OOIR: Observatory of International Research

Papers

(The TQCC of Twentieth-Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-07-01 to 2025-07-01.)

Article	Citations
Damage and Renewal at the Württembergische Staatstheater, Stuttgart	5
TCM volume 20 issue 3 Cover and Back matter	3
‘Stockhausenesque’: South African Musical Vanguardism during the ‘Durban Moment’	3
Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach	3
Hearing Global Britishness on the BBC'sCommonwealth of Song(1953–1961)	2
Cannibalizing Bach: Villa-Lobos in Europe, 1936	2
Notes on Contributors	2
Mimetic Mechanicity: TheIron Foundryand Vernacular Internationalism in the 1930s	2
Rautavaara'sCantus Arcticus: National Exoticism or International Modernism?	2
Hybrid in Form, Socialist in Content: The Formal Politics ofChŏlgain the North Korean Revolutionary OperaSea of Blood	2
Listening to Radioactive Rubble: Vocal Decay, Gender, and Nuclear Ruination in the Marshall Islands	2
TCM volume 19 issue 2 Cover and Front matter	1
Migration, the Dodecaphonic Diaspora and the Transnational Network of Musical Modernism: The Varied Career of Hans-Joachim Koellreutter	1
Notes on Contributors	1
Attachment after the End: Grief and Repair in Modernist Percussion	1
Notes on Contributors	1
When Donald Trump Dropped the Bass: The Weaponization of Dubstep in Internet Trolling Strategies, 2011–2016	1
Dylan Robinson,*Hungry Listening: Resonant Theory for Indigenous Sound Studies*(Minneapolis: University of Minnesota Press, 2020), ISBN: 978-1-5179-0768-6 (hc); ISBN: 978-1-5179-0769-3 (pb	1
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain	1
TCM volume 19 issue 1 Cover and Front matter	1
Notes on Contributors	1
TCM volume 19 issue 3 Cover and Front matter	1
Graham Griffiths, ed., Stravinsky in Context (Cambridge: Cambridge University Press, 2021), ISBN: 978-1-108-42219-2 (hb).	1
The Repercussions of George Rochberg's Rubble Rhetoric	1
Representations of Metaphysical Temporality in the Libretto of Einojuhani Rautavaara's Vincent with a Corresponding Resemblance to Alban Berg's Wozzeck	1

