OOIR: Observatory of International Research

Papers

(The TQCC of Nineteenth-Century Music Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)

Article	Citations
Composing the Crisis: From Mesmer's Harmonica to Charcot's Tam-tam	2
‘The Concertina's Deadly Work in the Trenches’: Soundscapes of Suffering in the South African War	2
‘Distant Reading’ in French Music Criticism	2
Printing Piano Pedagogy: Experimental Psychology and Marie Jaëll's Theory of Touch	2
Songs of Famine and War: Irish Famine Memory in the Music of the US Civil War	1
Saint-Saëns and Sophocles	1
The Current State of Digital Musical Materials in Japan	1
Letting the Music ‘Speak For Itself’? Dvořák as Strategist	1
Modalities of Assimilation: Subcultural Currents in Felix Mendelssohn's Lieder Ohne Worte	1
Critical Allusion and Critical Assessment: Berlioz's and Reyer's Reviews of Bizet in the Journal des débats	1
Brahms: The Piano Quartets The Primrose Piano Quartet Meridian, CDE84650/1-2, 2019 (2 CDs: 124 minutes) $27.50	1
How Reliable Are Nineteenth-Century Reviews of Concerts and Operas?: Félicien David'sLe Désertand His Grand OpéraHerculanum	1
Retrospect Opera: Reviving a Forgotten Mainstream	1
Opera as a Moral Vehicle: Situating Bellini's Norma in the Political Complexities of Mid-Nineteenth-Century Buenos Aires	1
Clara Wieck Schumann: Art of Preluding Mo-Ah Kim pf CD Baby 2353004X, 2019 (1 CD: 35 minutes). $21.69 - Clara Schumann: Romance – The Piano Music of Clara Schumann Isata Kanneh-Mason pf,	1
Katherine K. Preston, George Frederick Bristow (Urbana: University of Illinois Press, 2020). viii+204 pp. Cloth $110; Paper $29.95.	0
‘Wanted – An Opera’	0
Violin Music of Pauline and Paul Viardot - Viardot, Paul, and Pauline Viardot, Violin Sonatas; Violin Sonatina Reto Kuppel vln, Wolfgang Manz pf Naxos 8.573607, 2017 (1 CD: 68 minutes), £7.99 - Viardo	0
Schumann contra Wagner: Beethoven, the F.A.E. Sonata and ‘Artwork of the Future’	0
Ludwig van Beethoven: Sonatas for Pianoforte and Violin. Bärenreiter Urtext. Edited by Clive Brown. Kassel: Bärenreiter, 2020. Volume I. BA 9014. Score with Violin Part. € 39.95. Volume II. BA 9015. S	0
Steven Huebner and François de Médicis, eds, Debussy's Resonance (Rochester, NY: University of Rochester Press, 2018). xiv + 625 pp. £95.	0
Under Cover in Babylon: Rossini's Cyrus the Great for the Lenten Season	0
Félicien David's Grand Opera Herculanum (1859): Rome, Early Christianity, Multiple Exoticisms, Great Tunes – and Satan	0
The Electrician, the Magician and the Nervous Conductor	0
NCM volume 17 issue 2 Cover and Front matter	0

Notes on Article Contributors	0
Richard Wagner, Das Liebesverbot Christopher Maltman, bar, Peter Lodahl, ten, Ilker Arcayürek, ten, David Alegret, ten, David Jerusalem, bass, Manuela Uhl, sop	0
Robert Doran, ed., Liszt and Virtuosity (New York: University of Rochester Press; Suffolk: Boydell & Brewer, 2020). vii + 433 pp. £95.00.	0
Sarah Hibberd and Miranda Stanyon, eds, Music and the Sonorous Sublime in European Culture, 1680–1880 (Cambridge: Cambridge University Press, 2020). xvi + 305 pp. $99.99	0
RIPM: A Retrospective Index to Music Periodicals (1760–1966)	0
Notes on Article Contributors	0
The Boatswain's Mate, music and libretto by Ethel Smyth. Edition by Valerie Langfield Lontano Ensemble, conducted by Odaline de la Martinez Nadine Benjamin, sop; Edward Lee, ten;	0
Otakar Ostrčil, Písně na texty německých básníků. Songs to German Poems (for high voice and piano), ed. Markéta Kratochvílová. Academus Edition: 2015, AE 001. xiv+20 pp. 190 CZK.	0
Notes on Article Contributors	0
NCM volume 18 issue 1 Cover and Front matter	0
