Visual Studies

Papers
(The TQCC of Visual Studies is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
A photographic essay on socio-economic organisation – temporary shelters in Kelowna, British Columbia (Canada)17
Photography and reality. Reflections around the role of the photographer among photo students in Russia and Sweden13
Ephemeral literacies: reflecting on the impermanence of maize reading divination11
Images among images: a map scholar response11
On AI colourisation: algorithms, ancestry, and colour beyond the black box9
The faces of Auschwitz: digital colourisation, ethics and the archive8
The patchwork method: on David Redmon and Ashley Sabin7
Community as Rebellion: A Syllabus for Surviving Academia as a Woman of Color6
Dolors project: art-based polyethnography evoking contemporary rural mothering through photography, dance and chapbooks6
Naked modernisation: the rise and fall of the erotic humour magazines in 1930s Turkey5
New species in the Mediterranean: a visual essay on human impact on biodiversity5
No heritage found on map: the vanishing villages of Hong Kong5
Reweaving memory: Taiwan’s last coal miners5
Gentrification and changing visual landscapes: a Google Street View analysis of residential upgrading and class aesthetics in Hamilton’s Lower City5
Tracking transitions: an ethnographic visual study of the manual sand miners in Bihar, India5
Design cards as visual interventions: visualising and visioning net zero futures5
The distinctive reality of schizophrenia in Swallow Me Whole and HOAX Psychosis Blues : exploring comics a4
Editorial4
Black modernisms in the transatlantic world4
Visualising enclosure: the architecture of separation in campus life4
Editorial4
The shape of Utopia: the architecture of radical reform in nineteenth-century America4
Neither spectacular nor ordinary: a visual essay on imaginations and homes in Beijing from 2007 to 20194
Romaphobia and mainstreaming of nativism: visual representations of Roma during the Brexit referendum in the UK4
Prosody: an ode to the city4
Capital modernisation: a photographic analysis of Lisbon’s urban transformation from the mid-nineteenth century to the eve of World War I4
Dressing and undressing Duchamp4
Howard S. Becker and visual sociology3
Turning to the imaginary: Stuart Hall’s interventions in visual arts and cultural studies3
Difficulties with diversity: reflections on representation in sandboxing studies3
Spaces in between: using the Zwischenraum to explore the archiving practices of young expats in Berlin3
Elaborated images as decolonial praxis3
A critical assessment of the Russian-language literature in the field of visual culture3
Using cellphilm-making as advocacy: adolescent girls’ access to reproductive health services in primary health care facilities in rural northern KwaZulu-Natal3
Rebel imaginings: street art in Yogyakarta, Indonesia3
Being specific about ‘digital images’3
Copyright as an ethical dimension of visual research: preserving ownership across the research process3
Creating counter-landscapes: art-based research in two logistics parks in Frankfurt am Main and Kassel (Germany)3
The social life of private thoughts3
Interpreting visual meaning: analysing photo-elicitation interviews through the levels of visual framing3
Pygmalion in the archive: the mythic desires of colourisation3
Living in post-Brexit Britain during the pandemic: how did it feel for EU citizens?3
Survival and social support networks: visual narratives of labour market integration among highly skilled African immigrants in Quebec3
‘Breaking the chains’: reflections on the making of an ethnographic documentary on human rights violations against people with mental illness in Indonesia3
Designing Chineseness: an interview with Mingxuan Shen on the New Wonton typeface3
Editors’ introduction3
Kejawen tradition and sacred water practices in Central Java, Indonesia2
Editorial2
Dandelions in the mirror: identity construction and family dynamics in a case study of Chinese lesbians2
A visual essay of everyday life at the Finnish-Russian border after (and before?) the Iron Curtain2
Graphic journeys: virtual dark tourism in Joe Sacco’s Palestine and Footnotes in Gaza2
Editorial2
Reimagining food systems and food futures: a visual approach2
Editorial2
Visualizing entrenched historical trauma and inherited fear: a linguistic and semiotic landscape account of Jakarta’s traditional Chinatown Glodok2
Making a scene!: How visionary individuals created an international photography scene in Houston, Texas2
Earthquakes, communities and heritage: Telling stories of resilience through co-designed immersive media2
