Nineteenth-Century Music Review

Papers
(The TQCC of Nineteenth-Century Music Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
NCM volume 20 issue 2 Cover and Back matter5
Clara Schumann, Drei Romanzen für Violine und Klavier, Three Romances for Violin and Piano, Op. 22, ed. Jacqueline Ross (Basel: Bärenreiter-Verlag, 2021), ix + 27 pp. € 19.95.3
Clara & Robert Schumann: Piano Concertos Beatrice Rana, pianoChamber Orchestra of EuropeYannick Nézet-Séguin, conductorWarner Classics, 5419729625, 2023(1 CD: 57 minutes) £12.752
Joseph Joachim and Bach's Chaconne1
Franz Weiss, Two String Quartets Op. 8 (‘Razumovsky’), edited by Mark Ferraguto. Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, 90 (Middleton: A-R Editions, 2023), xxi1
Joseph Joachim's Cadenzas as a Site of Performative and Compositional Virtuosity1
‘Ali Ben Sou Alle’ and the Saxophone in Australia, 1852–551
‘Monster’ Street Organs and Audiovisual Culture in Pre-Cinematic Italy1
Recontextualizing Brahms'sHandel Variations, Op. 24 through Robert Volkmann and Emanuel Moór1
Mark Ferraguto, ed., Franz Weiss, Two String Quartets Op. 8 (‘Razumovsky’), Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries 90. (Middleton: A-R Editions, 2023), xviii + 1
Phryné as opéra comique: Saint-Saëns contra Offenbach1
Clara Schumann: Changing Identities and Legacies1
Tsarist Russia and the Musical World1
Robert Doran, ed., Liszt and Virtuosity (New York: University of Rochester Press; Suffolk: Boydell & Brewer, 2020). vii + 433 pp. £95.00.1
Notes on Article Contributors1
Letting the Lark Ascend: Vaughan Williams's ‘Most Popular Work’ and the Limits of Revisionism1
Cosmopolitan Connections: Yevgeny Onegin as realist drame lyrique in Nice1
Recurring Hauntings and Trauma in Schubert's ‘Unfinished’ Symphony0
Notes on Article Contributors0
Félicien David's Grand Opera Herculanum (1859): Rome, Early Christianity, Multiple Exoticisms, Great Tunes – and Satan0
NCM volume 21 issue 2 Cover and Back matter0
Donizetti's Self-Borrowings as an Artistic Practice0
How Reliable Are Nineteenth-Century Reviews of Concerts and Operas?: Félicien David'sLe Désertand His Grand OpéraHerculanum- CORRIGENDUM0
César Franck, Intégrale de l’œuvre d'orgue –– Complete Edition. Edited by Richard Brasier, Foreword by Marie-Louise Jaquet-Langlais (Lyrebird Music, 2022). Score LBMP 029, 606 pp.0
Katherine K. Preston, Opera for the People: English-Language Opera and Women Managers in Late 19th- Century America (New York: Oxford University Press, 2017). xxix + 618 pp. £39.99.0
Digital Sources for Nineteenth Century Music in Portugal: ‘A Long Way to Run’0
Charles Youmans, ed. Mahler in Context (Cambridge: Cambridge University Press, 2021). 344 pp. £84.99.0
NCM volume 21 issue 1 Cover and Back matter0
Notes on Article Contributors0
Giuseppe Verdi, Il Corsaro Matheus Pompeu, ten, Ilona Mataradze, sop, Aleksey Bogdanov, bar, Karen Gardeazabal, sop, Mateusz Stachura, bar, Pawel Cichoński, <0
Unveiling Musical Production: Strauss, Mahler and Commodity Fetishism in the Late Nineteenth Century0
‘Wanted – An Opera’0
Jessica Gabriel Peritz, The Lyric Myth of Voice: Civilizing Song in Enlightenment Italy (Oakland: University of California Press, 2022). xi + 282 pp. $65.00, £55.000
Franz Schubert, Lieder, vol. 10, edited by Walther Dürr (Kassel: Bärenreiter, 2024), lii + 163 pp. 39.95 €0
NCM volume 21 issue 3 Cover and Back matter0
