Clcweb-Comparative Literature and Culture

Papers
(The H4-Index of Clcweb-Comparative Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Strange Genre-related Loops in a Novel-Short Story: The Tension between the Genres and their Cultural Context0
Westernization or Localization? The (Mis)reading of “the Tragic” in Modern Chinese Literary Discourse0
Exotic Construction of an Ancient Oriental Sappho: On Rexroth’s Creative Translation of Li Ch’ing-Chao’s Ci-Poems and its Influences0
Identity Reconfigurations, Memory and Personal History in Norman Manea and Saul Bellow’s ‘Spoken Book’0
Palestinian Prisoners: Smuggling Freedom, Writing from Captivity0
Terada Torahiko, a Physicist and a Haikai Poet0
The Turn toward the Nonhuman in Susan Straight’s <em>A Million Nightingales</em>0
Periodizing the Present: The 2020s, the <em>Longue Durée</em>, & Contemporary Culture0
“It Is Not All That Bad”—Hitler and Identity-building in <em>Er ist wieder da</em> (Look Who’s Back)0
Cooling Down Transmedia Storytelling0
<em>All Men Are Brothers</em>: Pearl S. Buck’s Translation of <em>Shui Hu Zhuan</em> and its Effects on Her Writing Career0
Review of Emily Sun’s <em>On the Horizon of World Literature</em>0
Political Orientation in Ecocriticism: National Allegory in Vietnamese Ecofiction by Trần Duy Phiên0
Sounding the State of the World: Interview with Karim Rafi, Summer 20210
Graphic Nonsense and Historical Trauma in Fred Chao’s <em>Johnny Hiro</em>0
“Love Thy Social Media!”: Hysteria and the Interpassive Subject0
Coming of Age and Exile in <em>No pasó nada</em>0
Deleuze’s Challenge to Hegel’s Aesthetics—Chinese Aesthetics in the Confrontation between German Classical Aesthetics and Postmodernism0
New Approaches to MENA Prison Literatures After 20110
#Emotional: Exploitation & Burnout in Creator Culture0
The Absurdity of Liberation in Moroccan Prison Narratives0
Translation as Creative Writing: Rewriting <em>The Chinese Maze Murders</em> in Contemporary China0
Representation of Terror and Terrorism in Two Arab Films: <em>Paradise Now</em> (2005) by Hany Abu-Assad and <em>Horses of God</em> (2012) by Nabil Ayouch0
Knowledge Production in the Theory of Literature and Art in Contemporary China: From a Generations Perspective0
‘Convicted of Patricide?’: Robert Frost’s Nationalism in the Eyes of Contemporary Arab-American Women Writers0
Signs of the Inhuman: Hauntings and Lost Futures in Verónica Gerber Bicecci’s <em>La Compañía</em>0
“<em>There is no pandemic</em>”: On Memes, Algorithms and other Interpassive Forms of Right-wing Disbelief0
Biopolitics in the Twenty-first Century: India and the Pandemic0
Exploring the Margins of Kotha Culture : Reconstructing a Courtesan’s life in Neelum Saran Gour’s <em>Requiem in Raga Janki</em>0
Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon0
Remembering Complicity and Resistance: A Review of Mihaela Mihai’s <em>Political Memory and the Aesthetics of Care: The Art of Complicity and Resistance</em> (2022)0
Female Bonding and Marginality in Shang Wanyun’s novella “Xialihe” (1978)0
On a Small Glossary of Academic Anti-Intellectualism0
Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures0
Stalking Oneself: The Fantasmatic Intersubjectivity of Google0
Storytelling as a Way of Translation: The Rendition of Taoism in Ursula K. Le Guin's <em>The Lathe of Heaven</em>0
Engaging China: Beckett’s Debt to Pound, Giles, and Laloy0
The Many Afterlives of Orientalism: Translation, Reception, and Appropriation of Saidian Theory in China0
Incipient Fascism: Black Radical Perspectives0
