Journal of Visual Culture

Papers
(The TQCC of Journal of Visual Culture is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Digital witnessing and the erasure of the racialized subject11
Kirsty Sinclair Dootson, The Rainbow’s Gravity: Colour, Materiality and British Modernity10
Epilogue: turning around the right to look6
The absence of absence: of ekphrasis and blind witnessing6
Performing reparative history in the Andes: Travesti methods and Ch’ixi subjectivities4
Sarah Kanouse and Shiloh Krupar, eds, A People’s Atlas of Nuclear Colorado (2021), reviewed by Joseph M Sussi4
Collective empiricism and the material witness3
The art of touch: lending a hand to the sighted majority3
‘Imagining Palestinian Liberation’: reflections on the use of film props to dismantle settler colonialism3
Jennifer Bajorek, Unfixed: Photography and Decolonial Imagination in West Africa, reviewed by Yann Petit2
Re-processing archival images: artists as darkroom technicians2
Revolutionary Enclosures (Until the Apricots)2
‘C’est grave’: Raw, cannibalism and the racializing logic of white feminism2
The JVC Palestine Portfolio1
The Haitian zombie motif: against the banality of antiblack violence1
Diaries of an impasse: the video works of Basma Alsharif1
Jae Emerling, Vivre sa vie pour JLG1
Review: Charles L Leavitt IV, Italian Neorealism: A Cultural History1
Review LamprosDean G, Preserved: A Cultural History of the Funeral Home in America.Baltimore, MD: Johns Hopkins Press, 2024. 384 pp., 43 b/w photos, 6 line drawings. ISBN 97814214484041
Preface to Mieke Bal, ‘A cultural dream: Europe in the plural’, the Collège de France lectures, 2022–20231
Dust against the Anthropocene: Yhonnie Scarce’s nuclear geo-fictions1
‘Words have a charge’: six moments from a dialogue1
A time of broken futures: biopolitical temporalities, postmemory and apocalyptic affect in Larissa Sansour’s In Vitro1
Review: Aga Skrodzka, Xiaoning Lu and Katarzyna Marciniak (eds), The Oxford Handbook of Communist Visual Cultures1
Tarot as affective cartography in the uneven Anthropocene1
The art of repair: naming violence in the work of FX Harsono1
Ronak Kapadia, Insurgent Aesthetics: Security and the Queer Life of the Forever War, reviewed by Emilia Sawada1
Visual lawfare: evidential imagery at the service of military objectives1
The visual culture of ‘Silicon Heartland’: architecting agricultural past as infrastructural future1
The photographic depiction of populism1
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