Richard Strauss Online0
François Le Roux and Romain Raynaldy, Le Chant Intime: The Interpretation of French Mélodie, trans. Sylvia Kahan (New York: Oxford University Press, 2021). x + 283 pp. $99.00.0
Louis Spohr, String Quartets, Opp. 29 and 45, ed. Nancy November. Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, vol. 85. (Middleton, WI: A–R Editions, 2022). xvi + 420
NCM volume 21 issue 1 Cover and Front matter0
Digital Sources for Nineteenth Century Music in Argentina: A Case of ‘Magical Realism’0
Notes on Article Contributors0
Antonín Dvořák, Biblické písně (Biblical Songs), op. 99, Urtext, edited by Eva Velická, foreword by David R. Beveridge (Kassel: Bärenreiter, 2021). BA 10425 (low voice). BA 10426 (high voice). xix + 30
Antonín Dvořák, IX. symfonie e moll, op. 95, ‘Z nového světa’ (Symphony No. 9 in E minor, op. 95, ‘New World’). Urtext, edited by Jonathan Del Mar, introduction by Jan Smaczny (Kassel: Bärenreiter, 200
Richard Wagner, Das Liebesverbot Christopher Maltman, bar, Peter Lodahl, ten, Ilker Arcayürek, ten, David Alegret, ten, David Jerusalem, bass, Manuela Uhl, sop0
Eftychia Papanikolaou and Markus Rathey, eds, Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall (Lanham: Lexington Books, 2022). viii + 429 pp. 0
Issue on Opera and Ancient Sources in the Nineteenth Century0
Joseph Joachim: Intersections between Composing and Performing0
Navigating the Local Elites: Travelling Musicians and their Encounters with the Russian Court and Aristocracy in the Mid-Nineteenth Century0
Creating a ‘Classic’ in the Programme Notes of the Crystal Palace Saturday Concerts0
Playing the Classics in the Nineteenth Century0
Notes on Article Contributors0
The Edizione critica delle opere di Gioachino Rossini and Self-Borrowing0
Vaughan Williams: On Wenlock Edge & other songs Nicky Spence, ten, Julius Drake, pf Timothy Ridout, vla Piatti Quartet: Michael Trainor, vln, Zara Benyounes, vln0
The Technological Priestess: The Piano Recital, Photography, and Clara Schumann0
Notes on Article Contributors0
Felix Mendelssohn Bartholdy, Lobgesang: Eine Symphonie-Kantate nach Worten der Heiligen Schrift (Hymn of Praise: A Symphony-Cantata after Texts from the Holy Scripture), MWV A 18 / Op. 52. Bärenreiter0
Clara Schumann: Complete Songs Miriam Alexandra sop, Peter Gijsbertsen ten, Jozef De Beenhouwer pf Musikproduktion Dabringhaus und Grimm MDG9032114, 2019 (1 CD: 71 minutes). €16.60
Longing for the Tonic in Robert Schumann's ‘Meine Rose’ Op. 90 No. 2 andFantasiestückOp. 73 No. 10
NCM volume 18 issue 2 Cover and Front matter0
Brahms: The Piano Quartets The Primrose Piano Quartet Meridian, CDE84650/1-2, 2019 (2 CDs: 124 minutes) $27.500
Hervé Audéon, Jana Franková and Herbert Schneider, eds. Antoine Reicha: Actes des rencontres organisées à l'occasion du 250e anniversaire de sa naissance / Proceedings of the Meetings Organ0
Laura Watson, Paul Dukas: Composer and Critic (Woodbridge, Suffolk: The Boydell Press, 2019). xiv + 289 pp. £80.00 (£24.99 ebook).0
Beate Kutschke and Katherine Butler, eds, The Heroic in Music (Woodbridge: The Boydell Press, 2022). xii + 290 pp. £70.00.0
Preface0
NCM volume 19 issue 3 Cover and Front matter0
Modalities of Assimilation: Subcultural Currents in Felix Mendelssohn's Lieder Ohne Worte – ERRATUM0
Nicholas Temperley, Edward Loder, and Retrospect Opera's Raymond and Agnes0