The Networks of Prison Narrative: Imagining Sociality and Making Narrative in Assad’s Syria0
The Social Sinthome0
Introduction: A Return to the Bad Old Times0
“For the moment, I am not F*cking,” I am Tweeting: Platforms of / as Sexuality0
“A Sick Eagle” and “I am”: Hymns to Sculpture by Keats and Rilke0
Lacan and the Algorithm0
Children’s Gothic in the Chinese Context: The Untranslatability and Cross-Cultural Readability of a Literary Genre0
Playing with Time: Writing History in Neo-Zionist Hebrew Literature0
Community Despite Connection: Resisting the Digital Logics of Optimization and Failure0
Hold Fast the Rope of God: Space, Authority, and Speech in Muslim Prison Narratives0
Confinement, Care, and Commodification in Mati Diop’s <em>In My Room</em>0
The Female Best-Friend Novel: Narration and the Reconsideration of the Political Act0
“Passive Revolutions” after the Crisis of Globalization: Gramsci and the Current Culture of Populism0
Literature and Economy in Portuguese-speaking Southern Africa0
Introduction: Western Theory’s Chinese Transformation0
Socrates the Degenerate: Irony as Trope of Decadence0
A Trumpian Mechanism0
Returning to East Africa via India: On M. G. Vassanji’s <em>And Home Was Kariakoo</em>0
Translating Diversity from Ralph Ellison to Kenzaburō Ōe0
A Semiotic Paradox: Scientific Language in the Narrative of TV Advertisement-0
Extending the Frontiers of the Detective Novel in Adaora Ulasi’s <em>The Man from Sagamu</em>0
Purloined Significance: How Recidivism Algorithms Capture, Transform, and Automate our Intersubjective Unconscious as Data0
Everybody Wants to be a Fascist Online: Psychoanalysis and the Digital Architecture of Fascism0
Khairy Shalaby’s Novel <em>The City of the Enslaved</em>: Egyptian Prison Literature with a Russian Twist0
Prison as a Living Being: ‘Assad’s Syria’ as a model for the Imprisonment State0
Punish Yet Cannot Discipline: Two Iraqi Prison Novels0
Captivity, Resistance and Political Consciousness in Walid Daqqa’s Prison Literature0
Pallavi Rastogi, Postcolonial Disasters: <em>Narrating Catastrophe in the Twenty-First Century </em>(2020): Review Essay0
Looking Back, or Re-visioning: Contemporary American Jewish Poets on “Lot’s Wife”0
Poetics of the Crystal-Image: Dreams in <em>Mirror</em> and <em>Ashes of Time Redux</em>0
Traveling Theory and Discursive Transformation: The Reception of Walter Benjamin and Emmanuel Levinas in China0
The Making of Chinese Meixue0
Ecopoetry as Method: Reading Gary Snyder as a Cultural Mediator between China and the World0
French Left-wing Literary Theory and Mao Zedong Thought0
The Malvinas/Falklands War in Transatlantic Narratives: Exploring Collective Memory and Negotiating Self/Other Identity0
Out of the Myths of “Revolutionary China”: Liu Kang versus Žižek & Badiou0
Language and Betrayal: Posthuman Ethics in Kazuo Ishiguro’s <em>Never Let Me Go</em>0
On Gary Snyder’s Tradaptation of <em>Cold Mountain Poems</em> and its Spiritual Salvation and Literary Enlightenment in Postwar America0
The Animal in the Wild in <em>Hwang Sun-mi’s The Hen Who Dreamed She Could Fly</em>0
Time Decay: Assets, Authoritarianism, and Anxiety about the Future0
Introduction: New Faces of Authoritarianism0
Poetic Explorations in Bill F. Ndi’s <em>Worth Their Weight in Thorns</em>: (De)Constructing Hegemonic National Integration and Debating Francophonecentric National Governance.0
BreadTube Rising: How Modern Creators Use Cultural Formats to Spread Countercultural Ideology0
Beyond ‘Rising Tides’ and ‘Lying Flat’: Emergent Cultural Practices Among Youth in Urban China0
