Visual Studies

Papers
(The TQCC of Visual Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Fabricating Lureland: A history of the imagination and memory of Peacehaven, a speculative interwar garden city development by the sea11
With images in mind, 20229
The techno-politics of programming vision7
What is an Image? Roundtable transcription, International Visual Sociology Association annual conference, 16 September 20227
Oak tree, gum tree: screen collaborations across time zones, 20227
The image is a cure7
Untitled (Maestra) 20226
Social Fabric: Art and Activism in Contemporary Brazil Social Fabric: Art and Activism in Contemporary Brazil edited by Maria Emilia F6
Visual Studies X The Open Eye Gallery: interview with Open Eye Director Sarah Fisher and Curator Mariama Attah6
Walker Evans: No politics5
‘Let us teach our children’: Online racism and everyday far-right ideologies on TikTok5
Three stories of one truth? Visual framing of AP, CNN & FOX news Instagram coverage of the 2020 US presidential candidates4
The crisis of ugliness: From cubism to pop-art4
Past caring: archive, affect, and whiteness in digital colourisation4
Nervous systems: Art, systems, and politics since the 1960s4
The Aesthetics of Global Protest; Global Activism and Art and Conflict in the 21st Century4
No selfies: the social world of autistic male adults as depicted in their everyday photographic practices3
The future of visual studies live roundtable. International Visual Sociology Association 40th annual conference, 7 July 20213
Human Flow: Stories from the Global Refugee Crisis and How Media and Conflicts Make Migrants3
Smells: A cultural history of odours in early modern times3
The Astronomer's Chair: A Visual and Cultural History3
Images among images: a map scholar response3
Response to questionnaire: visual studies now3
Re-staging American triumph as American carnage3
Emoji and social media paralanguage3
The eyes of scallops and the creativity of submarine animals: convergence and conflict in science, philosophy and art3
Embodying parkour’s visual subculture: ethos, style and the emergence of a visual habitus3
Response to the ‘visual studies now’ questionnaire for Visual Studies3
The experience of visuality and socially engaged practice3
Cosmopolitics of the camera: Albert Kahn’s archives of the planet3
A photographic essay on socio-economic organisation – temporary shelters in Kelowna, British Columbia (Canada)2
The architecture of disability: buildings, cities, and landscapes beyond access The architecture of disability: buildings, cities, and landscapes beyond access by David 2
The dual vehicle of politics and art: an exploration of Chinese animation in the ‘Seventeen Years’ period (1949–1966)2
Breathing aesthetics2
Visualising gendered space and informality: a photo essay2
Earthquakes, communities and heritage: Telling stories of resilience through co-designed immersive media2
From pages to posts: the evolution of memory-making from scrapbooking to Instagram2
The spectacle of demonstration: visual representation of political imagination during the coronavirus crisis2
A visual essay of everyday life at the Finnish-Russian border after (and before?) the Iron Curtain2
‘I went there to live’: A case-study of Šarūnas Bartas’s Tofalaria and Few of Us2
Remembering and forgetting: using photographs as social artefacts in an aged care setting2
COVID diaries: quotidian snapshots of life during the pandemic2
Monitoring North Korea: a visual autoethnography of humanitarian-aid practices2
Social semiotic analysis of photographic portrayals of Iranian elders on websites2
Embracing new paths in visual research facilitation: opportunities, tensions & ethical considerations2
The influence of iconography and tempera painting techniques on the Chinese school of art2
The church of skinny: autoethnographic interpretations of eating disorder experiences2
Tidepools: using film-based ethnography to explore Black and Latino students' experience of community college2
Building culture: constructing visual continuity in Hangzhou before G202
Citizens’ photography: a comparative analysis2
The Routledge companion to art and disability2
Visualising the iconography of anti-colonial and anti-apartheid heroes and heroines in Tshwane (Pretoria), South Africa2
Stencil in the centre of Athens2
Semantic macro-structures and macro-rules in visual discourse processing2
Lewis Carroll: photography on the move; Singular images, failed copies: William Henry Fox Talbot and the early photograph1
Graphic medicine’s golden age?1
CODA: visual studies now1
Sporting blackness: Race, embodiment, and critical muscle memory on screen1
Visuality and Parrēsia : Ai Weiwei’s countervisual re-enactment of Alan Kurdi’s image1
Resilient rebound: a visual essay on materials science researchers confronting plastic pollution in the post-COVID-19 era1
A theory of assembly: From museums to memes1
The street photography of Garry Winogrand1
Quiet Spaces: Public Places – visual representation of vulnerable identities1
Counter narrative of President Buhari’s narrative on Nigerian youths with visual images and texts on Facebook1
Visual culture studies: twenty years later1
Wake up, this is Joburg1
Unfolding the entangled geosemiotics of technologically-mediated gated communities:Mountain View’s (2021) advertisement as a case study1
The patchwork method: on David Redmon and Ashley Sabin1
Syrian refugees’ vision for quality education in a Lebanese public school: a participatory visual research1
When the cannons roar, comics panels fall silent: on silent representations of traumatic events in Israeli comics and graphic novels1
Collaboratively videoing mobile activities1
Decoding the symbolic storm fuelling Greek far-right politics: a visual essay1
‘What do we see when we look at people on the move’? A visual intervention into civil sphere and symbolic boundary theory1
Signs of change: community, collective action, and gentrification in Brooklyn, New York1
Tracking transitions: an ethnographic visual study of the manual sand miners in Bihar, India1
Response to questionnaire: visual studies now1
Questionnaire: visual studies now1
Protecting the future ‘Us’: a rhetoric-performative multimodal analysis of the polarising far-right YouTube campaign videos in Finland1
The Routledge international handbook of ethnographic film and video1
Ethnograglimpses: Notes on the 10th edition of the Ethnografilm festival in Paris1
Digital Tarkovsky1
Naked modernisation: the rise and fall of the erotic humour magazines in 1930s Turkey1
Media and conflict, co-constitutive reflecting practices1
Dolors project: art-based polyethnography evoking contemporary rural mothering through photography, dance and chapbooks1
What is an image in the digital age?1
Degenerate ecocinema: indexing entropy with drones1
New species in the Mediterranean: a visual essay on human impact on biodiversity1
The business of postcolonial immigration: marketing of immigration services in Punjab, India1
Editorial1
A room of your own: photographs of situations of well-being taken by patients suffering from a stress-related illness1
Likeness in the age of new media: on the endless mutability of images1
The unlimited joy, ‘once you start you can’t stop’: masculinity in domestic technology commercials in Turkey1
Looking into Visual Studies1
Miao traditional patterns: the origins and design transformation1
Familia, 20181
Reconfiguring spaces in FARC’s demobilisation camps: the cases of Tierra Grata and Pondores, Colombia1
Cold War Camera1
Panoptical forms in thriller films1
‘DON’T TOUCH ANYTHING’: tactility, COVID-19, and graphic medicine1
Action camera: First person perspective or hybrid in motion?1
Community as Rebellion: A Syllabus for Surviving Academia as a Woman of Color1
Editorial1
No heritage found on map: the vanishing villages of Hong Kong1
From making visible to hiding. Visual representations of financial markets as tools of manipulation and active and living agents1
The semiotic remediation of hardtack biscuits during World War One1
‘Undressing the Icon/Visualizing the habitus.’ Series 1: Jean-François Clervoy (ESA/NASA)1
(W)ARCHIVES: Archival imaginaries, war, and contemporary art1
Building material languages of trauma: in conversation with Laura Magnusson1
Epidemics, public health workers, and ‘heroism’ in cinematic perspective1
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