From Musical Writings To Writing Music: Book-Writing Leading to Music School in Nineteenth-Century Calcutta0
John Field's Russian Landscape and the Early Nineteenth-Century Piano Nocturne0
Clara Wieck Schumann: Art of Preluding Mo-Ah Kim pf CD Baby 2353004X, 2019 (1 CD: 35 minutes). $21.69 - Clara Schumann: Romance – The Piano Music of Clara Schumann Isata Kanneh-Mason pf,0
Joseph Joachim: Two Fantasies Rediscovered Katharina Uhde, vln, Dennis Friesen-Carper conductor, Polish Radio Orchestra Warsaw Soundset Recordings, SR1122; 2021 (1 CD: 49 minutes) $16.990
Sarah Hibberd and Miranda Stanyon, eds, Music and the Sonorous Sublime in European Culture, 1680–1880 (Cambridge: Cambridge University Press, 2020). xvi + 305 pp. $99.990
Notes on Article Contributors0
Sonic Scars in Urban Space: Trauma and the Parisian Soundscape during l'année terrible0
Schumann: Carnaval Op. 9, Fantasie Op. 17 and Mondnacht Op. 39 No. 5 Emile Naoumoff, piano Melism Records, MLS-CD-020, 2022 (1 CD: 76 minutes) $15.000
Cécile Chaminade: Saisons d'amour Katharina Kammerloher, mezzo-sop Johann Blanchard, pno Jiyoon Lee, vln MDG 908 2288–6 (1 CD: 59 minutes) € 21.990
Under Cover in Babylon: Rossini's Cyrus the Great for the Lenten Season0
Music-Making as Witness in the Mexican–American War: Testimony, Embodiment and Trauma0
Giuseppe Verdi's Jérusalem between Adaptation and Self-Borrowing0
The Current State of Digital Musical Materials in Japan0
The Socio-Political Faces of Clara Schumann on German Film0
Lars Helgert, ed., Herrman S. Saroni, Complete Songs 1844–1889. Recent Researches in American Music, vol. 91. Middleton, WI: A-R Editions, 2023, 197 + xlii. $425.000
To a Camia: Piano Music from Romantic Manila Sally Pinkas, piano MSR Classics MS 1645, 2019 (1 CD: 76 minutes) $12.950
Musical ‘Magic Words’: Trauma and the Politics of Mourning in Ravel'sLe Tombeau de Couperin, FrontispiceandLa Valse0
Night Music, Music for a Viennese Salon Steven Zohneight-keyed fl, Rebecca Harrisvln, Marika Holmqvistvln, Daniel Elyarvla, Rebecca Humphrey Diederichvc, Heat0
Digital Sources for Nineteenth Century Music in Spain: The Digitization Project of the National Library in Context0
Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge: Cambridge University Press, 2022). xiv + 193 pp. £75.00.0
Antonín Dvořák, Nocturne in B major for String Orchestra, Op. 40, Urtext. Edited by Jonáš Hájek, Preface by David R. Beveridge (Kassel: Bärenreiter, 2022). Score and Parts BA 11564, x + 9 pp.0
Retrospect Opera: Reviving Britain's Operatic Past0
The Emergence of the Romanian National School of Composition in the First Half of the Nineteenth Century: Between the Western Canon and the Resources of the Local Music0
Impromptu Sarah O'Brien, harp Audite, 97.807, 2022 (1 CD: 80 minutes) €19.990
Sarah Collins, ed., Music and Victorian Liberalism: Composing the Liberal Subject (Cambridge: Cambridge University Press, 2019). xiii + 254 pp. £75.00.0
The Boatswain's Mate, music and libretto by Ethel Smyth. Edition by Valerie Langfield Lontano Ensemble, conducted by Odaline de la Martinez Nadine Benjamin, sop; Edward Lee, ten; 0
Antonín Dvořák, Tragic Overture, B 16a. Ed. Ludmila Šmídová. Prague: Etnologický ústav Akademie věd České republiky, 2016, 102 pp. ISBN 978-80-88081-01-2.0
Notes on Article Contributors0
