Textile-Cloth and Culture

Article	Citations
The Fabric of Our Lives: Reflections From Maria Balshaw	9
The Lesbian Quilt Manifesto	6
The 4th Hangzhou Triennial of Fiber Art The 4th Hangzhou Triennial of Fiber Art , Zhejiang Art Museum, October 18 – December 5, 2022	6
Introduction: Cloth and Textile in Translation	5
Designing Dua Negeri (Two Countries) Batik Influenced by Indonesia and Thailand Shared Culture to Enrich the Batik Repertoire in Both Countries	5
Authenticity and Place-Based Knitwear: Fair Isle and Aran Knitting in Shetland and the West of Ireland	5
Eva Obodo’s Recent Works: Tied, Twisted Textiles and Social Life in Nigeria Eva Obodo’s Recent Works: Tied, Twisted Textiles and Social Life in Nigeria	4
The Lives behind the Luxurious Threads: Beleaguered Sustainability of Kashmir’s Pashmina Artisans	4
Terroir in a Dress. Understanding Antwerp-Style Fashion	4
In Kind: A Dialogue on Repair	4
“Out of Place”: Cross-Cultural Collaboration and Virtual Space	4
Traditional Woven Bags from Hakkâri Province	3
Tate Britain Commission: Hew Locke's The Procession	3
STEAM at Work: “Translating” Science into Dress	3
The Dementia Darnings	2
Yarn over Police Brutality: Race and the Occupation of Rochester City Hall’s Steps during the Daniel Prude Protest	2
SLOW CLOSE LOOKING: Inside The Davis Street Drawing Room	2
Textiles: Tracing Our Presence	2
The Hidden Potential of Textiles: How Do They Heal and Reveal Traumas?	2
A Costume Analysis of the Film “Lost in Translation” (Coppola, 2003)	2
Exhibition Review	2
Tradition, Change and Meaning: Textile Banners of the Durham Miners’ Gala	2
Clothing Death: Harry Clarke’s Designs for Edgar Allan Poe’s Dead Brides, from Word to Image	2
A Brief Introduction to Body-Oriented Parametric Design for 3D-Printed Fashion and Textiles	2
Annet Couwenberg: Altering Patterns	2

Janet Kennedy: A Life in Color	2
Knitting and Everyday Meaning-Making	2
Photographs of Jewish Clothing in Nazi Germany and the Shoah: Visual Records of Economic Assaults, Exploitation, and Plunder	2
Stab It, Strangle It1: Media Representations of Knitters, and Subversions of the Stereotype to Reflect Inclusion and Diversity	2
Life after Death: A Saree as Memoir	2
The Loom of Legacy: Deciphering Banarasi Craftsmanship	1
Beyond Representationalism: The Performative Materialities and Affective Dimension of Lin Tianmiao’s the Proliferation of Thread Winding	1
On Not Looking Jewish: Visualizing Submerged Memories and Appearances	1
Stitching a Divided City	1
Made Done and Mended: Textiles Salvaged, Saved and Sewn	1
Traditional and Contemporary Facets of String Puppets of Rajasthan	1
Cultural Textiles in Italy: Analyzing Pictorial Weaving in Graziella Guidotti’s Dentro il verziere (Inside the Orchard)	1
A Comparative Study on the Techniques, Tools and Materials for Indigenous Weaving in Ghana	1
Magdalena Abakanowicz: Every Tangle of Thread and Rope , London, UK: Tate Modern, 17 November 2022 to 21 May 2023 Magdalena Abakanowicz: Every Tangle of Thread and Ro	1
A Heritage “Nettle” Sheet Reveals the First Physical Evidence of a Hemp/Hop Textile from Denmark	1
Celebrating 10 years of Wari Watai. Cu Fibers 2024 – Objects	1
What is to Hand: The Fold as Landscape Within Textile Imagination	1
Bark/Birch/Birkenau (A Conversation with Giuseppe Penone, Georges Didi-Huberman and Gerhard Richter)	1
Leather Craft of Chamba: Heritage of Royality	1
Phad: The Scoping Review of Ritualistic, Performative Audio-Visual Folk Tradition of Rajasthan	1
Communication and Challenges of Capacity Development: A Case Study of Bagru Hand Block Printing	1
An Ethical Approach to Sericulture: Production of Peace Silk in Hatay/Turkey	1
Masked Narratives: Manifestations of a Disaster	1
