Visual Studies

Article	Citations
Fabricating Lureland: A history of the imagination and memory of Peacehaven, a speculative interwar garden city development by the sea	11
With images in mind, 2022	9
What is an Image? Roundtable transcription, International Visual Sociology Association annual conference, 16 September 2022	7
Oak tree, gum tree: screen collaborations across time zones, 2022	7
The image is a cure	7
The techno-politics of programming vision	7
Social Fabric: Art and Activism in Contemporary Brazil Social Fabric: Art and Activism in Contemporary Brazil edited by Maria Emilia F	6
Visual Studies X The Open Eye Gallery: interview with Open Eye Director Sarah Fisher and Curator Mariama Attah	6
Untitled (Maestra) 2022	6
‘Let us teach our children’: Online racism and everyday far-right ideologies on TikTok	5
Walker Evans: No politics	5
Past caring: archive, affect, and whiteness in digital colourisation	4
Nervous systems: Art, systems, and politics since the 1960s	4
The Aesthetics of Global Protest; Global Activism and Art and Conflict in the 21st Century	4
Three stories of one truth? Visual framing of AP, CNN & FOX news Instagram coverage of the 2020 US presidential candidates	4
The crisis of ugliness: From cubism to pop-art	4
Smells: A cultural history of odours in early modern times	3
The Astronomer's Chair: A Visual and Cultural History	3
Images among images: a map scholar response	3
Response to questionnaire: visual studies now	3
Re-staging American triumph as American carnage	3
Emoji and social media paralanguage	3
The eyes of scallops and the creativity of submarine animals: convergence and conflict in science, philosophy and art	3
Embodying parkour’s visual subculture: ethos, style and the emergence of a visual habitus	3
Response to the ‘visual studies now’ questionnaire for Visual Studies	3

The experience of visuality and socially engaged practice	3
Cosmopolitics of the camera: Albert Kahn’s archives of the planet	3
No selfies: the social world of autistic male adults as depicted in their everyday photographic practices	3
The future of visual studies live roundtable. International Visual Sociology Association 40th annual conference, 7 July 2021	3
Human Flow: Stories from the Global Refugee Crisis and How Media and Conflicts Make Migrants	3
The spectacle of demonstration: visual representation of political imagination during the coronavirus crisis	2
A visual essay of everyday life at the Finnish-Russian border after (and before?) the Iron Curtain	2
‘I went there to live’: A case-study of Šarūnas Bartas’s Tofalaria and Few of Us	2
Remembering and forgetting: using photographs as social artefacts in an aged care setting	2
COVID diaries: quotidian snapshots of life during the pandemic	2
Monitoring North Korea: a visual autoethnography of humanitarian-aid practices	2
Social semiotic analysis of photographic portrayals of Iranian elders on websites	2
Embracing new paths in visual research facilitation: opportunities, tensions & ethical considerations	2
The influence of iconography and tempera painting techniques on the Chinese school of art	2
The church of skinny: autoethnographic interpretations of eating disorder experiences	2
Tidepools: using film-based ethnography to explore Black and Latino students' experience of community college	2
Building culture: constructing visual continuity in Hangzhou before G20	2
Citizens’ photography: a comparative analysis	2
The Routledge companion to art and disability	2
Visualising the iconography of anti-colonial and anti-apartheid heroes and heroines in Tshwane (Pretoria), South Africa	2
Stencil in the centre of Athens	2
Semantic macro-structures and macro-rules in visual discourse processing	2
A photographic essay on socio-economic organisation – temporary shelters in Kelowna, British Columbia (Canada)	2
The architecture of disability: buildings, cities, and landscapes beyond access The architecture of disability: buildings, cities, and landscapes beyond access by David	2
The dual vehicle of politics and art: an exploration of Chinese animation in the ‘Seventeen Years’ period (1949–1966)	2
Breathing aesthetics	2
Visualising gendered space and informality: a photo essay	2
Earthquakes, communities and heritage: Telling stories of resilience through co-designed immersive media	2
From pages to posts: the evolution of memory-making from scrapbooking to Instagram	2
Syrian refugees’ vision for quality education in a Lebanese public school: a participatory visual research	1
Decoding the symbolic storm fuelling Greek far-right politics: a visual essay	1
Collaboratively videoing mobile activities	1
‘What do we see when we look at people on the move’? A visual intervention into civil sphere and symbolic boundary theory	1
Signs of change: community, collective action, and gentrification in Brooklyn, New York	1