Franz Schubert, Klaviersonaten II: Die mittleren Sonaten, ed. Walburga Litschauer (Kassel: Bärenreiter, 2023). BA9643. - Franz Schubert, Fantasie f-Moll fur Klavier zu vier Handen, ed. Walburga Litsch0
Polish Romantic Guitar: Chopin, Bobrowicz, Horecki, Szczepanowski, Sokołoski Mateusz Kowalski, guitar The Fryderyk Chopin Institute NIFCCD 118, 2020 (1 CD: 79 minutes). €15.000
Camille Saint-Saëns, Le Carnaval des animaux, ed. Sabina Teller Ratner. Bärenreiter Urtext (Kassel: Bärenreiter, 2024). xxv + 65 pp.0
Tuning Sounds in Italy, 1750–18850
NCM volume 20 issue 1 Cover and Front matter0
NCM volume 20 issue 3 Cover and Front matter0
Ludwig van Beethoven, Trio in B-flat major for Pianoforte, Violin and Violoncello, op. 97 ‘Archduke’. Bärenreiter Urtext, edited by Jonathan Del Mar (Kassel: Bärenreiter, 2022). BA10942. € 34,95.0
NCM volume 20 issue 1 Cover and Back matter0
Playing (on) the Classics: Interpreting Grieg's Mozart in Nineteenth-Century London0
Bruckner-online0
Wagner's Shakespeare: Das Liebesverbot, the Problem Comedy and the Carnivalesque0
Letting the Music ‘Speak For Itself’? Dvořák as Strategist0
NCM volume 20 issue 2 Cover and Front matter0
Sam Girling, ed., Pierre Rode: Selected String Quartets, Recent Researches in the Music of the Nineteenth and Early Twentieth Century, vol. 87. Middleton, WI: A-R Editions, 2023, xxi, 162 pp. $250.00.0
Lysistrata in Kleindeutschland: The German-American Reception of Schubert's Die Verschworenen (D. 787)0
‘The Concertina's Deadly Work in the Trenches’: Soundscapes of Suffering in the South African War0
Music and Modernity in the Colonial City: A Biography of Melbourne's Marshall-Hall Orchestra (1892–1912)0
Samuel Coleridge-Taylor, Symphony in A Minor Opus 8: With the Earlier Finales and Idyll Opus 44. Edited by John L. Snyder. Recent Researches in the Music of the Nineteenth and Early Twentieth C0
Notes on Article Contributors0
Marjorie W. Hirsch and Lisa Feurzeig, eds, The Cambridge Companion to Schubert's Winterreise (Cambridge: Cambridge University Press, 2021). xv + 279pp. £74.99 (cloth), £22.99 (paper).0
Theorizing Trauma and Music in the Long Nineteenth Century0
From Extraordinary Success to No Considerable Results: Victorian Music Entrepreneurialism and the Crystal Palace Brass Band Competition 1860–18630
Creativity, Performance and Problems of Authorship: Clara Schumann's Cadenzas for Mozart's D minor Concerto, K4660
NCM volume 18 issue 3 Cover and Front matter0
Around Baermann. Maryse Legault, clarinet, Gili Loftus, fortepiano. Leaf Music, LM265, 2023 (1 CD: 88 minutes), $16.680
China National Knowledge Infrastructure (CNKI) as a Resource for Nineteenth-Century Music Studies0
Stylistic Duality in Gabriel Fauré's Music for Pauline Viardot's Salon0
Russell Stinson, Bach's Legacy: The Music as Heard by Later Masters (New York: Oxford University Press, 2020). 177 pp. £22.990
Notes on Article Contributors0
Rethinking Salon Music: Case-Studies in Analysis0
Katherine K. Preston, George Frederick Bristow (Urbana: University of Illinois Press, 2020). viii+204 pp. Cloth $110; Paper $29.95.0
James Porter, Beyond Fingal's Cave: Ossian in the Musical Imagination (Rochester: University of Rochester Press, 2019). xxi + 401 pp. $99.00.0
NCM volume 21 issue 2 Cover and Front matter0
Classical Musicianship Versus Classical Editing: The Case of Friedrich Grützmacher0
Nineteenth-Century Women in Music: MuGI, Sophie Drinker, Art Song Augmented and BID0