Poland in Blue: The Phenomenon of the Denim Clothing Industry in Polish Society During the Socialistic Period	1
Weaving Webs of Protection: Gringsing Textiles	1
The Historical and Cultural Legacy of Muslin in South Asia: From Colonial Decline to Contemporary Revival	1
A Knot Dress to Encapsulate Its Maker’s Wish	1
Lace as A Cultural Element in Turkish Home Decoration	1
Ties That Bind or Exclude? Knitting and Craft Groups as Contested Spaces of Inclusion and Exclusion	1
Weaving as a Livelihood Option: A Study of the Bhulia Weaver Community in Odisha, India	1
Shapes of Movement, in Weaving and in Architecture	1
Queering the Subversive Stitch: Men & the Culture of Needlework	1
The Culture Process Applied to the Hñahñu Artisanal Textile Embroidery in Mexico	1
Costume and Culture: Indigenous Tribes of the Himalayas	1
Sustainable Craft Design Systems for Handloom Weavers	1
The Twofold Manifestation of Perfectionism in Textile Craft: Experiences of Self-Identified Perfectionists	1
Thread Bearing Witness at the Somerset Rural Life Museum, Glastonbury	1
Caring Through Cloth: Textiles and the Trauma of Stillbirth	1
Knitting Close to the Edge	1
In Praise of the Scarf: Its Role as Social Skin in Rites of Passage	1
Strengthening Batik Character Using Sundanese Cultural Background (Case Study: Hasan Batik of Bandung Batik Pioneers)	1
Exhibition Review	1
Stitching New Life into Old – A Commission of a Coat	1
Clothing, Emotion and Consumption in Colonial New South Wales	1
Bandolier Bags and Indigenous Modernism	0
Transforming Discarded Denim into Interior Art Through Box Furniture Design	0
The Story of the Karuna Textile Doll	0
Deco Dandy: Designing Masculinity in 1920s Paris Deco Dandy: Designing Masculinity in 1920s Paris , John Potvin, Manchester: Manchester University Press, 2020. 300 pp.	0
British Textile Biennial: Affirming the Roots of Textiles in East Lancashire and the Contemporary Curatorial Venture	0
Risky, Subversive, and Deviant? A Criminological Analysis of Guerrilla Knitting	0

Sustaining Traditions: A Study of Guledgudda Khana Weavers	0
When Life Hangs by a Thread: Representations of Covid-19 by the Mapula Embroidery Project	0
A Return Through the Origins of Modernity … Pishi-pishimanta, awaspa, ñawpa kawsayniyta, saphiykunata, tarishani …	0
The Reflection of Ancient Ages Ganos Mountain Byzantine Amphoras on Fabric and Clothing Design	0
Sustainability: Repurposing Textile Wastes for Visual Artwork Using “Orifabrics”	0
Shakespeare in Rajasthan: Character, Emotion, and Gesture in Clothing	0
The Power of Padma. Forever is Now Vol 3 Exhibition at the Pyramids of Giza in Egypt, November 2024	0
İmren Erşen Oya Müzesi İmren Erşen Oya Müzesi , Permanent Collection, Eskişehir, Turkiye: Eskişehir Büyükşehir Belediyesi	0
Changing Identity in Chinese Fashion: Self-Choice and Preference During Late Qing Dynasty and Republican China	0
Ob-La-Di, Oc-to-Pus (Life Goes on): a Modern Métis Fire Bag (2021)	0
Creativity and Design in a Contemporary Knitwear Business: An Interview with Di Gilpin and Sheila Greenwell	0
Ottoman Dress and Design in the West: A Visual History of Cultural Exchange	0
Protecting “Paradise”: Anti-Nuclear Textiles in New Zealand	0
Selected Indigenous Ethiopian Traditional Weaving Designs for Beauty and Diversity of Ethiopian People	0
Identification of Blended Hemp Textiles from the Middle Ages to the 20thCentury	0
Abra Abel : A Tapestry of Abrenian Culture and Heritage	0
Life, after Life: Textile Crafts in India and Communities of Practice	0
Janyak: Armenian Art of Knots and Loops	0
Embroidering the Traumatized “Cloth-Skin-Body”: Suffragette Embroidered Cloths Worked in Holloway Prison, 1911–1912	0