Tracking transitions: an ethnographic visual study of the manual sand miners in Bihar, India	1
Response to questionnaire: visual studies now	1
Questionnaire: visual studies now	1
The Routledge international handbook of ethnographic film and video	1
Protecting the future ‘Us’: a rhetoric-performative multimodal analysis of the polarising far-right YouTube campaign videos in Finland	1
Digital Tarkovsky	1
Media and conflict, co-constitutive reflecting practices	1
Ethnograglimpses: Notes on the 10th edition of the Ethnografilm festival in Paris	1
Naked modernisation: the rise and fall of the erotic humour magazines in 1930s Turkey	1
What is an image in the digital age?	1
Dolors project: art-based polyethnography evoking contemporary rural mothering through photography, dance and chapbooks	1
New species in the Mediterranean: a visual essay on human impact on biodiversity	1
Degenerate ecocinema: indexing entropy with drones	1
Editorial	1
The business of postcolonial immigration: marketing of immigration services in Punjab, India	1
Likeness in the age of new media: on the endless mutability of images	1

A room of your own: photographs of situations of well-being taken by patients suffering from a stress-related illness	1
The unlimited joy, ‘once you start you can’t stop’: masculinity in domestic technology commercials in Turkey	1
Looking into Visual Studies	1
Miao traditional patterns: the origins and design transformation	1
Familia, 2018	1
Reconfiguring spaces in FARC’s demobilisation camps: the cases of Tierra Grata and Pondores, Colombia	1
Panoptical forms in thriller films	1
Cold War Camera	1
Action camera: First person perspective or hybrid in motion?	1
Editorial	1
‘DON’T TOUCH ANYTHING’: tactility, COVID-19, and graphic medicine	1
Community as Rebellion: A Syllabus for Surviving Academia as a Woman of Color	1
From making visible to hiding. Visual representations of financial markets as tools of manipulation and active and living agents	1
No heritage found on map: the vanishing villages of Hong Kong	1
‘Undressing the Icon/Visualizing the habitus.’ Series 1: Jean-François Clervoy (ESA/NASA)	1
The semiotic remediation of hardtack biscuits during World War One	1
Building material languages of trauma: in conversation with Laura Magnusson	1
(W)ARCHIVES: Archival imaginaries, war, and contemporary art	1
Lewis Carroll: photography on the move; Singular images, failed copies: William Henry Fox Talbot and the early photograph	1
Epidemics, public health workers, and ‘heroism’ in cinematic perspective	1
Graphic medicine’s golden age?	1
CODA: visual studies now	1
Sporting blackness: Race, embodiment, and critical muscle memory on screen	1
Resilient rebound: a visual essay on materials science researchers confronting plastic pollution in the post-COVID-19 era	1
Visuality and Parrēsia : Ai Weiwei’s countervisual re-enactment of Alan Kurdi’s image	1
The street photography of Garry Winogrand	1
Counter narrative of President Buhari’s narrative on Nigerian youths with visual images and texts on Facebook	1
A theory of assembly: From museums to memes	1
Quiet Spaces: Public Places – visual representation of vulnerable identities	1
Wake up, this is Joburg	1
Visual culture studies: twenty years later	1
The patchwork method: on David Redmon and Ashley Sabin	1
Unfolding the entangled geosemiotics of technologically-mediated gated communities:Mountain View’s (2021) advertisement as a case study	1
When the cannons roar, comics panels fall silent: on silent representations of traumatic events in Israeli comics and graphic novels	1
Looking Through Images. A Phenomenology of Visual Media	0
Romaphobia and mainstreaming of nativism: visual representations of Roma during the Brexit referendum in the UK	0
Kodachrome and the fantasy of colourisation or what time is there?	0
Border tunnels: a media theory of the U.S.-Mexico underground	0
Affective atmospheres in Macau: from the sublime to the uncanny	0
The place of poetics within documentary filmmaking: The art of fact	0
Let Dr Ai’s story flee: a minor practice against China’s internet censorship during the COVID-19 pandemic	0
Visual studies now	0
Being specific about ‘digital images’	0
What can voice do? Combining narrative methods and participant-produced photography to explore contemporary cancer survivorship	0
Documentary photography as vocation: reflecting on Frank Cancian’s contribution to visual studies	0
From canvas to cyberspace: contemporary Tibetan art and the digital Tibetan identity landscape	0
Commentary for Visual Studies	0
‘Through my eyes’: feminist self-portraits of Osteogenesis Imperfecta as arts-based knowledge translation	0
Unnatural nature – visual, spatial, and temporal contexts controlling our air	0
‘I don’t want to see anymore.’	0
