hampton and Britt Hatzius’ this is not my voice speaking and nature theater of Oklahoma li	0
Editorial: Casting and identity	0
Correction	0
Staging en/k/counter : coevality of violence and theatre in India	0
Reality theatre as a method for social science research: the Vietnamese diaspora in central europe	0
Theatrical performance as a transnational vehicle: David Bergelson’s I Shall Not Die but Live in Mandatory Palestine	0
“The messenger has arrived”: the Angel of America as a prophet of intra-action on stage	0
Performance \| Process \| Politics	0
‘Therapy with My Exotic Self’	0
A conversation about new directions in studies of modernity and theatre	0
Muscle works: physical culture and the performance of masculinity	0
The Methuen Drama Handbook of Women in Contemporary British Theatre	0
Composting Grief: Part II & III	0
Crossing and reimagining the South-North border in a heterotopic space	0
Before solidarity: the process politics of relationality, receptivity, and attunement	0
Establishing an ecology of practice: a ‘Do It Yourself’ approach to performer training	0
Decolonisation and contemporary dance	0
Free Bitch - Ongoing … ..	0
Building theatre, making policy: materiality and cultural democracy at Liverpool’s PurpleDoor	0
‘Walking the boundaries’: Lynne Parker’s unpublished version of Federico García Lorca’sLa Casa de Bernarda Alba	0
Hunkering down in the theatre of war: reflections on the interpersonal politics of collective resistance	0
Racialized disability-disabled race in contemporary British theatre: pathologizing and prostheticizing blackness in debbie tucker green’s ear for eye (2018)	0
Reclaiming the margins: collective resistance and feminist artistic practices in Putin’s Russia	0
Editorial	0
Oil and modern world dramas: from petro-mania to petro-melancholia	0
Dancers as interpreters: the aesthetics and social commentary of Hausa Koroso Dance	0
ANTI – PERFORMANCE AS PRAXIS	0
A screen archive of Asian bros: casting masculinity and performing stereotypes	0
Making Sense: Part III	0
Composting Grief: Part I	0
Daughters Opera : an epistemic representation of feminist solidarities	0