Critical Responses to Nineteenth-Century French Music	0
From Musical Writings To Writing Music: Book-Writing Leading to Music School in Nineteenth-Century Calcutta	0
David Kennerley, Sounding Feminine: Women's Voices in British Musical Culture, 1780–1850 (Oxford: Oxford University Press, 2020). xii + 220 pp. £47.99.	0
‘False Relations’: Hermann von Helmholtz's Study of Music and the Delineation of Nineteenth-Century Physiology	0
NCM volume 17 issue 3 Cover and Back matter	0
Theorizing Trauma and Music in the Long Nineteenth Century	0
Beate Kutschke and Katherine Butler, eds, The Heroic in Music (Woodbridge: The Boydell Press, 2022). xii + 290 pp. £70.00.	0
NCM volume 17 issue 3 Cover and Front matter	0
NCM volume 19 issue 2 Cover and Back matter	0
Impromptu Sarah O'Brien, harp Audite, 97.807, 2022 (1 CD: 80 minutes) €19.99	0
Notes on Article Contributors	0
D-Minor Concertos and Symphonies of the Brahms–Schumann Circle in the 1850s: Cross-Relationships and the Influence of Beethoven	0
Recontextualizing Brahms'sHandel Variations, Op. 24 through Robert Volkmann and Emanuel Moór	0
Fromental Halévy, La Reine de Chypre - Véronique Gens sop, Cyrille Dubois ten, Étienne Dupuis bar, Éric Huchet ten, Christophoros Stamboglis bass, Artavazd Sa	0
Clara Schumann: Changing Identities and Legacies	0
Salons in Belgrade in the Nineteenth Century: The Coexistence of Different Cultural Models	0
Katherine K. Preston, Opera for the People: English-Language Opera and Women Managers in Late 19th- Century America (New York: Oxford University Press, 2017). xxix + 618 pp. £39.99.	0
Letting the Lark Ascend: Vaughan Williams's ‘Most Popular Work’ and the Limits of Revisionism	0
Wisps in the Dell Makaris Fiona Gillespie, lead vocals and Irish whistle, Emi Ferguson, flute, piccolo, and vocals, Elliot Figg, fortepiano, Edwin Huizinga, <	0
Stylistic Duality in Gabriel Fauré's Music for Pauline Viardot's Salon	0
The Edizione critica delle opere di Gioachino Rossini and Self-Borrowing	0
Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge: Cambridge University Press, 2022). xiv + 193 pp. £75.00.	0
Moniuszko and the Revival of the Noble Traditions: The Countess and The Haunted Manor	0
Donizetti's Self-Borrowings as an Artistic Practice	0
Giuseppe Verdi, Il Corsaro Matheus Pompeu, ten, Ilona Mataradze, sop, Aleksey Bogdanov, bar, Karen Gardeazabal, sop, Mateusz Stachura, bar, Pawel Cichoński, <	0
NCM volume 20 issue 1 Cover and Front matter	0
Clara Schumann: Complete Songs Miriam Alexandra sop, Peter Gijsbertsen ten, Jozef De Beenhouwer pf Musikproduktion Dabringhaus und Grimm MDG9032114, 2019 (1 CD: 71 minutes). €16.6	0
Russell Stinson, Bach's Legacy: The Music as Heard by Later Masters (New York: Oxford University Press, 2020). 177 pp. £22.99	0
Ludwig van Beethoven, Trio in B-flat major for Pianoforte, Violin and Violoncello, op. 97 ‘Archduke’. Bärenreiter Urtext, edited by Jonathan Del Mar (Kassel: Bärenreiter, 2022). BA10942. € 34,95.	0
NCM volume 20 issue 2 Cover and Front matter	0
Delphine von Schauroth, Corinna-Sister	0
Cosmopolitan Connections: Yevgeny Onegin as realist drame lyrique in Nice	0
César Franck, Intégrale de l’œuvre d'orgue –– Complete Edition. Edited by Richard Brasier, Foreword by Marie-Louise Jaquet-Langlais (Lyrebird Music, 2022). Score LBMP 029, 606 pp.	0
From Extraordinary Success to No Considerable Results: Victorian Music Entrepreneurialism and the Crystal Palace Brass Band Competition 1860–1863	0
NCM volume 18 issue 2 Cover and Front matter	0
Notes on Article Contributors	0
Richard Strauss Online	0
A Crash Course in Chopinology	0