The 360 diary method in experiential education: using social media as a complementary method to interviews and audio diaries	0
#EverydayNile Correspondences	0
Howard S. Becker and visual sociology	0
Cross-cultural visual communication at the Wanchin Church in Taiwan	0
Editorial	0
Film ethnography and critical consciousness: exploring a community-based action research methodology for Freirean transformation	0
Finding the local (meta)picture	0
Tracks and traces: Exploring the world of graffiti writing through visual methods	0
Will I ever be good enough?	0
Framing urbanities: invisible/visible urban assemblages	0
Correction	0
The return of the uncanny: artificial intelligence and estranged futures	0
Altered spaces: new ways of seeing and envisioning nature with Minecraft	0
Interconnectedness, place and growth: a visual essay on transformative learning	0
Story Poles (Solana Beach, California), 2021	0
Coral empire: underwater oceans, colonial tropics, visual modernity	0
Pygmalion in the archive: the mythic desires of colourisation	0
Therapeutic aesthetics: Performative encounters in moving image artworks	0
The social life of private thoughts	0
Corona de Flores; some visual issues of coronavirus	0
A feminist rewriting of cartoon captions	0
Building internal reputation in stigmatised neighbourhoods: the use of remote participatory photo mapping	0
Breaking the frame: evolving practices of first-generation photo-elicitation researchers	0
Contemplating ‘visual studies’ as an emerging transdisciplinary endeavour	0
Beyond the visuality of Western architecture. The Chinese home from inward haven to outward representation	0
Chornobyl visual lexicon: exploring the visual framing of toxic heritage from the point of view of participatory culture	0
Creating counter-landscapes: art-based research in two logistics parks in Frankfurt am Main and Kassel (Germany)	0
Visual arts: imagining ashanzhaicity in twenty-first century China	0
Sound, image, silence: Art and the aural imagination in the Atlantic world	0
Art Monsters: Unruly Bodies in Feminist Art	0

Images of displaced memories: documentation, intervention, and the ethics and aesthetics of seeing	0
The time of the landscape: On the origins of the aesthetic revolution	0
Virtual identity construction in translanguaging spaces: unveiling the semiotic power of emojis in Lil Miquela 's Instagram posts	0
A beautiful ghetto	0
Remote justice: a visual essay on the response of the Dutch justice system to the COVID-19 pandemic	0
The Oxford handbook of communist visual cultures	0
‘How I edit my Instagram images’: investigating skilled vision in the work of YouTube’s lifestyle-content creators	0
Wars in colour. Critical perspectives on digital colourisation in historical documentaries	0
Correction	0
A visual exploration of resource curse in East Kalimantan	0
Questionnaire: visual studies now	0
In/human hues: colourisation between photography and film	0
Visual depictions of the Polish–German border: a quantitative analysis of visual dimension of bordering practices	0
Facilitating a ‘virtual space’ for social change during the COVID-19 pandemic: working with high-risk population using an arts-informed method	0
A critical assessment of the Russian-language literature in the field of visual culture	0
Blackboard voices	0
Response to questionnaire: visual studies now	0
Visual studies questionnaire: how do you engage with the visual, and what is its importance in the twenty-first century?	0
Empty homes: filming homeownership in rapidly urbanising China	0
Visualizing everydayness, questioning interstitiality	0
Editorial	0
Topologies of air Topologies of air by Shona Illingworthedited by Anthony DowneyToronto: The Power Plant and London: Sternberg Press,	0
Remembering Howie	0
Portfolio implementation for self-reflection and professional growth of students in the arts	0
Warao queen: challenging beauty in Venezuela – the Rachel Tanur Memorial Prize for Visual Sociology 2020	0
Thinking about the special issue as a scholarly format	0
Spaces in between: using the Zwischenraum to explore the archiving practices of young expats in Berlin	0
Bounding an archiving: assessing the relative completeness of the Jacques Toussele archive using pattern-matching and face-recognition	0
Visual methods and migration: methodological advantages using documentary in the field	0
Correction	0
Seeing South Asia: visuals beyond borders	0
Participating and observing: Howie up close	0
Preserving the ephemeral: A visual typology of augmented reality filters on Instagram	0
Dirty pictures	0
Difficulties with diversity: reflections on representation in sandboxing studies	0
“Local guys wanted”: homoerotic photography, censorship, and national belonging in apartheid South Africa – the case of Alternative Books (1981-1991)	0
Multisensory approaches in migration research: reflections and pathways	0