Boulevard des Italiens Benjamin Bernheim, ten Orchestra del Teatro Comunale di Bologna Frédéric Chaslin, conductor Deutsche Grammaphon, 4861964(1 CD: 59 minutes) £130
Allan W. Atlas, ed., A Wilkie Collins Songbook (Middleton, WI: A-R Editions, 2023), xix + 180.0
Ethel Smyth, Serenade in D Major for Orchestra. Edited by John L. Snyder. Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, vol. 84. Middleton, WI: A-R Editions, 2021. Fu0
NCM volume 18 issue 2 Cover and Back matter0
Antonio Meucci, Opera and Telephonic Listening0
Delphine von Schauroth, Corinna-Sister0
Peter Tregear and Anne-Marie Forbes, Fritz Hart: An English Musical Romantic at the Ends of Empire (Melbourne: Lyrebird Press, 2024), xviii + 234 pp.0
Ludwig van Beethoven. Jonathan Del Mar, ed., Septet for Clarinet, Bassoon, Horn, Violin, Viola, Violoncello and Double Bass in E-flat major op. 20. Kassel: Bärenreiter, 2023, 114 + xiii. 38.95€.0
Speech and Silence: Encountering Flowers in the Lieder of Clara Schumann0
NCM volume 21 issue 3 Cover and Front matter0
IS THIS A THING? - Christopher Dingle, ed., The Cambridge History of Music Criticism (Cambridge: Cambridge University Press, 2019). xvi + 826 pp. £120.000
Joseph Joachim and the Violin Romance: Reforming the Playground of Virtuosos0
Salons in Belgrade in the Nineteenth Century: The Coexistence of Different Cultural Models0
Notes on Article Contributors0
David Milsom, Romantic Violin Performance Practices: A Handbook (Woodbridge: The Boydell Press, 2020). xv + 319 pp. £65.00.0
Jeremy Yudkin, From Silence to Sound: Beethoven's Beginnings (Woodbridge: The Boydell Press, 2020). xxi + 424 pp. £65.00/$115.000
Candace Bailey, Unbinding Gentility: Women Making Music in the Nineteenth-Century South (Urbana: University of Illinois Press, 2021). xviii + 292 pp. $300
NCM volume 19 issue 3 Cover and Back matter0
NCM volume 19 issue 1 Cover and Front matter0
Schubert: Schwanengesang Ian Bostridge, ten, Lars Vogt, piano Pentatone 5186786, 2022 (1 CD: 69 minutes) €18 - Schubert: Winterreise Ian Bostridge, ten, Thomas Adès, piano 0
Hervé Lacombe, ed., Histoire de l'opéra français: Du Consulat aux débuts de la IIIe République (Paris: Fayard, 2020). 1,258 pp. €39.00.0
The Memory Man: Jacques Offenbach, Le Bonhomme Jadis and the Origin of an air connu0
French Cello Marc Coppey, violoncello Orchestre philharmonique de Strasbourg John Nelson, conductor Audite, 97.802, 2022 (1 CD: 71 minutes) $19.990
Expressing the ‘Soul’ of a Russian pianist: Anton Rubinstein’s Interpretation of Beethoven’s Piano Sonatas as the Making of a Performer-Centred Classic0
NCM volume 19 issue 2 Cover and Back matter0
The Tambourine, Joseph Dale's Grand Sonata and Its Role in the Appearance of Women Musicians in the Salon0
Digital Sites of Binder's Volumes0
Beethoven for Three – Symphonies Nos. 2 and 5. Emanuel Ax, piano, Leonidas Kavakos, violin, Yo-Yo Ma, cello. Sony 19439940142, 2022 (1 CD: 68 minutes), £14.50 - Beethoven for Thr0
Laura Tunbridge, Beethoven: A Life in Nine Pieces (United Kingdom: Viking) xii+288 pp. £16.990
Beyond Virtuosity: Joachim, the Mendelssohn Circle, and the Illusion of Three Hands0
Music DH 2021: A Directory of Digital Scholarship in Music0
Historiographical Reflections on the Beethoven Year 2500
Digitized Publications of Spirituals from the Nineteenth Century0
Hallé Archive0