Alice Mary Smith, Short Orchestral Works: Andante for Clarinet and Orchestra, Intermezzi from The Masque of Pandora, edited by Ian Graham-Jones. Recent Researches in the Music of the Nineteenth and Ea	0
Lysistrata in Kleindeutschland: The German-American Reception of Schubert's Die Verschworenen (D. 787)	0

Antonín Dvořák, Nocturne in B major for String Orchestra, Op. 40, Urtext. Edited by Jonáš Hájek, Preface by David R. Beveridge (Kassel: Bärenreiter, 2022). Score and Parts BA 11564, x + 9 pp.	0
Night Music, Music for a Viennese Salon Steven Zohneight-keyed fl, Rebecca Harrisvln, Marika Holmqvistvln, Daniel Elyarvla, Rebecca Humphrey Diederichvc, Heat	0
Ohé! les p'tits agneaux!: A Parisian revue de fin d'année for 1857, edited by Richard Sherr. Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries 82–83 (Middleton, WI: A-R ed	0
NCM volume 19 issue 1 Cover and Back matter	0
Notes on Article Contributors	0
Schubert: Schwanengesang Ian Bostridge, ten, Lars Vogt, piano Pentatone 5186786, 2022 (1 CD: 69 minutes) €18 - Schubert: Winterreise Ian Bostridge, ten, Thomas Adès, piano	0
André Messager, Les p'tites Michu (operetta or opéra-comique, 1897) – CORRIGENDUM Violette Polchi (Marie-Blanche), Anne-Aurore Cochet (Blanche-Marie), Marie Lenormand (Mme. Michu), Caroline Meng (Mlle	0
A Wagnerian Battle for Souls: Parsifal and the Crisis in American Protestantism, 1882–1904	0
Joe Davies and James William Sobaskie, eds, Drama in the Music of Franz Schubert (Woodbridge: Boydell Press, 2019). xxix + 348 pp. £70.00.	0
Antonín Dvořák. String Quartet No. 10 in E-flat major, Op. 51. Edited by Hartmut Schick. Bärenreiter-Verlag Urtext. Kassel and Prague: Bärenreiter, 2019. Study Score. xi, 50 pp. € 12.95 - Antonín Dvoř	0
To a Camia: Piano Music from Romantic Manila Sally Pinkas, piano MSR Classics MS 1645, 2019 (1 CD: 76 minutes) $12.95	0
Preface	0
NCM volume 17 issue 2 Cover and Back matter	0
Helen Julia Minors and Laura Watson, eds, Paul Dukas: Legacies of a French Musician (London: Routledge, 2019). xiii + 165 pp. $124.	0
NCM volume 21 issue 1 Cover and Front matter	0
The LiederNet Archive	0
NCM volume 18 issue 1 Cover and Back matter	0
Beethoven's String Quintet in C major, Op. 29, and Brahms's String Sextets: A Wallflower Blooms	0
Unveiling Musical Production: Strauss, Mahler and Commodity Fetishism in the Late Nineteenth Century	0
Sarah Collins, ed., Music and Victorian Liberalism: Composing the Liberal Subject (Cambridge: Cambridge University Press, 2019). xiii + 254 pp. £75.00.	0
Marjorie W. Hirsch and Lisa Feurzeig, eds, The Cambridge Companion to Schubert's Winterreise (Cambridge: Cambridge University Press, 2021). xv + 279pp. £74.99 (cloth), £22.99 (paper).	0
Philipp Jakob Riotte, Clarinet Concerto in C Minor, Op. 36, edited by Martin Harlow. Recent Researches in the Music of the Classic Era (Middleton, WI: A-R Editions, 2016). Full Score, C104, xv + 103 p	0
Nicholas Temperley, Edward Loder, and Retrospect Opera's Raymond and Agnes	0
James Porter, Beyond Fingal's Cave: Ossian in the Musical Imagination (Rochester: University of Rochester Press, 2019). xxi + 401 pp. $99.00.	0
Peter Bloom, ed., Mémoires d'Hector Berlioz de 1803 à 1865, et ses voyages en Italie, en Allemagne, en Russie et en Angleterre, écrits par lui-même (Paris: J. Vrin, 2019). 909 pp. 49,00€	0
Hervé Lacombe, ed., Histoire de l'opéra français: Du Consulat aux débuts de la IIIe République (Paris: Fayard, 2020). 1,258 pp. €39.00.	0
Lars Helgert, ed., Herrman S. Saroni, Complete Songs 1844–1889. Recent Researches in American Music, vol. 91. Middleton, WI: A-R Editions, 2023, 197 + xlii. $425.00	0