Defending “Western” Values: Reactionary Neoliberalism in the Americas0
A Case of Pandemic Narrative and the End of Post-Cold War0
Resisting Pacification: Locating Tension in G'Ebinyo Ogbowei's Poetry0
Where Are the Women?: An Ecofeminist Reading of William Golding’s <em>Lord of the Flies</em>0
Fredric Jameson and Gayatri Chakravorty Spivak’s <em>Periodizing</em> the Black Internal Colony0
Neo-Authoritarianism and the Contestation of White Identification in the US0
Chinese Modern Leftist Affect and Aesthetic-affective Modernity in the Global Affective Turn0
Chinese Ideas and American Politics: Confucius as a Guideline for Leadership0
Precarity in the Times of Partition: Personal vs Communal Love in Khushwant Singh’s <em>Train to Pakistan</em> and Saadat Hasan Manto’s “Gurmukh Singh ki Wasiyat”0
Returning to the Past to Rethink Socio-Political Antagonisms: Mapping Today’s Situation in Regards to Popular Insurrections0
Western Theory’s Chinese Transformation: Postscript0
The Logic of "Social Enterprise": The Big Issue Organization and New Labour Policy at the Millennial Juncture0
Translating Literary Ideology from Ancient Chinese into Modern French: François Cheng’s Francophone Poetry in <em>Double chant</em> (2000)0
Two Imagined Chinas in <em>Tel Quel</em>0
Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe0
Kazuo Ishiguro and the Service Economy0
Topological Tropology of V.S. Naipaul’s Islamic Travelogues and Daniel Pipes’ Islamic History: Ahistorical Historicism0
<em>The Silmarillion</em> by J.R.R. Tolkien and <em>Shahnameh</em> by Firdausi: A Sadraic Interpretation of Free Will and Determinism0
Authoritarianism and Ideology0
Conjunctures, Commodities, and Social State Marxism0
Orature: The Political Interpretation of Performance Framework in <em>Anthills of the Savannah</em> and <em>Half of a Yellow Sun</em>0
Prison Sentences: Spaces of Liberation in Arab Prison Writing0
From Prison to the World: A Comparative Reading of Naji’s <em>Hirz Mikamkim</em> (Rotten Evidence, 2020) and Abd el-Fattah’s <em>You Have Not Yet Been Defeated</em> (2021)0
Terrorists, Spies, and Diplomatic Crises: The Birth of Morocco’s Multimedia Prison Literature0
Ethical-Reparative Reconfigurations of the Literary Today0
Reading the Global City: Crisis, Cognitive Mapping and the “Urban Sensorium” in Tom McCarthy’s <em>Satin Island</em> and Ben Lerner’s <em>10:04</em>0
Confucianism and Folklore in Vietnamese Fantasy Short Stories: <em> The Case of Ghost Stories </em>0
Bergson on Poetics: Philosophy, Literature and Science0
Amazon Web Services, the Lacanian Unconscious, and Digital Life0
Platform Psychoanalysis: What Does the Algorithm Want?0
The Extinction Race: Techniques of the Human in Proust, via Houellebecq0
“China Form” and the Question of the Frankfurt School0
Language, Science and Literature0
Vulgarity as Springboard for High Art—A Comparative Study of Vladimir Nabokov and Qian Zhongshu’s Notions of Vulgarity0
Precarious Refugee: Self-Optimization and Neoliberal Rationality in Rawi Hage’s <em>Cockroach</em>0
The Symbolism of Clothing: The Naked Truth About Jacques Lacan0
Tituba, “Dark Eve” in the Origins of the American Myth: The Subject of History and Writing about Salem0
Periodizing the Residuality of a Composite Protest Art Form: The Case of Telangana <em>Dhoom Dham</em>0
Neo-Authoritarianism without Authority0
The Brazilian System of Television, or How to Get a President0
Beyond Victimhood: Female Agency in Nigerian Civil War Novels0
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