Twentieth-Century Music

Papers
(The TQCC of Twentieth-Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
Latin American Songs in the GDR and the East German Singer-Songwriter Repertoire (1970–2000): Gerhard Schöne's ‘Meine Geschwister’ in the Light of Translation Studies5
Contemporary Art and the Problem of Music: Towards a Musical Contemporary Art5
Leaders of the New School? Music Departments, Hip-Hop, and the Challenge of Significant Difference3
The Musical Idea Work Group: Production and Reception of Pre-existing Music in Film3
‘Irrational Nuances’: Interpreting Stockhausen'sKlavierstück I3
All Songs Considered: The Persuasive Listening of Music Podcasts3
Colonialism, Cosmopolitanism, and Nationalism: The Performativity of Western Music Endeavours in Interwar Shanghai3
‘How We Were Never Posthuman’: Technologies of the Embodied Voice in Pamela Z'sVoci2
Against ‘John Cage Shock’: Rethinking John Cage and the Post-war Avant-garde in Japan2
‘The Timpani Beats Just Hit on My Heart!’ Music, Memory, and Diplomacy in the Philadelphia Orchestra's 1973 China Tour2
Introduction to the Special Issue on Musics of Coeval East Asia2
The Historiography of the Twentieth-Century Classical Performer: Life, Work, Artistry2
An Apprenticeship and Its Stocktakings: Leibowitz, Boulez, Messiaen, and the Discourse and Practice of New Music2
The Musical Text: Theorizing Openness after Structuralism1
Hearing the Musical Resonances of Catastrophe1
Cruising Utopia with Brittany Howard: Jaime's Queer Afrofuturism1
Afterword: The Expense of Exclusion – US Musicology and Popular Music1
Anitta's ‘Girl from Rio’, Digital Fatigue, and Stereotype1
Autoplaying, Unmuting, Attending: (Re)formatting the Twenty-First-Century Digital Sensorium1
Hybrid in Form, Socialist in Content: The Formal Politics of Chŏlga in the North Korean Revolutionary Opera Sea of Blood1
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain1
Singing on Solid Ground: Music Education in Post-Earthquake Haiti1
The Political Force of Musical Actants: Grooves, Pleasures, and Politics in Havana D'Primera's ‘Pasaporte’ Live in Havana1
Ontological Appropriation: Boulez and Artaud1
A Modern-Day Florestan: Fidelio on Robben Island and South Africa's Early Democratic Project1
Art Music and Transterritoriality: Reflections on Cuban Migrations to Europe during the 1990s1
Matrices of ‘Love and Theft’: Joan Baez Imitates Bob Dylan1
Global Musical Modernisms as Decolonial Method1
‘They Fell Like Meteorites’: Avatars of the Andean Sound and Their Reception by Italian Music Groups (1973–1996)1
‘Exchanging Cuba for 1 Million YouTube Views’: Technological Precarity, Offline Virality, and ‘Patria y vida’1
Introduction to the Special Issue on Global Musical Modernisms1
TCM volume 20 issue 1 Cover and Back matter0
Damage and Renewal at the Württembergische Staatstheater, Stuttgart0
Experimenting Musically with Democracy in Late Francoist and Post-Francoist Spain – EXPRESSION OF CONCERN0
Introduction to the Special Issue on Musical Trajectories between Latin America and Europe, 1970–20000
TCM volume 20 issue 3 Cover and Front matter0
Rethinking Post-Authoritarian Chile through Its Popular Music0
Philip Ross Bullock and Daniel M. Grimley (eds.) Music's Nordic Breakthrough: Aesthetics, Modernity, and Cultural Exchange, 1890–1930 (Woodbridge: Boydell Press, 2021), ISBN: 978-1-78327-568-7 (hb).0
Carol Vernallis, Holly Rogers, Selmin Kara, and Jonathan Leal (eds.), Cybermedia: Explorations in Science, Sound, and Vision (New York: Bloomsbury Academic, 2022), ISBN 978-1-50135-704-6 (hb).0
Autonomous and Between Worlds: Musical Manifestos for Anti-Capitalist Futures in Post-Wall East Berlin0
Marianna Ritchey, Composing Capital: Classical Music in the Neoliberal Era (Chicago and London: University of Chicago Press, 2019), ISBN: 978-0-226-64006-8 (cloth), ISBN: 978-0-226-64023-5 (pb)0
Transcending the Past: Singing and the Lingering Cold War in the Korean Christian Diaspora0
Jeanice Brooks, ed., Nadia Boulanger and Her World (Chicago: University of Chicago Press, 2020), ISBN: 978-0-22675-068-2 (hb), ISBN: 978-0-22675-071-2 (pb).0
Julian Johnson, After Debussy: Music, Language, and the Margins of Philosophy (New York: Oxford University Press, 2020), ISBN: 978-0-190-06682-6 (hb)0
Francoism, Urban Displacement, and Nostalgia in Flamenco Dance from Seville0
TCM volume 19 issue 3 Cover and Back matter0