‘Unearthly Music’, ‘Howling Idiots’, and ‘Orgies of Amusement’: The Soundscapes of Shell Shock at Edinburgh's Craiglockhart War Hospital, 1917–18	0
How Reliable Are Nineteenth-Century Reviews of Concerts and Operas?: Félicien David'sLe Désertand His Grand OpéraHerculanum- CORRIGENDUM	0
Felix Mendelssohn Bartholdy, Lobgesang: Eine Symphonie-Kantate nach Worten der Heiligen Schrift (Hymn of Praise: A Symphony-Cantata after Texts from the Holy Scripture), MWV A 18 / Op. 52. Bärenreiter	0
Violin Effects from the Early Nineteenth Century: the Extended Techniques of Pierre Baillot	0
French Cello Marc Coppey, violoncello Orchestre philharmonique de Strasbourg John Nelson, conductor Audite, 97.802, 2022 (1 CD: 71 minutes) $19.99	0
Tsarist Russia and the Musical World	0
Notes on Article Contributors	0
François Le Roux and Romain Raynaldy, Le Chant Intime: The Interpretation of French Mélodie, trans. Sylvia Kahan (New York: Oxford University Press, 2021). x + 283 pp. $99.00.	0
NCM volume 20 issue 3 Cover and Back matter	0
Clara Schumann, Drei Romanzen für Violine und Klavier, Three Romances for Violin and Piano, Op. 22, ed. Jacqueline Ross (Basel: Bärenreiter-Verlag, 2021), ix + 27 pp. € 19.95.	0
Digitized Publications of Spirituals from the Nineteenth Century	0
NCM volume 20 issue 1 Cover and Back matter	0
The Iowa Bird That Inspired Antonín Dvořák's American String Quartet in 1893: Controversy over the Species’ Identity and Why It Matters	0
Recurring Hauntings and Trauma in Schubert's ‘Unfinished’ Symphony	0
Music and Modernity in the Colonial City: A Biography of Melbourne's Marshall-Hall Orchestra (1892–1912)	0
Gabriel Fauré, Pavane op. 50 (N 100c) piano version, Urtext, edited by Jean-Pierre Bartoli. (Kassel: Bärenreiter, 2022). Critical Commentary, BA 11832 vii+8pp. - César Franck, Mélodies complètes, intr	0
Sam Girling, ed., Pierre Rode: Selected String Quartets, Recent Researches in the Music of the Nineteenth and Early Twentieth Century, vol. 87. Middleton, WI: A-R Editions, 2023, xxi, 162 pp. $250.00.	0
Notes on Article Contributors	0
John Field's Russian Landscape and the Early Nineteenth-Century Piano Nocturne	0
Longing for the Tonic in Robert Schumann's ‘Meine Rose’ Op. 90 No. 2 andFantasiestückOp. 73 No. 1	0
The Tambourine, Joseph Dale's Grand Sonata and Its Role in the Appearance of Women Musicians in the Salon	0
NCM volume 21 issue 1 Cover and Back matter	0
Alban Ramaut and Emmanuel Reibel, eds., Hector Berlioz 1869–2019: 150 ans de passions (Éditions Aedam Musicae, 2019). 351 pp. €30.	0
Polish Romantic Guitar: Chopin, Bobrowicz, Horecki, Szczepanowski, Sokołoski Mateusz Kowalski, guitar The Fryderyk Chopin Institute NIFCCD 118, 2020 (1 CD: 79 minutes). €15.00	0
Music-Making as Witness in the Mexican–American War: Testimony, Embodiment and Trauma	0
Creativity, Performance and Problems of Authorship: Clara Schumann's Cadenzas for Mozart's D minor Concerto, K466	0
What the Climber Saw: Strauss's Alpensinfonie and the Romantic Tradition of Nature Representation	0
Notes on Article Contributors	0
Rethinking Salon Music: Case-Studies in Analysis	0
Modalities of Assimilation: Subcultural Currents in Felix Mendelssohn's Lieder Ohne Worte – ERRATUM	0
Historiographical Reflections on the Beethoven Year 250	0
Louis Spohr, String Quartets, Opp. 29 and 45, ed. Nancy November. Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, vol. 85. (Middleton, WI: A–R Editions, 2022). xvi + 42	0
NCM volume 20 issue 2 Cover and Back matter	0
Eftychia Papanikolaou and Markus Rathey, eds, Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall (Lanham: Lexington Books, 2022). viii + 429 pp.	0