Imagining the city2
Unfolding the entangled geosemiotics of technologically-mediated gated communities: Mountain View ’s (2021) advertisement as a case study2
Visual stratification and algorithmic hegemony in digital visual culture of China2
Looking at Laurie; reconsidering an image of ‘madness’2
Social semiotic analysis of photographic portrayals of Iranian elders on websites2
Graphic interventions on child sexual abuse: the case of Indian narratives2
Wake up, this is Joburg2
A theory of assembly: From museums to memes1
The time of the landscape: On the origins of the aesthetic revolution1
What is an image in the digital age?1
Editorial1
Juxtaposition and visualising the middle ground in the unequal city1
Co-producing place narratives: participatory visual storytelling through the lens of youth1
Decoding the symbolic storm fuelling Greek far-right politics: a visual essay1
Decoding visual culture1
Building culture: constructing visual continuity in Hangzhou before G201
Sounding of the idols. Visual deception and religious images in Brazil1
Everything to Play For: How videogames are changing the world1
Reading Reisewitz’s Altamira: An Analytical and Evocative Photo-Study Altamira1
Embodying parkour’s visual subculture: ethos, style and the emergence of a visual habitus1
Visual ethnography of the Dandari Gusadi festival of the Raj Gonds of Telangana, India: focusing on the social and ceremonial cultural expressions1
Lettuce grow in the city1
Moving boundaries: visual sociology meets border studies1
Topologies of air1
Radicalisation in competitive authoritarian contexts: visualising refugees with DIY media1
Syrian refugees’ vision for quality education in a Lebanese public school: a participatory visual research1
Protecting the future ‘Us’: a rhetoric-performative multimodal analysis of the polarising far-right YouTube campaign videos in Finland1
#EverydayNile Correspondences1
‘Let us teach our children’: Online racism and everyday far-right ideologies on TikTok1
Other Lines: visualising shifting horizons and atmospheric pollution along the Wirral Peninsula1
The image is a cure1
Rethinking fashion photography: reconstructing identities, decolonising bodies and resistance in postcolonial Morocco1
The 360 diary method in experiential education: using social media as a complementary method to interviews and audio diaries1
Remembering Rob Boonzajer Flaes1
From pages to posts: the evolution of memory-making from scrapbooking to Instagram1
Visions and divisions of the world: the case of the Pallaqueras in Artisanal Small-Scale Gold Mines in Southern Perù1
The eye of capital. Jonathan Crary and the history of attention1
Coming off fossil fuels: Visual recollection of fossil fuel dependency1
The coloniality beneath the aesthetics: a study on the reclining female schema in modern Chinese photography1
‘It’s all about connecting’: using visual methods to surface the multisensory and more-than-human dimensions of health information1
Visual arts: imagining ashanzhaicity in twenty-first century China1
Finding the local (meta)picture1
Sensitive content1
The unlimited joy, ‘once you start you can’t stop’: masculinity in domestic technology commercials in Turkey1
Dirty pictures1
Methodology for a comparative quantitative analysis of film colour: a comparison between Cannes and box-office results1
‘There were days I felt empty’: care, affect, and graphic medicine1
Macao and Hengqin on China’s southern coast: aesthetic reading of infrastructural materiality and island integration1
Affective atmospheres in Macau: from the sublime to the uncanny1
Sociomateriality and infrastructure in action: the politics of border design through ethnographic photography1
Whom to Follow: The Staged Satire of Chinese Education in Wang Qingsong’s Photography1
Critical visual approaches to understand the complexities and contradictions of the city: introduction to the special issue for Visual Studies1
Visualising state-led gentrification in Tāmaki, Auckland1
Empty homes: filming homeownership in rapidly urbanising China1
The baggage of representation: man with a red carrier bag searching for a signal1
Emoji and social media paralanguage1
Gazing through the window: A participatory Covid-19-exhibition for a nation in crisis1
Embodying Art – How We See, Think, Feel, and Create1
Introduction: Visibility, images, Palestine/Israel1
A study of transgender: in the reflection of historical context and contemporary artistic expressions of Lahore, Pakistan1
A room of your own: photographs of situations of well-being taken by patients suffering from a stress-related illness1
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