Textile-Cloth and Culture

Papers
(The TQCC of Textile-Cloth and Culture is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
CONTEXTILE2020, PLACES OF MEMORY: Inter-Discourses of a Textile Territory.7
The “Authenticity Discourse” in Contemporary Application of West African Textiles6
Weaving as a Livelihood Option: A Study of the Bhulia Weaver Community in Odisha, India6
Jewish Beauty Pageants in Interwar Poland: Entertainment, Beauty Ideal, and National Emotions4
Embroidery as Activist Translation in Latin America4
Bisa Butler: Portraits4
Weaving Webs of Protection: Gringsing Textiles4
A Return Through the Origins of Modernity … Pishi-pishimanta, awaspa, ñawpa kawsayniyta, saphiykunata, tarishani …4
Fashionable Bauhaus: Translating the Bauhaus Esthetics into Textile and Fashion Design4
What is to Hand: The Fold as Landscape Within Textile Imagination3
Unspooling Die Gramgewinde: Writing with Gunta Stölzl on Grief-Threads and Grief-Portals3
Shakespeare in Rajasthan: Character, Emotion, and Gesture in Clothing2
Deco Dandy: Designing Masculinity in 1920s Paris Deco Dandy: Designing Masculinity in 1920s Paris , John Potvin, Manchester: Manchester University Press, 2020. 300 pp.2
Identification of Blended Hemp Textiles from the Middle Ages to the 20thCentury2
Stitching a Divided City2
A Comparative Study on the Techniques, Tools and Materials for Indigenous Weaving in Ghana2
Story of Pharad: In the Words of the Artisan2
Clothing, Emotion and Consumption in Colonial New South Wales2
A Designer’s Perspective on a Creative Era in Knitwear Design: British Fashion Knitwear 1970–19902
Ties That Bind or Exclude? Knitting and Craft Groups as Contested Spaces of Inclusion and Exclusion2
Styling the “Ivy” Man: Jewish Men as Creators and Consumers of an American Style, 1940–19652
Pliable Logic as a Practice-Led Research Methodology for Textile Practice1
Bark/Birch/Birkenau (A Conversation with Giuseppe Penone, Georges Didi-Huberman and Gerhard Richter)1
STEAM at Work: “Translating” Science into Dress1
The Fabric of Our Lives: Reflections From Maria Balshaw1
Thread Bearing Witness at the Somerset Rural Life Museum, Glastonbury1
“To Buy Him a Pair of Gloves”: Glove Etiquette, Fashion Consumption and the Building of Respectable Images in The Newcomes1
“Y Sin Embargo Te Quiero” (And Yet, I Love You): An Ethnographic Study of Economic Policy and Colonial Hegemonies Encoded in the Recommodification of Used Garments1
Introduction: Textiles and Trauma1
The New Normal: Textile Crafts in Kutch Amidst the COVID-19 Pandemic1
Authenticity and Place-Based Knitwear: Fair Isle and Aran Knitting in Shetland and the West of Ireland1
Designing Dua Negeri (Two Countries) Batik Influenced by Indonesia and Thailand Shared Culture to Enrich the Batik Repertoire in Both Countries1
“Out of Place”: Cross-Cultural Collaboration and Virtual Space1
Tate Britain Commission: Hew Locke's The Procession1
The Big Rainbow Knit: Revisiting Craftivist Practices through Place-Based Making1
The 4th Hangzhou Triennial of Fiber Art The 4th Hangzhou Triennial of Fiber Art , Zhejiang Art Museum, October 18 – December 5, 2022 1
Weaving Beyond the Binary1
The Lesbian Quilt Manifesto1
“The Other Side of the Brocade”: Translating Fashion Blogs and Data Mining1
Introduction: Cloth and Textile in Translation1
Creativity and Design in a Contemporary Knitwear Business: An Interview with Di Gilpin and Sheila Greenwell1
From Shirts to Arpilleras – Derry’s Textile Heritage Continues1
Translating Tigers: The Visual Rhetoric of Fashion Communication in Kenzo’s Logo1
The Reflection of Ancient Ages Ganos Mountain Byzantine Amphoras on Fabric and Clothing Design1
Fiber: The Shared Code of Art and Design—On the 2021 Fiber Code Exhibition1
British Textile Biennial: Affirming the Roots of Textiles in East Lancashire and the Contemporary Curatorial Venture1
Exhibition Review1
Modern Confections: Jews, New Women, and the Business of Fashion in Imperial Berlin1
Threads of Empowerment. Conflict Textiles’ International Journey , Ulster Museum, Belfast, June 21, 2024–April 27, 20251
Natural Practices: The Creative Autonomy Encoded within First Nations Dye and Weaving Processes of the Chilkat Blanket1
Bandolier Bags and Indigenous Modernism1
Maker to Wearer: A Transfer of Intention1
Embroidering the Traumatized “Cloth-Skin-Body”: Suffragette Embroidered Cloths Worked in Holloway Prison, 1911–19121
“Authentic and What Real Muslims Wore”: Medieval Textiles as a Source of Religious Authenticity in Contemporary Knitting Patterns1
Economic Effects of Covid-19 on the Indian Carpet Industry1
The Predicament of Suzhou Embroidery: Implications of Intangible Cultural Heritage in China1
Japanese Women’s Body Politics, Focusing on Clothing/Textiles in Pre- and Post-World War II Japanese Culture on Film1
Textile Memories Textile Memories: Copenhagen, Denmark: HEIRLOOM Center for Art and Archives, 4 November 2022 – 8 January 20231
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