TCM volume 20 issue 2 Cover and Back matter	1
When Is It Modernism? A Lesson from Indonesian Musik Kontemporer	1
John Howland, Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music (Oakland: University of California Press, 2021), ISBN: 978-0-520-30010-1 (hb), 978-0-520-30011-8 (p	0
On Censorship, Silence, and Rubble: Reflections on the Destruction of a Performance Venue in Mexico City	0
‘Seeing’ Music in Early Twentieth Century Colonial Algeria	0
All Songs Considered: The Persuasive Listening of Music Podcasts	0
The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India	0
Audiovisual Warfare: Music and International Persuasion in Documentary Films during the Spanish Civil War	0
Valentin Kruchinin and the Queen of Mars: Early Musical Traces of Soviet Sci-Fi	0
Neoliberal Reason, Contemporary Music, and Proximal Critique	0
Introduction to the Special Issue on Music and Democratic Transition	0
Robert Wannamaker, The Music of James Tenney, 2 vols. (Urbana, IL: University of Illinois Press, 2021), ISBN 9780252043673 and 9780252043680.	0
Iannis Xenakis in Argentina: Reception, Dialogues, and Exchanges	0
Through the Lens of Socialist Realism: Nikos Skalkottas's Turn to Tonality in the 1940s	0
Notes on Contributors	0
Philip Ross Bullock and Daniel M. Grimley (eds.) Music's Nordic Breakthrough: Aesthetics, Modernity, and Cultural Exchange, 1890–1930 (Woodbridge: Boydell Press, 2021), ISBN: 978-1-78327-568-7 (hb).	0
Notes on Contributors	0
Michiko Toyama Disrupts the Historiography of Modernism	0
Benjamin Steege, An Unnatural Attitude: Phenomenology in Weimar Musical Thought (Chicago and London: University of Chicago Press, 2021), ISBN: 978-0-226-76298-2 (cloth).	0
Destroying the Imagined City	0
Autoplaying, Unmuting, Attending: (Re)formatting the Twenty-First-Century Digital Sensorium	0
Francoism, Urban Displacement, and Nostalgia in Flamenco Dance from Seville	0
Breakdowns and the Aesthetic of Disorientation in Festival-House Music	0
The Forty Part Motetin New York City after 9/11	0
‘Irrational Nuances’: Interpreting Stockhausen'sKlavierstück I	0
Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge (eds.), The Science-Music Borderlands: Reckoning with the Past and Imagining the Future (Cambridge, MA: MIT Press, 2023), ISBN: 978-0-2	0
The Eternal Path between Sound and Sense: Luciano Berio's Linguistic Exploration in Sinfonia and Coro	0
Rethinking Post-Authoritarian Chile through Its Popular Music	0
The Musical Text: Theorizing Openness after Structuralism	0
Minjung Kayo: Imagining Democracy through Song in South Korea	0
Whiteness and the Problem of Colourblind Listening: Revisiting Leonard Feather's 1951 Blindfold Test with Roy Eldridge	0
Brian Kane, Hearing Double: Jazz, Ontology, Auditory Culture (New York: Oxford University Press, 2024), ISBN 978-0-190-60050-1 (hb).	0
Julian Johnson, After Debussy: Music, Language, and the Margins of Philosophy (New York: Oxford University Press, 2020), ISBN: 978-0-190-06682-6 (hb)	0
TCM volume 20 issue 1 Cover and Front matter	0
Challenging Historiographic Assumptions: Opening Up Serialism with Pierre Boulez's Don	0
Jessie Fillerup, Magician of Sound: Ravel and the Aesthetics of Illusion (Oakland, CA: University of California Press, 2021), ISBN: 978-0-520379-886.	0
Whiplash, Buddy Rich, and Visual Virtuosity in Drum Kit Performance	0
Notes on Contributors	0
‘Why, Miles, what a funny song! Did I teach you that?’: The Turn of the Screw, Reading, Imagination, and the Uncanny	0
Hearing the Musical Resonances of Catastrophe	0
The Panama Songs: Colonial Structures in US Popular Music between 1900 and 1920	0
Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media	0
Gascia Ouzounian, Stereophonica: Sound and Space in Science, Technology, and the Arts (Cambridge and London: MIT Press, 2020), ISBN: 978-0-262-04478-3 (hb).	0
TCM volume 20 issue 1 Cover and Back matter	0
The Musical Idea Work Group: Production and Reception of Pre-existing Music in Film	0
‘The Timpani Beats Just Hit on My Heart!’ Music, Memory, and Diplomacy in the Philadelphia Orchestra's 1973 China Tour	0
Carol Vernallis, Holly Rogers, Selmin Kara, and Jonathan Leal (eds.), Cybermedia: Explorations in Science, Sound, and Vision (New York: Bloomsbury Academic, 2022), ISBN 978-1-50135-704-6 (hb).	0
Notes on Contributors	0
Rock-a-Cha-Cha: The Erased Impact of Latin American Music on the Rhythmic Transformation of US Popular Music	0
Before and Besides Werktreue: (Re)inventing Operatic Staging at the 1930s Maggio Musicale Fiorentino	0