Economic Effects of Covid-19 on the Indian Carpet Industry	0
Natural Practices: The Creative Autonomy Encoded within First Nations Dye and Weaving Processes of the Chilkat Blanket	0
Knitting Algorithmic Assemblages	0
The Common Thread. Collected Essays in Honor of Eva Andersson Strand	0
Hand Loom Weaving: The Threading of Kairos and Phronesis	0
The Big Rainbow Knit: Revisiting Craftivist Practices through Place-Based Making	0
Re-Engineering Nubi : A Design-Driven Approach to Cultural Sustainability in Korean Fashion/Textile Practice	0
Thread - An exhibition of Contemporary Textile Practices	0
Weaves and Voices: Tracing the Journey of the Indian Saree	0
This Long Thread: Women of Color on Craft, Community, and Connection,	0
Threads of Empowerment. Conflict Textiles’ International Journey , Ulster Museum, Belfast, June 21, 2024–April 27, 2025	0
Is Upcycling the Best Approach for Designers to Contribute to Sustainable Textile Industry?	0
Lederhosen,Dirndl, and a Sense of Belonging: Jews andTrachtenin Pre-1938 Austria	0
Made in Italy: Translating Cultures from Gucci to Dapper Dan and Back	0
Fashionable Traditions: Asian Handmade Textiles in Motion	0
Exhibition Review	0
The Nexus Between Crime and Textiles: Exploring the Sustainability Strategies of Ghana’s Textile Industry Through the Lens of Routine Activity Theory	0
Jewish Beauty Pageants in Interwar Poland: Entertainment, Beauty Ideal, and National Emotions	0
Fabric: The Map of Our Lives	0
Traditional Woolen Namda (Felted Fabrics) from Tonk, Rajasthan: A Livelihood Initiative for Rural Women	0
Exhibition Review	0
Alluring Monotony + Luminous Grids	0
A Hybrid Alternative for Mobile Generations: Fashion Interior as a Portable Architecture for Indonesian Millennials	0
Australian Aboriginal Textiles: Value Beyond Fashion	0
Knit is a Four-Letter Word	0
Tiwi Textiles Design, Making, Process	0
Rozanne Hawksley	0
Weaving Beyond the Binary	0
Exploring Cultural Value and its Sustainability of Balinese Handwoven Textiles	0
Beyond Phu-Tai Matmii Handwoven Silk Fabric: Weaving Pattern Design, Ancestral Wisdom, and Originality	0
Embodying the Mind: Anagrammatical Storytelling in Harriet Powers’ Pictorial Quilt II	0
“The Other Side of the Brocade”: Translating Fashion Blogs and Data Mining	0
“Authentic and What Real Muslims Wore”: Medieval Textiles as a Source of Religious Authenticity in Contemporary Knitting Patterns	0
The Predicament of Suzhou Embroidery: Implications of Intangible Cultural Heritage in China	0
Knitting: The Destructive Yarn-Bomb	0
Encoding Fashion, Decoding Identity: Patrick Kelly’s Southern Queer Esthetics Through Stuart Hall’s Theory of Representation	0
Embroidery as Activist Translation in Latin America	0
Bisa Butler: Portraits	0
Textile Memories Textile Memories: Copenhagen, Denmark: HEIRLOOM Center for Art and Archives, 4 November 2022 – 8 January 2023	0
Styling the “Ivy” Man: Jewish Men as Creators and Consumers of an American Style, 1940–1965	0
Beyond Weaving: Transdisciplinarity and the Bauhaus Weaving Workshop	0
Japanese Women’s Body Politics, Focusing on Clothing/Textiles in Pre- and Post-World War II Japanese Culture on Film	0
Annet Couwenberg: Sewing Circles , Annet Couwenberg: Sewing Circles , Symmes Gardner, Annet Couwenberg, Caroline Kipp, Lori Rubeling, Mary Savig, Balt	0
Embroidered Voices: Exposing Hidden Trauma Stories of Apartheid	0
Fashionable Bauhaus: Translating the Bauhaus Esthetics into Textile and Fashion Design	0
A Designer’s Perspective on a Creative Era in Knitwear Design: British Fashion Knitwear 1970–1990	0
Weaving Climate: Harris Tweed as a Living Map of Environmental Change	0
Textiles and the Acknowledgement of Unidentified Dead	0
