Visual Communication

Papers
(The TQCC of Visual Communication is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Drone views: a multimodal ethnographic perspective14
The agency of computer vision models as optical instruments11
Digital intimacy and ambient embodied copresence in YouTube videos: construing visual and aural perspective in ASMR role play videos10
Window on the weather: a case study in multi-platform visual communication design, with a relationship to Design Thinking9
Trauma, self-stigma, and visual narrative: participatory research in Shinchimachi, Fukushima, following Japan’s 2011 nuclear disaster9
Typography: the constant vector of dynamic logos7
Rethinking patient–provider care through visual communication6
From visual rhetoric to multimodal argumentation: exploring the rhetorical and argumentative relevance of multimodal figures on the covers ofThe Economist5
Self-presentation strategies and the visual framing of political leaders on Instagram: evidence from the eventful 2019 Istanbul mayoral elections5
The not-yet-tropical: mapping recombinant ecologies in a Sydney suburb5
Politics of visual discourse in China: the corruption cartoon5
Differentiating graffiti in Macao: activity types, multimodality and institutional appropriation5
Experiencing multimodal rhetoric and argumentation in political advertisements: a study of how people respond to the rhetoric of multimodal communication5
Images of School Times: Organizing Rhythms, Revealing Pedagogies5
Special Issue Editorial: ‘Recombinant Ecologies in the City’4
Tracing The Shapes of Multimodal Rhetoric: Showing the Epistemic Powers of Visualization4
A beautiful and devilish thing: children’s picture books and the 1914 Christmas Truce4
The Power to See: Visualizing Invisible Disabilities in China4
Documenting topographic ecologies in Hong Kong: visual methods for hyper-dense and hyper-topographic urban spaces in landscape architecture4
The rhetoric of multimodal communication4
Semiotics of destruction: traces on the environment4
The politics of typographic placemaking: the cases of TilburgsAns and Dubai Font3
Visualization of disability in news photographs: an analytical framework3
Digitally-mediated parent–baby touch and the formation of subjectivities3
The epistemological commitments of modes: opportunities and challenges for science learning3
Visual communication and mental health3
Walking through the city soundscape: an audio-visual analysis of sensory experience for people with psychosis3
Touching heritage: embodied politics in children’s photography3
Systematic creation of a city’s visual communication: logo design based on the phoenix flower in Tainan City, Taiwan3
Design timescapes: futuring through visual thinking3
Analyzing picturebooks: semiotic, literary, and artistic frameworks3
International, innovative, multimodal and representative? The geographies, methods, modes and aims present in two visual communication journals3
‘Seeing’ music from manga: visualizing music with embodied mechanisms of musical experience3
Neon visions: from techno-optimism to urban vice2
Ruins of the smart city: a visual intervention2
Is there a visual bias in televised debates? Evidence from Germany, 2002–20172
Corpus-based insights into multimodality and genre in primary school science diagrams2
Legitimation in documentary: modes of representation and legitimating strategies in The Lockdown: One Month in Wuhan2
Seeing and communicating: photography and young male adults with Autism Spectrum Disorder2
‘Foodstagramming’ in early 20th-century postcards: a transhistorical perspective2
Matter, meaning and semiotics2
Social network documentary and its aesthetic metamorphosis: reflections from a practice-led research2
Let there be . . . visual optimal innovations: making visual meaning through Michelangelo’s The Creation of Adam2
Evading Big Brother: Using visual methods to understand children’s perception of sensors and interest in subverting digital surveillance2
Michel Pastoureau and the history of visual communication2
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