TCM volume 20 issue 2 Cover and Front matter0
Transatlantic Techno Myths: The 1994 Arica Eclipse Rave as an Example of the History and Historiography of Electronic Dance Music between Chile and Germany0
Benjamin Steege, An Unnatural Attitude: Phenomenology in Weimar Musical Thought (Chicago and London: University of Chicago Press, 2021), ISBN: 978-0-226-76298-2 (cloth).0
Cannibalizing Bach: Villa-Lobos in Europe, 19360
Across the Great Divide: Popular Music Studies and the Public0
Rubbled Cities – Sounds and Silence: A Travelogue0
Notes on Contributors0
Danijela Kulezic-Wilson, Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack (New York: Oxford University Press, 2020), ISBN: 9780190855314 (hb), 9780190855321 0
The End of Song: Improvisation as Social Critique in Brazil0
‘Play the Rain Down’: Prince, Paul Morton, and the Idea of Black Ecstasy0
The British (and International?) Music Society: Australian Identity and Musical Internationalism in Interwar Sydney0
‘Devenir compositeur’: Notes on the Insertion of Argentine Composers in the Contemporary French Music Scene (1970–2000)0
TCM volume 17 issue 3 Cover and Front matter0
The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India0
Nicholas Jones and Richard McGregor, The Music of Peter Maxwell Davies (Woodbridge: Boydell Press, 2020), ISBN: 978-1-78327-483-3 (hb).0
Valentin Kruchinin and the Queen of Mars: Early Musical Traces of Soviet Sci-Fi0
Michael Guida, Listening to British Nature: Wartime, Radio & Modern Life, 1914–1945 (New York: Oxford University Press, 2021), ISBN: 978-0-19008-553-7 (hb).0
TCM volume 18 issue 2 Cover and Front matter0
Introduction to the Special Issue on Music and Democratic Transition0
Exile and Memory in Post-Franco Spain: Julián Orbón's Libro de cantares (1987)0
TCM volume 17 issue 2 Cover and Front matter0
‘Chile – Ballad of the Cameraman’: New Song and ‘Revolutionary’ South America in Wolf Biermann's Anthems of East German Critical Solidarity0
Whiteness and the Problem of Colourblind Listening: Revisiting Leonard Feather's 1951 Blindfold Test with Roy Eldridge0
Notes on Contributors0
‘A Collation of Badly Disguised, Well-Known Themes’: Shostakovich Symphonies in the Parisian Press, 1936–19460
Notes on Contributors0
Ellis Jones, DIY Music and the Politics of Social Media (London and New York: Bloomsbury Publishing, 2021), ISBN: 978-1-5013-5964-4 (hb), 978-1-5013-5963-7 (pb).0
Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge (eds.), The Science-Music Borderlands: Reckoning with the Past and Imagining the Future (Cambridge, MA: MIT Press, 2023), ISBN: 978-0-20
The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming0
Musical Messaging: The Social and Anti-Social Affordances of WhatsApp in the Football Culture of the Latin American Southern Cone0
China's First Recital and Recording Pianist Ding Shande: A Critical Examination of His Performing Career and Performance Style0
Mariachi Accompaniment: Cultural Bearers for Communal Conviviality0
Notes on Contributors0
Ausentes presentes: Art Music from the Chilean Exile in the Anacrusa Festivals at the Goethe-Institute Santiago (1985–89)0
Iannis Xenakis in Argentina: Reception, Dialogues, and Exchanges0
TCM volume 20 issue 1 Cover and Front matter0
Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media0
Michiko Toyama Disrupts the Historiography of Modernism0
TCM volume 19 issue 1 Cover and Front matter0
‘Seeing’ Music in Early Twentieth Century Colonial Algeria0
Looking Towards the Future: Popular Music Studies and Music Scholarship0
Forgotten Pasts and Imagined Futures: The First International Webern Festival and the 1962 Seattle World's Fair0
TCM volume 20 issue 2 Cover and Back matter0
European Professors at the Cursos Latinoamericanos de Música Contemporánea: Two experiences – Piriápolis, 1974; Buenos Aires, 19770
The Repercussions of George Rochberg's Rubble Rhetoric0
Mimetic Mechanicity: The Iron Foundry and Vernacular Internationalism in the 1930s0
Makis Solomos, From Music to Sound: The Emergence of Sound in 20th- and 21st-Century Music, Routledge Research in Music (Abingdon: Routledge, 2020), ISBN: 978-0-367-19213-6 (hbk)0
Gascia Ouzounian, Stereophonica: Sound and Space in Science, Technology, and the Arts (Cambridge and London: MIT Press, 2020), ISBN: 978-0-262-04478-3 (hb).0
TCM volume 20 issue 3 Cover and Back matter0