Miguel Iturrado and the Dawn of a Violin Culture on the Isthmus: A New View into the Musical Landscape in Nineteenth-Century Panama0
NCM volume 19 issue 2 Cover and Front matter0
NCM volume 20 issue 3 Cover and Back matter0
Musical Self-Borrowing in Ottocento Opera and the Composer's Toolbox0
Gabriel Fauré, Pavane op. 50 (N 100c) piano version, Urtext, edited by Jean-Pierre Bartoli. (Kassel: Bärenreiter, 2022). Critical Commentary, BA 11832 vii+8pp. - César Franck, Mélodies complètes, intr0
A Tribute to Pauline Viardot Marina Viotti, mezzo-soprano Les Talens Lyriques Christophe Rousset, conductor Aparté AP290, 2022 (1 CD: 78 minutes). €19.000
Sounding (Out) Nineteenth-Century Italy0
Joel Lester, Brahms's Violin Sonatas: Style, Structure, Performance (New York: Oxford University Press, 2020). xix + 371 pp.0
International Networking in Russian Music Theatre around 1800: Sheremetev, Yusupov and Grand Duke Pavel Petrovich0
Jos van der Zanden. Beethoven and Greco-Roman Antiquity (Abingdon: Routledge, 2022). xvi + 272 pp. £130.00 (cloth), £38.99 (paper), £35.09 (ebook).0
Antonín Dvořák, String Quartet No. 12 in F major, ‘American’, op. 96, Urtext, edited by Michael Kube (Kassel: Bärenreiter, 2023). TP 538 (study score), xii+51. BA 11538 (parts).0
L'art de la flûte française0
Philipp Jakob Riotte, Clarinet Concerto in C Minor, Op. 36, edited by Martin Harlow. Recent Researches in the Music of the Classic Era (Middleton, WI: A-R Editions, 2016). Full Score, C104, xv + 103 p0
‘Unearthly Music’, ‘Howling Idiots’, and ‘Orgies of Amusement’: The Soundscapes of Shell Shock at Edinburgh's Craiglockhart War Hospital, 1917–180
Songs of Famine and War: Irish Famine Memory in the Music of the US Civil War0
Moniuszko and the Revival of the Noble Traditions: The Countess and The Haunted Manor0
Peace Be With You, Calm Now: On the Fate of Beethoven's Seventh Symphony ‘Allegretto’0
Digitized German-language Newspapers0
Self-Borrowing in Nineteenth-Century Italian Opera: A Reconsideration0
Ohé! les p'tits agneaux!: A Parisian revue de fin d'année for 1857, edited by Richard Sherr. Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries 82–83 (Middleton, WI: A-R ed0
Rossini's Self-Borrowings as a Stylistic Weapon0
Data Scraping YouTube for the Study of Lieder Reception0
Retrospect Opera: Reviving a Forgotten Mainstream0
Modalities of Assimilation: Subcultural Currents in Felix Mendelssohn's Lieder Ohne Worte0
‘Away, Away’: Franz Liszt's Mazeppa and the Bonds of Freedom0
What the Climber Saw: Strauss's Alpensinfonie and the Romantic Tradition of Nature Representation0
Rossini & Donizetti: French Bel Canto Arias Lisette Oropesa, sop Dresdner Philharmonie Corrado Rovaris, conductor Pentatone 5186955, 2022 (1 CD: 65 minutes) € 22,510
Playing (on) the Classics: Interpreting Grieg’s Mozart in Nineteenth-Century London – ERRATUM0
Wisps in the Dell Makaris Fiona Gillespie, lead vocals and Irish whistle, Emi Ferguson, flute, piccolo, and vocals, Elliot Figg, fortepiano, Edwin Huizinga, <0
David Kennerley, Sounding Feminine: Women's Voices in British Musical Culture, 1780–1850 (Oxford: Oxford University Press, 2020). xii + 220 pp. £47.99.0
NCM volume 18 issue 3 Cover and Back matter0
NCM volume 19 issue 1 Cover and Back matter0
The Other Otto Dresel: Public and Private Musical Identities in a German-American ‘Forty-Eighter’ and his Family, c. 1860–18800
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