The Harp, the Lied and Ossianic Narratives in Massenet'sWerther	0
David Milsom, Romantic Violin Performance Practices: A Handbook (Woodbridge: The Boydell Press, 2020). xv + 319 pp. £65.00.	0
NCM volume 19 issue 3 Cover and Back matter	0
NCM volume 18 issue 3 Cover and Back matter	0
Retrospect Opera: Reviving Britain's Operatic Past	0
The Technological Priestess: The Piano Recital, Photography, and Clara Schumann	0
Bruckner-online	0
NCM volume 19 issue 1 Cover and Front matter	0
Antonín Dvořák, Tragic Overture, B 16a. Ed. Ludmila Šmídová. Prague: Etnologický ústav Akademie věd České republiky, 2016, 102 pp. ISBN 978-80-88081-01-2.	0
A Tribute to Pauline Viardot Marina Viotti, mezzo-soprano Les Talens Lyriques Christophe Rousset, conductor Aparté AP290, 2022 (1 CD: 78 minutes). €19.00	0
Rossini's Self-Borrowings as a Stylistic Weapon	0
Katharina Uhde, The Music of Joseph Joachim (Woodbridge: Boydell & Brewer, 2018). xxv + 506 pp. £60.00.	0
Digital Sources for Nineteenth Century Music in Spain: The Digitization Project of the National Library in Context	0
Michela Niccolai, Debussy's Pelléas et Mélisande: The Staging of Albert Carré (Turnhout, Belgium: Brepols, 2017). xvii + 253, pp. £84.65.	0
Three Versions of Classic: The Construction of Gabriel Fauré in the 1920s	0
Jeremy Yudkin, From Silence to Sound: Beethoven's Beginnings (Woodbridge: The Boydell Press, 2020). xxi + 424 pp. £65.00/$115.00	0
Antonín Dvořák, IX. symfonie e moll, op. 95, ‘Z nového světa’ (Symphony No. 9 in E minor, op. 95, ‘New World’). Urtext, edited by Jonathan Del Mar, introduction by Jan Smaczny (Kassel: Bärenreiter, 20	0
Nicole Grimes, Brahms's Elegies: The Poetics of Loss in Nineteenth-Century German Culture (Cambridge: Cambridge University Press, 2019). xv + 277 pp. £75.00.	0
Why Do We Need Another Recording of Beethoven's Ninth Symphony? - Symphony No. 9 Benjamin Zander Discusses Beethoven's Ninth Symphony - Rebecca Evans sop, Patricia Bardon mezzo-sop, Robe	0

Luciaand the Auscultation of Disease in Mid-Nineteenth-Century France	0
Giuseppe Verdi's Jérusalem between Adaptation and Self-Borrowing	0
Digitized German-language Newspapers	0
The Flageolet: A Woodwind Instrument that Transcended Social Class and Gender in Nineteenth-Century England	0
Ethel Smyth, Serenade in D Major for Orchestra. Edited by John L. Snyder. Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, vol. 84. Middleton, WI: A-R Editions, 2021. Fu	0
NCM volume 18 issue 2 Cover and Back matter	0
NCM volume 18 issue 3 Cover and Front matter	0
Sonic Scars in Urban Space: Trauma and the Parisian Soundscape during l'année terrible	0
Music, Medical Science and the Body	0
Imagination and Memory: Inter-movement Thematic Recall in Beethoven and Brahms	0
Self-Borrowing in Nineteenth-Century Italian Opera: A Reconsideration	0
Schumann and the Myth of Madness	0
Nineteenth-Century Women in Music: MuGI, Sophie Drinker, Art Song Augmented and BID	0
‘Under the Gallic Spell’: Boston's Embrace of Gabriel Fauré, 1892–1924	0
NCM volume 19 issue 2 Cover and Front matter	0
Digital Sources for Nineteenth Century Music in Portugal: ‘A Long Way to Run’	0
Clara & Robert Schumann: Piano Concertos Beatrice Rana, pianoChamber Orchestra of EuropeYannick Nézet-Séguin, conductorWarner Classics, 5419729625, 2023(1 CD: 57 minutes) £12.75	0
Notes on Article Contributors	0
Antonín Dvořák, String Quartet No. 12 in F major, ‘American’, op. 96, Urtext, edited by Michael Kube (Kassel: Bärenreiter, 2023). TP 538 (study score), xii+51. BA 11538 (parts).	0
Laura Tunbridge, Beethoven: A Life in Nine Pieces (United Kingdom: Viking) xii+288 pp. £16.99	0