Colonialism, Cosmopolitanism, and Nationalism: The Performativity of Western Music Endeavours in Interwar Shanghai	0
(De)constructing Argentine Women: Gender, Nation, and Identity in ‘Alfonsina y el mar’	0
TCM volume 19 issue 3 Cover and Back matter	0
Introduction to the Special Issue on Global Musical Modernisms	0
Notes on Contributors	0
TCM volume 18 issue 3 Cover and Front matter	0
Notes on Contributors	0
Transcending the Past: Singing and the Lingering Cold War in the Korean Christian Diaspora	0
Radio, Consumer Culture, and Nationalism in Mexico's Campaña Nacionalista, 1931–1934	0
Dark Virtuosity: Violin Symbolism in Alberto Iglesias's Score for Pedro Almodóvar's FilmThe Skin I Live In(2011)	0
Music Deferred: A Reappraisal of the Legacy of Pierre Schaeffer's Treatise on Musical Objects (1966)	0
Ross Cole, The Folk: Music, Modernity, and the Political Imagination (Oakland, CA: University of California Press, 2021), ISBN: 978-0-52038-373-9 (cloth).	0
Forgotten Pasts and Imagined Futures: The First International Webern Festival and the 1962 Seattle World's Fair	0
Against ‘John Cage Shock’: Rethinking John Cage and the Post-war Avant-garde in Japan	0
TCM volume 19 issue 1 Cover and Back matter	0
The Songs of Fire (1975): Sonic Narratives of Resistance and Collective Memory	0
Nicholas Jones and Richard McGregor, The Music of Peter Maxwell Davies (Woodbridge: Boydell Press, 2020), ISBN: 978-1-78327-483-3 (hb).	0
‘A Collation of Badly Disguised, Well-Known Themes’: Shostakovich Symphonies in the Parisian Press, 1936–1946	0
Budhaditya Chattopadhyay, The Auditory Setting: Environmental Sounds in Film and Media Arts (Edinburgh: University of Edinburgh Press, 2021), ISBN 9781474474382.	0
TCM volume 20 issue 2 Cover and Front matter	0
Bibliography	0
Musical Submersion in Anthropocene Seas: Oceanic Aesthetics in Björk and John Luther Adams	0
Mariachi Accompaniment: Cultural Bearers for Communal Conviviality	0
TCM volume 18 issue 3 Cover and Back matter	0
The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming	0
Introduction to the Special Issue on Musics of Coeval East Asia	0
Notes on Contributors	0
Michael Guida, Listening to British Nature: Wartime, Radio & Modern Life, 1914–1945 (New York: Oxford University Press, 2021), ISBN: 978-0-19008-553-7 (hb).	0
Rubbled Cities – Sounds and Silence: A Travelogue	0
The Dawn of the Jazz Age in the Caribbean: Dance, Consumer Culture, and the Imperial Shape of Modern Entertainment	0
Ellis Jones, DIY Music and the Politics of Social Media (London and New York: Bloomsbury Publishing, 2021), ISBN: 978-1-5013-5964-4 (hb), 978-1-5013-5963-7 (pb).	0
A Modern-Day Florestan: Fidelio on Robben Island and South Africa's Early Democratic Project	0
TCM volume 19 issue 2 Cover and Back matter	0
Christophe Levaux, We Have Always Been Minimalist: The Construction and Triumph of a Musical Style, trans. Rose Vekony (Oakland: University of California Press, 2020), ISBN: 978-0-520-29527-8 (pb). -	0
Reiterating Hierarchy and the Failed Promise of the Global	0
Exile and Memory in Post-Franco Spain: Julián Orbón's Libro de cantares (1987)	0
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain – EXPRESSION OF CONCERN	0
‘How We Were Never Posthuman’: Technologies of the Embodied Voice in Pamela Z'sVoci	0
The British (and International?) Music Society: Australian Identity and Musical Internationalism in Interwar Sydney	0
Roberto Kolb-Neuhaus, Silvestre Revueltas: Sounds of a Political Passion (New York: Oxford University Press, 2023), ISBN 978-0-199-75148-8 (Hb).	0
‘Play the Rain Down’: Prince, Paul Morton, and the Idea of Black Ecstasy	0
Making Beethoven Black: The New Negro Movement, Black Internationalism, and the Rewriting of Music History	0
‘Chile – Ballad of the Cameraman’: New Song and ‘Revolutionary’ South America in Wolf Biermann's Anthems of East German Critical Solidarity	0
TCM volume 20 issue 3 Cover and Front matter	0
Jeanice Brooks, ed., Nadia Boulanger and Her World (Chicago: University of Chicago Press, 2020), ISBN: 978-0-22675-068-2 (hb), ISBN: 978-0-22675-071-2 (pb).	0
Autonomous and Between Worlds: Musical Manifestos for Anti-Capitalist Futures in Post-Wall East Berlin	0
Peter Schmelz, Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR (New York: Oxford University Press, 2021), ISBN: 978-0-19754-125-8 (hb).	0
Andrew Simon, Media of the Masses: Cassette Culture in Modern Egypt (Stanford, CA: Stanford University Press, 2022), ISBN 9781503631441 (pb).	0
Singing on Solid Ground: Music Education in Post-Earthquake Haiti	0
‘Exchanging Cuba for 1 Million YouTube Views’: Technological Precarity, Offline Virality, and ‘Patria y vida’	0
Musical Messaging: The Social and Anti-Social Affordances of WhatsApp in the Football Culture of the Latin American Southern Cone	0
Lorraine Plourde, Tokyo Listening: Sound and Sense in a Contemporary City (Middletown, CT: Wesleyan University Press, 2019), ISBN: 978-0-8195-7883-9 (hb), ISBN: 978-0-8195-7884-6 (pb), and ISBN: 978-0	0
China's First Recital and Recording Pianist Ding Shande: A Critical Examination of His Performing Career and Performance Style	0
Anitta's ‘Girl from Rio’, Digital Fatigue, and Stereotype	0
Notes on Contributors	0
Global Musical Modernisms as Decolonial Method	0
Introduction to the Special Issue on Listening In: Musical Digital Communities in Public and Private	0
Virals, Memes, and the Lick's Circulation through Online Jazz Communities	0