Jewish Dress through Visual Sources: An Introduction	0
Introduction: Textiles and Trauma	0
Performing Reparative Craft: Oreet Ashery’s Passing through Metal	0
Textile Weaving (Aṣọ-Òkè) at Ologbin-Adewole Northern Yorubaland, Nigeria	0
Lesbian Knitting: From Self-Sufficiency to Self-Representation	0
“To Buy Him a Pair of Gloves”: Glove Etiquette, Fashion Consumption and the Building of Respectable Images in The Newcomes	0
Constructed Masculinities: Unpicking Working-Class Masculinities through Knitting	0
Modern Confections: Jews, New Women, and the Business of Fashion in Imperial Berlin	0
A Revival for Thailand’s Textile Traditions: New Value for Local Materials (Eri Silk) through Art Practice	0
Fashion, Gender and Agency in Latin American and Spanish Literature Fashion, Gender and Agency in Latin American and Spanish Literature	0
Dinh Q Lê, Photographing the Thread of Memory Dinh Q Lê, Photographing the Thread of Memory , Musee du quai Branly – Jacques Chirac, 37 Quai Jacques Chirac, 75007 Paris,	0
Dad's Shirts	0
Challenges and Scope of Development: A Case Study of Paithani Weavers of Maharashtra (India)	0

I Craft Affect into Experimental Cloth Formations	0
Judith Scott: Capturing the Texture of Sensation	0
Rasam Pagdi: Performing Textile Masculinities	0
Correction	0
The Afterlife of Early Modern Images of Jews	0
Stranded Iconographies: The Journeys of Tapestries from Rorke’s Drift, 1965	0
Exhibition Review	0
Exhibition Review “I Write the Needles Praise” : A Century of Sampler Making, 1630s–1730s, Witney Antiques, November 7–26, 2022	0
Poetic Entanglement	0
Chinese Folk Embroidery Bellyband: The Intersection of Loving Symbol, Emotional Release, and Spiritual Needs	0
The Art and Value of Word-Men	0
From Underwear to Outerwear: The Influence of Machinery on Creativity and Garment Styling in the Scottish Knitwear Industry, 1920s–1970s	0
Textures of Understanding	0
Fabrications: Using Knitted Artworks to Challenge Developers’ Narratives of Regeneration and Recognise Manchester’s South Asian Working Class Textiles Businesses	0
Trauma Memory in Stitch, Sound and Word: From the Troubles and Conflict to Reconciliation and Peace	0
Pharad Block Printing: A Cultural Treasure Resurging in Contemporary Times	0
Typology and Fashion Usage Trends of Ankara in the Twenty-First Century South-Western Nigeria	0
Will There Be Womanly Times? Reflections on the Work of Ellen Lesperance	0
Sustainable Pathway for the Indigenous Aso-òkè Fabric	0
Ten Perspectives of the  Gáppte : Materializing Different Ways of Being Sámi	0
The “Authenticity Discourse” in Contemporary Application of West African Textiles	0
Analyzing Beaded Dress Imagery in Ozioma Onuzulike’s Strings the Length of Our Palm’s Seal. ChertLüdde Gallery, Berlin 12 November 2022–21 January 2023	0
Consumption Pattern and the Factors of the Handloom Weavers in Charghat Upazila of Rajshahi District in Bangladesh	0
“An Index of Gentility”: Representations of Needlework inDombey and Son	0
The Ladies Ulster in the 1870s and 1880s: From “Eccentric-Looking” to “Beau Ideal”	0
Dressing Up: “Reading” Costume in the Photograph Albums of Nineteenth-Century Bourgeois Jews	0
Pliable Logic as a Practice-Led Research Methodology for Textile Practice	0
Received, in Shadows and Silence Received, in Shadows and Silence : Review of Do Ho Suh Exhibition at the Museum of Contemporary Art Australia, November 4, 2022–F	0
The New Normal: Textile Crafts in Kutch Amidst the COVID-19 Pandemic	0
MOVING THE NEEDLE: The Australian Embroidery Revolution—Conference Review	0
Re/Assembling the Imaginary: Counter-Narratives of Haiti’s Transnational Textile Industry	0