Brahms, Beethoven, and a Reassessment of the Famous Footsteps	0
L'art de la flûte française	0
Schumann: Carnaval Op. 9, Fantasie Op. 17 and Mondnacht Op. 39 No. 5 Emile Naoumoff, piano Melism Records, MLS-CD-020, 2022 (1 CD: 76 minutes) $15.00	0
Vaughan Williams: On Wenlock Edge & other songs Nicky Spence, ten, Julius Drake, pf Timothy Ridout, vla Piatti Quartet: Michael Trainor, vln, Zara Benyounes, vln	0
Charles Youmans, ed. Mahler in Context (Cambridge: Cambridge University Press, 2021). 344 pp. £84.99.	0
Phryné as opéra comique: Saint-Saëns contra Offenbach	0
NCM volume 20 issue 3 Cover and Front matter	0
Joseph Joachim: Two Fantasies Rediscovered Katharina Uhde, vln, Dennis Friesen-Carper conductor, Polish Radio Orchestra Warsaw Soundset Recordings, SR1122; 2021 (1 CD: 49 minutes) $16.99	0
Allan W. Atlas, ed., A Wilkie Collins Songbook (Middleton, WI: A-R Editions, 2023), xix + 180.	0
The Memory Man: Jacques Offenbach, Le Bonhomme Jadis and the Origin of an air connu	0
Speech and Silence: Encountering Flowers in the Lieder of Clara Schumann	0
Musical ‘Magic Words’: Trauma and the Politics of Mourning in Ravel'sLe Tombeau de Couperin, FrontispiceandLa Valse	0
Music DH 2021: A Directory of Digital Scholarship in Music	0
Data Scraping YouTube for the Study of Lieder Reception	0
The Emergence of the Romanian National School of Composition in the First Half of the Nineteenth Century: Between the Western Canon and the Resources of the Local Music	0
Notes on Article Contributors	0
Wagner's Shakespeare: Das Liebesverbot, the Problem Comedy and the Carnivalesque	0
Samuel Coleridge-Taylor, Symphony in A Minor Opus 8: With the Earlier Finales and Idyll Opus 44. Edited by John L. Snyder. Recent Researches in the Music of the Nineteenth and Early Twentieth C	0
The Socio-Political Faces of Clara Schumann on German Film	0
Antonín Dvořák, Biblické písně (Biblical Songs), op. 99, Urtext, edited by Eva Velická, foreword by David R. Beveridge (Kassel: Bärenreiter, 2021). BA 10425 (low voice). BA 10426 (high voice). xix + 3	0
Notes on Article Contributors	0
International Networking in Russian Music Theatre around 1800: Sheremetev, Yusupov and Grand Duke Pavel Petrovich	0
Musical Self-Borrowing in Ottocento Opera and the Composer's Toolbox	0
Anja Bunzel and Natasha Loges, eds, Musical Salon Culture in the Long Nineteenth Century (Woodbridge: The Boydell Press, 2019). xviii + 284 pp. $115.00.	0
The Other Otto Dresel: Public and Private Musical Identities in a German-American ‘Forty-Eighter’ and his Family, c. 1860–1880	0
Issue on Opera and Ancient Sources in the Nineteenth Century	0
Navigating the Local Elites: Travelling Musicians and their Encounters with the Russian Court and Aristocracy in the Mid-Nineteenth Century	0
Candace Bailey, Unbinding Gentility: Women Making Music in the Nineteenth-Century South (Urbana: University of Illinois Press, 2021). xviii + 292 pp. $30	0
IS THIS A THING? - Christopher Dingle, ed., The Cambridge History of Music Criticism (Cambridge: Cambridge University Press, 2019). xvi + 826 pp. £120.00	0
NCM volume 19 issue 3 Cover and Front matter	0
Hugh Macdonald. Saint-Saëns and the Stage: Operas, Plays, Pageants, a Ballet, and a Film (Cambridge: Cambridge University Press, 2019). xv + 432 pp. $120.00.	0
Jean-Michel Nectoux, ed, Gabriel Fauré: Catalogue des œuvres. Gabriel Fauré Œuvres complètes, Série VII, Volume 1 (Kassel: Bärenreiter, 2018). iii + 496 pp. €249.	0
Jessica Gabriel Peritz, The Lyric Myth of Voice: Civilizing Song in Enlightenment Italy (Oakland: University of California Press, 2022). xi + 282 pp. $65.00, £55.00	0