Twentieth-Century Music

Papers
(The TQCC of Twentieth-Century Music is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
‘Stockhausenesque’: South African Musical Vanguardism during the ‘Durban Moment’9
TCM volume 20 issue 3 Cover and Back matter5
Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach5
Uncovering the Roots of Musica Elettronica: Viva Early Concerts, Improvisation, and the Influence of the Living Theatre (1966–1968)3
Cannibalizing Bach: Villa-Lobos in Europe, 19363
When Donald Trump Dropped the Bass: The Weaponization of Dubstep in Internet Trolling Strategies, 2011–20163
Memory, Resistance, and Liberation in XLIII Memoriam Vivere and Other Works3
Mimetic Mechanicity: TheIron Foundryand Vernacular Internationalism in the 1930s3
Introduction to the Special Issue on Composers’ Perspectives on Music and Politics Today – ERRATUM3
TCM volume 19 issue 3 Cover and Front matter3
Attachment after the End: Grief and Repair in Modernist Percussion2
When Is It Modernism? A Lesson from Indonesian Musik Kontemporer2
Representations of Metaphysical Temporality in the Libretto of Einojuhani Rautavaara's Vincent with a Corresponding Resemblance to Alban Berg's 2
Migration, the Dodecaphonic Diaspora and the Transnational Network of Musical Modernism: The Varied Career of Hans-Joachim Koellreutter2
Clashing Neoclassicisms: Ernst Krenek’s Leben des Orest at the Berlin Kroll Opera2
Hydrophones and the Historical Making of a Transatlantic Caribbean Oceanic Anthropocene2
Presenting Soviet Music: Gubaidulina, Schnittke, and Others at the Helsinki Week of New Soviet Music in 19842
Playing with Travelling Ideas and Practices in Music: On the Creative Processes of the Grupo de Experimentación Musical (Buenos Aires, 1969–70)2
‘Our Ship Drum Earth’: Decolonial Musicking in Ernesto Neto’s Percussion Installation in Lisbon1
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain1
Introduction to the Special Issue on Composers’ Perspectives on Music and Politics Today1
Introduction to the Special Issue on Music and Democratic Transition1
The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India1
Memory, Resistance, and Liberation in XLIII Memoriam Vivere and Other Works – ERRATUM1
Notes on Contributors1
The Dawn of the Jazz Age in the Caribbean: Dance, Consumer Culture, and the Imperial Shape of Modern Entertainment1
Through the Lens of Socialist Realism: Nikos Skalkottas's Turn to Tonality in the 1940s1
TCM volume 20 issue 2 Cover and Back matter1
Notes on Contributors1
Notes on Contributors1
TCM volume 20 issue 1 Cover and Back matter1
Notes on Contributors1
0.13629484176636