Aambkapad, Chira, Khun, and more – Intercultural Influences on Fabrics of the Peshwas of Pune, India	0
The Language of Miao Embroidery: Exploring the Traditional “Embroidered Rear Skirt Panels” Worn by the Miao Women of the Huawu Village	0
Maker to Wearer: A Transfer of Intention	0
Textile Garden , July 15–October 30, 2022, Museum für Gestaltung, Ausstellungsstrasse, Zürich	0
Creating Paradise Through a Palimpsest of Textile Higher Education and Community-Based Research	0
Red Cashmere Cardigan, J’adore	0
From Shirts to Arpilleras – Derry’s Textile Heritage Continues	0
Non-Verbal Language of Peshkir Motifs in Turkish Culture: A Case Study of Peshkir Collection in A.R. İzzet Koyunoğlu Museum	0
Traditional Fine Homespun Hemp Linen Fabrics: About Qualities and Usages in Ritual and Secular Contexts	0
“Y Sin Embargo Te Quiero” (And Yet, I Love You): An Ethnographic Study of Economic Policy and Colonial Hegemonies Encoded in the Recommodification of Used Garments	0
In Conversation With Karie Westermann: “Whose Voices Are Loud? Whose Voices Are Being Heard?” Challenging Ideas About “Tradition” in Knitting	0
Khadi Textiles, Women and Rural Development: An Analysis from Past to Present	0
Fashion, Society and the First World War: International Perspectives Fashion, Society and the First World War: International Perspectives	0
Jewish Women, English Dress: From Kindertransport to Women in Uniform in Wartime England	0
Story of Pharad: In the Words of the Artisan	0
Exploring the Traditional Turkish Ucetek Entari of the Late Ottoman Era from the Izmir Ethnography Museum Collection	0
Resisting Occupation Through Cultural Nonmovement: Palestinian Embroidery as a Multipurpose Tool	0
Domestic Trauma: Textile Responses to Confinement, Coercion and Control	0
Stormy Weather: Textile Art, Water and Climate Emergency	0
Neo-Victorianism, Feminism, and Lace: Amy Atkin’s Place at the Dinner Table	0
Technical Thinking on Chinese Embroidered Paintings	0
Exploring Symbolism and Myth in the Motifs of Pashmina Shawls: A Semiotic Analysis	0
Knitwork: Creativity and the Manufacture of British Designer Knitwear in the 1980s	0
Glimpses of Comfort: Embroideries of Self in the Imagined Worlds of Kantha Textiles from Late-Colonial Bengal	0
The Processing of Used Clothing as a Survival Strategy: The Łódź Ghetto Textile Industry in Official Visual Documents of the Judenrat	0
In Memoriam: Curator, Educator, and Editorial Board Member, Linda Eaton	0
Razzle, Dazzle and the Black Fantastic The Black Fantastic , Nick Cave, The Hayward Gallery, South Bank Center, 29th June–18th September 2022 The Processi	0
Translating Tigers: The Visual Rhetoric of Fashion Communication in Kenzo’s Logo	0
Fiber: The Shared Code of Art and Design—On the 2021 Fiber Code Exhibition	0
Body, Dress, and Symbolic Capital: Multifaceted Presentation of PUGREE in Colonial Governance of British India	0
Stains of Significance: Exploring the Stain as a Carrier of Meaning in Monique Lecouna’s Textile Jewelry	0
Coping COVID-19: Karur in the Past, Through the Present and into the Future	0
Undocumented Textiles: Material Expressions of Indian Ocean Identities in Literature	0
Patterns and Programs: Replication and Creativity in the Place-Based Knitting of Shetland and Ireland	0
Contemporary Indigenous Textiles from Australia’s Tropic ZoneContemporary Indigenous Textiles from Australia’s Tropic Zone	0
Braiding the Identity of the Zenú People: Territory and Nature-Culture Relationships in the Crafting of the Vueltiao Hat	0
Introduction: Creativity in Knitted Textiles in Historical Context	0
Western Minimalism in Design: Oriental Roots and Cultural Borrowings	0
Wearing Trauma on Her Sleeve: A Jumlo as a Witness and Recorder of Colonial Boundaries	0