Seth Brodsky, From 1989, or European Music and the Modernist Unconscious (Oakland: University of California Press, 2017), ISBN: 9780520279360 (hb).0
Ross Cole, The Folk: Music, Modernity, and the Political Imagination (Oakland, CA: University of California Press, 2021), ISBN: 978-0-52038-373-9 (cloth).0
Notes on Contributors0
Rautavaara'sCantus Arcticus: National Exoticism or International Modernism?0
Virals, Memes, and the Lick's Circulation through Online Jazz Communities0
TCM volume 19 issue 2 Cover and Back matter0
Notes on Contributors0
World Music Without Profit0
Notes on Contributors0
Audiovisual Warfare: Music and International Persuasion in Documentary Films during the Spanish Civil War0
Music Deferred: A Reappraisal of the Legacy of Pierre Schaeffer's Treatise on Musical Objects (1966)0
Graham Griffiths, ed., Stravinsky in Context (Cambridge: Cambridge University Press, 2021), ISBN: 978-1-108-42219-2 (hb).0
Afterword: The Expense of Exclusion – US Musicology and Popular Music – ERRATUM0
Making Beethoven Black: The New Negro Movement, Black Internationalism, and the Rewriting of Music History0
TCM volume 17 issue 3 Cover and Back matter0
The Dawn of the Jazz Age in the Caribbean: Dance, Consumer Culture, and the Imperial Shape of Modern Entertainment0
Notes on Contributors0
TCM volume 18 issue 1 Cover and Front matter0
Listening to Radioactive Rubble: Vocal Decay, Gender, and Nuclear Ruination in the Marshall Islands0
Notes on Contributors0
‘Stockhausenesque’: South African Musical Vanguardism during the ‘Durban Moment’0
In Between: Cultural Exchange and Competing Systems0
The Forty Part Motet in New York City after 9/110
The Songs of Fire (1975): Sonic Narratives of Resistance and Collective Memory0
Challenging Historiographic Assumptions: Opening Up Serialism with Pierre Boulez's Don0
TCM volume 18 issue 3 Cover and Front matter0
TCM volume 19 issue 3 Cover and Front matter0
Minjung Kayo: Imagining Democracy through Song in South Korea0
Lorraine Plourde, Tokyo Listening: Sound and Sense in a Contemporary City (Middletown, CT: Wesleyan University Press, 2019), ISBN: 978-0-8195-7883-9 (hb), ISBN: 978-0-8195-7884-6 (pb), and ISBN: 978-00
When Is It Modernism? A Lesson from Indonesian Musik Kontemporer0
Whiplash, Buddy Rich, and Visual Virtuosity in Drum Kit Performance0
TCM volume 17 issue 2 Cover and Back matter0
Notes on Contributors0
TCM volume 18 issue 3 Cover and Back matter0
Jessie Fillerup, Magician of Sound: Ravel and the Aesthetics of Illusion (Oakland, CA: University of California Press, 2021), ISBN: 978-0-520379-886.0
John Howland, Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music (Oakland: University of California Press, 2021), ISBN: 978-0-520-30010-1 (hb), 978-0-520-30011-8 (p0
TCM volume 19 issue 2 Cover and Front matter0
Destroying the Imagined City0
K. E. Goldschmitt, Bossa Mundo: Brazilian Music in Transnational Media Industries (New York: Oxford University Press, 2019), ISBN: 978-0-19-092352-5 (hb), 978-0-19-092353-2 (pb).0
TCM volume 19 issue 1 Cover and Back matter0
Bibliography0
Identity and the Neoclassical Ideal in Martha Graham and Carlos Chávez'sDark Meadow0
TCM volume 18 issue 2 Cover and Back matter0
Hearing Global Britishness on the BBC's Commonwealth of Song (1953–1961)0
Peter Schmelz, Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR (New York: Oxford University Press, 2021), ISBN: 978-0-19754-125-8 (hb).0
Reiterating Hierarchy and the Failed Promise of the Global0
Introduction to the Special Issue on Listening In: Musical Digital Communities in Public and Private0
TCM volume 18 issue 1 Cover and Back matter0
Notes on Contributors0
Notes on Contributors0
Dark Virtuosity: Violin Symbolism in Alberto Iglesias's Score for Pedro Almodóvar's Film The Skin I Live In (2011)0
(De)constructing Argentine Women: Gender, Nation, and Identity in ‘Alfonsina y el mar’0
Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde (New York: Oxford University Press, 2019), ISBN: 9780190868192 (hb).0
Dylan Robinson,Hungry Listening: Resonant Theory for Indigenous Sound Studies(Minneapolis: University of Minnesota Press, 2020), ISBN: 978-1-5179-0768-6 (hc); ISBN: 978-1-5179-0769-3 (pb0
Christophe Levaux, We Have Always Been Minimalist: The Construction and Triumph of a Musical Style, trans. Rose Vekony (Oakland: University of California Press, 2020), ISBN: 978-0-520-29527-8 (pb). - 0
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