OOIR: Observatory of International Research

Papers

(The TQCC of Studies in Theatre and Performance is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)

Article	Citations
A manifesto to decentre theatre and performance studies	8
Feeling working class: affective class identification and its implications for overcoming inequality	6
Class and the problem of inequality in theatre	6
Becoming civic centred – A case study of the University of Greenwich’s Bathway Theatre based in Woolwich	3
Disrupting the hierarchy of knowledge production: the case of documenting social theatre in Palestine	2
Editorial: taking a snapshot of theatre and performance studies	2
‘Talking sense’ about art: Evaluation of theatre as a social process	2
Field works: wild experiments for performance research	2
The play of light: rethinking mood lighting in performance	2
If/when performance studies came to Singapore: PSi #10 and its ramifications	1
Acta community theatre’s ‘cycle of engagement’ and foundation worker programme: creating pathways into cultural participation and work	1
An act of transgression: performing arts as a subject choice within a coastal area of deprivation	1
Editorial: Grounds for Re-wor(l)ding	1
From the producer’s perspective: Kayza Rose	1
The production of taste: ecologies, intersections, implications	1
Vulnerability, care and hope in audience research: theatre as a site of struggle for an intergenerational politics	1
Negotiating cultural exchange. Federico García Lorca on the British stage from the Spanish civil war until the mid-fifties	1
Editorial 43.1	1
From the producer’s perspective: Paul Warwick	1
Why we still need to talk about class	1
Labours of social inclusion: amateur, professional, community theatres	1
Post-anthropocentric Rehearsal Studies. A conceptual framework to account for the social and material mediations in performance-making	1
Performing the paradox: collaboration as intervention in Eis o Homem	1
Include me out: theatre as sites of resistance to right-wing populism in Estonia, the Czech Republic and Hungary	1
(Skin)Aesthetics (First Manifesto)	1

Audience behavior in immersive theatre: an environment-behavior studies analysis of Punchdrunk’s Sleep No More	1
The birth of the ‘cool:’ Marlon Brando and the afro-aesthetics of psychological-realist acting	1
A conversation about new directions in studies of modernity and theatre	1
Scenographic ‘stuff’: attending to everyday objects in performance (and beyond)	1
Preliminary thoughts on the death of the editor	1
White supremacist performance and its refusal: a reflection on the mosque shootings in Christchurch, Aotearoa New Zealand	1