Where are the students?	0
Delta voices of climate crisis: Community Digital Storytelling in Bangladesh and Vietnam	0
‘It’s just a comic’ - Or is it? Addressing the past in Rutu Modan’sThe Property	0
The silent Tibetan women and their visual exclusions in Pema Tseden’s ‘Tibetan Trilogy’	0
Ring this bell if you want to save our planet	0
Caution, Police!	0
La photo numérique. Une force néolibérale	0
Guest Editors’ introduction	0
Self-portrait in the photo booth: self-representation in the selfie era, a Photo-based Educational Research Project	0
‘There were days I felt empty’: care, affect, and graphic medicine	0
To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes	0
Black modernisms in the transatlantic world	0
Home is where it happens: a visual essay on pandemic parenting for employed mothers	0
Visibilising gentrification-induced displacement: a visual essay on the role of a socially and politically engaged photographic practice in housing activism	0
The distinctive reality of schizophrenia in Swallow Me Whole and HOAX Psychosis Blues : exploring comics and their narrative space	0
Colourised histories, reading digital/analogue photography and film archives now	0
The Building as Screen: A History, Theory and Practice of Massive Media	0
If_I_Had_Let_Me, 2022	0
‘The urge to know about the roots is just human, I guess’: Vietnamese Memories and Clément Baloup, an interview	0
Shooting occupation: the sociology of visual representation	0
Reclaiming vision: looking at Berger’s Ways of Seeing and NASA’s Blue Marble	0
On reciprocity: expanding the dialogue between disciplines	0
Visual studies now	0
‘I don’t fit that stereotype’: participant photography and the visual (re)positioning of Black men	0
‘I like working with my hands’: performative and embodied nostalgia among post-industrial blacksmiths	0
Visual studies now. Visions of immunity	0
Performativity and intersemiotic translation in contemporary art: the case of Hong Kong Atlas	0
Performing for the camera: queer migration, sex work, and objecthood	0
Survival and social support networks: visual narratives of labour market integration among highly skilled African immigrants in Quebec	0
Homes that house precarity: a visual essay on capturing an eco-dystopian reality	0
Rethinking fashion photography: reconstructing identities, decolonising bodies and resistance in postcolonial Morocco	0
Parallel public: experimental art in late east Germany	0
Svalbard Railway (Rachel Tanur 2022 1st Prize)	0
Mapping beyond measure: Art, cartography and the space of global modernity	0
Spirit in film: the work of James Ault	0
Other Lines: visualising shifting horizons and atmospheric pollution along the Wirral Peninsula	0
Mortevivum: photography and the politics of the visual Mortevivum: photography and the politics of the visual by Kimberly Juanita Brow	0
The media swirl: Politics, audiovisuality, and aesthetics	0
What is an inclusive city? Reconfiguring participation in planning with geospatial photovoice to unpack experiences of urban belonging among marginalised communities	0
Revisiting the Kahn collection: multimodal artificial intelligence and visual patterns of presence and absence in the Archives de la Planète , 1909–1931	0
Gaming sexism: Gender and identity in the era of casual video games	0
Correction	0
Elaborated images as decolonial praxis	0
Introduction: Visibility, images, Palestine/Israel	0
Soldier snapshots – masculinity, play, and friendship in the everyday photographs of men in the American military	0
Editorial	0
Hand-drawn concept-mapping as a participatory visual method	0
‘Breaking the chains’: reflections on the making of an ethnographic documentary on human rights violations against people with mental illness in Indonesia	0
From bricoleur to carver – A methodological provocation from video ethnographic inquiry	0
The ‘how’ of anthropology: participant observation in New Guinea and Newfoundland	0
La sociologie filmique: Théories et pratiques	0
Waste Not Want Not : art, recycling and community building in a Johannesburg creative collaboration	0
Using cellphilm-making as advocacy: adolescent girls’ access to reproductive health services in primary health care facilities in rural northern KwaZulu-Natal	0
Positive pathways towards authoritarian neoliberalism. On the artist collective GCC, democratic ideals and the United Arab Emirates’ ‘Vision 21’	0
The hidden messages concealed in the 1970s stamp series ‘Landscapes of Israel’	0
Addressing corruption through visual tools in India: the case of three civil society initiatives and their Facebook pages	0
Political storytelling of Ekrem İmamoğlu on Instagram during 2019 Istanbul mayoral elections in Turkey	0
‘All the good spots are already taken’: the visual properties of interior social sceneries	0